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RM 127250647

レオナルド・ダ・ヴィンチ 「人体均衡図（ウィトルウィウス的人体）」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル：人体均衡図（ウィトルウィウス的人体） 国籍： イタリア ジャンル： ルネサンス Title： The Proportions of the human figure (after Vitruvius), c.1492 (pen & ink on paper) Artist： Vinci, Leonardo da (1452-1519) Location： Galleria dell' Accademia, Venice, Italy Dimensions： 34.3x24.5 Date： 1492 Medium： pen and ink on pa

RM 87923108

レオナルド・ダ・ヴィンチ 「人間の子宮と胎児」

Leonardo da Vinci 1452–1519. Anatomical study: Fetus inside the uterus / Membrane of the uterus. C. 1510/13. Pen and ink and red chalk, 304 × 220 mm. Anatomical Studies, fol. 198 r. (R.L. 19102r). Windsor, Castle, Royal Library.

RM 83411450

マネ 「エミール・ゾラの肖像」

Zola, Emile, French author. Paris 2.4.1840-29.9.1902. "Emile Zola". Painting, 1868, by Edouard Manet (1832-1883). Oil on canvas, 146-114cm. Paris, Musee d'Orsay.

RM 51551799

ルーベンス 「ニコラース・ルーベンス」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) 国籍： フランドル ジャンル　： バロック Rubens' son Nicolas/Rubens, Peter Paul; 1577–1640. "Rubens' son Nicolas", 1621. (Nicolas, son from Rubens' first marriage to Isabella Brant; baptised on 23.3.1618, died on 28.9.1655)./Black, white and red chalk, 25.2 × 20.3cm./Inv. Nr. 17.650./Vienna, Graphische Sammlung Albertina. Identifier : AKG1642045 Artist : NICOLAS RUBENS/Museum/Vienna, Graphische Sammlung Albertina event date : 1621 image date : 1621/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/BOY/CHAIN (JEWELRY) ; CHAIN (JEWELLERY)/CHILD/CHIPMUNK CHEEKS ; CHUBBY CHEEKS/CORAL/FLEMISH ART/HEAD (BODY)/JEWELRY ; JEWELLERY/LOOK/NECKLACE/NETHERLANDISH ART/PARTIAL PROFILE/PORTRAIT/SON/SON OF CELEBRITY/STRING OF PEARLS ; PEARL NECKLACE/TODDLER/Person/ISABELLA BRANT/PETER PAUL RUBENS technique : CHALK DRAWING ; CRAYON DRAWING/DRAWING/GRAPHIC ART ; GRAPHIC ARTS/HAND DRAWING/PEN AND INK DRAWING ; LINE DRAWING/RED CHALK DRAWING ; SANGUINE DRAWING/Size 3983px × 4961px (56 MB) 33.7 cm × 42.0 cm @ 300 dpi/Special Formats/5987px × 7457px (128 MB) TIFF/50.7 cm × 63.1 cm @ 300 dpi

RM 149246081

ウィリアム・ブレイク「ヤコブの梯子 (天使の階段)」

国籍： イギリス ジャンル： ロマン主義 Title: Jacob's LadderV Artist: Blake, William (1757-1827) Nationality: English Location: British Museum, London, UK Medium: pen and watercolour on paper Date: 18th (C18th) Categories: Christianity: Old Testament Dimensions: 39.8x30.6 cms Orientation: Vertical 10703868

RM 70433848

ピーテル・ブリューゲル 1世「7つの罪源－貪欲」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「貪欲」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス SEVEN DEADLY SINS: GREED. Engraving after a pen drawing, 1556, by Peter Bruegel the Elder. The Flemish verse below the engraving, freely translated reads: 'Grasping Avarice does not understand Honor, decency, shame, or divine command.'

RM 172883077

虎

Unknown Artist (Japanese), untitled (Tiger), n.d., pen and ink on linen, 4 11/16 in. x 3 9/16 in. (11.91 cm x 9.05 cm)

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 70433852

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス SEVEN DEADLY SINS: ANGER. Engraving after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving, freely translated reads: 'Anger congests the mouth, poisons the mood, Disrupts the spirit, blackens the blood.'

RM 83411761

シャルダン 「コマを回す少年」

Chardin, Jean Baptiste Simeon, 1699-1779. "The boy with the Top", before 1738. (Auguste Gabriel Godefroy, 1728-1813) Oil on canvas, 68 × 76 cm. Paris, Musee du Louvre.

RM 164767338

クリムト 「≪悲劇≫の寓意のための最終習作」

Klimt,Gustav (1862-1918), Tragedy. Study for the allegory of Tragedy. Pen and ink, white wash 48 x 31 cm

RM 70433850

ピーテル・ブリューゲル 1世「7つの罪源－傲慢」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「傲慢」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス SEVEN DEADLY SINS: PRIDE. Engraving after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving, freely translated reads: 'Almighty God detests the vice of Pride, And God himself in Heaven by Pride is defied.'

RM 70433855

ピーテル・ブリューゲル 1世「7つの罪源－怠惰」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「怠惰」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス SEVEN DEADLY SINS: SLOTH. Engraving after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving, freely translated reads: 'Sloth weakens men, until at length, Their fibres dried, they lack all strength.'

