「64」 の 検索結果

RM 164767054

ジャン・オノレ・フラゴナール 「ブランコ」

Fragonard,Jean-Honore (1732-1806), The Swing, 1767. Oil on canvas, 81 x 64 cm.

RM 83706552

エドヴァルド・ムンク「接吻」

The Kiss Munch, Edvard 1863–1944. “The Kiss”, 1892. Oil on canvas, 71.5 × 64.5cm. Inv. No. MM M 622 Oslo, Munch-Museet.

RM 56876968

スーラ 「とがったオック岬、グランカン」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル：「とがったオック岬、グランカン」 フランスの画家 ジャンル： 印象派　新印象派 Seurat, Georges. 1859–1891. "Le Bec du Hoc, Grandcamp", 1885. Oil on canvas, 64,8 × 81,6 cm./London, Tate Britain. Artist : GEORGES SEURAT/Museum/London, Tate Britain image date : 1885/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/COAST ; SHORELINE/FRAME/FRENCH ART/LANDSCAPE ; SCENERY/POINTILLISM/POST-IMPRESSIONISM/ROCK ; BOULDER/SEA geography : ATLANTIC OCEAN ; ATLANTIC (OCEAN)/BASSE-NORMANDIE/BAYEUX/BEC DU HOC/CALVADOS/ENGLISH CHANNEL/FRANCE/GRANDCAMP/ISIGNY-SUR-MER/NORDFRANKREICH/NORMANDY technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3950px (56 MB) 42.0 cm × 33.4 cm @ 300 dpi Special Formats : 7418px × 5906px (125 MB) TIFF/62.8 cm × 50.0 cm @ 300 dpi/

RM 21776006

イワン・クラムスコイ 「読書」

所蔵: トレチャコフ美術館 Artist: Kramskoi, Iwan,1837-1887 Imagetitle: Reading (portrait of the artist's wife). 1863 Dimensions: 64,5 x 56 cm Location: Moscow, Tretyakov Gallery

RM 21318942

「聖パウロ」

Artist: Dyck, Anthonis van,1599-1641 Imagetitle: St. Paul the Apostle. Probably 1620/21 Dimensions: 64,7 x 50,8 cm Medium: on oak wood Location: Hannover, Landesmuseum

RM 87919966

モディリアーニ「黄色いセーターを着たジャンヌ・エビュテルヌ」

Modigliani, Amedeo 1884–1920. "Jeanne Hebuterne with yellow sweater", 1918/19. Oil on canvas, 100 × 64.7cm. New York, Solomon R Guggenheim Museum.

RM 83411371

ゴッホ「サント＝マリー＝ド＝ラ＝メールの風景」

Gogh, Vincent van, 1853-1890, Dutch artist. View of Saintes-Maries, 1888. Oil on canvas, 64 x 53 cm. Otterlo, Rijksmuseum Kroller-Muller.

RM 75158783

ゴヤ「魔女たちの夜宴」

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Author:Francisco de Goya (1746-1828) Description:Witches Sabbath Technique:OIL ON CANVAS School:SPAIN Museum:Museo Lázaro Galdiano, Madrid Dimensions:43x30 Collection:Fine Art Images Credit:Album / Fine Art Images Image size:3969 x 5669 pixels (33.6 x 48.0 cm @ 300 dpi) 64.4 MB Keywords:ALLEGORY AND LITERATURE,DEMONS,DEVIL,GOOD AND EVIL,GOYA, FRANCISCO DE, LUCIFER,MUSEO LAZARO GALDIANO, MADRID,MYTHOLOGY,OIL ON CANVAS,PAINTING,ROMANTICISM,SATAN,SIN,SINNER,SORCERESS,SPAIN,WITCH,WITCHCRAFT,WITCHES,WITCHES SABBATH

RM 66095406

アントワーヌ＝ジャン・グロ 「アルコレ橋のボナパルト(1798年11月17日)」(部分)

所蔵：ルーヴル美術館 Napoleon I. Bonaparte,/French emperor (from 1804), Ajaccio/(Corsica) 15.8.1769 – Longwood (St. Helena) 5.5.1821 – "Bonaparte on the Bridge of Arcole". (Battle near Arcole against Austria, 15./17. November 1796)./– Study for the painting 1796, by Antoine-Jean Gros (1771–1835)./Oil on canvas, 73 × 59 cm. Inv. R.F. 361/Paris, Musée du Louvre. Artist : ANTOINE-JEAN GROS/MUSEUM/PARIS, MUSÉE DU LOUVRE/COLLECTION/MAURICE BABEY / Maurice Babey image date : 1796TIME PERIOD/18TH CENTURY/2ND MILLENNIUM A.D. topic : BANNER/BATTLE/CLASSICISM/CONQUEST ; CONQUERING/EMPIRE (STYLE)/FLAG/FRENCH ART/FRENCH REVOLUTIONARY WAR/HISTORY/MAN/MILITARY COMMANDER/PERSON/PORTRAIT/STUDY/WAR geography : ARCOLE/FRANCE/ITALY/PERSON/NAPOLEON I BONAPARTE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4008px × 4961px (56 MB)/33.9 cm × 42.0 cm @ 300 dpi Special Formats : 6113px × 7566px (132 MB) TIFF / 51.8 cm × 64.1 cm @ 300 dpi

