「80」 の 検索結果

RM 70450000

カラヴァッジョ 「ホロフェルネスの首を斬るユディト」

国籍： イタリア ジャンル： バロック Judith and Holofernes (detail) by Caravaggio (Michelangelo Merisi) (1571-1610) canvas (inv. 2533) National Gallery of Ancient Art (Galleria Nazionale d'Arte Antica) - Palazzo Barberini - Rome, Italy - 2017.

RM 101446042

ムリーリョ「窓枠に身を乗り出した農民の少年」

Murillo, Bartholomé Estéban 1618–1682. “Knabe, auf ein Fensterbrett gestützt”, um 1670/80. Oil on canvas, 52 × 38,5 cm. Inv. Nr. 74 London, National Gallery.

RM 57997078

ジョセフ・ライト 「賢者の石を探す錬金術師」

Author: JOSEPH WRIGHT OF DERBY (1734-1797) Description: The Alchemist, 1770 Canvas,80,2 x 106 cm. Classification: PAINTING ~ ROMANTIC ~ 18th Location: Derby Museum and Art Gallery, Derby, Great Britain Image size: 3348 x 4269 pixels (28.3 x 36.1 cm @ 300 dpi) 40.9 MB

RM 164767045

クリムト 「水蛇 II」

Klimt,Gustav (1862-1918), Wasserschlangen - Watersnakes II (The friends),1904/07. Canvas, 80 x 145 cm, 66927325

RM 115920885

セザンヌ 「ロザリオを持つ老女」

Cézanne, Paul 1839–1906. “La vieille au chapelet" (Alte Frau mit Rosenkranz), um 1895/96. Oil on canvas, 80,6 × 65,5 cm. Inv. Nr. 6195 London, National Gallery.

RM 100557018

モーリス・ドニ「プリウレ前の自画像」

Denis, Maurice. French painter; Granville (Manche, France) 25.11.1870 – Paris 3.11.1943. “Autoportrait” (self-portrait), 1916. Oil on canvas, 68 × 80 cm. Inv. no. 8451 Florence, Galleria degli Uffizi.

RM 83823142

モーリス・ドニ「純潔の春」

Denis, Maurice 1870-1943. Springtime, Painting, ca. 1889-1899. Oil on canvas, 80.6 × 97.8 cm. Inv. Nr. 1999.180.2a, b New York, Metropolitan Museum of Art.

RM 87941729

ルノワール 「桟敷席」

Renoir, Auguste 1841–1919. "La loge", 1874. Oil on canvas, 80 × 64cm. London, Courtauld Institute Galleries.

RM 83893030

エドヴァルド・ムンク「ゴルゴダ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard 1863–1944. “Golgatha”, 1900. Oil on canvas, 80 × 120 cm. Oslo, Munch-Museet.

RM 21308141

ラファエロ

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Artist: Raffael (Raffaello Sanzio),1483-1520 Imagetitle: Portrait of Papst Julius II. About 1512. Dimensions: 108,5 x 80 cm Medium: Oil/Wood Location: Florenz, Galleria degli Uffizi

RM 60399512

セザンヌ 「殺人」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「殺人」 フランスの画家 ジャンル： 印象派　ポスト印象派 Le Meurtre - The murder, 1868 Canvas, 65 x 80 cm

RM 51886213

クロード・モネ 「サン・タドレスの庭」

フランスの画家 ジャンル： 印象派 Woman in a Garden/Monet, Claude 1840–1926. "Woman in a Garden", 1867. Oil on canvas, 80 × 99cm./St Petersburg, State Hermitage. Identifier : AKG79488 Artist : CLAUDE MONET/Museum/St Petersburg, State Hermitage event date : 1866 image date : 1866/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : BLOSSOM/BOTANY/BOURGEOISIE/CIRCULAR FLOWER BED/CLOSENESS TO NATURE/FASHION ; STYLE/FRENCH ART/GARDEN/GARDEN ; YARD/IMPRESSIONISM/LAWN/LIGHT AND SHADE/MEADOW/ORNAMENTAL GARDEN/PEOPLE IN A PARK/REAR VIEW OF PERSON ; PERSON FROM BEHIND/SEASONS/SPRING/SUMMER/SUN UMBRELLA/SYNESTHESIA/WALK ; STROLL/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE/LE COTEAU/NORMANDY/SAINTE-ADRESSE/Person/JEANNE-MARGUERITE LECADRE technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 4003px (56 MB) 42.0 cm × 33.8 cm @ 300 dpi

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 25525664

アルブレヒト・デューラー 「アダムとエヴァ（部分）」

Artist： Albrecht Duerer Location: Museo del Prado, Madrid, Spanien Categories: Renaissance Eve, 1507. Latin inscription "Albertus Duerer Almanus faciebat post Viriginis Partum 1507 A.D." Wood, 209 x 80 cm. Cat.2178.