RM 134542471

ウィリアム・ブレイク ダンテの神曲「地獄篇」より

5650085 The circle of the lustful or The lovers' whirlwind, Francesca da Rimini and Paolo Malatesta, from Dante's Inferno, Canto V, 1824-1827, illustration by William Blake (1757-1827), pen and ink and watercolor, cm 37.4x53.) 126146011

RM 53223793

アルフォンス・ミュシャ 「月（習作）」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「月（習作）」 国籍： チェコ ジャンル：アール・ヌーヴォー ucha / Moonshine / 1902 Mucha, Alfons 1860–1939. "Moonshine", 1902. From a series of four designs for Panneaux decoratifs "The Stars". Pen and watercolours, 56 × 21cm. Mucha Trust. Identifier : AKG205612 Artist : ALFONS MUCHA source : akg-images credit line : akg-images event date : 1902 image date : 1902 Time Period 20TH CENTURY 2ND MILLENNIUM A.D. topic : ALLEGORY ART NOUVEAU ASTROLOGY ASTRONOMY CZECH ART LIGHT (LIGHTING) MOON MOONLIGHT ; MOONSHINE (LIGHT) MORNING STAR (STAR) PERSONIFICATION TURN OF THE CENTURY WOMAN Person LUNA (SELENA) MUCHA TRUST VENUS (APHRODITE) technique : DRAWING GRAPHIC ART ; GRAPHIC ARTS WATERCOLOR ; WATERCOLOUR Size 1345px × 3364px (12 MB) 11.3 cm × 28.4 cm @ 300 dpi

RM 149246062

シューベルトの肖像

Franz Peter Schubert , 1797-1828 , Rieder , Wilhelm August , 1796-1880 , / Wien Museum Karlsplatz , Vienna , Austria 75404

RM 35012070

ロセッティ 「エリザベス・シダルの肖像」

作家名： ダンテ・ゲイブリエル・ロセッティ （ 1828年 - 1882年 ） タイトル：エリザベス・シダルの肖像 国籍：　イギリス ジャンル　： ラファエル前派 Title: Portrait of Elizabeth Siddal, 1854 (graphite with pen & ink on paper) creator: Rossetti, Dante Gabriel Charles (1828-82) Nationality: English Description: Elizabeth Siddal (1829-62) was engaged to the artist; Location: Fitzwilliam Museum, University of Cambridge, UK Medium: graphite with pen and ink on paper Date: 1854 (C19th) Dimensions: 24.2x29 cms Credit: Portrait of Elizabeth Siddal, 1854 (graphite with pen & ink on paper), Rossetti, Dante Gabriel Charles (1828-82) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images Keywords , Lizzie Pre-Raphaelite brotherhood Siddall beauty book calm chair drawing female full length interior model muse peaceful portrait reading reclining resting seated sketch study tranquil Categories , Emotions and Ideas Peace & Relaxation

RM 30423587

ラファエロ 「聖母戴冠」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「聖母戴冠」 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Title: The Coronation of the Virgin (pen and brown ink on off-white paper) creator: Raphael (Raffaello Sanzio of Urbino) (1483-1520) Nationality: Italian Location: Ashmolean Museum, University of Oxford, UK Medium: pen and brown ink on off-white paper Date: (C16th) Dimensions: 35.3x28.9 cms Credit: The Coronation of the Virgin (pen and brown ink on off-white paper), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Ashmolean Museum, University of Oxford, UK / Bridgeman Images Keywords:16th,High Renaissance,Jesus,Madonna,Virgin Mary,WesternArt,century,coronation,crown,crowning,drawing,female,group,male,man,men,people,sketch,study,throne,woman AMO1216730 The Coronation of the Virgin (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 35.3x28.9 cm; Ashmolean Museum, University of Oxford, UK; Italian, out of copyright

RM 30418369

エティエンヌ・ルイ・ブーレー 「ニュートン記念堂」

Re: Newton, Sir Isaac English physicist and mathematician,/1643-1727. "A Newton". (Newton's cenotaph, exterior at night). Pen-and-ink drawing with wash, 1784, by Etienne-Louis Boullee (1738-1799)./40.2 × 65.3 cm; Ha 57, No. 6. Location : Paris, Bibliotheque Nationale event date : 1784 image date : 1784 topic : 18TH CENTURY/ARCHITECTURAL DRAWING/ARCHITECTURE/CENOTAPH/DRAFT ; PROTOTYPE ; CLAY MODEL/EXTERIOR VIEW ; OUTSIDE VIEW/FRENCH ART/FRENCH REVOLUTIONARY ARCHITECTURE/MATHEMATICIAN (MALE)/NIGHT/PERSON/PHYSICIST (MALE) ; PHYSICIST/SPACE (COSMOS) ; SPACE/SPHERE (SHAPE)/TIMES OF THE DAY/TOMB /Person/ETIENNE-LOUIS BOULLEE/ISAAC NEWTON technique : DRAWING/HAND DRAWING/PEN AND INK DRAWING ; LINE DRAWING/

RM 20561879

レオナルド・ダ・ヴィンチ 「大天使ガブリエルの百合の習作」

作家名：レオナルド・ダ・ヴィンチ（1452年-1519年） タイトル：百合の習作 国籍：イタリアの画家 所蔵：ウィンザー城、王室図書館｜ロンドン｜イギリス ジャンル：ルネサンス Artist： Vinci, Leonardo da (1452-1519) Title：Study for the archangel Gabriel's lilies in the Annunciation now housed in the Uffizi Nationaly： Italian Location：　Great Britain, The Windsor Castle, Royal Library Medium：　pen and wash drawing heightened with white Date： 1470-1519 ca Studio per i gigli dell'arcangelo Gabriele nell'Annunciazione ora agli Uffizi; disegno lavato ad acquarello, con tocchi di biacca e contorni a penna, eseguito da Leonardo da Vinci e conservato nella Biblioteca Reale di Windsor2001<artist>Leonardo da Vinci (1452-1519)</artist>1470-1519 ca.<location>Gran Bretagna - Windsor, Castello, Biblioteca Reale </location><note>Riproduzione da Fac-Simile conservato nella Biblioteca della Stamperia d'Arte Fratelli Alinari</note>