RM 22168863

ジャン＝レオン・ジェローム 「ローマの奴隷市場」

Artist： Gerome, Jean Leon (1824-1904) Title： A Roman Slave Market (oil on canvas) Location： c Walters Art Museum, Baltimore, USA Medium： oil on canvas Date：19th Size：64.1x56.9

RM 21309608

カンディンスキー

作家名： ワシリー・カンディンスキー ( 1866年 - 1944年 ) 国籍： ロシア ジャンル　： ドイツ表現主義 Artist: Kandinsky, Wassily,1866-1944 Imagetitle: Study for Improvisation III. 1909 Dimensions: 44,5 x 64,7 cm Medium: Ol/Gouache/Karton Location: Christie's Images Ltd

RM 70449964

サルバドール・ダリ「戦争の顔」

作家名： サルバドール・ダリ ( 1904年 - 1989年 ) 国籍： スペイン ジャンル　： シュルレアリスム Dali, Salvador 1904–1989. "Das Gesicht des Krieges", 1940. Oil on canvas, 64 × 79 cm. Rotterdam, Museum Boymans-van Beuningen.

RM 65159144

フェルメール 「士官と笑う娘」

所蔵: フリック・コレクション オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Officer and Laughing Girl/Vermeer, Jan (Johannes);/Dutch painter; 1632ー1675. "Officer and Laughing Girl", c. 1658/60. Oil on canvas, 50.48 cm × 46.04 cm. New York, Frick Collection. Identifier : AKG1823483 Artist : JAN VERMEER/Museum/New York, Frick Collection/Collection/akg-images event date : 1658 image date : 1658/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/BONNET (FASHION)/CONVERSATION ; TALK/FLIRT/GENRE/GET-TOGETHER ; INFORMAL GATHERING/GIRL/HAT/LAUGHING ; LAUGHTER/LOVE/LOVERS ; PAIR OF LOVERS/MAN/MAP/MILITARY/NETHERLANDISH ART/OPEN WINDOW/SMILING ; SMILE/SOCIETAL LIFE/SOCIETY/SOLDIER/STAINED GLASS WINDOW/WINDOW/WOMAN/YOUNG WOMAN geography : NETHERLANDS technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 4554px × 4961px (64 MB) 38.5 cm × 42.0 cm @ 300 dpi/Special Formats/4785px × 5213px (71 MB) TIFF/40.5 cm × 44.1 cm @ 300 dpi

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 58824310

カンディンスキー 「コンポジションⅦ」

所蔵：レンバッハハウス美術館 作家名： ワシリー・カンディンスキー ( 1866年 - 1944年 ) タイトル：「コンポジションⅦ」 国籍： ロシア ジャンル　： ドイツ表現主義 "Study for Composition VII", 1913. Oil and tempera on canvas,/78.5 x 100.5 cm./Inv. no. GMS 63./Munich, Lenbachhaus. Artist : WASSILY KANDINSKY/Museum/Munich, Lenbachhaus image date : 1913/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ABSTRACT ART/ART/RUSSIAN ART/STUDY/THE BLUE RIDER technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3904px (55 MB) / 42.0 cm × 33.0 cm @ 300 dpi Special Formats : 7559px × 5949px (129 MB) TIFF / 64.0 cm × 50.4 cm @ 300 dpi

RM 87963397

モネ「海運、嵐」

Monet, Claude 1840–1926. "Marine Piece: Storm", 1867. Oil on canvas, 48.7 × 64.7 cm. Inv. no. 1955.561 Williamstown, S.& F.Clark Art Institute.

RM 83411417

セザンヌ「湯沸しのある静物画」

Cezanne, Paul. 1839-1906. "Nature morte-la bouilloire" (Stilllife with teapot), c. 1869. Oil on canvas, 64.5-81cm. R.F. 1964-37 Paris, Musee d'Orsay.

RM 70383798

アルチンボルド 「皇帝マクシミリアン二世と家族の肖像」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「皇帝マクシミリアン二世と家族の肖像」 国籍：イタリアの画家 ジャンル　： マニエリスム Author:Giuseppe Arcimboldo (1527-1593) Description:Holy Roman Emperor Maximilian II of Austria (1527-1576) and his wife Infanta Maria of Spain with their children Collection:Fine Art Images Credit:Album / Fine Art Images Image size:4226 x 5315 pixels (35.8 x 45.0 cm @ 300 dpi) 64.3 MB

RM 62548844

クリムト 「メーダ・プリマヴェージの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Mäda Primavesi (1903-2000) Klimt, Gustav 1862-1918. Mäda Primavesi (1903-2000), Painting, ca. 1912-1913. Oil on canvas, 149.9 × 110.5 cm. Inv. Nr. 64.148 New York, Metropolitan Museum of Art. Identifier : AKG5060098 credit line : akg-images image date : 1.1.1912 Size 2876px × 3877px (31 MB) 24.3 cm × 32.8 cm @ 300 dpi

RM 115920875

ゴーギャン「花瓶の花」

P.Gauguin, A Vase of Flowers / painting Gauguin, Paul. French painter, 1848 – 1903 – “A Vase of Flowers”, 1896. – (This painting was produced in Tahiti after Gauguin’s final move there from France). Oil on canvas, 64 × 74cm. Inv. No. NG3289. London, National Gallery.

