「75」 の 検索結果

RM 79736511

横山大観「霊峰四趣・夏」

Taikan, Yokoyama (born Sakai Hidemaro), 1868 – 1958, Japanese painter. "Summer", 1940. (From the series: Four Seasons at Mount Fuji). Pigment on paper, 75 x 110 cm. Yasugi, Adachi Museum of Art.

RM 66312267

ベラスケス「セビーリャの水売り」

Artist:Velazquez, Diego Rodriguez de, 1599-1660 Title:Der Wasserverkäufer von Sevilla. 1616/1620. Dimensions: 104 x 75 cm Location:Florenz, Galleria degli Uffizi

RM 944262

ドガ 「青い踊り子たち」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：青い踊り子たち フランスの画家 ジャンル： 印象派 Artist: Degas, Edgar,1834-1917 Imagetitle: Dancers in blue. About 1893 Dimensions: 85 x 75,5 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 60462037

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan, Gen. Vermeer van Delft. 1632-1675. "The painting art" (The allegory of painting, The painter and his model as Klio), c. 1665/66. Oil on canvas, 120 × 100 cm./Inv. No. 9182 / Vienna, Museum of Art History. Identifier: AKG452980 Artist: JAN VERMEER / Museum / Vienna, Kunsthistorisches Museum / Collection / akg-images eventdate: 1665 imagedate: 1665 / Time Period / 17. CENTURY / 2. YEARS topic: ALLEGORIE / ATELIER / BAROCK / PICTURE IN THE PICTURE / TILE / WOMAN / FOOTBALL / EYED / HISTORY / GREEK-ROMAN MYTHOLOGY / HERRENMODE / INSTRUMENT / INTERIEUR / ARTISTS / ARTISTS AT THE WORK / ARTIST / MODEL / LANDKARTE / LEUCHTER / MUSIC / MYTHOLOGY / DUTCH ART / PERSPECTIVES / POSAUNE / BACKGROUND / SITTING / STAFFELEI / STRUMP / CUFFS / CURTAIN / WORKSHOP (GENERAL) / Person / KLIO technique: PAINTING / PAINTING Size: 4110px × 4961px (58MB) / 34.7cm x 42.0cm @ 300dpi Special formats: 7361px × 8885px (187 MB) TIFF / 62.3 cm × 75.2 cm @ 300 dpi

RM 83892915

ヨハン・クリスチャン・ダール「ソグネ・フィヨルドの冬」

Author: JOHAN CHRISTIAN DAHL (1788-1857) Description: Winter at the Sognefjord. Date/Period: February 1827. Painting. Oil on canvas. Width: 75.5 cm. Height: 61.5 cm. Technique: painting Dimensions: Width: 75.5 cm. Height: 61.5 cm Location: National Gallery of Norway Collection: Album Credit: Album Image size: 3754 x 3023 pixels (31.8 x 25.6 cm @ 300 dpi) 32.5 MB

RM 83411582

クロード・モネ 「サン・ラザール駅」

フランスの画家 ジャンル: 印象派 Monet, Claude 1840-1926. "La Gare Saint-Lazare" (Saint-Lazare station), 1877. Oil on canvas, 75.5-104cm. Inv. No. RF 2775 Paris, Musee d'Orsay.

RM 176134715

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 176134720

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 115920889

トーマス・ローレンス「55歳頃のジョン・ジュリアス・アンガースタイン」

Portrait of John Julius Angerstein, Aged about 55 / T. Lawrence / Painting, c.1790 Lawrence, Sir Thomas, 1769 – 1830, English painter. "Portrait of John Julius Angerstein, aged about 55", c.1790. Oil on canvas, 75.8 × 62.5 cm. London, National Gallery.

RM 103089610

小原 古邨

Ohara Shoson (1877–1945). Geese, 1926. Color woodblock print, embossed. Inv. Nr. M. 73.75.38, Los Angeles, County Museum of Art.

RM 176134716

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 84115743

イワン・クラムスコイ「忘れえぬ女」

The Unknown One Kramskoi, Ivan Nikolaevich, 1837–1887, Russian painter. “The Unknown One”, 1883. Oil on canvas, 75.5 × 99 cm. Moscow, Tretjakov Gallery.

RM 62553864

ゴッホ 「ひまわり」

国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van; 1853–1890./– "Sunflowers" (Vase with Fourteen Sunflowers), Arles, January 1889./Oil on canvas, 100 × 76 cm./(Sold at Christie's London on 30 March 1987 for 24.75 million pounds. Recently attributed to Claude-Emile Schuffenecker)./Inv. LO–175/Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art. Identifier : AKG50724 Artist : VINCENT VAN GOGH/MUSEUM/TOKYO, SEIJI TOGO MEMORIAL SOMPO JAPAN MUSEUM OF ART/COLLECTION/AKG-IMAGES event date : 1889 image date : 1889TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : BOTANY/BOUQUET OF FLOWERS/FLOWER/FORGERY/IMPRESSIONISM/NETHERLANDISH ART/RECORD PRICE ; HIGHEST AUCTION PRICE/STILL LIFE/SUNFLOWER/VASE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2637px × 3364px (25 MB)/22.3 cm × 28.4 cm @ 300 dpi Special Formats : 2859px × 3647px (30 MB) TIFF/24.2 cm × 30.9 cm @ 300 dpi

RM 176134717

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 106797726

渡辺省亭「鰈図」

Jumping fish, Meiji period (1868–1912), ca. 1887, Japan Watanabe Seitei 1851-1918. Album leaf, ca. 1877-1897. Meiji period (1868-1912). Album leaf; ink and color on silk, 35.2 × 26.7 cm. Inv. Nr. 14.76.61.75 New York, Metropolitan Museum of Art.

RM 83824938

歌川広重「木曽路之山川」

Utagawa, Hiroshige 1797-1858. Kiso Gorge in the Snow, Print, ca. 1797-1858. Edo period (1615-1868). Triptych of polychrome woodblock prints; ink and color on paper, 35.6 × 75.2 cm. Inv. Nr. JP3134 New York, Metropolitan Museum of Art.

RM 66752029

ムリーリョ 「サイコロ遊びをする少年たち」

所蔵: アルテ・ピナコテーク バイエルン州立絵画コレクション 作家名： バルトロメ・エステバン・ムリーリョ ( 1617年 - 1682年 ) 国籍： スペイン ジャンル　： バロック　セビーリャ派 Murillo, Bartolomé Estéban 1618–1682. "Buben (Bettelbuben) beim Würfelspiel", um 1670/75. Oil on canvas, 146 × 108,5 cm. Inv. Nr. 597 München, Alte Pinakothek.