RM 20530574

レオナルド・ダ・ヴィンチ 「岩窟の聖母の手の習作」

国籍：イタリアの画家 所蔵：ウィンザー城、王室図書館｜ロンドン｜イギリス ジャンル：ルネサンス Artist： Vinci, Leonardo da (1452-1519) Title：　Study of the arm and the hand of an angle of the Virgin of the Rocks Nationaly： Italian Location：　Great Britain, Windsor Castle, The Royal Library Medium：　Charcoal and pen drawing and lighted with white lead Date： 1470-1519 ca Biblioteca d'Arte Fratelli Alinari</note>

RM 20530576

レオナルド・ダ・ヴィンチ 「ヤコブの頭部の習作」

作家名：レオナルド・ダ・ヴィンチ（1452年-1519年） タイトル： ヤコブの頭部の習作 国籍：イタリアの画家 所蔵：ウィンザー城王立図書館｜ロンドン｜イギリス ジャンル：ルネサンス Artist： Vinci, Leonardo da (1452-1519) Title：　The head of the Apostle Jacopo the Elder and architecture studies for the Last Supper Nationaly： Italian Location：　 Great Britain, The Windsor Castle, Royal Library Medium：　sanguine and pen drawing on white paper, Date： 495-1497 ca The head of the Apostle Jacopo the Elder and architecture studies for the Last Supper by Leonardo da Vinci; sanguine and pen drawing on white paper, preserved at the Royal Library of Windsor.2001<artist>Leonardo da Vinci (1452-1519)</artist>1495-1497 ca.<location>Great Britain - The Windsor Castle, Royal Library </location><note>Fac-Simile preserved in the Biblioteca d'Arte Fratelli Alinari</note>

RM 15383381

ボッティチェリ 「マニフィカトの聖母 」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル：「マニフィカトの聖母 」 国籍： イタリア ジャンル　： ルネサンス　初期ルネサンス　フィレンツェ派 Artist：Sandro Botticelli Title：Madonna del Magnificat Nationaly：Italian Location：Galleria degli Uffizi（Firenze） Medium：Tempera on panel Date：15C Botticelli, Sandro (1445-1510)/ Galleria degli Uffizi, Florence/ 1483/ 118x118/ Tempera on panel/ Renaissance/ Italy, Florentine School\ Bible/

RM 15086708

レオナルド・ダ・ヴィンチ 「城塞建築」（個人蔵）

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 城塞建築｜アトランティコ手稿 国籍： イタリア 所蔵：個人蔵 ジャンル： ルネサンス Artist： Vinci, Leonardo da (1452-1519) Nationaly： Italian Title：Study for a Fortress on a Polygonal Ground Plan with a Double Moat, fol. 116r from the Codex Atlanticus, 1504-8 (pen & Indian ink on paper)　 Location：Private Collection　 Medium：pen and Indian ink on paper　

RM 14976681

アーサー・ラッカム 「真夏の夜の夢」

作家名： アーサー・ラッカム ( 1867年 - 1939年 ) タイトル： 真夏の夜の夢 国籍： イギリス Title:A Fairy Song, drawn for Act II, scene ii, from 'A Midsummer Night's Dream' (pen and ink & w/c on paper) Creator: Rackham, Arthur (1867-1939) Nationality:English Location:Private Collection Medium:pen and ink and watercolour on paper Date:1930 (C20th) Dimensions:33.7x27.3 cms Credit:A Fairy Song, drawn for Act II, scene ii, from 'A Midsummer Night's Dream' (pen and ink & w/c on paper), Rackham, Arthur (1867-1939) / Private Collection / Photo © Chris Beetles Ltd, London / Bridgeman Images Keywords:Shakespearean,Titania,cliffs,fairies,heron,landscape love,nude,queen,singing

RM 14257777

藤田嗣治 「カフェにて」

作家名： 藤田嗣治 ( 1886年 - 1968年 ) タイトル：「カフェにて」 国籍： 日本 ジャンル： エコール・ド・パリ（パリ派） Artist： Foujita, Tsugouharu Leonard (1886-1968) Title： Cafe, 1949 (pen, ink & w/c on paper) Nationaly： French Location： Musee d'Art Moderne de la Ville de Paris, Paris, France Medium： pen, ink and watercolour on paper Date： 1949 (C20th)

RM 14030595

エドモンド・キーンの肖像

Title： Handwriting and signature of Edmund Kean (pen & ink on paper) Location： Private Collection Medium： pen and ink on paper Date：19th Description：Edmund Kean (1787-1833); celebrated actor especially famous for his interpretation of Skakespearean roles; autograph; letter; male; portrait; thespian; c19th; Shakespeare; celebrity; star; writing; handwritten;

RM 14030616

「デヴィッド・ギャリックの肖像」

Title： Handwriting and signature of David Garrick (pen & ink on paper) Location： Private Collection Medium： pen and ink on paper Date：18th Description：David Garrick (1717-79) English actor;

RM 7731333

レオナルド・ダ・ヴィンチ 「集中形式の教会の習作」（アッシュバーナム手稿）

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 集中形式の教会の習作｜アッシュバーナム手稿 国籍： イタリア ジャンル：ルネサンス Title: Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper) Artist: レオナルド・ダ・ヴィンチ（Vinci, Leonardo da） (1452-1519) Nationality: イタリア人（Italian） Location: Institut de France, Paris, France Medium: pen and ink and wash over black chalk Date: 15世紀（C15th） Classification: DESIGNS, PLANS, CEILINGS, FLOORS & MURALS

RM 7731357

Artist： Vinci, Leonardo da (1452-1519) (after) Title： Five Views of a Foetus in the Womb, facsimile copy (pen & ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Medium：pen and ink on paper