RM 60463807

レンブラント 「ダナエ」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：「ダナエ」 国籍： オランダ ジャンル　： バロック Rembrandt, Harmensz van Rijn 1606–1669. "Danae", c. 1636. Oil on canvas, 185 × 203cm./St Petersburg, State Hermitage. Artist : REMBRANDT HARMENSZOON VAN RIJN/Museum/St Petersburg, State Hermitage/Collection/Joseph Martin / Joseph Martin image date : 1636/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : BAROQUE/BED/DUTCH ART/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/LOVE AFFAIR WITH A GOD/LYING DOWN/METAMORPHOSIS/MYTHOLOGY/NETHERLANDISH ART/NUDE (ARTWORK)/WOMAN/Person/DANAE/OVID/Title/OVID'S METAMORPHOSES ; METAMORPHOSES (OVID) technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 4406px (62 MB) / 42.0 cm × 37.3 cm @ 300 dpi Special Formats : 7611px × 6760px (147 MB) TIFF/64.4 cm × 57.2 cm @ 300 dpi

RM 97401372

モネ「荒波」

The Green Wave, ca. 1866–67, Oil on canvas, 19 1/8 x 25 1/2 in. (48.6 x 64.8 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), When this early seascape debuted at the 1879 Impressionist exhibition, one critic remarked that it was 'directly influenced by Manet.' The handling of paint and composition, especially the high horizon line, echo Manet's two depictions of American warships, The 'Kearsarge' at Boulogne

RM 64276407

ルーベンス 「泣く哲学者ヘラクレイトス」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) タイトル：「泣く哲学者ヘラクレイトス」 国籍： フランドル ジャンル　： バロック Peter Paul Rubens (1577-1640) HERAKLIT. Peter Paul Rubens / 'Heraclitus, the Crying Philosopher', 1636-1637, Oil on canvas, 183 x 64,5 cm, P01680. Credit: Album / Joseph Martin

RM 101446053

ゴヤ「ウェリントン公爵」

Wellington, Arthur Wellesley, Herzog v.. brit. Feldmarschall und Minister; Dublin 1.5.1769 – Walmer Castle (Gfsch. Kent) 14.9.1852. Porträt. Gemälde, um 1812/14, von Francisco Goya (1746–1828). Öl auf Mahagoniholz, 64,3 × 52,4 cm. Inv. Nr. 6322 London, National Gallery.

RM 84170948

ウィリアム・パクストン「ティーリーブス」

Paxton, William McGregor 1869-1941. Tea Leaves, Painting, 1909. Oil on canvas, 91.6 × 71.9 cm. Inv. Nr. 10.64.8 New York, Metropolitan Museum of Art.

RM 66089840

ジャン＝フランソワ・ラファエリ 「サン＝ミシェル大通り」

Boulevard Saint Michel/Raffaëlli, Jean François 1850-1924. "Boulevard Saint Michel", 1890s. (View of Rue Soufflot; in the background the Panthéon)./Oil on canvas, 64 × 77cm./Moscow, Pushkin Museum. Identifier : AKG250371 Artist : JEAN-FRANCOIS RAFFAELLI/Museum/Moscow, Pushkin Museum/Collection/akg-images event date : 1895 image date : 1895/Time Period/19TH CENTURY topic : BIG CITY ; METROPOLIS ; LARGE CITY/FRENCH ART geography : HAUSSMANNISM/HORSE-DRAWN COACH/IMPRESSIONISM/PEDESTRIAN (MALE) ; PEDESTRIAN/SCENE/STREET SCENE/TOPOGRAPHY/TRAFFIC ; TRANSPORTATION geography : BOULEVARD SAINT-MICHEL/FRANCE/PANTHEON/PARIS (CITY)/RUE SOUFFLOT technique : PAINTING (OBJECT)/PAINTING (technique)

RM 52965851

シスレー 「ブージヴァルの夏」

作家名： アルフレッド・シスレー ( 1839年 - 1899年 ) ジャンル　： 印象派 所蔵 ： ビュールレ・コレクション Eté à Bougival/Sisley, Alfred 1839–1899./"Eté à Bougival" (Sommer in Bougival), 1876./Oil on canvas, 47 x 62 cm./Zürich, Stiftung Sammlung E.G.Bührle. Identifier : AKG3027123 Artist : ALFRED SISLEY/Museum/Zurich, Stiftung Sammlung E.G.Bührle event date : 1876 image date : 1876/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/CLOUD/FRENCH ART/IMPRESSIONISM/LANDSCAPE ; SCENERY/RIVER/SEASONS/SKY/SUMMER geography : BOUGIVAL/FRANCE/SEINE technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3756px (53 MB) 42.0 cm × 31.8 cm @ 300 dpi/Special Formats/7559px × 5723px (124 MB) TIFF/64.0 cm × 48.5 cm @ 300 dpi