RM 59811951

クロード・モネ 「ルーアン大聖堂の正面とアルバーヌ塔（夜明け）」　

タイトル：「ルーアン大聖堂の正面とアルバーヌ塔（夜明け）」 フランスの画家 ジャンル： 印象派 所蔵：ボストン美術館 Rouen Cathedral: The Portal and the Tour d'AlbaneMonet, Claude 1840–1926./"Rouen Cathedral: The Portal and the Tour d'Albane" (Dawn), 1894./Oil on canvas, 106 × 74cm. The Tompkins Collection,/Boston, Museum of Fine Arts. Artist : CLAUDE MONET MUSEUM/BOSTON, MUSEUM OF FINE ARTS image date : 1894TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECTURE/CATHEDRAL/FRENCH ART geography : FRANCE/ROUEN/TOUR D'ALBANE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2307px × 3364px (22 MB) / 19.5 cm × 28.4 cm @ 300 dpi Special Formats : 4395px × 6368px (80 MB) TIFF / 37.2 cm × 53.9 cm @ 300 dpi

RM 66095762

エリザベート＝ルイーズ・ヴィジェ＝ルブラン「エカチェリーナ・ヴァシリエヴナ・スカヴロンスキー伯爵夫人の肖像」

所蔵：ルーヴル美術館 Author: Louise Élisabeth Vigée Le Brun (Élisabeth Vigée Le Brun) (1755-1842) Description: La comtesse Catherine Vassilievna Skavronskaia (1761-1829), niece of prince Potemkin, lady in waiting to Tsarina Catherine II. Canvas,80 x 66 cm R. F.1966-5. Classification: PAINTING ~ ROCOCO ~ 18th Personalities: SKAVRONSKAIA, CATHERINE, COUNTESS (1761-1829) Location: Louvre, Dpt. des Peintures, Paris, France Image size: 3270 x 4000 pixels (27.7 x 33.9 cm @ 300 dpi) 37.4 MB

RM 62548072

クリムト 「白樺のある農家」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav 1862–1918. "Farmhouse with Birch Trees (young birch trees) (Bauernhaus mit Birken (Junge Birken) ), 1900. Oil on canvas, 80 × 81cm. Private collection.

RM 63816519

ベラスケス 「バリェーカスの少年」

作家名： ディエゴ・ベラスケス ( 1599年 - 1660年 ) タイトル：「バリェーカスの少年」 国籍： スペイン ジャンル　： バロック The Court Dwarf Francisco Lezcano/Velázquez, Diego 1599ー1660. "The Court Dwarf Francisco Lezcano" (El Niño de Vallecas), c. 1643/45. Oil on canvas, 107.5 × 83.5cm./Cat. 1204/Madrid, Museo del Prado. Identifier : AKG389540 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection/Joseph Martin / Joseph Martin event date : 1643 image date : 1643/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/COURT DWARF (MALE)/COURT JESTER ; COURT FOOL/COURT SOCIETY/DEFORMATIONS/DISABLED PERSON/DWARFISM/MAN/MEDICINE/OBSTRUCTION/PORTRAIT/SITTING/SPANISH ART/Person/FRANCISCO LEZCANO technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2599px × 3364px (25 MB) 22.0 cm × 28.4 cm @ 300 dpi/Special Formats/4597px × 6066px (80 MB) TIFF/38.9 cm × 51.4 cm @ 300 dpi

RM 21322018

クノップフ 「ジャンヌ・ケフェルの肖像」

Artist: Khnopff, Fernand,1858-1921 Imagetitle: Portrait of Jeanne Kefer, standing full length, at a Door Wearing a Pink Bonnet and Grey Coat. 1885 Dimensions: 80 x 80 cm Medium: oil/canvas, Location: Christie's Images Ltd

RM 65984140

ドガ 「競馬場 1台の馬車とアマチュア騎手たち」

Degas, Edgar 1834–1917. "Le champ de courses. Jockeys amateurs pres d'une voiture" (Racecourse, amateur jockeys next to a carriage), c. 1877/80. Oil on canvas, 66 × 81cm. R.F. 1980 Paris, Musée d'Orsay.

RM 149246245

ピーテル・ブリューゲル 1世「子供の遊戯」

国籍： フランドル ネーデルランド ジャンル： 初期ネーデルランド絵画 Children's Games, 1560, oil on panel, Bruegel, Pieter the Elder, c.1525-69 / Kunsthistorisches Museum, Vienna, Austria 75447

RM 35804153

ジョルジョ・ヴァザーリの肖像（自画像）

Giorgio Vasari, Self portrait / 1566/Vasari, Giorgio;/Italian Artist : , architect writer;/Arezzo 30.7.1511/ Florence 27.6.1574. "Self portrait", c.1566/68. Oil on wood, 100.5 × 80 cm./Post-restauration photograph./Sammlung der Selbstbildnisse,/Corridoio Vasariano,/Inv. 1709/Florence, Galleria degli Uffizi. Identifier : AKG2294513 Artist : GIORGIO VASARI/Museum/Florence, Galleria degli Uffizi source : Marco / Serge Rabatti / Domingie / Rabatti - Domingie event date : 1566 image date : 1566/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECT (MALE) ; ARCHITECT/ART WRITER (MALE) Artist : FLORENTINE ART/ITALIAN ART/MAN/MANNERISM/PAINTER (MALE) ; PAINTER/PERSON/PORTRAIT/RESTORED STATE ; AFTER RESTORATION/SELF-PORTRAIT/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH geography : ITALY technique : PAINTING (OBJECT)/PAINTING (technique)/Size 3272px × 4093px (38 MB) 27.7 cm × 34.6 cm @ 300 dpi

RM 32806218

ドラクロワ 「サルダナパールの死」（習作）

作家名： フェルディナン・ヴィクトール・ウジェーヌ・ドラクロワ ( 1798年 - 1863年 ) タイトル：「サルダナパールの死」（習作） フランスの画家 ジャンル： ロマン主義 Title： Death of Sardanpalus Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1827 Description： Delacroix, Eugene. 1798-1863, French painter. "Etude pour la mort de Sardanapale" (Death of Sardanpalus, study), c.1827. Oil on canvas, 80 x 64 cm. Japan, Matsukata Collection.