RM 7731455

レオナルド・ダ・ヴィンチ 「《聖アンナと聖母子》のための習作」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 《聖アンナと聖母子》のための習作 国籍： イタリア ジャンル： ルネサンス Artist： Vinci, Leonardo da (1452-1519) Title： Virgin and Child with St. Anne, c.1501-10 (pen and ink on paper) Location： Galleria dell' Accademia, Venice, Italy Age：16th Medium：pen and ink on paper

RM 7336481

不思議の国のアリス

Title:Mad Hatter's Tea Party, 1983 (pen & ink) by Taylor, Francoise (b.1920) Location:Bolton Museum and Art Gallery, Lancashire, UK

RM 7336370

不思議の国のアリス

Title: Alice and the Red Queen play croquet, illustration from Chapter IV of 'Alice in Wonderland' (pen & ink on paper) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

RM 7336390

「不思議の国のアリス」アーサー・ラッカム

1907年版 Title: Alice and the Mock Turtle, illustration from 'Alice's Adventures in Wonderland', 1907 (pen and ink & w c on paper) by Rackham, Arthur (1867-1939) Location:Private Collection Chris Beetles, London, U.K.

RM 26164615

クリムト 「ヌーダ・ヴェリタス（裸の真実）」最後の習作

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Location：　Wien Museum "Nuda Veritas" (AS350). 1898. Pencil, pen, paintbrush and ink. 42,9 x 25,3 cm

RM 9793513

ラファエロ 「トンマーゾ・インギラーミの肖像」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「トンマーゾ・インギラーミの肖像」 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Count Tommaso Inghirami, Raphael (1483-1520 Italian), Palatine Gallery, Palazzo Pitti, Florence, Italy

RM 21309570

Bartolini, Frederico

Artist: Bartolini, Frederico,1861-1908 Imagetitle: Arabs At Prayer. 1884 Medium: Aquarel over pen and pencil Location: Christie's Images Ltd

RM 83412892

ギュスターヴ・クールベ「ボードレールの肖像」

Charles Baudelaire, French poet, Art critic and essayist, Paris 9.4.1821 - ibid 31.8.1867. "Portrait de Baudelaire" (Portrait of Baudelaires). Painting, 1848, by Gustave Courbet 1819-1877). Oil on canvas, 54 × 65.5 cm. Inv. 876.3.21 Montpellier, Musee Fabre.

RM 70449159

作家名： オーブリー・ヴィンセント・ビアズリー ( 1872年 - 1898年 ) 国籍： イギリス ジャンル　： アール・ヌーヴォー Artist：Beardsley, Aubrey (1872-98) Title：The Slippers of Cinderella, 1894 (pen & ink and w/c on paper) Location：Private Collection Age：1894 Medium：pen and ink and watercolour on paper

RM 70433546

ピーテル・ブリューゲル 1世「7つの罪源－邪淫」の原画

タイトル：「邪淫」七つの罪源(大罪）シリーズより 下絵：ピーテル・ブリューゲル 1世 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter the Elder, c. 1525/30 – 1569. "Luxuria" (Lust / Lechery). Drawing, pen and brown ink on paper, 1557. From the series of the Seven Deadly Sins 22.6 × 29.7 cm. Brussels, Bibliothèque Royale.

RM 14117181

ウィリアム・ブレイク 「天地創造」

作家名： ウィリアム・ブレイク ( 1757年 - 1827年 ) タイトル：「天地創造」 国籍： イギリス ジャンル： ロマン主義 Title： The Ancient of Days (etching with pen and ink, w/c & bodycolour on paper) Artist： Blake, William (1757-1827) Location： Private Collection Date： 18th Medium： etching with pen and ink, watercolour and bodycolour on pape

RM 20677467

レオナルド・ダ・ヴィンチ 「人間の子宮と胎児」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 人間の子宮と胎児 国籍： イタリア ジャンル： ルネサンス The Human Foetus in the Womb, facsimile copy (pen & ink on paper) UNDATED Artist : Vinci, Leonardo da (1452-1519) Location : Bibliotheque des Arts Decoratifs, Paris, ダヴィンチノート Title: The Human Foetus in the Womb, facsimile copy (pen & ink on paper) Creator: Vinci, Leonardo da (1452-1519) (after) Nationality: Italian Description: original in Royal Collection at Windsor Castle; Location: Bibliotheque des Arts Decoratifs, Paris, France Medium: pen & ink on paper Date: (C16th) Credit: The Human Foetus in the Womb, facsimile copy (pen & ink on paper), Vinci, Leonardo da (1452-1519) (after) / Bibliotheque des Arts Decoratifs, Paris, France / Archives Charmet / Bridgeman Images Keywords: Renaissance anatomical drawing anatomy baby childbirth embryo le foetus humain pregnancy pregnant study womb

RM 127252141

円山応挙 「雪松図屏風」

作家名：円山応挙 ( 1733年 - 1795年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 Title: The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216568) creator: Okyo, Maruyama (1733-95) Nationality: Japanese Description: left panels of a six panel folding screen; Location: Mitsui Hachiroermon Collection, Japan Medium: pen and ink, colour, gold paper on panel Date: (C18th) Dimensions: 156x362 cms Credit: The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216568), Okyo, Maruyama (1733-95) / Mitsui Hachiroermon Collection, Japan / Bridgeman Images Keywords:branch,branches,cloud,clouds,cold,covered,decorative,fog,laden,low,mist,pine, tree,trees,winter

RM 70433854

ピーテル・ブリューゲル 1世「7つの罪源－大食」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「大食」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス SEVEN DEADLY SINS, 1557. Gluttony. Engraving after a pen drawing, 1557, by Peter Bruegel the Elder. The Flemish verse below the engraving, freely translated reads: 'Shun drunkenness and gluttony when you drink and when you feed; For in excess a man forgets himself and forgets his God, indeed.'