RM 62414577

ベラスケス 「狩猟服姿のフェリペ４世」

Philip IV, King of Spain (1621–65) and/(as Philip III) of Portugal; son of King Philip III and Margaret of Habsburg./Valladolid 8.4.1605 – Madrid 17.9.1665. "Philip IV wearing hunting clothes". Painting, by 1632/36, by Diego Velázquez/(1599–1660)./Oil on canvas, 189 × 124.5cm./Inv. 1184/Madrid, Museo del Prado. Identifier : AKG20837 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection image date : 1635/Time Period/17TH CENTURY topic : BAROQUE/DOG/DOG AND DOG OWNER ; MAN AND DOG/FASHION ; STYLE/FREE TIME ; LEISURE TIME/FULL-LENGTH ; FULL LENGTH ; LONG SHOT/GLOVE/HAPSBURG/HAPSBURG LIP/HISTORY/HUNT/HUNTER (MALE)/HUNTING ATTIRE ; HUNTING CLOTHES/HUNTING DOG ; HOUND, FIELD DOG/HUNTING GUN/JAEGERHUT/KING/LEATHER GLOVE/MAN/MEN'S FASHION ; MENSWEAR/NOBILITY ; ARISTOCRACY/PERSON/PORTRAIT/POSE/RIFLE ; GUN/SPANISH ART/WEAPON geography : SPAIN/Person/PHILIP IV OF SPAIN technique : PAINTING (OBJECT)/PAINTING (technique) Size : 3246px × 4961px (46 MB) / 27.4 cm × 42.0 cm @ 300 dpi Special Formats : 4945px × 7558px (107 MB) TIFF/41.9 cm × 64.0 cm @ 300 dpi

RM 87938141

オディロン・ルドン「キュクロープス」

Redon, Odilon, 1840–1916, French artist. "Le Cyclope" (The Cyclope), c.1898/1900. Oil on wood panel, 64 × 51cm. Otterlo, Rijksmuseum Kröller-Müller.

RM 84633144

ピサロ「「モンマルトル大通り、冬の朝」」

所蔵: メトロポリタン美術館 Pissarro, Camille 1830-1903. The Boulevard Montmartre on a Winter Morning, Painting, 1897. Oil on canvas, 64.8 × 81.3 cm. Inv. Nr. 60.174 New York, Metropolitan Museum of Art.

RM 65622800

ゴッホ 「郵便配達人ジョセフ・ルーラン」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) 国籍： オランダ ジャンル　印象派　ポスト印象派 所蔵： ニューヨーク近代美術館 Gogh, Vincent van 1853–1890. "Bildnis Joseph Roulin". Arles, April 1889./Oil on canvas, 64 × 54,5 cm./New York, Museum of Modern Art. Identifier : AKG1913149 Artist : VINCENT VAN GOGH/Museum/New York, Museum of Modern Art/Collection/akg-images image date : 1889/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : BART/BRUSTBILD/GEBLÜMT/IMPRESSIONISMUS/MANN/MÜTZE/PORTRAIT/POST/POSTBEAMTER/POSTBOTE/UNIFORM/VOLLBART geography : ARLES/FRANKREICH/PROVENCE/Person/JOSEPH ROULIN technique : GEMÄLDE/MALEREI/ÖL AUF LEINWAND Size : 4199px × 4961px (59 MB) / 35.5 cm × 42.0 cm @ 300 dpi Special Formats : 5017px × 5928px (85 MB) TIFF/42.5 cm × 50.2 cm @ 300 dpi

RM 36482765

マリー・アントワネットの肖像

Artist:Franzosisch, 19. Jahrhundert Title:Portrait of Marie Antoinette, in a lilac dress with lace border and flowers and floral headdress. Dimensions:64.8 x 53.2 cm Technique:oil on canvas

RM 32806218

ドラクロワ 「サルダナパールの死」（習作）

作家名： フェルディナン・ヴィクトール・ウジェーヌ・ドラクロワ ( 1798年 - 1863年 ) タイトル：「サルダナパールの死」（習作） フランスの画家 ジャンル： ロマン主義 Title： Death of Sardanpalus Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1827 Description： Delacroix, Eugene. 1798-1863, French painter. "Etude pour la mort de Sardanapale" (Death of Sardanpalus, study), c.1827. Oil on canvas, 80 x 64 cm. Japan, Matsukata Collection.