RM 32806432

ゴッホ 「夕陽と種播く人」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：夕陽と種播く人 国籍： オランダ ジャンル： ポスト印象派　後期印象派 Artist： VINCENT VAN GOGH Title： Man Sowing at Sunset Location： Otterlo, Rijksmuseum Kroller-Muller Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1888 Description： Gogh, Vincent van, 1853-1890, Dutch painter. "Man sowing at sunset", Arles, June 1888. Oil on canvas, 64 x 80.5 cm. Inv. 303　18.

RM 32805999

ドガ 「髪を梳く女」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「髪を梳く女」 フランスの画家 ジャンル： 印象派 所蔵：ルーヴル美術館 Artist： EDGAR DEGAS Title： Femme se peignant Location： Paris, Musee du Louvre Medium： GRAPHIC ART; GRAPHIC ARTS; PASTEL Date： 1890 Description： Degas, Edgar 1834-1917. "Femme se peignant" (Woman combing her hair), 1890/92. Pastel on card, 80 × 57cm. R.F. 1942-15

RM 29150477

クノップフ 「ジャンヌ・ケフェルの肖像」

Jeanne Kﾃｩfer; Fernand Khnopff, Belgian, 1858 - 1921; 1885; Oil on canvas; Unframed: 80 x 80cm (31 1/2 x 31 1/2 in.), Framed: 90.17 x 91.6 x 3.81cm (35 1/2 x 36 1/16 x 1 1/2 in.). . Credit: Album / quintlox

RM 23491130

ロバート・スマーク 「フォルスタッフ（第5幕第5場）」

Title:　'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas) creator:　Smirke, Robert (1752-1845) Nationality:　English Description:　From the Boydell series Location:　Royal Shakespeare Company Collection, Stratford-upon-Avon, Warwickshire Medium:　oil on canvas Dimensions:　80.8x55.5 cms Credit:　'The Merry Wives of Windsor', Act V, Scene 5, Falstaff Disguised as Herne with Mrs Ford and Mrs Page (oil on canvas), Smirke, Robert (1752-1845) / Royal Shakespeare Company Collection, Stratford-upon-Avon, Warwickshire / The Bridgeman Art Library Keywords:　Act V Falstaff Herne Mrs Ford Mrs Page Scene 5 Shakespearean William Shakespeare antlers character characters disguise disguised fat female literature male overweight play Merry Wives of Windsor

RM 117813711

リオネル・ファイニンガー「自転車レース」

Feininger, Lyonel 1871–1956. “Bicycle Race”, 1912. Oil on canvas, 80.3 × 100.3cm. Mr. and Mrs. Paul Mellon Collection, 1985.64.17 Washington, National Gallery of Art.

RM 70449941

ベックリン「死の島」

作家名： アルノルト・ベックリン ( 1827年 - 1901年 ) 国籍： スイス ジャンル： 象徴主義 Böcklin, Arnold 1827–1901. "Die Toteninsel", 1883. Öl auf Holz, 80 × 150 cm. Berlin, SMB, Nationalgalerie.

RM 36843870

アルノルト・ベックリン 「死の島　第5バージョン」

作家名： アルノルト・ベックリン ( 1827年 - 1901年 ) タイトル：「死の島　第5バージョン」 国籍： スイス ジャンル： 象徴主義 Author: Arnold Boecklin (Arnold Bocklin) (1827-1901) Description: Die Toteninsel - Isle of the Dead, 1886 (5th. version). Oil on canvas, 80 x 150cm. Classification: PAINTING ~ SYMBOLISM ~ 19th Location: Museum der Bildenden Kuenste, Leipzig, Germany Image size: 4000 x 2114 pixels (33.9 x 17.9 cm @ 300 dpi) 24.2 MB

RM 26164555

クリムト 「エミーリエ・フレーゲの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「エミーリエ・フレーゲの肖像」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Location：　Wien Museum Portrait of Emilie Floge. 1902. Oil on canvas. 178 x 80 cm

RM 118591042

マネ「カフェ・コンセールの片隅」

Manet, Edouard 1832–1883. “La servante de bocks” (Die Kellnerin), um 1878/80. Oil on canvas, 97,1 × 77,5 cm. Inv. Nr. 3858 London, National Gallery.