RM 14211002

ウォーターハウス 「宿命」

作家名： ジョン・ウィリアム・ウォーターハウス ( 1849年 - 1917年 ) タイトル：「宿命」 国籍： イギリス ジャンル　： ラファエル前派　 Title： Destiny, 1900 (oil on canvas) Artist： Waterhouse, John William (1849-1917) Location： c Towneley Hall Art Gallery and Museum, Burnley, Lancashire Dimensions： 67.5x53.75 Date： 1900 Medium： oil on canvas

RM 169996092

ドガ「踊り子たち、ピンクと緑」

Danseuses en rose et vert - Pink and green dancers, around 1890. Canvas,82,2 x 75,6 cm ,Artist: Degas,Edgar (1834-1917), PAINTING

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 87941876

ドガ「踊り子たち、ピンクと緑」

Degas, Edgar 1834–1917. "Danseuses en rose" (Dancers in pink and green), c. 1885/95. Oil on canvas, 82.2 × 75.6cm. H.O.Havemeyer Collection, New York, Metropolitan Museum of Art.

RM 76880781

楊洲周延「憲法発布式之図」

Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu)/Yoshu (Hashimoto) Chikanobu 1838–1912. Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu), Print, 1889. Meiji period (1868–1912)./Polychrome woodblock print; ink and color on paper, 36.8 × 75.2 cm./Inv. Nr. JP3240/New York, Metropolitan Museum of Art. Identifier : AKG5048356/Museum/New York, Metropolitan Museum of Art image date : 1.1.1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D.

RM 22007993

ドガ 「青い踊り子たち」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「青い踊り子たち」 フランスの画家 ジャンル： 印象派 Dancers in Blue (Danseuses bleues), by Edgar Degas, 1893 about, 19th Century, oil on canvas, cm 86 x 75,5 Musee d'Orsay, Paris, France, Detail. Blue dancers dance Opra young woman girl brown posture position pose.

RM 83416862

エドゥアール・マネ「オペラ座の仮面舞踏会」

所蔵: ワシントン・ナショナル・ギャラリー Edouard Manet 1832-1883. Masked Ball at the Opera, 1873. Oil on canvas, 59.1 × 72.5 cm. Inv. Nr. 1982.75.1, Washington, National Gallery of Art.

RM 164767343

エドヴァルド・ムンク「接吻」

Munch,Edvard (1863-1944), The kiss. Oil on canvas (1892) 75 x 92 cm

RM 90333021

クロード・モネ「樹木の反映」

Author: CLAUDE MONET (1840-1926) Description: Reflets d'arbres The Water Lilies - Tree Reflections. Date/Period: 1914 - 1926. Painting. Height: 2,000 mm (78.74 in); Width: 8,500 mm (27.88 ft). Technique: painting Dimensions: Height: 2,000 mm (78.74 in); Width: 8,500 mm (27.88 ft) Location: MUSEE DE L'ORANGERIE Image size: 8938 x 2039 pixels (75.7 x 17.3 cm @ 300 dpi) 52.1 MB Keywords:CLAUDE MONET • MUSEE DE L'ORANGERIE • PAINTING

RM 83711097

ゴッホ「ひまわり」

Gogh, Vincent van 1853–1890, “Sunflowers”, Arles, January 1889. Oil on canvas, 100 × 76 cm. Inv. LO–175 (sold at Christie’s in 1987 for 24.75 million pounds. Recently attributed to Claude-Emile Schuffenecker). Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art.

RM 55934779

ジャクソン・ポロック 「Number 1A, 1948」

作家名： ジャクソン・ポロック ( 1912年 - 1956年 ) 国籍： アメリカの画家 ジャンル　： 抽象表現主義 所蔵：ニューヨーク近代美術館 "Number 1A", 1948. Oil and lacquer on canvas,/172.7 × 264.2 cm./New York, Museum of Modern Art. Artist : JACKSON POLLOCK/Museum/New York, Museum of Modern Art image date : 1948/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ABSTRACT EXPRESSIONISM/AMERICAN ART/AMERICAN ART (USA)/ART technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3306px (46 MB)/42.0 cm × 27.9 cm @ 300 dpi Special Formats : 13294px × 8858px (337 MB) TIFF/112.6 cm × 75.0 cm @ 300 dpi

RM 52551698

アルチンボルド 「四大元素（火）」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「四大元素（火）」 国籍： イタリアの画家 ジャンル： マニエリスム Allegory of Fire Arcimboldo, Giuseppe 1527–1593. "Allegory of Fire", c. 1572. Oil on canvas, 75 × 56.6 cm. Switzerland, private collection. Identifier : AKG355534 Artist : GIUSEPPE ARCIMBOLDO source : akg-images credit line : akg-images event date : 1572 image date : 1572 Time Period 16TH CENTURY 2ND MILLENNIUM A.D. topic : ALLEGORY CHOLERIC ELEMENTS (CHEMISTRY) ; CHEMICAL ELEMENTS FANTASTIC ART FIRE FIREARMS GROTESQUE ITALIAN ART MAN MANNERISM MILITARY OPTICS PICTURE PUZZLE PORTRAIT SAFETY FUSE ; SLOW MATCH TEMPERAMENTS ; DISPOSITION WEAPON technique : PAINTING (OBJECT) PAINTING (technique) Size 3658px × 4961px (51 MB) 30.9 cm × 42.0 cm @ 300 dpi

RM 22007994

ドガ 「バレエの授業」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「バレエの授業」 フランスの画家 所蔵：オルセー美術館 ジャンル： 印象派 The Dance Class, by Edgar Degas, 1873, 19th Century, oil on canvas, cm 85 x 75 Musee d'Orsay, Paris, France, Detail. Dancers dancing master old man stick green door white red ballroom.