RM 37729046

ピーテル・ブリューゲル 1世 「豚小屋に押し込められる酔っ払い」

作家名： ピーテル・ブリューゲル 1世 (1525年頃 - 1569年) タイトル：「豚小屋に押し込められる酔っ払い」 国籍： フランドル　ネーデルランド ジャンル： 初期ネーデルランド絵画 Title: The Drunkard Pushed into the Pigsty (oil on panel) creator: Bruegel, Pieter the Elder (c.1525-69) Nationality: Flemish Location: Private Collection Medium: oil on panel Date: (C16th) Dimensions: diam: 18 cms Credit: The Drunkard Pushed into the Pigsty (oil on panel), Bruegel, Pieter the Elder (c.1525-69) / Private Collection / Photo c Christie's Images / Bridgeman Images Keywords: alcohol alcoholic baroque bullying circular crowd cruel cruelty drunkard farm farm animal farm animals humiliated humiliating humiliation humour laughing male mocking peasant peasants pig pen pig sty pigsty punishment roundel rural rustic shame shamed villagers drunk

RM 20382613

「パリスの審判（三美神）」

Artist：Moitte, Jean Guillaume (1746-1810) Title：Design for a relief of The Judgement of Paris (pen, brush and ink) Nationaly：French Location：Hermitage, St. Petersburg, Russia Medium：pen, brush and ink on paper Date：18th (C18th) Size：35.9x49.8 cms BOO71019 Design for a relief of The Judgement of Paris (pen, brush and ink) by Moitte, Jean Guillaume (1746-1810); 35.9x49.8 cm; Hermitage, St. Petersburg, Russia; French, out of copyright

RM 20359413

ギュスターヴ・モロー 「ペルセウスとアンドロメダ」

作家名： ギュスターヴ・モロー ( 1826年 - 1898年 ) タイトル： 「ペルセウスとアンドロメダ」 フランスの画家 ジャンル　： 象徴主義 Artist： Moreau, Gustave (1826-98) Title： Perseus and Andromeda, c.1867-69 (w/c & pen on paper) Nationaly： French Location： Private Collection Medium： watercolour and pen on paper Date： 19th (C19th) NUL407679 Perseus and Andromeda, c.1867-69 (w/c & pen on paper) by Moreau, Gustave (1826-98); Private Collection; French, out of copyright

RM 14155552

Artist： Vinci, Leonardo da (1452-1519) (after) Title： The Heart, facsimile of the Windsor book (pen and ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Medium：pen and ink on paper

RM 13998968

Artist： Vinci, Leonardo da (1452-1519) (after) Title： The Human Foetus in the Womb, facsimile copy (pen & ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Age：16th Medium：pen & ink on paper

RM 81247

グイド・レーニ 「聖マタイ」

作家名： グイド・レーニ　(1575年-1642年)　 タイトル：「聖マタイ」 国籍： イタリア　 ジャンル： 　バロック　ボローニャ派 Artist： Reni, Guido (1575-1642) Title： Saint Matthew (oil on canvas) Location： Vatican Museums and Galleries, Vatican City, Italy Medium：oil on canvas

RM 14155550

Artist： Vinci, Leonardo da (1452-1519) (after) Title： The Heart and the Circulation, facsimile of the Windsor book (pen and ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Medium：pen and ink on paper

RM 14120096

円山応挙 「雪松図屏風」

作家名：円山応挙 ( 1733年 - 1795年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 Artist： Okyo, Maruyama (1733-95) Title： The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216567) Location： Mitsui Hachiroermon Collection, Japan Age：18th Medium：pen and ink, colour and gold paper on panel XIR216568 The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216567) by Okyo, Maruyama (1733-95); pen and ink, colour and gold paper on panel; 156x362 cm; Mitsui Hachiroermon Collection, Japan; (add. info.: right panels of a six panel folding screen); Giraudon; Japanese, out of copyright

RM 76668

ゴッホ 「悲しみ」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：悲しみ 国籍： オランダ ジャンル： ポスト印象派・後期印象派 Artist：Gogh, Vincent van (1853-90) Title：Sorrow, 1882 (pencil, pen and ink) Location：Walsall Art Gallery, UK Age：1882 Medium：pencil, pen and ink

RM 14149851

オーブリー・ビアズリー

作家名： オーブリー・ヴィンセント・ビアズリー ( 1872年 - 1898年 ) 国籍： イギリス ジャンル： アール・ヌーヴォー Artist：Beardsley, Aubrey (1872-98) Title：The Slippers of Cinderella, 1894 (pen & ink and w/c on paper) Location：Private Collection Age：1894 Medium：pen and ink and watercolour on paper

RM 14197940

レオナルド・ダ・ヴィンチ （アトランティコ手稿）

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) 国籍： イタリア ジャンル： ルネサンス Artist：Vinci, Leonardo da (1452-1519) Title：Designs for a Catapult, fol. 148a-r u/148b-r from the Codex Atlanticus, c.1490 (pen & ink on paper) Location：Biblioteca Ambrosiana, Milan, Italy Age：15th Medium：pen and ink on paper

RM 81506

ドラクロワ「サルダナパールの死」（習作）

作家名： フェルディナン・ヴィクトール・ウジェーヌ・ドラクロワ ( 1798年 - 1863年 ) 国籍： フランス ジャンル： ロマン主義 Artist： Delacroix, Ferdinand Victor Eugene (1798-1863) Title： Study for the Death of Sardanapalus, 1864 (pen & ink and graphite on paper) Location： Musee Bonnat, Bayonne, France Age：1864 Medium：pen and ink and graphite on paper

RM 14150999

「ディオニソスとアプロディテとデメテル」

Artist：Goltzius, Hendrik (1558-1617) Title：Bacchus, Venus and Ceres, c.1606 (pen and brown ink) Location：Hermitage, St. Petersburg, Russia Age：1606 Medium：pen and brown ink on primed canvas