RM 38559951

横山大観「乾坤輝く」（山に因む十題）

Taikan, Yokoyama (born Sakai Hidemaro),/1868 -1958,/Japanese painter. "Mount Fuji", 1940. Scroll painting./Pigment on paper, 80 x 115 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938298 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1940 image date : 1940/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART geography : JAPANESE ART/LANDSCAPE ; SCENERY/MOUNTAIN/SUN/TOPOGRAPHY geography : FUJIYAMA/JAPAN technique : PAINTING (technique)/ Size 4961px × 3457px (49 MB)

RM 98602852

ヤン・ファン・エイク 「アルノルフィーニ夫妻の肖像」

J. van Eyck, Arnolfini-Hochzeit Eyck, Jan van um 1390 – 1441. “Giovanni Arnolfini (gest. 1472) und Giovanna Canami” (sogenannte “Arnolfini-Hochzeit”), 1434. Öl auf Holz, 82,2 × 60 cm. Inv. Nr. 186 London, National Gallery. Identifier：AKG1557129 Artist：JAN VAN EYCK Museum： London, National Gallery Collection： The National Gallery, London Credit line： The National Gallery, London / akg Image date：1434 Time Period：15. JAHRHUNDERT　2. JAHRTAUSEND N.CHR. Size：3575px × 4961px (50 MB) 30.2 cm × 42.0 cm @ 300 dpi Special Formats：6809px × 9449px (184 MB) JPEG 57.6 cm × 80.0 cm @ 300 dpi Restrictions：Additional permissions needed for non-editorial use

RM 87970910

カンディンスキー「白いストローク」

Kandinsky, Wassily. 1866–1944. "White Line", 1920. Oil on canvs, 98 × 80 cm. Cologne, Museum Ludwig.

RM 87959732

アルノルト・ベックリン「死の島」

B|cklin, Arnold 1827–1901. "Die Toteninsel", (Island of the Dead), 1885/86. Tempera on mahogany, 80 × 150cm. Leipzig, Museum der Bildenden Künste.

RM 62548065

クリムト 「黒い雄牛」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Der schwarze Stier (Der Stier Martin) Klimt, Gustav 1862-1918. "Der schwarze Stier (Der Stier Martin) ", 1900/01. (Der Stier stand im Stall des Braugasthofes Litzlberg). Oil on canvas, 80 × 80 cm. Wien, Privatsammlung. Identifier : AKG390503 Artist : GUSTAV KLIMT Collection akg-images credit line : akg-images event date : 1900 image date : 1900 Time Period 19. JAHRHUNDERT 2. JAHRTAUSEND N.CHR. 20. JAHRHUNDERT topic : JAHRHUNDERTWENDE JUGENDSTIL LANDWIRTSCHAFT ÖSTERREICHISCHE KUNST RIND RINDERZUCHT STALL STIER (TIER) ZOOLOGIE technique : GEMÄLDE MALEREI Size 4961px × 4921px (69 MB) 42.0 cm × 41.6 cm @ 300 dpi

RM 71630021

ルネ・マグリット「黒魔術」

Magritte, René 1898–1967. "La Magie noire" (Black magic), 1935. Oil on canvas, 80 × 60 cm. Brussels, Collection Mme Georgette Magritte.

RM 21775152

フランス･ハルス 「手袋を持つ男の肖像」

作家名： フランス・ハルス ( 1581年頃 - 1666年 ) タイトル：手袋を持つ男の肖像 国籍： オランダ ジャンル　： バロック Artist: Hals, Frans,1581/85-1666 Imagetitle: Portrait of a man with gloves. About 1650 Dimensions: 80 x 66,5 cm Location: St. Petersburg, Hermitage

RM 126243528

モーリス・ユトリロ「ノートル=ダム」

Utrillo, Maurice (born Maurice Valadon), French painter, 1883–1955. “Notre Dame”, 1917. Oil on canvas, 80 × 60cm. Inv. no. 9191 Geneva, Musée du Petit Palais.

RM 107730734

アントン・モーヴ「雪の中の羊飼いと羊の群れ」

所蔵：デン・ハーグ市美術館 Flock of sheep with shepherd in the snow. Date/Period: 1887 - 1888. Painting. Oil on canvas. Height: 900 mm (35.43 in); Width: 1,900 mm (74.80 in).

RM 83898332

ジャン＝レオン・ジェローム「バシボズク」

Gerome, Jean-Leon 1824-1904. Bashi-Bazouk, Painting, ca. 1868-1869. Oil on canvas, 80.6 × 66 cm. Inv. Nr. 2008.547.1 New York, Metropolitan Museum of Art.

RM 62548835

クリムト 「アッター湖にて」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav, 1862–1918, Austrian artist. "Attersee", 1901. Oil on canvas, 80.2 × 80.2 cm. Inv. no. 4148. Leopold Museum, Vienna, private foundation.

RM 66393809

エゴン・シーレ 「苦悩」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「苦悩」 国籍： オーストリア ジャンル： 表現主義 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Schiele, Egon 1890–1918. "Agonie (Der Todeskampf) ", 1912. Oil on canvas, 70 × 80 cm. Inv. Nr. 13073 München, Neue Pinakothek.

RM 62548842

クリムト 「白樺のある農家」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav 1862–1918. "Farmhouse with Birch Trees (young birch trees) (Bauernhaus mit Birken (Junge Birken) ), 1900. Oil on canvas, 80 × 81cm. Private collection. Sotheby's, London, 21.6.2004, Lot 37. Private Collection.