RM 63303452

ゴーギャン 「肘掛椅子の上のひまわり」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「肘掛椅子の上のひまわり」 フランスの画家 ジャンル： 印象派　ポスト印象派 所蔵 ： ビュールレ・コレクション Gauguin, Paul 1848–1903. "Fleurs de tournesols dans un fauteuil I" (Sunflowers in an armchair I), 1901./Oil on canvas, 66 × 75.5 cm./Zurich, Stiftung Sammlung E.G.Bührle. Artist : PAUL GAUGUIN/Museum/Zurich, Stiftung Sammlung E.G.Bührle/Collection/André Held image date : 1901/Time Period/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BOTANY/BOUQUET OF FLOWERS/EASY CHAIR ; ARMCHAIR/FLOWER/FRENCH ART/PICTURE WITHIN A PICTURE/STILL LIFE/SUNFLOWER/SYNTHETISM/TURN OF THE CENTURY technique : PAINTING (OBJECT)/PAINTING (technique) Size : 5982px × 5309px (90 MB) / 50.6 cm × 44.9 cm @ 300 dpi Special Formats : 5982px × 5309px (91 MB) TIFF/50.6 cm × 44.9 cm @ 300 dpi

RM 66752031

ラファエロ 「テンピの聖母」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「テンピの聖母」 国籍： イタリア 所蔵：アルテ・ピナコテーク バイエルン州立絵画コレクション ジャンル　： ルネサンス　盛期ルネサンス Artist：Raphael (1483-1520) "Tempi Madonna", c. 1507. On wood, 77 × 53 cm. WAF 796 Munich, Alte Pinakothek.

RM 66393804

エドヴァルド・ムンク「オースゴールストランの道と赤いドレスの女性」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Munch, Edvard 1863–1944. "Frau in rotem Kleid (Straße in Åsgårdstrand) ", um 1903/04. Oil on canvas, 59,7 × 75,5 cm. Inv. Nr. 11709 München, Neue Pinakothek.

RM 25525797

ドガ 「青い踊り子たち」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「青い踊り子たち」 フランスの画家 ジャンル： 印象派 Artist： Edgar Degas Location: Musee d'Orsay, Paris, Frankreich Categories: Impressionism Blue dancers.Oil on canvas (1890). 85 x 75.5 cm. RF 1951-10

RM 25525827

ドガ 「バレエの授業」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「バレエの授業」 フランスの画家 所蔵：オルセー美術館 ジャンル： 印象派 Artist： Edgar Degas Location: Musee d'Orsay, Paris, Frankreich Categories: Impressionism Dance class. Oil on canvas, around 1873-1876. 85 x 75 cm. R.F. 1976.

RM 210857114

オーギュスト・ロダン 「考える人」

THE THINKER BY AUGUSTE RODIN IN THE GARDENS OF THE MUSEUM, CREATED IN 1916 BY AUGUSTE RODIN, THE RODIN MUSEUM IS SITUATED IN THE HOTEL BIRON, AN 18TH CENTURY PRIVATE TOWN MANSION, 7TH ARRONDISSEMENT, PARIS (75), ILE-DE-FRANCE, FRANCE

RM 944274

ゴーギャン 「アレアレア」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「アレアレア」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist: Gauguin, Paul,1848-1903 Imagetitle: Arearea (The Red Dog). 1892 Dimensions: 75 x 94 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 176134718

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 60463790

ルノワール 「鞭を持つ子供」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「鞭を持つ子供」 フランスの画家 ジャンル　： 印象派 Renoir, Auguste 1841-1919. "Boy with little whip" (Etienne Goujon), 1885. Oil on canvas, 105 × 75 cm./St. Petersburg, State Hermitage. imagedate: 1885 / Time Period / 19. CENTURY / 2. YEARS topic: SOCIETY / FRENCH ART / DANCING / BABY / CHILD / CHILDREN'S CHILDREN / CHILDREN'S CLOTHING / CHILDREN'S CLOTH / DRESS / KNIFE / LONG HAIR / WHIP / PORTRAIT / FOOTWEAR (FOOTWEAR) / TOYS geography: FRANCE / Person / ETIENNE GOUJON technique: PAINTING / PAINTING Size: 2413px × 3364px (23 MB) / 20.4 cm × 28.4 cm @ 300 dpi Special formats: 2790px × 3889px (31 MB) TIFF / 23.6 cm × 32.9 cm @ 300 dpi

RM 34838077

アルフォンス・ミュシャ 「宝石(エメラルド)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（エメラルド）」 国籍： チェコ ジャンル： アール・ヌーヴォー A.Mucha, Emerald / 1900/Mucha, Alfons./1860-1939. "Emerald", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-134/Mucha Trust. Identifier : AKG1006682 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/ANIMAL/ART/ART NOUVEAU/BARING TEETH/BOTANY/CARNIVORE ; PREDACENA ; PREDATORY ANIMAL/CZECH ART/EMERALD/EXOTIC/FLOWER/HAIR ORNAMENTS/MINERALOGY/MORAVIAN ART/ORNAMENTAL ART/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/SITTING/SNAKE/THREE-QUARTER LENGTH/TURN OF THE CENTURY/WOMAN/WOMAN AND ANIMAL/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2133px × 4961px (30 MB) 18.0 cm × 42.0 cm @ 300 dpi/Special Formats/3352px × 7795px (75 MB) TIFF/28.4 cm × 66.0 cm @ 300 dpi

RM 32806243

クロード・モネ 「サン・タドレスのレガッタ」

フランスの画家 ジャンル： 印象派 Artist： CLAUDE MONET Title： Regates a Sainte-Adresse Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1867 Description： Monet, Claude. 1840-1926. "Regates a Sainte-Adresse" (Regatta in Saint-Adresse), 1867. Oil on canvas, 75.2 × 101.6 cm. Bequest of William Church Osborn, 1951 (51.30.4)

RM 21772700

ハンス・トーマ 「白樺の前の自画像」

Artist: Thoma, Hans,1839-1924 Imagetitle: Self portrait in front of a birch grove. 1899 Dimensions: 94 x 75,5 cm Medium: Oil/Canvas Location: Stadel Museum, Frankfurt am Main

RM 20389187

アレクサンドル・カバネル 「オフィーリア」

Artist: Cabanel, Alexandre,1823-1889 Medium: Ophelia. 1883 Dimensions: 75 x 116 cm Location: Christie's Images Ltd

RM 15532977

ヘールトヘン・トット・シント・ヤンス 「東方三博士の礼拝」

作家名：ヘールトヘン・トット・シント・ヤンス (1465年 - 1495年 ) タイトル：東方三博士の礼拝 国籍：オランダ 所蔵：プラハ国立美術館｜プラハ｜チェコ ジャンル：初期フランドル派 Artist: Sint Jans (de Saint-Jean), Gerrit tot (c.1465-c.95) Title: Adoration of the Magi (oil on panel) (see also 404574/75) Nationality: Netherlandish Location: Narodni Galerie, Prague, Czech Republic Medium: oil on panel XIR404573 Adoration of the Magi (oil on panel) (see also 404574/75) by Sint Jans (de Saint-Jean), Gerrit tot (c.1465-c.95); Narodni Galerie, Prague, Czech Republic; (add.info.: Adoration des Mages; central panel of the Triptych of the Adoration of the Magi;); Giraudon; Netherlandish, out of copyright

RM 26164675

クリムト 「パラス・アテネ（パラス・アテナ）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「パラス・アテナ」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Location：　Wien Museum Pallas Athene (D93). 1898. Oil on canvas. 75 cm x 75 cm.

