「8」 の 検索結果

RM 945006

ロセッティ 「プロセルピナ」

作家名： ダンテ・ゲイブリエル・ロセッティ （ 1828年 - 1882年 ） タイトル：「プロセルピナ」 国籍：　イギリス ジャンル： ラファエル前派 Artist: Rossetti, Dante Gabriel,1828-1882 Medium: Proserpina. 1877. Dimensions: 119,5 x 57,8 cm Medium: Oil Location: Christie's Images Ltd

RM 4967102

カンディンスキー 「コンポジション　Ⅷ　」

作家名： ワシリー・カンディンスキー ( 1866年 - 1944年 ) タイトル：「コンポジション　Ⅷ　」 国籍： ロシア ジャンル　： ドイツ表現主義 Composition #8 1923 Vasily Kandinsky (1866-1944 Russian) Summit Labs

RM 184110009

レッサー・ユリィ「夜のポツダム広場」

Author:LESSER URY (1861-1931) Description:Lesser Ury/ Potsdamer Platz at Night, Mid-1920s, oil on canvas, 79.6 x 100.0 cm, Israel Photo Museum Collection Museum:Israel Photo Museum Collection Image size:2808 x 2204 pixels (23.8 x 18.7 cm @ 300 dpi) 17.7 MB

RM 164767104

ティツィアーノ 「鏡の前の女」

Judith. Canvas, 112,8 x 94,5 cm

RM 157603094

フランソワ＝ユベール・ドルーエ 「ポンパドゥール夫人の肖像」

Pompadour, Jeanne Antoinette Poisson, Marquise de (known as Madame Pompadour), mistress of Louis XV of France. Paris 29.12.1721 – Versailles 15.4.1764. “Madame de Pompadour at her Tambour Frame”. Painting, 1763, by François-Hubert Drouais (1727–1775). Oil on canvas, 217 × 156,8 cm. Inv. no. NG 6440. London, National Gallery.

RM 146188502

吉田博「河口湖」

富士拾景 FSG348913 Fujiyama from Kawaguchi Lake, from the series Ten Views of Mount Fuji, Taisho era, 1926 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 39.8 x 54.2 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, in copyright.

RM 140177862

吉田博「春雨」

桜八題 Yoshida Hiroshi, 1867–1950. Yozakura in Rain, 1935. Color woodblock print, 40.8 × 26.5 cm. Inv. No. 1990.607.307, Chicago, Art Institute.

RM 140177924

吉田博「渓流」

Yoshida Hiroshi, 1876–1950. Rapids, 1928. Color woodblock print, 57.9 × 86.8 cm. Inv. No. 1951.233, Chicago, Art Institute.

RM 122164060

ヘリット・ファン・ホントホルスト「聖ペテロの否認」

487815 The Denial of St. Peter, c.1623 (oil on canvas) by Honthorst, Gerrit van (1590-1656); 110.5x147.8 cm; Minneapolis Institute of Arts, MN, USA; The Putnam Dana McMillan Fund; Dutch, out of copyright.

RM 89418186

ルーベンス 「パリスの審判（三美神）」

作家名： ピーテル・パウル・ルーベンス 国籍： フランドル ジャンル　： バロック Judgement of Paris / P.P.Rubens / c. 1632/35 Rubens, Peter Paul 1577–1640. “The Judgement of Paris”, c. 1632/35. Oil on wood, 144,8 × 193,7 cm. Inv. no. 194 London, National Gallery. Identifier：AKG1557136 Artist：PETER PAUL RUBENS Museum：London, National Gallery Collection：The National Gallery, London

RM 83415569

バルタザール・ファン・デル・アスト「籠に入った果物」

所蔵: ワシントン・ナショナル・ギャラリー Balthasar van der Ast, 1593/1594-1657. Basket of Fruits, ca. 1622. Oil on panel, 18.1 × 22.8 cm. Inv. Nr. 1992.51.1, Washington, National Gallery of Art.

RM 78176869

マルカントニオ・ライモンディ「パリスの審判」

Author: MARCANTONIO RAIMONDI (ca. 1480-before 1534) • AFTER RAPHAEL (RAFFAELLO SANZIO OR SANTI) (1483-1520) Title: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess Description: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm). Date: ca. 1510-20. A masterpiece of Renaissance printmaking, the Judgment of Paris represents a highpoint in the collaboration between the painter Raphael and the great Italian engraver Raimondi. This scene is one of a group of exceptional compositions Raphael designed specifically for Marcantonio to engrave, which, according to Giorgio Vasari, 'amazed all of Rome.' It demonstrates the meticulously ordered systems of hatching that Marcantonio developed to achieve the richest possible tonal effects, which was to influence generations of engravers. Depicted here is the incident that sparked the Trojan War: Paris being forced to decide which goddess--Juno, Minerva, or Venus--was the most beautiful. He chose Venus, seen receiving the golden apple upon promising to help him woo the most beautiful woman alive, Helen of Troy. Recognized by Vasari as one of Marcantonio's early Roman works of 1510-1511, and this date was supported by Delaborde; Shoemaker dated it between 1517-1520; more recently, Mason and Oberhuber date it between 1515-1516. Technique:engraving Dimensions:Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm) Location: EUROPE • ITALY Museum: Metropolitan Museum of Art, New York, USA Collection: Album Image size: 4192 x 2809 pixels (35.5 x 23.8 cm @ 300 dpi) 33.7 MB

RM 21280635

鳥居忠雅作 「隈取十八番」

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RM 149246273

ボッティチェリ 「若い男の肖像」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル： 「若い男の肖像」 国籍： イタリア ジャンル： ルネサンス 初期ルネサンス フィレンツェ派 所蔵： ルーヴル美術館 Portrait of a Man, oil on panel, Botticelli, Sandro, Alessandro di Mariano di Vanni Filipepi, 1444/5-1510 / Louvre, Paris, France 77371

RM 102733021

シャルル＝アンドレ・ヴァン・ロー「三美神」

Charles-André Vanloo, called Carle Van Loo (Paris). The Three Graces, France, ca 1763. Painting, oil on canvas, 73.66 × 10.8 cm. Inv. Nr. M. 2000.179.14, Los Angeles, County Museum of Art.