RM 32806050

アルチンボルド 「四季（冬）」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「四季（冬）」 国籍： イタリア ジャンル　： マニエリスム 所蔵：ルーヴル美術館 Artist： GIUSEPPE ARCIMBOLDO Title： Winter Location： Paris, Musee du Louvre Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT) Date： 1573 Description： Arcimboldo, Giuseppe 1527-1593. "Winter", c. 1573. Oil on canvas, 76 × 64 cm. R.F. 1964-33

RM 32805883

ニコラ・プッサン 「夏のルツとボアズ」

作家名： ニコラ・プッサン  ( 1594年 - 1665年 ) タイトル：夏のルツとボアズ フランスの画家 所蔵：ルーヴル美術館 ジャンル　：  バロック Artist： NICOLAS POUSSIN Location： Paris, Musee du Louvre Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT) Date： 1660 Description： Poussin, Nicolas. 1594-1665. "L'ete, ou Ruth et Booz" (Summer of Ruth and Boas), c. 1660/64. From a series depicting the four seasons Oil on canvas, 118 × 160 cm. INV. 7304

RM 32806432

ゴッホ 「夕陽と種播く人」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：夕陽と種播く人 国籍： オランダ ジャンル： ポスト印象派　後期印象派 Artist： VINCENT VAN GOGH Title： Man Sowing at Sunset Location： Otterlo, Rijksmuseum Kroller-Muller Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1888 Description： Gogh, Vincent van, 1853-1890, Dutch painter. "Man sowing at sunset", Arles, June 1888. Oil on canvas, 64 x 80.5 cm. Inv. 303　18.

RM 31589428

セザンヌ ｢ガルダンヌ｣

作家名： ポール・セザンヌ ( 1839年 - 1906年 )  タイトル：「ガルダンヌ」 フランスの画家 ジャンル ： 印象派 ポスト印象派 BRN194378 Gardanne (Horizontal View) c.1885 (oil on canvas) by Cezanne, Paul (1839-1906); 64.8x100.3 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: 17 km south-west of Aix-en-Provence;); REPRODUCTION PERMISSION REQUIRED; French

RM 31589396

アメデオ・モディリアーニ 「背中を見せて横たわる裸婦」

作家名： アメデオ・モディリアーニ ( 1884年 - 1920年 ) タイトル：背中を見せて横たわる裸婦 国籍： イタリア ジャンル ： エコール・ド・パリ BRN160503 Reclining Nude from the Back (Nu Couche de Dos) 1917 (oil on canvas) by Modigliani, Amedeo (1884-1920); 64.5x99.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; REPRODUCTION PERMISSION REQUIRED; Italian PLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.

RM 30424654

マルセル・デュシャン 「フレッシュ・ウィドウ」

作家名： マルセル・デュシャン ( 1887年 - 1968年 ) フランスの画家 ジャンル： ダダイズム Title: Fresh Widow, 1920/64 (wood, glass & leather) creator: Duchamp, Marcel (1887-1968) Nationality: French Location: The Israel Museum, Jerusalem, Israel Medium: wood, glass and leather Date: (C20th) Dimensions: 77.5x45 cms Credit: Fresh Widow, 1920/64 (wood, glass & leather), Duchamp, Marcel (1887-1968) / The Israel Museum, Jerusalem, Israel / Vera & Arturo Schwarz Collection of Dada and Surrealist Art / Bridgeman Images Keywords:Dada,Dadaist,French window,black,door,doors,pane,panes,ready-made,readymade,windows IMJ245460 Fresh Widow, 1920/64 (wood, glass & leather) by Duchamp, Marcel (1887-1968); 77.5x45 cm; The Israel Museum, Jerusalem, Israel; Vera & Arturo Schwarz Collection of Dada and Surrealist Art; French, in copyrightPLEASE NOTE: This image is protected by the artist's copyright which needs to be cleared by you. If you require assistance in clearing permission we will be pleased to help you.

RM 23503621

ジョン・カウズ 「フォルスタッフと新兵（第3幕第2場）」

Title:　Falstaff and the Recruits, from 'Henry IV, Part II' III, ii, c.1818 (oil on canvas) creator:　Cawse, John (1779-1862) Nationality:　English Location:　Yale Center for British Art, Paul Mellon Fund, USA Medium:　oil on canvas Date:　19th (C19th) Dimensions:　64.2x84.5 cms Credit:　Falstaff and the Recruits, from 'Henry IV, Part II' III, ii, c.1818 (oil on canvas), Cawse, John (1779-1862) / Yale Center for British Art, Paul Mellon Fund, USA / The Bridgeman Art Library Keywords:　Shakespearean dog interior literary character play recruit scene Categories Literature Shakespeare The Arts and Entertainment

RM 22092885

リチャード・ダッド 「眠れるティターニア（第2幕第2場）」

Artist： Dadd, Richard (1817-86) Title： Titania Sleeping (oil on canvas) Location： Private Collection Medium： oil on canvas Date：19th Size：64.8x77.5

RM 21582481

ターナー「ヘレヴーツリュイスから出航するユトレヒトシティ64号」

作家名： ジョゼフ・マロード・ウィリアム・ターナー ( 1775年 - 1851年 ) 国籍： イギリス ジャンル： ロマン主義 Artist： Turner, Joseph Mallord William (1775-1851) Title： Helvoetsluys; - the City of Utrecht, 64, Going to Sea, 1832 (oil on canvas) Nationaly： English Location： c Tokyo Fuji Art Museum, Tokyo, Japan Medium： oil on canvas Date： 1832 (C19th) Size： 91.4x122 cms

RM 21309352

ダニエル・マクリース 「オセローとデズデモーナ（第3幕第3場）」

Artist: Maclise, Daniel,1806-1870 Imagetitle: Othello and Desdemona. 1859 Dimensions: 64,8 x 77,5 Medium: Oil/Wood Location: Christie's Images Ltd