RM 100556978

モンドリアン「ドンブルグの教会塔」

Mondrian, Piet, 1872–1944, Dutch painter. "Zeeland Church Spire / Domburg church spire), 1911. Oil on canvas, 114 x 75 cm. Inv. no. 0334304 / Sch–1971–0146. The Hague, Gemeentemuseum.

RM 34782805

ジョルジオーネ 「眠れるヴィーナス」

Giorgione/1477/78 - 1510/and Tizian. "Venus Resting", c. 1508/10. Oil on canvas, 108.5 × 175cm./(Completed by Titian after Giorgione's death)./Dresden, Gemaldegalerie, Alte Meister. Identifier : AKG207231 Artist : GIORGIONE/Museum/Dresden, Gemaldegalerie, Alte Meister event date : 1508 image date : 1508/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : BEAUTY/EROTIC ART/EROTICISM/FULL-LENGTH ; FULL LENGTH ; LONG SHOT/GODDESS/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/ITALIAN ART/LANDSCAPE ; SCENERY/LYING DOWN/MYTHOLOGY/NUDE (ARTWORK)/RENAISSANCE/SLEEPING/VENETIAN ART/WOMAN/Person/VENUS (APHRODITE) technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3127px (44 MB) 42.0 cm × 26.4 cm @ 300 dpi/Special Formats/8923px × 5624px (144 MB) TIFF/75.5 cm × 47.6 cm @ 300 dpi

RM 21773438

エドヴァルド・ムンク「白夜」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Artist: Munch, Edvard,1863-1944 Imagetitle: White night (Asgaardstrand). 1903. Dimensions: 86 x 75,8 cm Location: Moskau, Puschkin-Museum

RM 115920864

フィリップス・ワウウェルマン「鹿狩り」部分

Philips WOUWERMANS: This picture shows an imaginary landscape with a stag hunt. The fashionable attire of the hunters underscores the fact that hunting on horseback was a privilege reserved to the aristocracy in 17th-century Holland. The beautifully drawn horses, the white horse in particular, are a trademark of Wouwermans. On the hill on the right a hermit outside his hut can also be made out. This was perhaps intended as a moralising counterpoint to the leisurely pursuits of the elegant hunters. The fluid style of this picture is characteristic of the artist’s later years. Oil on canvas, 75 × 104.2 cm, about 1665 London, National Gallery.

RM 66496450

ゴーギャン 「アレアレア」(部分)

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「アレアレア」（部分） フランスの画家 ジャンル： 印象派　ポスト印象派 GAUGUIN, Paul (1848-1903). 'Arearea. 1892' (75 x 94 cm). Right detail. Work made during his first stay in Tahití. Post-Impressionism. Oil on canvas. FRANCE. Paris. Musée d'Orsay (Orsay Museum).

RM 22007992

ドガ 「青い踊り子たち」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「青い踊り子たち」 フランスの画家 ジャンル： 印象派 Dancers in Blue (Danseuses bleues), by Edgar Degas, 1893 about, 19th Century, oil on canvas, cm 86 x 75,5 Musee d'Orsay, Paris, France, All. Dancers blue dance Opra young woman girl posture brown.

RM 83893041

エドヴァルド・ムンク「オースゴールストランの道と赤いドレスの女性」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Munch, Edvard 1863–1944. "Frau in rotem Kleid (Straße in Åsgårdstrand) ", um 1903/04. Oil on canvas, 59,7 × 75,5 cm. Inv. Nr. 11709 München, Neue Pinakothek.

RM 62548253

クリムト 「パラス・アテネ（パラス・アテナ）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Pallas Athene Klimt, Gustav. 1862–1918. "Pallas Athene", 1898. Oil on canvas, 75 × 75 cm. Wien, Wien Museum. Identifier : AKG452635 Artist : GUSTAV KLIMT Museum Wien, Wien Museum Collection akg-images credit line : akg-images event date : 1898 image date : 1898 Time Period 19. JAHRHUNDERT 2. JAHRTAUSEND N.CHR. technique : GEMÄLDE MALEREI Size 4794px × 4961px (68 MB) 40.5 cm × 42.0 cm @ 300 dpi

RM 38559954

横山大観「無我」

"Innocence" (Unschuld), 1897. Tinte und helle Farben auf Seide, 75 × 46 cm./Yasugi, Adachi Museum of Art. Identifier : : AKG1938838 Artist : : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : : 1897 image date : : 1897/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : : ALTE FRAU/FRAU/JAPANISCHE KUNST/KIMONO/KUNST/LAND UND LEUTE/MEIJI-ZEIT/SEIDENMALEREI/TRACHT/UNSCHULD/VOLKERKUNDE geography : : JAPAN technique : : MALEREI/Size 2841px × 4600px (37 MB)

RM 35535913

ヴェンツェル・アントン・カウニッツの肖像

Kaunitz, Wenzel Anton Graf, ab 1764/Furst von Kaunitz-Rietberg; Osterr./Staatsmann (1753-93 Staatskanzler)./Wien 2.2.1711- ebd. 27.6.1794. Portrat. Kupferstich von Jakob Schmutzer (1733-1811) nach dem Gemalde von Louis Tocque/(1696?1772). Identifier : AKG530554 event date : 1760 image date : 1760/Time Period/18TH CENTURY topic : HISTORY/MAN/PERSON/POLITICIAN (MALE) ; POLITICIAN/PORTRAIT/STATE CHANCELLOR/STATESMAN geography : AUSTRIA/Person/JAKOB SCHMUTZER/LOUIS TOCQUE/WENZEL ANTON GRAF KAUNITZ technique : COPPER ENGRAVING/GRAPHIC ART ; GRAPHIC ARTS/PRINTED GRAPHICS/Size 2515px × 3364px (24 MB) 21.2 cm × 28.4 cm @ 300 dpi/Special Formats/4512px × 5779px (75 MB) TIFF/38.2 cm × 48.9 cm @ 300 dpi

RM 176134714

France, Paris (75), Louvre museum, Eros and Psyche by Antonio Canova, Photo by MORANDI Tuul et Bruno / hemis.fr

RM 101328598

レオナルド・ダ・ヴィンチ 「受胎告知」

Leonardo da Vinci 1452–1519. “The Annunciation”, c. 1472/75. Oil on wood, 98 × 217cm. Formerly at S.Bartolomeo Monastery in Monteoliveto near Florence. Photographed after restoration in 2000. Inv. no. 1618 Florence, Galleria degli Uffizi.