RM 66312126

ベラスケス 「バラ色のドレスのマルガリータ王女」

Author: Diego Velázquez (Diego Rodriguez de Silva y Velázquez) (1599-1660) Description: Retrato de la Infanta Margarita a la edad de tres años/ 1652. Museum: KUNSTHISTORISCHES MUSEUM VIENA AUSTRIA Image size: 3406 x 4518 pixels (28.8 x 38.3 cm @ 300 dpi) 44.0 MB

RM 62548046

クリムト 「アデーレ・ブロッホ＝バウアーの肖像 I」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portrait of Adele Bloch-Bauer I Bloch-Bauer, Adele. Vienna 9.8.1881- 24.1.1925. - "Portrait of Adele Bloch-Bauer I". Painting, 1907, by Gustav Klimt (1862-1918). Oil, silver and gold plating on canvas, 138 × 138 cm. New York, Neue Galerie. Identifier : AKG290632 Artist : GUSTAV KLIMT Museum New York, Neue Galerie Collection akg-images credit line : akg-images event date : 1907 image date : 1907 Time Period 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART NOUVEAU AUSTRIAN ART ORNAMENTAL ART PERSON PORTRAIT RECORD PRICE ; HIGHEST AUCTION PRICE WOMAN Person ADELE BLOCH-BAUER technique : PAINTING (OBJECT) PAINTING (technique) Size 4961px × 4838px (68 MB) 42.0 cm × 40.9 cm @ 300 dpi

RM 62548132

クリムト 「大きなポプラⅡ」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav 1862–1918. "Die Große Pappel II" (Aufsteigendes Gewitter; Gewitter) (The Large Poplar II (Approaching thunderstorm; thunderstorm) ), 1902. Oil on canvas, 100.8 × 100.7cm. Vienna, Leopold Museum – Privatstiftung.

RM 62343637

歌川国芳 「炬燵（風俗女水滸伝より）」

Japan: Reclining beauty reading a book and holding a pipe, warming her legs in a kotatsu brazier, with a cat on top. Utagawa Kuniyoshi (1798-1861)/Suikoden of Women's Customs from 108 Sheets (Fuzoku onna Suikoden hyakuhachiban no uchi). The Water Margin (known in Chinese as Shuihu Zhuan, sometimes abbreviated to Shuihu), also known as Outlaws of the Marsh, Tale of the Marshes, All Men Are Brothers, Men of the Marshes, or The Marshes of Mount Liang, is a 14th century novel and one of the Four Great Classical Novels of Chinese literature. It is called Suikoden in its Japanese translation. Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Identifier : AKG3829622/Collection/Pictures From History / Pictures From History image date : 8.7.2015/Time Period/14TH CENTURY/2ND MILLENNIUM A.D. topic : ART/CAT/HISTORY/JAPANESE ART/KIMONO/WOMAN geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3900px × 4482px (50 MB) ; 33.0 cm × 37.9 cm @ 300 dpi

RM 52965608

オディロン・ルドン「キュクロプス」

作家名： オディロン・ルドン ( 1840年 - 1916年 ) フランスの画家 ジャンル　： 象徴主義 Der Zyklop/Redon, Odilon; 1840-1916. "Le Cyclope" (Der Zyklop),/um 1914. Öl auf Karton auf Holz, 65,8 x 52,7 cm. Otterlo, Rijksmuseum Kröller-Müller. Identifier : AKG4229658 Artist : ODILON REDON/Museum/Otterlo, Rijksmuseum Kröller-Müller event date : 1914 image date : 1914/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/CYCLOPS/FRENCH ART/GIANT (MALE)/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/MYTHOLOGY/NUDE (ARTWORK)/ONE-EYED/PEEPING TOM/SYMBOLISM (ART)/VOYEURISM/WOMAN geography : FRANCE technique : OIL ON CARDBOARD/PAINTING (OBJECT)/PAINTING (technique)/Size 4022px × 4961px (57 MB) 34.0 cm × 42.0 cm @ 300 dpi/Special Formats/6032px × 7441px (128 MB) TIFF/51.1 cm × 63.0 cm @ 300 dpi

RM 172883072

礒田湖龍斎「風流小児十二支　寅」

Tiger, from the series Fashionable Children with the Twelve Signs of the Zodiac (Furyu kodomo juni shi), c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 3/4 in.

RM 145990944

鈴木春信 『お仙茶屋』

Author:SUZUKI HARUNOBU (1725-1770) Title:Osen Waiting on a Young Samurai Description:Osen Waiting on a Young Samurai. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban). Date: ca. 1770. The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine. A young samurai, two swords at his waist, sits on a bench in a relaxed pose and turns his face to look up at Osen, who approaches to serve him tea. The beautiful Osen and the handsome gallant are the very picture of stylish Edoites from the mid-eighteenth century. Technique:Polychrome woodblock print; ink and color on paper Dimensions:10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban) Periodo:Edo period (1615-1868) Location:ASIA • JAPAN Museum:Metropolitan Museum of Art, New York, USA Collection:Album Credit:Album / Metropolitan Museum of Art, NY

RM 99876521

ピカソ「サルタンバンクの一家」

Pablo Picasso (1881-1973). 'Family of Saltimbanques', 1905, Oil on canvas, 212,8 × 229,6 cm. Credit: Album / Oronoz

RM 87556215

エゴン・シーレ 「ほおずきの実のある自画像」

Schiele, Egon, 1890–1918, Austrian painter. “Self-portrait with Chinese Lantern Fruit”, 1909. Oil and body paint on wood, 32.2 × 39.8 cm. Leopold Museum, Vienna, Austria. 所蔵：Vienna, Leopold Museum – Privatstiftung 技法：PAINTING (TECHNIQUE); PAINTING (OBJECT)

RM 83892915

ヨハン・クリスチャン・ダール「ソグネ・フィヨルドの冬」

Author: JOHAN CHRISTIAN DAHL (1788-1857) Description: Winter at the Sognefjord. Date/Period: February 1827. Painting. Oil on canvas. Width: 75.5 cm. Height: 61.5 cm. Technique: painting Dimensions: Width: 75.5 cm. Height: 61.5 cm Location: National Gallery of Norway Collection: Album Credit: Album Image size: 3754 x 3023 pixels (31.8 x 25.6 cm @ 300 dpi) 32.5 MB

RM 83410518

ボッティチェリ 「ナスタジオ・デリ・オネスティの物語」（第I場面）

Botticelli, Sandro, 1445-1510, a. workshop. "The story of Nastagio degli Honesti I", 1483. (Horseman Ivo appears to Nastagio, setting his dogs on a naked girl, - aft. Boccaccio, Decamerone, V, 8). From a series of four chest paintings (cassone paint.). Tempera on wood, 183 × 83cm. Inv. No. 2838 Madrid, Museo del Prado.