RM 21148045

「最後の審判」

Detail from the Last Judgement 15th century fresco Church of Santa Maria in Piano, Loreto Aprutino, Abruzzo. Italy 13th-16th century Author: De Agostini / A. De Gregorio Original format: 9 X 12 Information for the press: 35.64 X 27.8 cm with 300 dpi

RM 13055794

マルセル・デュシャン 「L.H.O.O.Q., 1919/64」

作家名： マルセル・デュシャン ( 1887年 - 1968年 ) タイトル : L.H.O.O.Q., 1919/64 フランスの画家 ジャンル： ダダイズム Artist： Duchamp, Marcel (1887-1968) Title： L.H.O.O.Q., 1919/64 (pencil over colour litho) Nationaly： French Location： The Israel Museum, Jerusalem, Israel Medium： pencil over colour lithograph Date： 20th (C20th)

RM 13046161

マルセル・デュシャン 「泉」

作家名： マルセル・デュシャン ( 1887年 - 1968年 ) フランスの画家 ジャンル： ダダイズム Artist：Duchamp, Marcel (1887-1968)　 Title：Fountain, 1917/64 (ceramic) Nationaly：French　 Location：The Israel Museum, Jerusalem, Israel　 Medium：ceramic　 Date：20th (C20th)　 Dimensions：36x48x61 cms　

RM 56020112

ルネ・　マグリット 「イメージの裏切り」

作家名： ルネ・マグリット ( 1898年-1967年 ) タイトル：「イメージの裏切り」 国籍： ベルギー ジャンル： シュルレアリスム La Trahision des images Magritte, René 1898-1967. "La Trahision des images" (The Treachery of Images), 1928/29. Oil on canvas, 64.6 × 94.1cm. Purchases with funds from the Mr. a Mrs. Preston Harrison Collection, Los Angeles, County Museum of Art. Identifier : AKG442502 Artist : RENÉ MAGRITTE Museum Los Angeles, County Museum of Art source : akg-images credit line : akg-images event date : 1928 image date : 1928 Time Period 1920S 20TH CENTURY 2ND MILLENNIUM A.D. topic : BELGIAN ART FRENCH LANGUAGE PIPE (TOBACCO) STIMULANTS ; LUXURY FOODSTUFFS SURREALISM TOBACCO WRITING AND SCRIPT ; WRITING AND CHARACTERS technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 4961px × 3646px (51 MB) 42.0 cm × 30.8 cm @ 300 dpi

RM 117813711

リオネル・ファイニンガー「自転車レース」

Feininger, Lyonel 1871–1956. “Bicycle Race”, 1912. Oil on canvas, 80.3 × 100.3cm. Mr. and Mrs. Paul Mellon Collection, 1985.64.17 Washington, National Gallery of Art.

RM 120142053

コロー「木々を集める人」

Jean-Baptiste-Camille COROT: Painted in the last decade of the artist’s life and exhibited in 1871, this painting is typical of Corot’s late work. The subject of a distant town seen through a group of trees is a familiar one among his later themes. Oil on canvas, 45.7 × 64.1 cm, perhaps 1865–70 London, National Gallery.

RM 83113993

エドヴァルド・ムンク「メランコリー」

Munch, Edvard 1863–1944. "Melancholy", 1891/92. Oil on canvas, 64 × 96cm. Oslo, Nasjonalgalleriet.

RM 83113986

エドヴァルド・ムンク「サン＝クルーの夜（月光）」

Munch, Edvard 1863–1944. "Night in St. Cloud", 1890. Oil on canvas, 64.5 × 54cm. Inv. NG.M. 01111 Oslo, Nasjonalgalleriet.

RM 25525756

ピサネロ 「ジギスムントの肖像」

Location: Kunsthistorisches Museum, Wien, Osterreich Categories: Renaissance Emperor Sigismund (1369-1437). Parchment on wood, around 1433. By Pisanello (Antonio di Puccio Pisano). 64 x 49 cm. Inv. 2630.

RM 81877238

ピーテル・デ・ホーホ「男二人、給仕の女と杯を交わす女」

Hooch, Pieter de, 1629 – 1684, Dutch painter. "A Woman Drinking with Two Men", c.1658. Oil on canvas, 73.7 × 64.6 cm. NG834 London, National Gallery.

RM 62553865

ルーベンス 「サムソンとデリラ」

Samson and DelilahRubens, Peter Paul;/Flemish Baroque painter;/1577 - 1640. "Samson and Delilah", c. 1609-10. (Old Testament, Judges 16: 17-20. Candlelit interior, the Philistines wait at the door, one cuts Samson's hair, while an elderly woman provides extra light. In a niche behind: a statue of the goddess of love, Venus, with Cupid). Oil on wood, 185 x 205 cm. Inv. No. NG6461 , /Room 29,/London, National Gallery. Artist : PETER PAUL RUBENS/MUSEUM/LONDON, NATIONAL GALLERY/COLLECTION/THE NATIONAL GALLERY, LONDON credit line : The National Gallery, London / akg image date : 1609TIME PERIOD/17TH CENTURY/2ND MILLENNIUM A.D. topic : SAMSON AND DELILAH/PERSON/PETER PAUL RUBENS/SAMSON Size : 4961px × 4551px (64 MB)/42.0 cm × 38.5 cm @ 300 dpi Special Formats : 5197px × 4768px (71 MB) JPEG/44.0 cm × 40.4 cm @ 300 dpi