RM 62548071

クリムト 「カンマー城の静かな池」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav 1862–1918. "Morning by the Pond" (Morgen am Teiche (Stiller Weiher – pond; Stiller Weiher im Schlosspark von Kammer – pond in the park of Schloss Kammer; Eglsee in Golling; Stilles Wasser – stagnant pond; Schlossteich pond), 1899. Oil on canvas, 75.1 × 75.1cm. Vienna, Leopold Museum – Privatstiftung.

RM 62548061

クリムト 「家畜小屋の雌牛」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Kühe im Stall Klimt, Gustav 1862-1918. "Kühe im Stall" (Cows in the stable), 1899. Oil on canvas, 75 × 76.5cm. Linz, Neue Galerie der Stadt Linz. Identifier : AKG390502 Artist : GUSTAV KLIMT Museum Linz, Neue Galerie der Stadt Linz Collection akg-images credit line : akg-images event date : 1899 image date : 1899 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : AUSTRIAN ART CATTLE BREEDING FARMING FEEDING LIGHT AND SHADE MILK COW ; DAIRY COW OXEN STALL (HORSE) STRAW TROUGH ZOOLOGY technique : PAINTING (OBJECT) PAINTING (technique) Size 4961px × 4776px (67 MB) 42.0 cm × 40.4 cm @ 300 dpi

RM 83411703

ゴーギャン 「ダヴィッド製粉所」

フランスの画家 ジャンル: ポスト印象派 Gauguin, Paul. 1848-1903. "Paysage de Bretagne. Le moulin David" (Breton landscape. The David mill), 1894. Oil on canvas, 75 × 92cm. R.F. 1959-6, Onloan from Musee d'Orsay, Paris, 2012, Paris, Les Arts Decoratifs.

RM 25526004

クロード・モネ 「アルジャントゥイユのレガッタ」

フランスの画家 ジャンル： 印象派 Artist： Claude Monet Location: Musee d'Orsay, Paris, Frankreich Categories: Impressionism Boat race at Argenteuil. Oil on canvas, 48 x 75 cm. R.F. 2778.

RM 83412120

アルフォンス・ミュシャ 「ジスモンダ」

Sarah Bernhardt, French actress. 1844-1923. - Sarah Bernhardt as Gismonda in the same-named Stueck of Victorien Sardou in the Theatre de la Renaissance. Poster, 1894. Design: Alfons Mucha (1860-1939). Color lithograph 2186 × 75.5 cm. Paris, Bibliotheque Nationale.

RM 83410835

ゴッホ「サン＝レミの療養所の庭」

Gogh, Vincent van 1853-1890. "Garden of Saint-Paul Hospital" (view of the Saint-Remy hospital), Saint-Remy-de-Provence, May 1889. (Courtyard of Saint-Paul-de-Mausole hospital in Saint-Remy-de-Provence). Oil on canvas, 95 × 75.5cm. Otterlo, Rijksmuseum Kroller-Muller.

RM 66496428

ドガ 「青い踊り子たち」

DEGAS, Edgar (1834-1917). 'Dancers in blue. 1893' (85 x 75,5 cm). There is another version in the Metropolitan Museum of New York. Impressionism. Oil on canvas. FRANCE. Paris. Musée d'Orsay (Orsay Museum).

RM 113108969

アルフォンス・ミュシャ「羽根」

Mucha, Alfons. 1860–1939. “Feather”, 1899. (Counterpart to “Primrose”). Colour lithograph, 75.5 × 29cm. Print: F.Champenois. Mucha Trust.

RM 83899693

ドガ「踊り子たち、ピンクと緑」

Degas, Edgar 1834-1917. Dancers, Pink and Green, Painting, ca. 1885-1895. Oil on canvas, 82.2 × 75.6 cm. Inv. Nr. 29.100.42 New York, Metropolitan Museum of Art.

RM 62414578

ベラスケス 「王太子バルタサール・カルロス騎馬像」

Baltasar Carlos, Prince of Asturias./Son of King Philip IV and Isabella of Bourbon; Madrid 17.10.1629 – Saragossa 9.3.1646. "Prince Baltasar Carlos on Horseback". Painting, c. 1634/35, by Diego Velázquez (1599–1660)./Oil on canvas, 209.5 × 174cm. Inv. 1180/Madrid, Museo del Prado. Identifier : AKG20868 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection/akg-images event date : 1635 image date : 1635/Time Period/17TH CENTURY topic : BAROQUE/BOY/CHILD/CHILD AND ANIMAL/CHILDRENSWEAR/HAPSBURG/HISTORY/HORSE/PEOPLE WHO DIED YOUNG/PERSON/PORTRAIT/PRINCE/RIDER (MALE) ; EQUESTRIAN (RIDER)/RIDING CLOTHES ; RIDING ATTIRE/SPANISH ART geography : ASTURIAS/SPAIN/Person/BALTASAR CARLOS OF SPAIN technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4085px × 4961px (57 MB) / 34.5 cm × 42.0 cm @ 300 dpi Special Formats : 8948px × 10866px (278 MB) TIFF/75.8 cm × 92.0 cm @ 300 dpi

RM 36490340

ジョヴァンニ・ベッリーニ 「聖母子（フリッツォーニの聖母）」

Bellini, Giovanni c. 1430 - 1516/circle. "Mary with the Child" (so-called Madonna Frizzoni), c. 1470/75. On wood./Venice, Museo Civico Correr. Identifier : AKG291337 Artist : GIOVANNI BELLINI/Museum/Venice, Museo Civico Correr image date : 1470/Time Period/15TH CENTURY/2ND MILLENNIUM A.D. topic : BIBLE/CHRISTIANITY/INFANT JESUS ; BABY JESUS/ITALIAN ART/MADONNA AND CHILD/MOTHER AND CHILD/NEW TESTAMENT/RELIGION/RENAISSANCE/Person/MARY technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2759px × 3364px (26 MB) 23.3 cm × 28.4 cm @ 300 dpi