RM 62548045

クリムト 「大きなポプラⅠ」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav. 1862–1918. "Die große Pappel I" (The Great Poplar I), 1900. Oil on canvas, 80 × 80 cm. Art auction, Sotheby's, 6th October 1999.

RM 36197644

ゴッホ 「花咲く桃の木(マウフェの思い出)」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：花咲く桃の木（マウフェの思い出） 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van/1853-1890. "Der rosa Pfirschbaum", 1888. Ol auf Leinwand, 80,5 × 59 cm./Amsterdam, Van Gogh Museum. Identifier : AKG1913121 Artist : VINCENT VAN GOGH/Museum/Amsterdam, Van Gogh Museum event date : 1888 image date : 1888/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : BAUM/BAUMBLUTE/FRUHLING/IMPRESSIONISMUS/JAHRESZEITEN/KUNST/LANDSCHAFT/NIEDERLANDISCHE KUNST/OBSTBAU/OBSTBAUM/PFIRSICH/PFIRSICHBAUM geography : FRANKREICH/SUDFRANKREICH technique : GEMALDE/MALEREI/OL AUF LEINWAND/Size 3659px × 4961px (51 MB) 30.9 cm × 42.0 cm @ 300 dpi/Special Formats/4000px × 5423px (62 MB) TIFF/33.9 cm × 45.9 cm @ 300 dpi

RM 33313756

マティス 「窓から見た風景」

作家名： アンリ・マティス ( 1869年 - 1954年 ) タイトル：「窓から見た風景」 フランスの画家 ジャンル： フォーヴィスム　野獣派 Matisse, Henri/1869-1954. View from a window of Tangier, 1912. Oil on canvas, 115 × 80 cm./Inv. Nr. 3395/Moscow, Pushkin Museum. Artist : HENRI MATISSE/Museum/Moscow, Pushkin Museum event date : 1912 image date : 1912/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECTURE/ENTRANCE/FAUVES/FRENCH ART/OPEN WINDOW/PAINTING OF ARCHITECTURE/WINDOW geography : MOROCCO/NORTH AFRICA/TANGER technique : PAINTING (technique)/Size 3413px × 4961px (48 MB) 28.8 cm × 42.0 cm @ 300 dpi/Special Formats/6500px × 9449px (176 MB) TIFF/55.0 cm × 80.0 cm @ 300 dpi

RM 14015266

ジョン・シンガー・サージェント

Artist： Sargent, John Singer (1856-1925) Title： The Judgement of Paris, 1920-22 (oil on canvas) - Huntington Library and Art Gallery, San Marino, CA, USA Location： Huntington Library and Art Gallery, San Marino, CA, USA Medium： oil on canvas Date： 20th (C20th) Size： diam: 80 cms

RM 10115356

クロード・モネ 「カピュシーヌ大通り」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: Boulevard des Capucines. 1873 Dimensions: 61 x 80 cm Medium: Oil/Canvas Location: Moskau, Puschkin-Museum

RM 10114310

チマブーエ 「荘厳の聖母（サンタ・トリニタの聖母）」

作家名： チマブーエ (1240年-1302年) タイトル：「荘厳の聖母（サンタ・トリニタの聖母）」 国籍： イタリア ジャンル： ゴシック・初期ゴシック Artist: Cimabue (Cenni di Pepo),um1240-nach1302 Imagetitle: Maesta (Madonna di Santa Trinita). About 1260/80 Dimensions: 385 x 223 cm Medium: Tempera on Panel Location: Florenz, Galleria degli Uffizi

RM 939645

ゴーギャン 「裸婦習作（縫い物をするシュザンヌ）」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「裸婦習作（縫い物をするシュザンヌ」 国籍： フランス ジャンル： 印象派　ポスト印象派 Artist: Gauguin, Paul,1848-1903 Imagetitle: Suzanne sewing. 1880 Dimensions: 115 x 80 cm Medium: Oil/Canvas Location: Copenhagen, Ny Carlsberg Glyptotek

RM 935411

ルネ・マグリット 「ある聖人の回想」

作家名： ルネ・マグリット ( 1898年 - 1967年 ) 国籍： ベルギー ジャンル： シュルレアリスム Artist: Magritte, Rene,1898-1967 Imagetitle: The memory of a saint. 1960. Dimensions: 80 x 100 cm. Location: Houston, Collection de Menil

RM 935489

エドヴァルド・ムンク「冬の夜」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: チューリッヒ美術館 Artist: Munch, Edvard,1863-1944 Imagetitle: Winter Night. About 1900 Dimensions: 80 x 120 cm Medium: Oil/Canvas Location: Zurich, Kunsthaus

RM 948683

ヒエロニムス・ボス 「七つの大罪と四終」

作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) タイトル：「七つの大罪と四終」 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Artist: Bosch, Hieronymus,1453-1516 Imagetitle: Tabletop of the Seven Deadly Sins and the Four Last Things. 1475/80 Dimensions: 120 x 150 cm Medium: wood Location: Madrid, Museo del Prado