RM 60463787

ハンス・ホルバイン（子） 「ヘンリー8世の肖像」

作家名： ハンス・ホルバイン（子） ( 1497年頃 - 1543年頃 ) タイトル：「ヘンリー8世の肖像」 国籍： ドイツ ジャンル　： 北方ルネサンス Henry VIII. / King of England (1509-47) / Greenwich 28.6.1491 - Westminster 28.1.1547. portrait. Painting, 1540, from Hans Holbein d. J./(1497-1543)./wood, 89x75 cm./Rome, Galleria Nazionale, Pal. Barberini. imagedate: 1540 / Time Period / 16. CENTURY / 2. YEARS topic: ENGLISH ART / VITALITY / FITNESS / FINGERRING / HISTORY / MEN'S / HAT / KING / POWER / MAN / MEN'S JEWELRY / FASHION / ORDER / ORDER / ORDER CHAIN / PERSON / PORTRAIT / RENAISSANCE / JEWELERY geography: ENGLAND / Person / HEINRICH VIII. OF ENGLAND technique: PAINTING / PAINTING Size: 3870px × 4961px (54 MB) 32.7 cm x 42.0 cm @ 300 dpi Special formats: 5908px × 7574px (128MB) TIFF / 50.0cm x 64.1cm @ 300dpi

RM 118591045

オディロン・ルドン「花に囲まれたオフィーリア」

Odilon REDON: This pastel is one of several compositions by Redon of this subject from Shakespeare’s ‘Hamlet’ which date from this period. The flowers seem to be of no identifiable species, resembling lilac and strawberries, and with blue leaves interspersed with the green. The garlanded head of Ophelia is turned towards the flowers as though in contemplation of their beauty. The tropical still lifes of Gauguin, such as ‘A Vase of Flowers’, may have influenced Redon in the design of this work. Pastel on paper, 64 × 91 cm, about 1905–8 London, National Gallery.

RM 83412054

エドヴァルド・ムンク「森へ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Munch, Edvard. 1863-1944. "To the forest", 1915. Colour woodcut, 52.5 × 64.8cm. Leipzig, Museum der Bildenden Kunste.

RM 101280193

エミール・ノルデ「三人の王」

Title: The Three Wise Men (colour litho) creator: Nolde, Emil (1867-1956) Nationality: German Location: Hamburger Kunsthalle, Hamburg, Germany Medium: colour lithograph Dimensions: 64.6x53 cms Credit: The Three Wise Men (colour litho), Nolde, Emil (1867-1956) / Hamburger Kunsthalle, Hamburg, Germany / Bridgeman Images

RM 57994887

アンブロジウス・ボスハールト(父) 「窓辺に置かれた花瓶の花」

Author: AMBROSIUS II (THE ELDER) BOSSCHAERT (1573-1621) Description: Flower still-life with tulips. Oil on wood (around 1620) 64 x 46 cm. Location: Mauritshuis, Den Haag, Netherlands Image size: 3294 x 4580 pixels (27.9 x 38.8 cm @ 300 dpi) 43.2 MB

RM 21775327

トマス･ゲインズバラ 「青い服を着た婦人の肖像」

Artist: Gainsborough, Thomas,1727-1788 Imagetitle: Dame in blau (Die Herzogin von Beaufort). Um 1780 Dimensions: 76 x 64 cm Location: St. Petersburg, Hermitage

RM 84133865

エドヴァルド・ムンク「罪」

Munch, Edvard. 1863–1944. "'Die Sünde’, Akt mit roten Haaren und grünen Augen”, 1901. Kreidelithografie in drei Farben, 69,7 × 40 cm (Darstellung), 94 × 64 cm (Blatt). Inv. Nr. M. Gr. 1579 Hannover, Sprengel Museum.

RM 66085572

フェルメール 「手紙を書く婦人と召使い」

所蔵: アイルランド国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Author: JAN (JOHANNES) VERMEER (1632-1675) Description: Lady Writing a Letter with her Maid. Image size: 4227 x 5315 pixels (35.8 x 45.0 cm @ 300 dpi) 64.3 MB

RM 146188521

吉田博「日田筑後川の夕」

882653 Evening on the Chikugo River in Hita, 1927 by Yoshida, Hiroshi (1876-1950); Minneapolis Institute of Arts, MN, USA; (add.info.: 9 7/8 x 14 13/16 in. (25.08 x 37.62 cm) (image) 10 3/4 x 16 in. (27.31 x 40.64 cm) (sheet)); Gift of Ellen and Fred Wells; Japanese, in copyright.

RM 84633098

シスレー「ヴィルヌーヴ・ラ・ガレンヌの橋」

所蔵: メトロポリタン美術館 Sisley, Alfred 1839-1899. The Bridge at Villeneuve-la-Garenne, Painting, 1872. Oil on canvas, 49.5 × 65.4 cm. Inv. Nr. 64.287 New York, Metropolitan Museum of Art.