RM 13998969

Artist： Vinci, Leonardo da (1452-1519) (after) Title： Bone Structure of the Human Neck and Shoulder, facsimile copy (pen & ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Medium：pen & ink on paper

RM 83270

シャルダン 「コマを回す少年」

作家名： ジャン・シメオン・シャルダン ( 1699年 - 1779年 ) タイトル：「コマを回す少年」 国籍： フランス ジャンル： ロココ美術 所蔵：ルーヴル美術館 Artist： Chardin, Jean-Baptiste Simeon (1699-1779) Title： Child with a Teetotum, 1738 (oil on canvas) Location： Louvre, Paris, France Age：1738 Medium：oil on canvas

RM 14120091

狩野永徳 「松鷹図屏風」

Artist： Kano Eitoku (1543-90) Title： The Hawks in the Pines, 6 panel folding screen (pen & ink, colour, gold on panel) (see 216561) Location： Tokyo National University of Fine Arts, Tokyo, Japan Age：16th Medium：pen and ink, colour, gold paper on panel

RM 14155633

Artist： Vinci, Leonardo da (1452-1519) (after) Title： Coition of Hemisected Man and Woman, facsimile copy (pen & ink on paper) Location： Bibliotheque des Arts Decoratifs, Paris, France Medium：pen and ink on paper

RM 86320

ジャック＝ルイ・ダヴィッド 「アルフォンス・ルロワの肖像」

作家名： ジャック＝ルイ・ダヴィッド ( 1748年 - 1825年 ) タイトル：「アルフォンス・ルロワの肖像」 国籍： フランス ジャンル： 新古典主義 Artist： David, Jacques Louis (1748-1825) Title： Portrait of Alphonse Leroy, 1783 (oil on canvas) Location： Musee Fabre, Montpellier, France Age：1783 Medium：oil on canvas

RM 14120090

狩野永徳 「松鷹図屏風」

Artist： Kano Eitoku (1543-90) Title： The Hawks in the Pines, 6 panel folding screen (pen & ink, colour, gold on panel) (see 216562) Location： Tokyo National University of Fine Arts, Tokyo, Japan Age：16th Medium：pen and ink, colour, gold paper on panel

RM 14197892

ゴッホ 「種まく人」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「種まく人」 国籍： オランダ ジャンル　印象派　ポスト印象派 Title: The Sower, 1881 (pencil, pen & brown ink) Creator: Gogh, Vincent van (1853-90) Nationality: Dutch Location: Private Collection Medium: pencil, pen and brown ink Date: 1881 (C19th) Dimensions: 60x45 cms Credit: The Sower, 1881 (pencil, pen & brown ink), Gogh, Vincent van (1853-90) / Private Collection / Bridgeman Images Keywords: Post-Impressionist agriculture farmer farming field male planting sketch sowing

RM 14175667

レオナルド・ダ・ヴィンチ「動力機械の設計図」

アトランティコ手稿 国籍： イタリア ジャンル： ルネサンス LEE60015 Studies of Toothed Gears and for a Hygrometer, facsimile of Codex Atlanticus fol. 8v-b, 1478-1518 (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Biblioteca Ambrosiana, Milan, Italy; (add. info.: transformation of Alternating to Continuous motion); Italian

RM 14155551

Title: The Heart and the bronchial arteries, facsimile of the Windsor book (pen and ink on paper) Creator: Vinci, Leonardo da (1452-1519) (after) Nationality: Italian Description: Le Coeur et les arteres bronchiques; Location: Bibliotheque des Arts Decoratifs, Paris, France Medium: of pen and ink on paper Credit: The Heart and the bronchial arteries, facsimile of the Windsor book (pen and ink on paper), Vinci, Leonardo da (1452-1519) (after) / Bibliotheque des Arts Decoratifs, Paris, France / Archives Charmet / Bridgeman Images Keywords: Ox Renaissance anatomical anatomy artery blood bronchus c16th cardiology circulation description dissection drawing fac-simile handwriting lungs organ vein veins writing

RM 14122848

フランソワ・ジェラール「8月10日事件」

所蔵：ルーヴル美術館 Artist： Gerard, Francois Pascal Simon, Baron (1770-1837) Title： The 10th August 1792 (pen & ink & wash on paper) (b/w photo) Location： Louvre, Paris, France Medium：pen and ink and wash on paper

RM 14202225

ウィリアム・ブレイク 「サタン」

作家名： ウィリアム・ブレイク ( 1757年 - 1827年 ) タイトル：「サタン」 国籍： イギリス ジャンル： ロマン主義 Title: Satan Arousing the Rebel Angels, 1808 (pen and w/c) Creator: Blake, William (1757-1827) Nationality: English Description: Paradise Lost by John Milton; Location: Victoria & Albert Museum, London, UK Medium: pen and watercolour Date: 1808 (C19th) Dimensions: 51.8x39.3 cms Credit: Satan Arousing the Rebel Angels, 1808 (pen and w/c), Blake, William (1757-1827) / Victoria & Albert Museum, London, UK / The Stapleton Collection / Bridgeman Images Keywords: Genesis damned devil evil old testament rebellion

RM 10253498

ベンジャミン・ウエスト 「ペンシルヴァニアにおけるペンとインディアンたちの協定」

Penn's Treaty with the Indians November, 1683, ベンジャミン・ウエスト　West, Benjamin (1738-1820 アメリカの画家　American)

RM 4142134

ウィリアム・ブレイク 「アダムとエヴァ」

作家名： ウィリアム・ブレイク ( 1757年 - 1827年 ) タイトル：「アダムとエヴァ」 国籍： イギリス ジャンル： ロマン主義 fine arts, religious art, Adam and Eve, 'archangel Raphael warning Adam and Eve of the fruits from the tree of knowledge, pen drawing, watercoloured, by William Blake (1757 - 1827), illustration for 'Paradise Lost' by John Milton, circa 1808, museum of fine arts, Boston, Europe, graphics, religion, christianity, biblical scene, fall of man, 19th century,