RM 951853

ベルナルド・ベッロット 「ドリスデンの旧聖十字教会の取り壊し」

Artist: Bellotto, Bernardo (Canaletto),1721-1780 Imagetitle: The ruins of the former Kreuzkirche, Dresden 1765. Dimensions: 80 x 110 cm

RM 953195

イリヤ・レーピン 「アントン・ルビンシテインの肖像」

所蔵: トレチャコフ美術館 Artist: Repin, Ilja Efimowitsch,1844-1930 Imagetitle: Bildnis von Arthur G. Rubinstein. 1881. Dimensions: 80 x 62,3 cm Location: Moscow, Tretyakov Gallery

RM 946216

ルノワール 「黒い服の娘たち」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「黒い服の娘たち」 フランスの画家 ジャンル： 印象派 Artist: Renoir, Auguste,1841-1919 Imagetitle: Young ladies in black. About 1881. Dimensions: 80 x 65 cm Location: Moskau, Puschkin-Museum

RM 946861

シャガール 「誕生日」

作家名： マルク・シャガール ( 1887年 - 1985年 ) 国籍： ロシア出身フランスの画家 ジャンル　： エコール・ド・パリ Artist: Chagall, Marc,1887-1985 Imagetitle: Birthday. 1915 Dimensions: 80,6 x 99,7 cm Medium: Oil on board Location: New York, Museum of Modern Art

RM 936443

クリムト 「エミーリエ・フレーゲの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : エミーリエ・フレーゲの肖像 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist: Klimt, Gustav,1862-1918 Imagetitle: Portrait of Emilie Floge. 1902 Dimensions: 178 x 80 cm. Medium: On Canvas Location: Wien, Historisches Museum

RM 954161

ルネ・マグリット 「野の鍵」

作家名： ルネ・マグリット ( 1898年 - 1967年 ) タイトル：「野の鍵」 国籍： ベルギー ジャンル： シュルレアリスム Artist: Magritte, Rene,1898-1967 Imagetitle: The key to the fields. 1933 Dimensions: 80 x 60 cm Location: Fondazione Thyssen-Bornemisza

RM 953870

クロード・モネ 「ヴェトゥイユのセーヌ川」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: The Seine at Vetheuil. 1879 Dimensions: 80 x 60 cm Medium: Oil/Canvas Location: Rouen, Musee des Beaux-Arts

RM 951415

アントワーヌ・ヴァトー 「水浴するディアナ（ディアナの水浴）」

所蔵：ルーヴル美術館 Artist: Watteau, Jean Antoine,1684-1721 Imagetitle: The Bath of Diana. About 1715-16 Dimensions: 80 x 101 cm Location: Paris, Musee du Louvre

RM 947571

ラファエロ 「美しき女庭師（聖母子と幼き洗礼者聖ヨハネ）」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「美しき女庭師」 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス 所蔵：ルーヴル美術館 Artist: Raffael (Raffaello Sanzio),1483-1520 Medium: Madonna and child with the infant St. John (the beautiful gardener). 1507. Dimensions: 122 x 80 cm Medium: wood Location: Paris, Musee du Louvre

RM 948483

クリムト 「水蛇 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : 水蛇 II 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist: Klimt, Gustav,1862-1918 Medium: Water Serpents II. (Friends) 1904/07 Dimensions: 80 x 145 cm Location: Private Collection

RM 954602

オーギュスト・ロダン 「考える人」

作家名： フランソワ＝オーギュスト＝ルネ・ロダン （ 1840年 - 1917年 ） タイトル : 考える人 国籍： フランス ジャンル： 彫刻 Artist: Rodin, Auguste,1840-1917 Imagetitle: The Thinker. 1906 Dimensions: Hohe: 1,80 cm (ohne Sockel) Medium: Bronze Location: Paris, Musee Rodin

RM 950494

カミーユ・コロー 「青衣の女性」

作家名： ジャン＝バティスト・カミーユ・コロー ( 1796年 - 1875年 ) タイトル：「青衣の女性」 国籍： フランス ジャンル： 写実主義 所蔵：ルーヴル美術館 Artist: Corot, Jean-Baptiste Camille,1796-1875 Imagetitle: The Woman in Blue. 1874 Dimensions: 80 x 51 cm Medium: Oil/Canvas Location: Paris, Musee du Louvre

RM 936621

クロード・モネ 「アルジャントゥイユの橋」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: Die Brucke von Argenteuil. 1874 Dimensions: 60 x 80 cm Location: Paris, Musee d'Orsay

RM 938173

ミレー 「接ぎ木をする農夫」

作家名： ジャン・フランソワ・ミレー ( 1814年 - 1875年 ) タイトル：「接ぎ木をする農夫」 国籍： フランス ジャンル： 写実主義、バルビゾン派 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Artist: Millet, Jean-Francois,1814-1875 Imagetitle: Farmer grafting a tree (Le Greffeur). 1855. Dimensions: 80,5 x 100 cm. Medium: On Canvas Location: Munchen, Neue Pinakothek

RM 937980

エゴン・シーレ 「苦悩」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「苦悩」 国籍： オーストリア ジャンル： 表現主義 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Artist: Schiele, Egon,1890-1918 Imagetitle: Agonie. 1912. Dimensions: 70 x 80 cm. Medium: On Canvas Location: Munchen, Neue Pinakothek