RM 34782864

ミレイ 「エステル」

作家名： ジョン・エヴァレット・ミレイ ( 1829年 - 1896年 ) タイトル：エステル 国籍： イギリス ジャンル　： ラファエル前派 Millais, John Everett/1829-1896./"Esther", 1863/65./(Book Esther, Chap. V, Verse 1)./Oil on canvas, 105,5 × 75 cm. USA, Collection of Robert and Ann Wiggins. Identifier : AKG820744 Artist : JOHN EVERETT MILLAIS event date : 1863 image date : 1863/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : BIBLE/COAT/CURTAIN/ENGLISH ART/JEWISH-CHRISTIAN ; JUDEO-CHRISTIAN/LONG HAIR/OLD TESTAMENT/PEARL/PRE-RAPHAELITE/RED HAIR/STRING OF PEARLS ; PEARL NECKLACE/WOMAN/Person/ESTHER technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 3619px × 4961px (51 MB) 30.6 cm × 42.0 cm @ 300 dpi/Special Formats/4961px × 6801px (97 MB) TIFF/42.0 cm × 57.6 cm @ 300 dpi

RM 34340829

モンドリアン 「赤、青、白のコンポジションⅡ」

作家名： ピエト・モンドリアン ( 1872年 - 1944年 ) タイトル：「赤、青、白のコンポジションⅡ」 国籍： オランダ Mondrian, Piet,/1872-1944,/Dutch painter. "Composition with red, blue and /white II", 1937. Oil on canvas, 75 x 60.5 cm. Centre Pompidou./Paris, Musee National d'Art Moderne. Identifier : AKG3090988 Artist : PIET MONDRIAN/MUSEUM/PARIS, MUSEE NATIONAL D'ART MODERNE event date : 1936 image date : 1936TIME PERIOD/1930S/20TH CENTURY topic : ABSTRACT ART/ART/BLUE/COLOURS ; COLORS/DE STIJL/GEOMETRY/NEOPLASTICISM/NETHERLANDISH ART/RECTANGLE/RED/WHITE technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/SIZE/4030px × 4961px (57 MB)/34.1 cm × 42.0 cm @ 300 dpi/SPECIAL FORMATS6024px × 7415px (128 MB) TIFF/51.0 cm × 62.8 cm @ 300 dpi

RM 34216627

ウィリアム・ホルマン・ハント 「良心の目覚め」

Hunt, William Holman./1827-1910./"The Awaking Conscience" (Das erwachende Gewissen), 1853./Ol auf Leinwand, 76,2 × 55,9 cm. Inv. T02075/London, Tate Britain. Identifier : AKG1899699 Artist : WILLIAM HOLMAN HUNT/Museum/London, Tate Britain event date : 1853 image date : 1853/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BIRD/CAT/CLOTH ; DRAPE/CONSCIENCE/ENGLISH ART/GEFALLENES MADCHEN/GUILTY CONSCIENCE/INSTRUMENT/LOOT/LOVE/LOVE AND MARRIAGE/LOVER (FEMALE)/LOVER (MALE)/LOVERS ; PAIR OF LOVERS/MIRROR/MIRROR IMAGE/MUSIC/MUSIC IN THE HOME ; FAMILY MUSIC/OPEN WINDOW/PERSON ; HUMAN ; INDIVIDUAL/PIANO/PRE-RAPHAELITE/SEDUCTION/SHAME/SYMBOLISM/VICTORIAN ART/WALL MIRROR/WINDOW/YOUNG MAN/YOUNG WOMAN technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 3624px × 4961px (51 MB) 30.6 cm × 42.0 cm @ 300 dpi/Special Formats/4383px × 6000px (75 MB) TIFF/37.1 cm × 50.8 cm @ 300 dpi

RM 33507036

黒田清輝 「木かげ」

Title: Under the Trees, 1898 (oil on canvas) creator: Kuroda Seiki (1866-1924) Nationality: Japanese Description: Under the Trees; Sous Les Arbres. Kuroda Seiki (1866-1924). Oil on canvas. Signed and dated July 1898. 75 x 94cm. The picture depicts a girl picking the fruit of a silverberry tree. Location: Private Collection Medium: oil on canvas Date: 1898 (C19th) Dimensions: 75x94 cms Credit: Under the Trees, 1898 (oil on canvas), Kuroda Seiki (1866-1924) / Private Collection / Photo c Christie's Images / Bridgeman Images Keywords , asian, impressionist, 072012upload, 1890s, 1898, 19th Century, Apparel, Arm Raised, Arms Raised, Artist Japanese, Artist-Japanese, Artwork, Asian, Attire, Aversion, Bare Feet, Barefoot, Below, Berry, Blue, Clothes, Clothing, Collecting, Color, Colour, Contemplate, Contemplating, Contemplation, Country, Countryside, Dappled Light, Dappled Shade, Day, Daytime, Design, Dress, Feet, Female, Fine Art, Flora, Floral, Flower, Flowering Plant, Flowers, Foliage, Food, Food & Drink, Foot, Freetime, Fruit, Garden, Girl, Girl Alone, Girls, Grass, Grounds, Hair, Hair Style, Hair Up, Hairstyle, Hat, Headwear, Human, Impressionism, Impressionist, Impressionist & Modern Art, Impressionist Art, Impressionistic, Japanese, Japanese Artist, Kimono, Kuroda Seiki, Late 19th Century, Late Nineteenth Century, Lawn, Leisure, Leisure & Pastimes, Leisurely, Light, Lilies, Lily, Longing, Looking, Looking Away, Looking Up, Lying, Lying Down, Lying On Back, Lying On Ground, Memories, Memory, Meteorology, Natural Light, Nature, Nineteenth Century, Nostalgia, Nostalgic, Oil, Oil On Canvas, Oil Painting, One Girl Only, One Person, Oriental, Outdoor, Outdoors, Outside, Painting, Pattern, Patterned, Pensive, People, Person, Picking, Plant, Plant Part, Position, Posture, Raised Arm, Recreation, Recreational, Relaxation, Relaxed, Relaxing, Reminiscence, Rural, Seiki, Shade, Shaded, Shady, Silverberry, Sun, Sunlight, Sunny, Teen, Teenage Girl, Teenager, Think, Thinking, Thought, Thoughtful, Time Of Day, Tree, Under, Underneath, Using Hands, Weather, White, White Color, White Colour, Wistful, Young, Youth, Youthful