RM 946731

クレー 「灰色の夜から現れ出るとき」

作家名： パウル・クレー ( 1879年 - 1940年 ) タイトル：「灰色の夜から現れ出るとき」 国籍： スイス ジャンル　： 抽象芸術 Artist: Klee, Paul,1879-1940 Imagetitle: Einst dem Grau der Nacht enttaucht. 1918. 17 Dimensions: 22,6 x 15,8 cm Medium: Water colour, pen and pencil on paper Location: Bern, Kunstmuseum

RM 32806784

ハンス・ホルバイン（子）「著述するエラスムスの肖像」

作家名： ハンス・ホルバイン（子） ( 1497年頃 - 1543年頃 ) 国籍： ドイツ ジャンル　： 北方ルネサンス 所蔵：バーゼル市立美術館 Artist： HANS HOLBEIN, THE YOUNGER Location： Basel, Kunstmuseum Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON PAPER Date： 1523 Description： Erasmus of Rotterdam; Dutch humanist, philologist and theologian. Rotterdam 28.10.1466 or 1469 - Basel 12.7.1536. Portrait. Painting, 1523, by Hans Holbein the Younger (1497-1543). Painting, paper on wood, 37 × 31cm.

RM 32806907

ジャック＝ルイ・ダヴィッド 「マラーの死」

Title： The Death of Marat Location： Brussel, Musees Royaux des Beaux-Arts Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT) Date： 1793 Description： Marat, Jean Paul; French revolutionary. 1743-1793. "The Death of Marat" (stabbed in his bath by Charlotte Corday, Paris, 13 July 1793). Painting, 1793, by Jacques-Louis David (1748-1825). Oil on canvas, 165 × 128 cm. Inv. No. 3261

RM 30429926

クエンティン・マサイス「金貸しとその妻」

所蔵：ルーヴル美術館 The Moneylender and his Wife. Artist: Massys, Quentin (1466?1530) Location: Louvre, Paris.

RM 30431582

アルチンボルド 「自画像」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「自画像」 国籍：イタリアの画家 ジャンル　： マニエリスム Self-Portrait. Artist: Arcimboldo, Giuseppe (1527-1593) Location: National Gallery, Prague.

RM 22565160

レオナルド・ダ・ヴィンチ 「美しき姫君」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル：美しき姫君 国籍： イタリア ジャンル　： ルネサンス Artist： Vinci, Leonardo da (1452-1519) Title： Profile of a Young Fiancee (Chalk, pen, ink and wash tint on vellum) Location： Private Collection Medium： Chalk, pen, ink and wash tint on vellum Date：15th Size：33x22 Description：possibly a portrait of Bianca Sforza by Leonardo da Vinci - under investigation 10/09; La Bella Principessa;

RM 14132902

「モーツァルトの肖像」

Artist： French School, (20th century) Title： Wolfgang Amadeus Mozart (1756-91) (pen & ink wash on paper) Location： Private Collection Medium： pen and ink wash on paper Date：20th

RM 13994402

ギュスターヴ・モロー「スフィンクス」

作家名： ギュスターヴ・モロー ( 1826年 - 1898年 ) フランスの画家 ジャンル　： 象徴主義 Artist： Moreau, Gustave (1826-98) Title： The Sphinx (pen & black ink and w/c heightened with white) Location： Private Collection Medium： pen and black ink and watercolour heightened with white Date：19th

RM 21978479

「福音書記者聖ヨハネ」

St. John the Evangelist, by Flaminio Grapinelli di Pieve di Alpago, 18th Century, oil on board Italy, Veneto, Belluno, Duomo. Whole artwork view. The apostle holding a pen and a book, probably in the act of writing a Gospel passage. In the lower part of the canvas a chalice with a serpent and the eagle, his symbol.

RM 15332677

タイトル：「福音記者聖マルコ」 ジャンル　： バロック　セビーリャ派　 ZURBARAN, FRANCISCO DE (1598-1664). Spanish school. Saint Mark. San Marcos. Cadiz, archeology and Fine Arts museum Artist: ZURBARAN, FRANCISCO DE Personality: SAN MARCOS EVANGELISTA Location: MUSEO DE CADIZ-BELLAS ARTES, SPAIN, Cadiz, Collection: Oronoz

RM 15331244

ジャック＝ルイ・ダヴィッド 「マラーの死」（ベルギー王立美術館 蔵）

作家名： ジャック＝ルイ・ダヴィッド ( 1748年 - 1825年 ) タイトル：マラーの死 フランスの画家 ジャンル： 新古典主義 DAVID, JACQUES LOUIS (1748-1825). French neoclassical school. The Death of Marat (1743-1793) journalist, French revolutionary politician. Muerte de Marat. Brussels, Fine Art Museum Artist: DAVID, JACQUES LOUIS Personality: MARAT, JEAN PAUL;MARAT, JEAN-PAUL;Marat, Jean-Paul, French revolutionary Location: MUSEOS REALES DE BELLAS ARTES, Belgien, Brussel Collection: Oronoz

RM 15338964

アルブレヒト・デューラー 「聖ヒエロニムス」

作家名： アルブレヒト・デューラー ( 1471年 - 1528年 ) タイトル：「聖ヒエロニムス」 国籍： ドイツ ジャンル： ルネサンス DURER, ALBRECHT (1471-1528). SAN JERONIMO - 1521 - 59,5x48,5 - RENACIMIENTO ALEMAN Artist: DURER, ALBRECHT;Durer, Albrecht Personality: HIERONYMUS;SAINT JEROME Location: MUSEO DE ARTE ANTIGUO, PORTUGAL, LISBON Collection: Oronoz