RM 943763

アンリ・ルソー 「フットボールをする人々」

作家名： アンリ・ルソー ( 1844年 - 1910年 ) フランスの画家 ジャンル： 印象派　素朴派　ナイーヴ派 Artist: Rousseau, Henri,1844-1910 Imagetitle: The Football players. 1908 Dimensions: 100,5 x 80,5 cm Location: New York, S. Guggenheim-Museum

RM 944064

ワシーリー・ペローフ 「フョードル・ドストエフスキーの肖像」

所蔵: トレチャコフ美術館 Artist: Perov, Vasily,1833-1882 Imagetitle: Portrait of Fyodor Dostoyevsky. 1872 Dimensions: 99 x 80,5 cm Medium: oil/canvas Location: Moscow, Tretyakov Gallery

RM 22060690

カラヴァッジョ 「ホロフェルネスの首を斬るユディト」

国籍： イタリア ジャンル： バロック Judith Beheading Holofernes, by Michelangelo Merisi known as Caravaggio, 1598 - 1599 about, 16th Century, oil on canvas, cm 144 x 195 Italy, Lazio, Rome, National Gallery of Ancient Art, Palazzo Barberini. Detail. Judith, young woman with epoch dress in the action of cutting Holofernes head, bearded man. Handmaid assists, old woman. Characters half figure. Gloomy., photographic campaign 2009.

RM 22027701

アルブレヒト・デューラー 「博士たちの間のキリスト」

作家名： アルブレヒト・デューラー ( 1471年 - 1528年 ) タイトル：博士たちの間のキリスト 国籍： ドイツ ジャンル： ルネサンス Christ Among the Doctors (Twelve Year-old Jesus Among the Doctors), by Durer Albrecht, 16th Century, 1506, oil on board, cm 65 x 80 Spain, Madrid, Museo Thyssen-Bornemisza. All. Young Jesus with long hair among the faces of the old doctors with beard, hats, caps and books. In the center of the painting, a tangle of hands.

RM 22005691

イタリア　ミラノ　スフォルツェスコ城　「楽園追放」

The Expulsion from Paradise (La cacciata dal Paradiso), by Unknown Emilian Artist, first part of the 17th Century, oil on canvas Italy, Lombardy, Milan, Castello Sforzesco, Civic Collections of Ancient Art. Whole artwork view. In the central part of the painting naked Adam and Eve are expelled from the Garden of Eden by an angel with a sword according to orders of God, in the upper part.

RM 22008664

クロード・モネ 「アルジャントゥイユの橋」

フランスの画家 ジャンル　： 印象派 The Argenteuil Bridge, by Claude Monet, 1874, 19th Century, oil on canvas, cm 60,5 x 80 Musee d'Orsay, Paris, France, RF1937-41. All. Bridge railway Argenteuil train smoke azure light blue track clouds plants water boats house building bank.

RM 21935653

フランス･ハルス 「手袋を持つ男の肖像」

作家名： フランス・ハルス ( 1581年頃 - 1666年 ) タイトル：手袋を持つ男の肖像 国籍： オランダ ジャンル　： バロック Portrait of a Man with a Glove, by Frans Hals, 1650, 17th Century, oil on canvas, 80 x 66,5 cm Russia, St. Petersburg, The State Hermitage Museum. Whole artwork view. Half-lenght portrait of a man with dark suit, with white collar, gloves and a hand on his chest.

RM 15330103

クロード・モネ 「アルジャントゥイユの橋」

フランスの画家 ジャンル： 印象派 MONET, CLAUDE (1840-1926). French school. The Bridge at Argenteuil. Le pont d'Argenteuil. 1874. Oil on canvas (60 x 80 cm). Paris, musee d'Orsay Artist: MONET, CLAUDE Location: MUSEE D'ORSAY, France, Paris Collection: Oronoz

RM 15327105

ゴッホ 「夕陽と種播く人」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：夕陽と種播く人 国籍： オランダ ジャンル　印象派　ポスト印象派 GOGH , VINCENT VAN (1853-1890) Sower With Setting Sun. 1888. Oil on canvas (64 x 80.5 cm). Otterlo, Rijksmuseum Kroller-Muller Artist: GOGH, VINCENT VAN;VAN GOGH, VINCENT Location: MUSEO KROLLER-MULLER, HOLANDA, OTTERLO Collection: Oronoz

RM 175598258

Lüpertz, Markus geb. 1941. “Sommertag”, 1985. Öl auf Leinwand, 270 × 400 cm. Sammlung Ludwig,

RM 169995217

Artist: Delaunay,Jules Elie (1828-1891), PAINTING , The plague in Rome, from the "Legende Doree", legend of Saint Sebastian. Oil on canvas (1869) 131 x 176.5 cm R.F. 80

RM 169989886

Crucifixion, 1503 Wood, 110 x 80,5 cm INV. 61 , PAINTING , Artist: Solario,Andrea (1474-1522)

RM 169992757

Artist: Delacroix,Eugene (1798-1860), Nature morte au homard - still-life with lobster,1827 Canvas, 80,5 x 106,5 cm R.F. 1661 , PAINTING

RM 169969874

Le Berger et les Laveuses - Shepherd and washerwomen, 1881 Canvas, 65 x 80 cm Inv. 101, Categories: PAINTING, Byline: Pissarro,Camille (1830-1903)

RM 169990684

Artist: Chardin,Jean-Baptiste Simeon (1699-1779), Le jeune dessinateur - the young draughtsman. Oil on canvas (1737) , 80 x 65 cm , RF 1944.4 , PAINTING

RM 150252599

マックス・ペヒシュタイン

Pechstein, Max 1881–1955. “Morgen bei Purwin – Kurische Nehrung”, 1939. Öl auf Leinwand, 70 × 80,5 cm. Privatsammlung.