RM 70433113

ピーテル・ファン・デル・ヘイデン「7つの罪源－貪欲」

タイトル：「貪欲」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Avarice (Avaritia) from the series The Seven Deadly Sins, 1558, Engraving; first state of two, Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525-1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Representing the vice of greed, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. The personification of greed, a fashionably dressed woman, sits in the central foreground blithely gathering coins in her lap, while a poisonous toad lurks directly in front of her. Credit: Album / quintlox

RM 66320816

フェルメール 「赤い帽子の女」

所蔵: ワシントンナショナルギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Girl with red hat/Vermeer, Jan (Johannes), called Vermeer van Delft; 1632–1675. "Girl with red hat", c. 1665. Oil on wood, 22.8 × 18cm./Andrew W.Mellon Collection : ,/Washington, National Gallery of Art. Identifier : AKG178157 Artist : JAN VERMEER Museum : Washington, National Gallery of Art Collection : akg-images event date : 1665 image date : 1665 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D. topic : BAROQUE/DUTCH ART/HAT/HEAD COVERING/LADY'S HAT/NETHERLANDISH ART/PERSON ; HUMAN ; INDIVIDUAL/PORTRAIT/WOMAN/YOUNG WOMAN technique : PAINTING (OBJECT)/PAINTING (technique)/

RM 64141024

ホイッスラー 「陶器の国の姫君」

作家名： ジェームズ・マクニール・ホイッスラー ( 1834年 - 1903年 ) タイトル： 陶器の国の姫君 所蔵： フリーア美術館 Author: James Abbott McNeill Whistler (1834-1903) Description: La Princesse du Pay de la Porcelaine. Image size: 3009 x 5315 pixels (25.5 x 45.0 cm @ 300 dpi) 45.8 MB

RM 62343638

歌川国芳 「猫の当字 なまず」

Japan: A number of cats intended to represent the Japanese kanji character for 'Catfish' namazu ? (which is the same in Chinese, nianyu ??). Utagawa Kuniyoshi, a noted cat lover (1797/8 -1862)/Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Pictures From History Identifier : AKG3830602/Collection/Pictures From History / Pictures From History image date : 9.7.2015 topic : ART/CAT/HISTORY/JAPANESE ART geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3487px × 5078px (50 MB) ; 29.5 cm × 42.9 cm @ 300 dpi

RM 61968444

ポール・ドラローシュ 「オリバー・クロムウェルの肖像」

作家名： ポール・ドラローシュ ( 1797年 - 1856年 ) タイトル：オリバー・クロムウェルの肖像 フランスの画家 ジャンル： 新古典主義　ロマン主義 Cromwell devant le cadavre de Charles Ier/Oliver Cromwell; English statesman and military leader; From 1599 to 1658. "Cromwell devant le cadavre de Charles Ier" (Cromwell on the coffin of Charles I of Great Britain, sentenced to death at Cromwell's instigation, and executed in London on January 30, 1964). Painting, 1831, by Paul Delaroche (1797-1856)./Nîmes, Musée des Beaux-Arts. Identifier : AKG311204 Artist : PAUL DELAROCHE/Museum/Nîmes, Musée des Beaux-Arts/Collection/akg-images event date : 30.1.1649 image date : 1831/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : 1ST ENGLISH CIVIL WAR/ART/CASKET ; COFFIN/CIVIL WAR/COMMEMORATING THE DEAD ; MEMORIAL TO THE DEAD/CORPSE ; CADAVER/DEATH/EXECUTION/FRENCH ART/HISTORICISM/HISTORY PAINTING/MILITARY LEADER (MALE)/PERSON/PURITAN ; PURITANS/PURITANISM/REPUBLIC/Person/CHARLES I OF ENGLAND/OLIVER CROMWELL technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3798px (53 MB) 42.0 cm × 32.1 cm @ 300 dpi/Special Formats/8757px × 6705px (168 MB) TIFF/74.1 cm × 56.8 cm @ 300 dpi

RM 60463809

フランチェスコ・プリマティッチョ 「聖家族」

Primaticcio, Francesco. 1504–1570. "Die Heilige Familie". Öl auf Schiefer, 43,5 × 31 cm./Inv. Nr. GE 128/St. Petersburg, Staatliche Ermitage. Artist : FRANCESCO PRIMATICCIO/Museum/St Petersburg, State Hermitage/Collection image date : 1550/Time Period/16TH CENTURY topic : BIBLE/CHRISTIANITY/HOLY FAMILY/INFANT JESUS ; BABY JESUS/ITALIAN ART/MADONNA AND CHILD/MANNERISM/NEW TESTAMENT/RELIGION/SCHOOL OF FONTAINEBLEAU/Person/ELIZABETH/JOHN THE BAPTIST/MARY technique : OIL ON STONE/PAINTING (OBJECT)/PAINTING (technique) Size : 4445px × 6000px (76 MB) / 37.6 cm × 50.8 cm @ 300 dpi Special Formats : 6847px × 9242px (181 MB) TIFF/58.0 cm × 78.2 cm @ 300 dpi

RM 56876968

スーラ 「とがったオック岬、グランカン」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル：「とがったオック岬、グランカン」 フランスの画家 ジャンル： 印象派　新印象派 Seurat, Georges. 1859–1891. "Le Bec du Hoc, Grandcamp", 1885. Oil on canvas, 64,8 × 81,6 cm./London, Tate Britain. Artist : GEORGES SEURAT/Museum/London, Tate Britain image date : 1885/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/COAST ; SHORELINE/FRAME/FRENCH ART/LANDSCAPE ; SCENERY/POINTILLISM/POST-IMPRESSIONISM/ROCK ; BOULDER/SEA geography : ATLANTIC OCEAN ; ATLANTIC (OCEAN)/BASSE-NORMANDIE/BAYEUX/BEC DU HOC/CALVADOS/ENGLISH CHANNEL/FRANCE/GRANDCAMP/ISIGNY-SUR-MER/NORDFRANKREICH/NORMANDY technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3950px (56 MB) 42.0 cm × 33.4 cm @ 300 dpi Special Formats : 7418px × 5906px (125 MB) TIFF/62.8 cm × 50.0 cm @ 300 dpi/

RM 32807011

ゴーギャン 「友ダニエルに捧げられた自画像」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：友ダニエルに捧げられた自画像 国籍： フランス ジャンル： 印象派　ポスト印象派 Artist： PAUL GAUGUIN Title： Self-portrait Location： Paris, Musee d'Orsay Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1896 Description： Gauguin, Paul. French painter; Paris 7.6.1848 - Atuona on Hiva Oa (Marquesas Islands) 8.5.1903. "Self-portrait", 1896. Oil on canvas, 40.5 × 32cm. R.F. 1951-7