RM 15338857

カラヴァッジョ 「執筆する聖ヒエロニムス」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ ) ( 1571年 - 1610年 ) タイトル：「執筆する聖ヒエロニムス」 国籍： イタリア ジャンル： バロック CARAVAGGIO (1573-1610). St Jerome Writing - 1605/06 - 112x157 cm - oil on canvas - Italian Baroque Artist: CARAVAGGIO Personality: HIERONYMUS;SAINT JEROME Location: GALERIA BORGHESE, ITALIA, Rome Collection: Oronoz

RM 194838541

マティス

1769006 Woman Reading (pen and ink on paper) by Matisse, Henri (1869-1954); 31.4x25.7 cm; Private Collection; (add.info.: Woman Reading. Henri Matisse (1869-1954). Pen and ink on paper. 31.4 x 25.7cm.), Christie's Images.

RM 194433594

ピカソ

Pablo Picasso. 1881–1973. “Homme assis à une table” (Man sitting at a table), Paris, 1916. Gouache and ink pen on paper, 27.5 × 21.7 cm. Inv. No. NG MB 29/2000. Museum Berggruen, Berlin, SMB, Nationalgalerie.

RM 192338130

ウィリアム・ブレイク「神曲(ダンテ・アリギエーリ作）の挿絵」

909177 Lucifer, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk) by Blake, William (1757-1827) 52.7x37.2 cm National Gallery of Victoria, Melbourne, Australia (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.) Felton Bequest English, out of copyright. PLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.

RM 169990684

Artist: Chardin,Jean-Baptiste Simeon (1699-1779), Le jeune dessinateur - the young draughtsman. Oil on canvas (1737) , 80 x 65 cm , RF 1944.4 , PAINTING

RM 169999428

Full page: garden palace in the gardens of Liechtenstein Palace, Rossau, Vienna, pen and ink drawing by Salomon Kleiner. Front view of the Belvedere (demolished in 1872) at the far end of the gardens. Preliminary drawing for part IV, No. 27 , credit: Erich Lessing / Oest. Nationalbibliothek

RM 169999417

Full page: Liechtenstein garden palace a ground plan; ground plan of the entire structure with legend in French and German and the family's coat of arms. The parterre garden is flanked by two alleys on each side; towards the street, the hedges open up to create a semicircular orange bosquet. Legend:main building, three storeys high.outbuildings. the large garden with eight parterres and a fountain. alleys of chestnuts and firs. walkways planted with orange trees in summer. pleasure house with staircase and fountain. bosquets planted with orange trees.the large Orangery'. Mounted coloured pen and ink drawing by Salomon Kleiner credit: Erich Lessing / Oest. Nationalbibliothek

RM 169986716

DRAWING , Jonah at the walls of Niniveh, Mesopotamia. Pen and ink drawing , Artist: Rembrandt Harmensz van Rijn (1606-1669)

RM 104338319

Alfred Walbeck, active ca 1935. Pocket Manicure, ca 1939. Watercolor, pen and ink, graphite, and gouache on paper, 35.5 × 25 cm. Inv. Nr. 1943.8.2262, Washington, National Gallery of Art.

RM 104336451

Harry Eisman, active ca 1935. Table, ca 1937. Watercolor, colored pencil, gouache, pen and ink, and graphite on paperboard, 31 × 23.2 cm. Inv. Nr. 1943.8.5626, Washington, National Gallery of Art.

RM 104338935

Emil Hagen, active ca 1935. Cigar Store Indian, ca 1939. Watercolor, graphite, gouache, and pen and ink on paperboard, 56 × 40.6 cm. Inv. Nr. 1943.8.8106, Washington, National Gallery of Art.

RM 104339028

Perkins Harnly, 1901 – 1986. Room House Bed-Living Room, 1935/1942. Watercolor, gouache, pen and ink, and graphite on paper, 56.9 × 77.6 cm. Inv. Nr. 1947.1.19, Washington, National Gallery of Art.

RM 104338266

Ivar Julius and Albert Rudin, active ca 1935. Gros Point Needlework – Flowers, ca 1939. Watercolor, graphite, and pen and ink on paper, 49.8 × 41 cm. Inv. Nr. 1943.8.97, Washington, National Gallery of Art.

RM 104336508

Isidore Sovensky, active ca 1935. Sideboard, 1940. Watercolor, colored pencil, pen and ink, and graphite on paperboard, 45.6 × 55.4 cm. Inv. Nr. 1943.8.5604, Washington, National Gallery of Art.

RM 104338108

Harry Mann Waddell, active ca 1935. Iron Grille at Window: Restoration Drawing, ca 1936. Watercolor, colored pencil, pen and ink, and graphite on paper, 35.5 × 26.7 cm. Inv. Nr. 1943.8.6727, Washington, National Gallery of Art.

RM 104335564

George File, active ca 1935. Toy Bank: Trick Dog, ca 1937. Watercolor, gouache, graphite, and pen and ink on paperboard, 38.4 × 51 cm. Inv. Nr. 1943.8.8555, Washington, National Gallery of Art.

RM 104335576

Francis Law Durand, active ca 1935. Game Box (For Poker Chips), ca 1939. Watercolor, graphite, and pen and ink on paperboard, 22.8 × 28.9 cm. Inv. Nr. 1943.8.8852, Washington, National Gallery of Art.

RM 88038508

Kandinsky, Wassily. Russian artist; 1866–1944. "Analytische Zeichnung nach Photos der tanzenden Palucca, Paralleler Aufbau aus einem Punkt unten" (Analytical drawing after photos of dancing Palucca, parallel development from a point at the bottom), 1925. Pen and ink on paper, 21.5 × 13.8 cm. Dresden, Staatliches Kupferstichkabinett.