RM 107775719

ジャン・ミッシェル・バスキア「Hollywood Africans」

所蔵：ホイットニー美術館 Basquiat, Jean-Michel 1960–1988. "Hollywood Africans", 1983. Acryl und Ölkreide auf Leinwand, 213,5 x 213,5 cm. Inv. 84.23 Schenkung von Douglas S. Cramer, New York, Whitney Museum of American Art.

RM 87960647

キルヒナー

Kirchner, Ernst Ludwig. 1880–1938. "Gelbes Engelufer", (Yellow Engel banks), 1912. Oil on canvas, 71.5 × 80.5cm. Inv. No. 1065 Mannheim, Städtische Kunsthalle.

RM 87941732

Spitzweg, Carl 1808–1885. "Ankunft in Seeshaupt", c. 1875/80. (Arrival in Seeshaupt). Oil on canvas, 69.8 × 49.8 cm. Schweinfurt, Sammlung Georg Schäfer.

RM 87921279

フェルディナント・ホドラー

Hodler, Ferdinand. 1853–1918, Swiss painter. "Thunersee von Leissigen aus" (View of Thunersee from Leissingen), 1904. Oil on canvas, 80 x 100 cm. Bern, Kunstmuseum.

RM 87952404

Watteau, Antoine 1684–1721. "Dream of the Artist", c. 1719 (?). Oil on canvas, 63.8 × 80.6 cm. Private collection,

RM 84632992

所蔵: メトロポリタン美術館 Naiveu, Matthijs 1647-1726. The Newborn Baby, Painting, 1675. Oil on canvas, 64.1 × 80 cm. Inv. Nr. 71.160 New York, Metropolitan Museum of Art.

RM 84633223

Vestier, Antoine 1740-1824. Eugène Joseph Stanislas Foullon d’Écotier (1753-1821), Painting, 1785. Oil on canvas, 80.3 × 63.8 cm. Inv. Nr. 1983.405 New York, Metropolitan Museum of Art.

RM 83887941

Stefan Wyszynski, Cardinal. Theologian and Cardinal (from 1952); Primate (1948-1981) of Poland. Zuzela 3.8.1901 - Warsaw 28.5.1981. Stefan Wyszynski monument in front of the Church of the Visitation in Warsaw; Built in 1987; Sculptor: Andrzej Renes (born in 1958). Partial view. Photo, 6.6.2015.

RM 83885756

Vasily Ivanovich Surikov, 1848-1916. "Girl with doll" (portrait of the child’s daughter in childhood), 1888. (Olga Vasilyevna Surikova, 1878-1958). Oil on canvas, 135 × 80 cm. Inv. No. Sch-743 Moscow, Tretjakov Gallery.

RM 83901575

Richter, Christian 1678-1732. John Churchill (1650-1722), First Duke of Marlborough, Painting, miniature, ca. 1698-1732. Vellum, Oval, 3 1/4 × 2 5/8 in. (82 × 67 mm). Inv. Nr. 24.80.508 New York, Metropolitan Museum of Art.

RM 83851800

Bokusho Shusho 1450-1600. Splashed-Ink Landscape, Hanging scroll, ca. 1500-1533. Muromachi period (1392-1573). Hanging scroll; ink on paper, 80 × 33.9 cm. Inv. Nr. 2015.300.55 New York, Metropolitan Museum of Art.

RM 83416305

所蔵: ワシントン・ナショナル・ギャラリー Raphael 1483-1520. The Niccolini-Cowper Madonna, 1508. Oil on panel, 80.7 × 57.5 cm. Inv. Nr. 1937.1.25, Washington, National Gallery of Art.

RM 83412595

Friedrich III, the Wise, Elector of Saxony (1486-1525), (Sponsor of Luther, founder of the University of Wittenberg), Torgau 17.1.1463 - Castle Lochau 5.5.1525. - "Friedrich III of Saxony, called the Wise, kneeling before the Madonna and Child." - woodcut, original coloring, circa 1515, by Lucas Cranach the Elder (1472-1553), 35.4 × 22.4 cm (all circumcised). Inv. No. I, 44.80. Prints and Drawings, Coburg, Veste Coburg Art Collections.

RM 66393818

モーリス・ドニ

作家名： モーリス・ドニ ( 1870年 - 1943年 ) フランスの画家 ジャンル： 印象派　後期印象派　ナビ派　フランス象徴派　 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Denis, Maurice. 1870–1943. "Epona, déesse des troupeaux" (Galische Herdengöttin), um 1906. Öl auf Pappe, 79,5 x 67,5 cm. Inv.Nr.8654 München, Neue Pinakothek.