RM 32303508

ゴーギャン 「牛のいる海景(海の景色と岩場の牛)」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「牛のいる海景(海の景色と岩場の牛)」 フランスの画家 所蔵： パリ装飾美術館 ジャンル： 印象派　ポスト印象派 Gauguin, Paul 1848-1903. "Landscape with cow between th. cliffs", 1888. Oil on canvas, 73 × 60cm. Identifier : AKG220716 Location : Paris, Les Arts Decoratifs Artist : PAUL GAUGUIN source : akg-images credit line : akg-images image date : 1888 Time Period :19TH CENTURY 2ND MILLENNIUM A.D. topic : ANIMAL CLIFF ; PRECIPICE FRENCH ART IMPRESSIONISM LANDSCAPE ; SCENERY MEADOW OXEN technique : PAINTING (OBJECT) PAINTING (technique) Size :2702px × 3364px (~2 MB / ~26 MB unc.) 22.8 cm × 28.4 cm (300dpi) Special Formats: 3452px × 4298px (~35 MB / ~42 MB unc.) TIFF29.2 cm × 36.4 cm (300dpi)

RM 21318942

「聖パウロ」

Artist: Dyck, Anthonis van,1599-1641 Imagetitle: St. Paul the Apostle. Probably 1620/21 Dimensions: 64,7 x 50,8 cm Medium: on oak wood Location: Hannover, Landesmuseum

RM 20180528

歌川広重 「六十余州名所図会　加賀 金沢八勝之内 蓮湖之漁火」

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RM 8156017

ルノワール 「ナポリの入江、夕刻」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「ナポリの入江、夕刻」 フランスの画家 ジャンル： 印象派 所蔵: クラーク美術館 Artists:Renoir, Pierre Auguste (1841-1919) Title: The Bay of Naples with Vesuvius in the Background, 1881 ( oil on canvas) 57.9x80.8 cm　 Location: Sterling & Francine Clark Art Institute, Williamstown, USA Nationaly： French

RM 115996838

フランス・ハルス「扇を持つ女性」

Frans HALS: Hals pays great attention to detail in the portrayal of this woman’s elegant attire, which is characteristic of the period around 1640, when this picture was probably painted. She wears a large, flat three-tiered collar, silver bow and wide lace-trimmed cuffs. In her left hand she holds a fan made of feathers set in a gold mount, suspended from a golden chain. Although the sitter has not been identified, the elegant dress and jewellery suggest that she may have been the wife of a wealthy citizen of Haarlem. Similiar clothes are worn by the woman depicted in the National Gallery’s ‘Portrait of a Man, a Woman and a Boy in a Room’ by Pieter Codde, which is dated 1640, and in the ‘Portrait of a Woman’ by Johannes Conelisz. Verspronck (Enschede, Rijksmuseum Twenthe) which was painted in the same year. Oil on canvas, 79.8 × 59 cm, about 1640 London, National Gallery.

RM 115920888

ヘリット・ファン・ホントホルスト「ボヘミア王妃エリザベス・ステュアート」

Elizabeth Stuart, Queen of Bohemia, 1596 – 1662, wife of Frederick V, Elector Palatine. "Elizabeth Stuart, Queen of Bohemia. Painting, 1542, by Gerrit van Honthorst (1592–1656). Oil on canvas, 205.1 × 130.8 cm. London, National Gallery.

RM 83899498

アデライド・ラビーユ・ギアール「弟子二人と一緒の自画像」

Labille-Guiard, Adelaide 1749-1803. Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761-1818) and Marie Marguerite Carreaux de Rosemond (died 1788), Painting, 1785. Oil on canvas, 210.8 × 151.1 cm. Inv. Nr. 53.225.5 New York, Metropolitan Museum of Art.

RM 83823142

モーリス・ドニ「純潔の春」

Denis, Maurice 1870-1943. Springtime, Painting, ca. 1889-1899. Oil on canvas, 80.6 × 97.8 cm. Inv. Nr. 1999.180.2a, b New York, Metropolitan Museum of Art.

RM 83113978

エドヴァルド・ムンク「嵐」

Munch, Edvard 1863–1944. "The Storm", 1893. Oil on canvas, 91.8 × 130.8cm. New York, Museum of Modern Art.

RM 67187158

クリムト 「ケープと帽子をもとった夫人の斜め右からの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav 1862–1918. "Bildnis einer Dame mit Cape und Hut", 1897/98. Schwarze und rote Kreide, 44,6 × 31, 8 cm. Inv. Nr. 36058 Wien, Graphische Sammlung Albertina.

RM 66095764

アントワーヌ＝ジャン・グロ 「アルコレ橋のボナパルト(1798年11月17日)」(部分)

所蔵：ルーヴル美術館 Author: Antoine Jean Gros (1771-1835) Description: General Napoleon Bonaparte at the bridge of Arcole. Oil on canvas 73 x 59 cm RF 361. Classification: PAINTING ~ CLASSICISM ~ 18th Personalities: NAPOLÉON (1769-1821) Location: Louvre, Dpt. des Peintures, Paris, France Image size: 3341 x 4111 pixels (28.3 x 34.8 cm @ 300 dpi) 39.3 MB

RM 62553878

パブロ・ピカソ 「夢」

Artist:Picasso, Pablo, 1881-1973 Title:The Dream (Le Rêve). 24th of January 1932 Dimensions:129.8 x 97.2 cm Technique:oil on canvas Location:Christie's Images Ltd

RM 145990889

鈴木春信 『お仙茶屋』

Osen Waiting on a Young Samurai, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine Identifier : AKG6252294 Collection : Artokoloro Quint Lox Limited Credit line : akg-images / Liszt Collection topic : EDO PERIOD/ENTRANCE/FAMILY/GATE/INK/KIMONO/PAPER/PAULOWNIA/SHRINE geography : CREST/JAPAN/TORII Person : SUZUKI HARUNOBU

RM 115920889

トーマス・ローレンス「55歳頃のジョン・ジュリアス・アンガースタイン」

Portrait of John Julius Angerstein, Aged about 55 / T. Lawrence / Painting, c.1790 Lawrence, Sir Thomas, 1769 – 1830, English painter. "Portrait of John Julius Angerstein, aged about 55", c.1790. Oil on canvas, 75.8 × 62.5 cm. London, National Gallery.

RM 101116636

レオナルド・ダ・ヴィンチ 「サルバトール・ムンディ」

Salvator Mundi, circa 1500 / Leonardo da Vinci or Bernardo Luini Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi. Identifier：AKG6249897 Museum：Abu Dhabi, Louvre Abu Dhabi Image date：1500

RM 101116637

レンブラント「笑うレンブラント」

Rembrandt Laughing; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); Netherlands; about 1628; Oil on copper; 22.2 × 17.1 cm (8 3,4 × 6 3,4 in.)