RM 33315474

「ルートヴィヒ2世の肖像」

Artist：FERDINAND VON PILOTY Title：Ludwig II. v. Bayern i. Uniform Location：Munich, Bavarian State Art Collection Age：1865 Ludwig II of Bavaria in Uniform / Piloty/1865 Luwdig II, King of Bavaria, Nymphenburg 25.8.1845 - (drowned) Starnberger See 13.6.1886. Portrait in general's uniform. Painting by Ferdinand Piloty the Younger, 1865. Oil on canvas, 240 × 160cm. Munich, Bavarian State Art Collection. Identifier : AKG7191 Artist : FERDINAND VON PILOTY Museum Munich, Bavarian State Art Collection source : akg-images credit line : akg-images event date : 1865 image date : 1865 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : AWARD BOOT (SHOE) CORONATION CLOAK ERMINE GENERAL GERMAN ART HISTORY KING MAN MEDAL ; ORDER MILITARY NECKCHAIN OF AN ORDER PERSON PORTRAIT UNIFORM VANITY ; CONCEITEDNESS YOUNG MAN geography : BAVARIA GERMANY Person LUDWIG II OF BAVARIA technique : PAINTING (OBJECT) PAINTING (technique) Size 3295px × 4961px (46 MB) 27.8 cm × 42.0 cm @ 300 dpi Special Formats 8865px × 13346px (338 MB) TIFF 75.1 cm × 113.0 cm @ 300 dpi

RM 33313771

マティス 「ルーマニアのブラウス」

作家名： アンリ・マティス ( 1869年 - 1954年 ) タイトル：「ルーマニアのブラウス」 フランスの画家 ジャンル： フォーヴィスム　野獣派 Matisse, Henri/1869-1954. "La blouse roumaine" (The Romanian blouse)/April 1940. Oil on canvas, 92 × 73 cm./A.M. 3245P Centre Georges Pompidou,/Paris, Musee National d'Art Moderne. Artist : HENRI MATISSE/Museum/Paris, Musee National d'Art Moderne source : Andre Held / Andre Held event date : 1940 image date : 1940/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : BLOUSE/CLOTHING ; APPAREL ; CLOTHES/FASHION ; STYLE/FAUVES/FOLKLORE/FRENCH ART/PATTERNED/PEOPLES AND TRADITIONS/PORTRAIT/TRADITIONAL CUSTOMS/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : ROMANIA technique : EMROIDERY/PAINTING (OBJECT)/PAINTING (technique)/Size 3941px × 4961px (55 MB) 33.3 cm × 42.0 cm @ 300 dpi/Special Formats/7087px × 8921px (181 MB) TIFF/60.0 cm × 75.5 cm @ 300 dpi

RM 30745346

ボッティチェリ 「神秘の降誕」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル：「神秘の降誕」 国籍： イタリア ジャンル　： ルネサンス　初期ルネサンス　フィレンツェ派 Description: Kunst, Botticelli, Sandro, (1445 - 1510), ital. Maler, Geburt Christi , (Mystische Geburt), Tempera auf Leinwand, 108,5 x 75 cm, National Gallery, London, Sakralkunst, Alessandro di Mariano Filipepi, Italien, Religion, Christentum, Jesus, Neues Testament, Szene, Bibel, biblische, Maria, Josef, Esel, Ochse, Engel, Reigen, Kreis, Stall, fine arts, Botticelli Sandro, (1445 - 1510), Italian painter, painting, Birth of Christ , (mystic birth), tempera on canvas, 108,5 x 75 cm , National Gallery, London, Alessandro di Mariano Filipepi, Italy, religion, Christianity, New Testament, scene, biblical, bible, Jesus, Joseph, Mary, ox, angel, round dance, stable, donkey, middle ages, medieval,

RM 942948

フェルナン・クノップフ 「マルグリット・クノップフの肖像」

Artist: Khnopff, Fernand,1858-1921 Imagetitle: Marguerite, the artist's sister. Dimensions: 97,2 x 75,5 cm Medium: Ol/Lwd. auf Holz Location: Brussels, Musees des Beaux-Arts

RM 72598

クロード・モネ 「サン・ラザール駅」

フランスの画家 ジャンル： 印象派 Artist：Monet, Claude (1840-1926) Title：The Gare St. Lazare, 1877 (oil on canvas) Location：Musee d'Orsay, Paris, France Age：1877 Medium：oil on canvas

RM 10114143

クロード・モネ「サン＝ラザール駅」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: The Gare Saint-Lazare. 1877 Dimensions: 75,5 x 104 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 10114663

ティツィアーノ 「羽飾りのある帽子をかぶった若い女性の肖像」

作家名： ティツィアーノ・ヴェチェッリオ (1488/1490年 - 1576年) タイトル：「羽飾りのある帽子をかぶった若い女性の肖像」 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Artist: Titian (Tiziano Vecellio),1487/90-1576 Imagetitle: Portrait of a young woman with feather-hat. About 1536 Dimensions: 96 x 75 cm Medium: Oil/Canvas Location: St. Petersburg, Hermitage

RM 4142540

ボッティチェリ 「神秘の降誕」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル：「神秘の降誕」 国籍： イタリア ジャンル　： ルネサンス　初期ルネサンス　フィレンツェ派 Author：Sandro Botticelli; Alessandro di Mariano di Vanni Filipepi (1445-1510) Description：Sandro Botticelli / 'The Story of Nastagio degli Onesti (I)', ca. 1483, Italian School, Panel, 83 cm x 138 cm, P02838. Museum：MUSEO DEL PRADO Collection：Album

RM 936897

ラファエロ 「テンピの聖母」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「テンピの聖母」 国籍： イタリア 所蔵：アルテ・ピナコテーク バイエルン州立絵画コレクション ジャンル　： ルネサンス　盛期ルネサンス Artist: Raffael (Raffaello Sanzio),1483-1520 Imagetitle: The Tempi Madonna. About 1507 Dimensions: 75 x 51 cm. Medium: Poplar Location: Munchen, Alte Pinakothek

RM 943885

カルロス・シュヴァーベ「墓堀り人夫の死」

所蔵：ルーヴル美術館 Artist: Schwabe, Carlos,1866-1926 Imagetitle: Der Totengraber und der Todesengel. 1895/1900. Dimensions: 75 x 55,5 cm Medium: bodycolour/watercolour Location: Paris, Musee du Louvre