RM 87960387

モネ「オンフルールの港のボート」

Monet, Claude 1840–1926. "Boats in the port of Honfleur", 1866–67 Oil on canvas, 48.8 × 65.1cm. Private Collection.

RM 83416818

バルタザール・ファン・デル・アスト「籠に入った花」

所蔵: ワシントン・ナショナル・ギャラリー Balthasar van der Ast, 1593/1594-1657. Basket of Flowers, ca. 1622. Oil on panel, 17.8 × 23.5 cm. Inv. Nr. 1992.51.2, Washington, National Gallery of Art.

RM 83416764

ギルバート・ステュアート「ジョージ・ワシントンの肖像」

所蔵: ワシントン・ナショナル・ギャラリー Gilbert Stuart 1755-1828. George Washington (Vaughan portrait), 1795. Oil on canvas, 73 × 60.5 cm. Inv. Nr. 1942.8.27, Washington, National Gallery of Art.

RM 76880783

歌川國利「憲法発布式之図」

Kempo happu shiki no zu|View of the Issuance of the Constitution/Baiju Kunitoshi 1847–1899. View of the Issuance of the Constitution, Print, 1889. Meiji period (1868–1912)./Triptych of polychrome woodblock prints; ink and color on paper, 36.8 × 72.7 cm./Inv. Nr. JP3384/New York, Metropolitan Museum of Art. Identifier : AKG5048426/Museum/New York, Metropolitan Museum of Art image date : 1.1.1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D.

RM 70299895

ウィリアム・ブレイク　「巨大な赤い龍と太陽の衣をまとった女」

タイトル：巨大な赤い龍と太陽の衣をまとった女 作家名：ウィリアム・ブレイク（1757年-1827年） 国籍：イギリス ジャンル： ロマン主義 Title：The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4) Creator：Blake, William (1757-1827) Nationality：English Description：image: 17 3/16 x 13 11/16 in. (43.7 x 34.8 cm); sheet: 21 11/16 x 17 1/16 in. (55.1 x 43.3 cm) Location：Brooklyn Museum of Art, New York, USA Medium：black ink and watercolor over traces of graphite and incised lines Date：c.1803-1805 Dimensions：117x89 cms43.7x34.8 cms Credit：c.1803-05 (black ink and watercolor over traces of graphite and incised lines), Blake, William (1757-1827) / Brooklyn Museum of Art, New York, USA / Gift of William Augustus White

RM 66923060

クリムト 「ダナエ」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Danae. Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 4488 x 4266 pixels (38.0 x 36.1 cm @ 300 dpi) 54.8 MB

RM 66095406

アントワーヌ＝ジャン・グロ 「アルコレ橋のボナパルト(1798年11月17日)」(部分)

所蔵：ルーヴル美術館 Napoleon I. Bonaparte,/French emperor (from 1804), Ajaccio/(Corsica) 15.8.1769 – Longwood (St. Helena) 5.5.1821 – "Bonaparte on the Bridge of Arcole". (Battle near Arcole against Austria, 15./17. November 1796)./– Study for the painting 1796, by Antoine-Jean Gros (1771–1835)./Oil on canvas, 73 × 59 cm. Inv. R.F. 361/Paris, Musée du Louvre. Artist : ANTOINE-JEAN GROS/MUSEUM/PARIS, MUSÉE DU LOUVRE/COLLECTION/MAURICE BABEY / Maurice Babey image date : 1796TIME PERIOD/18TH CENTURY/2ND MILLENNIUM A.D. topic : BANNER/BATTLE/CLASSICISM/CONQUEST ; CONQUERING/EMPIRE (STYLE)/FLAG/FRENCH ART/FRENCH REVOLUTIONARY WAR/HISTORY/MAN/MILITARY COMMANDER/PERSON/PORTRAIT/STUDY/WAR geography : ARCOLE/FRANCE/ITALY/PERSON/NAPOLEON I BONAPARTE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4008px × 4961px (56 MB)/33.9 cm × 42.0 cm @ 300 dpi Special Formats : 6113px × 7566px (132 MB) TIFF / 51.8 cm × 64.1 cm @ 300 dpi

RM 62548843

クリムト 「赤子（赤ん坊）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Baby (Cradle) Gustav Klimt 1862-1918. Baby (Cradle), 1917/1918. Oil on canvas, 110.9 × 110.4 cm. In.) Inv. Nr. 1978.41.1, Washington, National Gallery of Art. Identifier : AKG5010115 Artist : GUSTAV KLIMT Museum Washington, National Gallery of Art credit line : akg-images Time Period 1920S 20TH CENTURY 2ND MILLENNIUM A.D. technique : OIL ON CANVAS Size 3969px × 4000px (45 MB) 33.6 cm × 33.8 cm @ 300 dpi

RM 51887588

ゴーギャン 「タヒチの牧歌」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「タヒチの牧歌」 フランスの画家 ジャンル： 印象派　ポスト印象派 Pastorales tahitiennes/Gauguin, Paul 1848–1903. "Pastorales tahitiennes" (Zwei Tahitierinnen mit Hund), 1893. Oil on canvas, 86 × 113 cm./Inv. Nr. 9119/St. Petersburg, Staatliche Ermitage. Identifier : AKG46302 Artist : PAUL GAUGUIN/Museum/St. Petersburg, Staatliche Ermitage event date : 1893 image date : 1893/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : EXOTIK/FRANZÖSISCHE KUNST/FRAU/FRAU UND TIER/FRAUENLEBEN/HARMONIE/HAUSTIER/HUND/JAHRHUNDERTWENDE/LAND UND LEUTE/LANDSCHAFT/PASTORALE/VÖLKERKUNDE geography : OZEANIEN/POLYNESIEN/TAHITI technique : GEMÄLDE/MALEREI/Size 3364px × 2584px (24 MB) 28.4 cm × 21.8 cm @ 300 dpi/Special Formats/3926px × 3016px (34 MB) TIFF/33.2 cm × 25.5 cm @ 300 dpi

RM 25526034

エゴン・シーレ 「自画像」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「自画像」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Categories: Expressionism Selbstportrait of Egon Schiele. Ol auf wood. (1912). 32,2 x 39,8 cm.

RM 172880219

レンブラント「鎖に繋がれたアンドロメダ」

Author:REMBRANDT VAN RHIJN (School) Description:Andromeda Chained to the Rocks Technique:OIL ON WOOD School:HOLLAND Museum:The Mauritshuis, The Hague Collection:Fine Art Images Credit:Album / Fine Art Images Image size:4250 x 5906 pixels (36.0 x 50.0 cm @ 300 dpi) 71.8 MB

RM 141069912

江戸時代の祇園祭の様子

Japanese, Edo period, early 18th century. “Rakuchu-rakugai-zu” (city scenes from the capital and the surrounding area); Detail: The pageant of the Gion Matsuri festival moves through the streets of Kyoto. Eight-part screen with city scenes from Kyoto and the surrounding area with displays of the sights and the annual festivals. Ink, colors and gold leaf on paper on wood. Overall dimensions 2.2 × 4.8 m. Art trade Paris 1984.

RM 133856661

ジャン＝レオン・ジェローム「ナサニエル・ド・ロスチャイルド男爵夫人の肖像」

P5F4RW La baronne de Nathaniel Rothschild *oil on panel *49,6 x 35,8 cm *1866 330 Charlotte Rothschild, by Jean-Leon Gerome

RM 97619910

カール・ブロスフェルト「芸術の原型」

1197681 Serratula Nudicaulis (Bare-stemmed Common Sawwort), c.1928 (gelatin silver print) by Blossfeldt, Karl (1865-1932); 29.8x23.8 cm; Private Collection; (add.info.: Blossfeldt, Karl (1865-1932)); Photo © Christie\'s Images; German, it is possible that some works by this artist may be protected by third party rights in some territories.

RM 95048320

ゴッホ「道路工夫」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：道路工夫 国籍： オランダ ジャンル　印象派　ポスト印象派 Title: The Large Plane Trees, or Road Menders at Saint-Rémy, 1889 (oil on fabric) creator: Gogh, Vincent van (1853-90) Nationality: Dutch Location: Cleveland Museum of Art, OH, USA Medium: oil on fabric Date: 1889 (C19th) Dimensions: 73.4x91.8 cms Credit: The Large Plane Trees, or Road Menders at Saint-Rémy, 1889 (oil on fabric), Gogh, Vincent van (1853-90) / Cleveland Museum of Art, OH, USA / Gift of the Hanna Fund / Bridgeman Images

RM 87941625

カスパー・ダーヴィト・フリードリヒ「雲海の上の旅人」

Friedrich, Caspar David 1774–1840. "Der Wanderer ueber dem Nebelmeer", (The Wayfarer above a Sea of Fog), c. 1818. Oil on canvas, 74.8 × 94.8cm. Hamburg, Kunsthalle.

RM 83408384

モンドリアン「格子のコンポジション8 – 暗色のチェッカー盤コンポジション」

Mondrian, Piet 1872-1944. "Composition with bars 8, Chessboard with dark colours", 1919. Oil on canvas, 84 × 102 cm. The Hague, Gemeentemuseum.

RM 83411635

ゴーギャン 「シュフネッケルの家族」

フランスの画家 ジャンル: ポスト印象派 Schuffenecker, Emile, French painter. Fresne-Saint-Mames 8.12.1851-Paris August 1934. "L'atelier de Schuffenecker". (The artist with his wife Louise, born Lancon, and the children Jeanne and Paul). Painting, 1889, by Paul Gauguin (1848-1903). Oil on canvas, 73-92cm. Paris, Musee d'Orsay.

RM 81769105

ギュスターヴ・モロー「オイディプスとスフィンクス」

Oedipus and the Sphinx, 1864 (oil on canvas) Description Greek hero Oedipus confronting the Sphinx outside Thebes: he must solve her riddle to save his life and those of the besieged Thebans Location Metropolitan Museum of Art, New York, USA Medium oil on canvas Date 1864 (C18th) Dimensions 206.4x104.8 cms Oedipus and the Sphinx, 1864 (oil on canvas), Moreau, Gustave (1826-98) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

RM 70923231

ポール・セザンヌ「大水浴図」

Cezanne, Paul 1839–1906. "Grandes baigneuses" (The large bathers) c. 1898/1900./Oil on canvas, 208 × 249cm./Philadelphia, Museum of Art. Artist : PAUL CÉZANNE/MUSEUM/PHILADELPHIA, MUSEUM OF ART. technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 4181px (59 MB) / 42.0 cm × 35.3 cm @ 300 dpi Special Formats : 6593px × 5606px (106 MB) TIFF / 55.8 cm × 47.5 cm @ 300 dpi

RM 62553866

カラヴァッジョ 「法悦のマグダラのマリア」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ )  ( 1571年 - 1610年 ) タイトル：「法税のマグダラのマリア」 国籍： イタリア ジャンル： バロック Artist : Caravaggio, born Michelangelo Merisi; /1571-1619. "The Rapture of Mary Magdalene", 1606. Oil on canvas, 106.5 x 91 cm. Rome, private collection./Private Collection. topic : ART/BAROQUE/BIBLE/CHRISTIANITY/ECSTASY/FOLDED HANDS ; PRAYING HANDS/HIGH CONTRAST ; CLAIR-OBSCUR/ITALIAN ART/LAST WILL AND TESTAMENT ; WILL (TESTAMENT)/NEW TESTAMENT/PRIVATE COLLECTION/RELIGION/SAINTS/WOMAN/PERSON/MARIA MAGDALENA (HEILIGE) technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 3228px × 3766px (34 MB)/27.3 cm × 31.8 cm @ 300 dpi

RM 172877780

ランベルト・スストリス「ペルセウスとアンドロメダ」

Image number:SFA413934 Title: Perseus and Andromeda (oil on panel) Artist: Sustris, Lambert (1515/20-68) / Netherlandish Location: Private Collection Medium: oil on panel Dimensions: 24.9x49.8 cms

RM 149245959

レンブラント 「自画像」

国籍： オランダ ジャンル ： バロック Artist：Rembrandt Harmensz. van Rijn (1606-69) Title：Self Portrait, 1669 Location：Mauritshuis, The Hague, The Netherlands Age：1669 Medium：oil on canvas 72685

RM 149246329

「勝利の皇帝」（バルベリーニの象牙板）

所蔵：ルーヴル美術館 Artist： Byzantine School, (6th century) Title： The Emperor Triumphant, known as the 'Barberini Ivory', 500-550 AD (ivory) Location： Louvre, Paris, France Age：06th Medium：ivory 81413

RM 140177839

吉田博「新月」

Yoshida Hiroshi, 1876–1950. New Moon, 1941. Color woodblock print, 26.8 × 39.5 cm. Inv. No. 1990.607.288, Chicago, Art Institute.