RM 945674

ルノワール 「シスレー夫妻」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「シスレー夫妻」 フランスの画家 ジャンル： 印象派 Artist: Renoir, Auguste,1841-1919 Medium: Alfred Sisley and wife. 1868 Dimensions: 105 x 75 cm Location: Koln, Wallraf-Richartz-Museum

RM 937267

ヤウレンスキー 「しゃくやくの花を持つ女」

Artist: Jawlensky, Alexej von,1864-1941 Imagetitle: Girl with Peonies. 1909 Dimensions: 101 x 75 cm. Medium: Ol/Pappe auf Sperrholz Location: Wuppertal, Von-der-Heydt-Museum

RM 936573

ルノワール 「シスレー夫妻」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル： 「シスレー夫妻」 国籍： フランス ジャンル： 印象派 Artist: Renoir, Auguste,1841-1919 Imagetitle: Alfred Sisley and wife. 1868 Dimensions: 105 x 75 cm Location: Koln, Wallraf-Richartz-Museum

RM 950651

クロード・モネ 「アルジャントゥイユのレガッタ」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: Regatta at Argenteuil. About 1872 Dimensions: 48 x 75 cm Medium: oil/canvas Location: Paris, Musee d'Orsay

RM 950652

クロード・モネ 「ルーアン大聖堂 正面から見た扉口（茶色のハーモニー）」

フランスの画家 ジャンル： 印象派 所蔵：オルセー美術館 Artist: Monet, Claude,1840-1926 Imagetitle: Rouen Cathedral (Harmony in brown). 1892 Dimensions: 107 x 75 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 938404

ロートレック 「ディヴァン・ジャポネ（日本の長椅子）」

作家名： アンリ・ド・トゥルーズ＝ロートレック ( 1864年 - 1901年 ) タイトル：ディヴァン・ジャポネ（日本の長椅子） 国籍： フランス ジャンル： 印象派　ポスト印象派　アールヌーヴォー　象徴主義 Artist: Toulouse-Lautrec, Henri de,1864-1901 Imagetitle: Plakat Divan Japonais, 75 Rue des Martyres. Medium: Colour lithograph

RM 937606

ヒエロニムス・ボス 「エッケ・ホモ（この人を見よ）」

作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) タイトル：「エッケ・ホモ（この人を見よ）」 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Artist: Bosch, Hieronymus,1453-1516 Imagetitle: Ecce Homo. About 1480/90 Dimensions: 71 x 61 cm Medium: Mixed technique on oakwood Location: Stadel Museum, Frankfurt am Main

RM 937721

クリムト 「パラス・アテネ（パラス・アテナ）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : パラス・アテネ（パラス・アテナ） 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist: Klimt, Gustav,1862-1918 Imagetitle: Pallas Athena. 1898 Dimensions: 75 x 75 cm (ohne Rahmen) Location: Wien, Historisches Museum

RM 951817

アントワーヌ・ヴァトー 「愛の宴」

Artist: Watteau, Jean Antoine,1684-1721 Imagetitle: Feast of Love. About 1717(?). Dimensions: 61 x 75 cm Medium: On Canvas Location: Dresden, Gemaldegalerie

RM 952433

ルノワール 「鞭を持つ子供」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「鞭を持つ子供」 フランスの画家 ジャンル： 印象派 Artist: Renoir, Auguste,1841-1919 Imagetitle: Child with whip. 1885. Dimensions: 105 x 75 cm Location: St. Petersburg, Hermitage

RM 943602

イワン・クラムスコイ 「忘れえぬ女」

所蔵: トレチャコフ美術館 Artist: Kramskoi, Iwan,1837-1887 Imagetitle: The unknown person. 1883 Dimensions: 75,5 x 99 cm Location: Moscow, Tretyakov Gallery

RM 944266

ドガ 「バレエの授業」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「バレエの授業」 フランスの画家 ジャンル： 印象派 Artist: Degas, Edgar,1834-1917 Imagetitle: The Dancing Class. About 1873/1876. Dimensions: 85 x 75 cm Location: Paris, Musee d'Orsay

RM 946240

ゴッホ 「赤い葡萄畑」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「赤い葡萄畑」 国籍： オランダ ジャンル　印象派　ポスト印象派 Artist: Gogh, Vincent van,1853-1890 Medium: The red vineyard in Arles. 1888 Dimensions: 75 x 93 cm Location: Moskau, Puschkin-Museum

RM 936188

ムンク「オースゴールストランドの村道（赤い服の女）」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Artist: Munch, Edvard,1863-1944 Imagetitle: Village street, Aasgaardstrand. 1902 Dimensions: 59,8 x 75,8 cm Medium: On Canvas Location: Munchen, Neue Pinakothek

RM 941825

ムリーリョ 「自画像」

作家名： バルトロメ・エステバン・ムリーリョ ( 1617年 - 1682年 ) タイトル：「自画像」 国籍： スペイン ジャンル　： バロック　セビーリャ派 Artist: Murillo, Bartolome Esteban,1618-1682 Imagetitle: Self portrait. About 1672/75. Dimensions: 119 x 107 cm Medium: Oil/Canvas Location: London, National Gallery

RM 22565296

ルノワール 「ポン･ヌフ、パリ」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「ポン・ヌフ・パリ」 フランスの画家 ジャンル　： 印象派 Artist： Renoir, Pierre Auguste (1841-1919) Title： Pont Neuf, Paris, 1872 (oil on canvas) Location： National Gallery of Art, Washington DC, USA Medium： oil on canvas Date：1872 Size：75.3 x 93.7

RM 22008615

クロード・モネ 「ルーアン大聖堂 正面から見た扉口（茶色のハーモニー）」

フランスの画家 ジャンル： 印象派 所蔵：オルセー美術館 Rouen Cathedral, Evening Effect, Harmony in Brown, by Claude Monet, 1892 about, 19th Century, oil on canvas, cm 107 x 75 Musee d'Orsay, Paris, France, RF2779. All. Cathedral Rouen evening effect, Harmony in brown faade tower light grey church door shadow.

RM 21955938

ルノワール 「ぶらんこ」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「ぶらんこ」 フランスの画家 ジャンル　： 印象派 The Swing, by Pierre-Auguste Renoir, 1876, 19th Century, oil on canvas, cm 92 x 75 Musee d'Orsay, Paris, France, R.F. 2738. All. Swing blue azure light blue brown dress bow young girl hat garden tree.