RM 70433100

ピーテル・ファン・デル・ヘイデン「7つの罪源－嫉妬」

タイトル：「嫉妬」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Envy (Invidia) from The Seven Deadly Sins, 1558, Engraving; first state of two, 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525-1569). Credit: Album / quintlox

RM 53713589

ヒエロニムス・ボス 「聖アントニウスの誘惑」

タイトル：聖アントニウスの誘惑 作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Bosch, Hieronymus c. 1450 – 1516. "The Temptation of St. Antony". Centre panel and inner panels of the wings of the Antony triptych./Wood, centre panel 132 × 119cm, wings/132 × 53cm each. Artist : HIERONYMUS BOSCH Location : Lisbon, National Museum of Antique Art image date : 1550 technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 2751px (39 MB)/42.0 cm × 23.2 cm @ 300 dpi Special Formats : 10188px × 5649px (165 MB) TIFF/86.3 cm × 47.8 cm @ 300 d

RM 51886213

クロード・モネ 「サン・タドレスの庭」

フランスの画家 ジャンル： 印象派 Woman in a Garden/Monet, Claude 1840–1926. "Woman in a Garden", 1867. Oil on canvas, 80 × 99cm./St Petersburg, State Hermitage. Identifier : AKG79488 Artist : CLAUDE MONET/Museum/St Petersburg, State Hermitage event date : 1866 image date : 1866/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : BLOSSOM/BOTANY/BOURGEOISIE/CIRCULAR FLOWER BED/CLOSENESS TO NATURE/FASHION ; STYLE/FRENCH ART/GARDEN/GARDEN ; YARD/IMPRESSIONISM/LAWN/LIGHT AND SHADE/MEADOW/ORNAMENTAL GARDEN/PEOPLE IN A PARK/REAR VIEW OF PERSON ; PERSON FROM BEHIND/SEASONS/SPRING/SUMMER/SUN UMBRELLA/SYNESTHESIA/WALK ; STROLL/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE/LE COTEAU/NORMANDY/SAINTE-ADRESSE/Person/JEANNE-MARGUERITE LECADRE technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 4003px (56 MB) 42.0 cm × 33.8 cm @ 300 dpi

RM 20181262

右田年英 「名誉十八番景清」

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RM 154308593

吉田博「金魚すくい」

東京拾二題 FSG348924 Fishing Gold Fishes, Showa era, 1928 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 26.8 x 39.9 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, out of copyright.

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 130479759

葛飾北斎「雪月花　隅田」

??? ??, Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka), Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/2 in. (24.8 x 36.8 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Hokusai's snowy landscape at Mukojima along the Sumida River is similar to his pupil Katsushika Isai's fan painting, seen on the right. At the lower right of Hokusai's print is a small shrine, the Umewaka Jinja, dedicated to a little boy who was kidnapped and died there in ancient times Identifier : AKG6257746/Collection/Artokoloro Quint Lox Limited / Liszt Collection topic : EDO PERIOD/FLOWER/INK/LITTLE BOY/MOON/PAPER/SNOW geography : JAPAN/TOKYO/YEDO/Person/HOKUSAI

RM 104928959

魚屋北渓「丑の刻参り」

Ushi-no-toki mairi, Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 5 3/8 in. (20.8 x 13.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850)

RM 76880781

楊洲周延「憲法発布式之図」

Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu)/Yoshu (Hashimoto) Chikanobu 1838–1912. Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu), Print, 1889. Meiji period (1868–1912)./Polychrome woodblock print; ink and color on paper, 36.8 × 75.2 cm./Inv. Nr. JP3240/New York, Metropolitan Museum of Art. Identifier : AKG5048356/Museum/New York, Metropolitan Museum of Art image date : 1.1.1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D.

RM 72020111

チャイルド・ハッサム「連合国の日、1917年5月」

Childe Hassam 1859–1935. Allies Day, May 1917, 1917. Oil on canvas, 92.7 × 76.8 cm. Inv. Nr. 1943.9.1, Washington, National Gallery of Art.

RM 53231185

ヤコポ・ポントルモ 「十字架降下」

Author: Jacopo Carucci (Pontormo) (1494-1557) Description: The Deposition, 1525-1528 Oil on wood, 315 x 192 cm. Classification: PAINTING ~ MANNERISM, LA MANIERA ~ 16th Personalities: MARY MAGDALENE (siglo I) Location: Cappella Capponi, Santa Felicita, Florence, Italy Collection: Lessing Image size: 2813 x 4098 pixels (23.8 x 34.7 cm @ 300 dpi) 33.0 MB

RM 52551703

アルチンボルド 「四季（夏）」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「四季（夏）」 国籍： イタリアの画家 ジャンル： マニエリスム 所蔵：ウィーン美術史美術館 Der Sommer Arcimboldo, Giuseppe 1527–1593. "Der Sommer", 1563. (Gemalt für Kaiser Ferdinand I.). Öl auf Lindenholz, 67 × 50,8 cm. Inv. Nr. 1589 Wien, Kunsthistorisches Museum. Identifier : AKG452769 Artist : GIUSEPPE ARCIMBOLDO Museum Wien, Kunsthistorisches Museum source : akg-images credit line : akg-images event date : 1563 image date : 1563 Time Period 16. JAHRHUNDERT 2. JAHRTAUSEND N.CHR. topic : ALLEGORIE FRÜCHTE GEMÜSE ITALIENISCHE KUNST JAHR UND KALENDER JAHRESZEITEN MANIERISMUS OBST PERSONIFIZIERUNG PHANTASTISCHE KUNST PROFIL SOMMER VEXIERBILD technique : GEMÄLDE MALEREI ÖL AUF HOLZ Size 3580px × 4961px (50 MB) 30.3 cm × 42.0 cm @ 300 dpi

RM 52217011

カルロ・クリヴェッリ 「マグダラのマリア」

所蔵: アムステルダム国立美術館 Mary Magdalene Crivelli, Carlo. Mary Magdalene, 1480. Panel, 49 × 152 cm. Inv. Nr. SK-A–3989 Amsterdam, Rijksmuseum. Identifier : AKG5004079 Artist : CARLO CRIVELLI Museum Amsterdam, Rijksmuseum credit line : akg-images image date : 1.1.1480 technique : PAINTING (OBJECT) PAINTING (technique) Size 1796px × 5892px (30 MB) 15.2 cm × 49.8 cm @ 300 dpi

RM 169989850

ジュゼッペ・チェザーリ「ペルセウスとアンドロメダ」

Artist: Cesari, Giuseppe, "Il Cavaliere d'Arpino" (1568-1640), PAINTING , Perseus and Andromeda, 1602 Slate, 51,8 x 38,2 cm Inv. 3525

RM 146238578

歌川豊国「大黒と福禄寿の相撲」

Sumo match between Daikoku and Fukurokuju. Toyokuni Utagawa. Print shows the Buddhist gods Daikoku and Fukurokuju, two of the seven lucky gods of Japan, as sumo wrestlers. 1831. Woodcut, color; 18.9 × 12.8 cm.

RM 143516095

ジョルジュ・ブラック「ピアノとマンドラ」

Braque, Georges 1882–1963. “Piano et mandore” (Piano and Mandola), Winter 1909–1910. Oil on canvas, 91.7 × 42.8 cm. Inv. No. 54.1411 New York, Solomon R Guggenheim Museum.

RM 104351512

レオナルド・ダ・ヴィンチ「サルバトール・ムンディ(救世主)」

Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi.

RM 82771876

エドヴァルド・ムンク「骸骨の腕のある自画像」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Munch, Edvard norweg. Maler und Graphiker Loten 12.12.1863 – auf Ekely 23.1.1944. "Selbstbildnis (mit Knochenarm) ", 1895. Lithographie (Kreide, Tusche) auf rohweißem Chinapapier, 45,8 × 31,6 cm. Inv. Nr. A 1951/1006 Stuttgart, Staatsgalerie, Graphische Sammlung.

RM 70383798

アルチンボルド 「皇帝マクシミリアン二世と家族の肖像」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「皇帝マクシミリアン二世と家族の肖像」 国籍：イタリアの画家 ジャンル　： マニエリスム Author:Giuseppe Arcimboldo (1527-1593) Description:Holy Roman Emperor Maximilian II of Austria (1527-1576) and his wife Infanta Maria of Spain with their children Collection:Fine Art Images Credit:Album / Fine Art Images Image size:4226 x 5315 pixels (35.8 x 45.0 cm @ 300 dpi) 64.3 MB

RM 62548839

クリムト 「アマーリエ・ツッカーカンドルの肖像」

作家名：グスタフ・クリムト ( 1862年-1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Amalie Zuckerkandl / Painting by Gustav Klimt, 1917/18 Zuckerkandl, Amalie, neé Schlesinger, from 1895 married (Otto) Zuckerkandl. 1.8.1869- (murdered) extermination camp Belzec 1942. "Portrait Amalie Zuckerkandl". Painting, 1917/18, by Gustav Klimt (1862-1918). Oil on canvas, unfinished, 128 × 128cm. Inv. No. 7700 Vienna, Österr. Galerie im Belvedere. Identifier : AKG2080422 Artist : GUSTAV KLIMT Museum Vienna, Österr. Galerie im Belvedere Collection akg-images credit line : akg-images event date : 1917 image date : 1917 Time Period 1910S 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART ART NOUVEAU AUSTRIAN ART BOURGEOISIE CHOKER LOW NECKLINE ; DECOLLETE PERSON PORTRAIT SECESSION ; SECESSIONISM SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH SITTING STRAPLESS UNFINISHED WORK UPPER BOURGEOISIE VIENNESE SECESSION WOMAN geography : AUSTRIA Person AMALIE ZUCKERKANDL technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 4961px × 4864px (69 MB) 42.0 cm × 41.1 cm @ 300 dpi

RM 62548844

クリムト 「メーダ・プリマヴェージの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Mäda Primavesi (1903-2000) Klimt, Gustav 1862-1918. Mäda Primavesi (1903-2000), Painting, ca. 1912-1913. Oil on canvas, 149.9 × 110.5 cm. Inv. Nr. 64.148 New York, Metropolitan Museum of Art. Identifier : AKG5060098 credit line : akg-images image date : 1.1.1912 Size 2876px × 3877px (31 MB) 24.3 cm × 32.8 cm @ 300 dpi

RM 51106489

エリザベート・ルイーズ・ヴィジェ・ルブラン 「自画像」

Vigée Le Brun, Louise Élisabeth,/16.4.1755 – 20.3.1842,/French painter. "Self-portrait", 1790. Oil on canvas, 100 x 81 cm. Florence, Galleria degli Uffizi. Identifier : AKG348613 Artist : ELISABETH-LOUISE VIGEE-LEBRUN/Museum/Florence, Galleria degli Uffizi source : Nimatallah / Nimatallah event date : 1800 image date : 1800 topic : ART BY WOMEN Artist : (FEMALE) Artist : AT WORK/BOW (CLOTHES)/COLLAR/FASHION ; STYLE/HEAD COVERING/LACE COLLAR/LACE CUFF/PAINTBRUSH/PAINTER (FEMALE) ; PAINTER/PAINTING (ACTIVITY)/PALETTE/PERSON/PORTRAIT/SASH/SCARF/SELF-PORTRAIT/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/TURBAN/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE technique : PAINTING (OBJECT)/PAINTING (technique)/ Size : 2560px × 3364px (24 MB) 21.6 cm × 28.4 cm @ 300 dpi/Special Formats/2861px × 3759px (31 MB) TIFF/24.2 cm × 31.8 cm @ 300 dpi

RM 90333021

クロード・モネ「樹木の反映」

Author: CLAUDE MONET (1840-1926) Description: Reflets d'arbres The Water Lilies - Tree Reflections. Date/Period: 1914 - 1926. Painting. Height: 2,000 mm (78.74 in); Width: 8,500 mm (27.88 ft). Technique: painting Dimensions: Height: 2,000 mm (78.74 in); Width: 8,500 mm (27.88 ft) Location: MUSEE DE L'ORANGERIE Image size: 8938 x 2039 pixels (75.7 x 17.3 cm @ 300 dpi) 52.1 MB Keywords:CLAUDE MONET • MUSEE DE L'ORANGERIE • PAINTING

RM 87961055

葛飾北斎「諸国瀧廻り　東都葵ヶ岡の瀧」

Hokusai Katsushika, 1760–1849. Print shows travelers at a roadside rest stop with several buildings, possibly a tearoom, near a waterfall. 1832 or 1833, printed later. Woodcut, color; 37.8 × 26 cm.

RM 83892917

ムンク「新陳代謝（メタボリズム）」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Author: EDVARD MUNCH (1863-1944) Description: Metabolism Metabolisme. Date/Period: Between 1898 and 1899. Painting. Oil on canvas. 172x142 cm. Technique: painting Dimensions: 172x142 cm Location: Munch Museum Image size: 3518 x 5048 pixels (29.8 x 42.7 cm @ 300 dpi) 50.8 MB