RM 83893031

エドヴァルド・ムンク「メランコリー」

ノルウェーの画家 ジャンル: 象徴主義 表現主義 Munch, Edvard 1863–1944. “Melancholy”, 1891/92. Oil on canvas, 64 × 96cm. Oslo, Nasjonalgalleriet.

RM 66320814

フェルメール 「ヴァージナルの前の二人（音楽の稽古） 」

所蔵: イギリス王室コレクション オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 The music lesson/Vermeer, Jan (Johannes), called Vermeer van Delft; 1632–1675. "The music lesson" (man and woman at the virginal), c. 1662/64. Oil on canvas, 74 × 64.5cm./Royal Collection : , H.M. Queen Elizabeth II. Identifier : AKG178149 Artist : JAN VERMEER Collection : akg-images event date : 1662 image date : 1662 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D. topic : BAROQUE/BLACK AND WHITE/DUTCH ART/DWELLING/EDUCATION ; PEDAGOGY/FLOOR/FLOOR TILE ; TILING/FRINGE/INDIVIDUAL LESSON/INSIDE VIEW/INSTRUMENT/KEYBOARD INSTRUMENT/LESSON (SCHOOL)/MAN/MIRROR IMAGE/MOSAIC FLOOR ; MOSAIC PAVEMENT/MUSIC/MUSIC CLASS/MUSIC IN THE HOME ; FAMILY MUSIC/MUSIC LESSON/MUSIC ROOM/MUSIC TEACHER (MALE)/NETHERLANDISH ART/PRIVATE TEACHER (MALE)/PUPIL (FEMALE)/REAR VIEW OF PERSON ; PERSON FROM BEHIND/TABLECLOTH/TEACHER ; INSTRUCTOR/VIRGINAL/WOMAN technique : PAINTING (OBJECT)/PAINTING (technique)/

RM 66320822

フェルメール 「デルフトの小道（小路）」

所蔵: アムステルダム国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 View of Houses in Delft, Known as ‘The Little Street'/Vermeer, Johannes 1632–1675. View of Houses in Delft, Known as ‘The Little Street', 1658. Oil on canvas, 44 × 54.3 cm./Inv. Nr. SK-A–2860 Amsterdam, Rijks　Museum Identifier : AKG5003484 Artist : JAN VERMEER Museum : Amsterdam, Rijksmuseum image date : 1.1.1658 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D. topic : APARTMENT BUILDING/ARCHITECTURE/BAROQUE/DUTCH ART/NETHERLANDISH ART/OLD TOWN/PAINTING OF ARCHITECTURE/SCENE/SMALL TOWN ; PROVINCIAL TOWN/STREET ; ROAD/STREET SCENE/VEDUTA geography : 40 VLAMINGSTRAAT/DELFT/HOLLAND/NETHERLANDS/SOUTH HOLLAND/VLAMINGSTRAAT technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 4272px × 5254px (64 MB)

RM 62547503

クリムト 「白樺の森」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Birch Forest. Image size: 4785 x 4724 pixels (40.5 x 40.0 cm @ 300 dpi) 64.7 MB

RM 37385165

ゴッホ 「郵便配達人ジョセフ・ルーラン」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル： 「郵便配達人ジョセフ・ルーラン」 国籍： オランダ ジャンル： 印象派　ポスト印象派 所蔵： ニューヨーク近代美術館 Gogh, Vincent van 1853-1890. "Portrait of Joseph Roulin", Arles, April 1889. Oil on canvas, 64.4 × 55.2cm. New York, Museum of Modern Art. Identifier : AKG96725 Artist : VINCENT VAN GOGH Museum New York, Museum of Modern Art source : akg-images credit line : akg-images event date : 1889 image date : 1889 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : BEARD FACIAL FORM ; SHAPE OF FACE FLOWERED ; FLOWER PATTERN HEAD-AND-SHOULDERS ; HEAD SHOT ; BUST SHOT IMPRESSIONISM MAILMAN ; POSTMAN ; LETTER CARRIER MAN NETHERLANDISH ART PHYSIOGNOMICS PORTRAIT POST OFFICE EMPLOYEE (MALE) ; POSTAL WORKER (MALE) POST OFFICE EMPLOYEE ; POSTAL SERVICE WORKER geography : ARLES PROVENCE Person JOSEPH ROULIN technique : PAINTING (OBJECT) PAINTING (technique) Size 2472px × 2943px (20 MB) 20.9 cm × 24.9 cm @ 300 dpi

RM 35486475

ゴッホ 「医師フェリックス・レーの肖像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：レー医師の肖像 国籍： オランダ ジャンル： ポスト印象派　後期印象派 Portrait of Doctor Felix Rey/Gogh, Vincent van/1853?1890. "Portrait of Doctor Felix Rey". Arles, January 1889./(Felix Rey, 1867?1932, assistant doctor in the hospital of Arles, where van Gogh was admitted in December 1888)./Oil on canvas, 64 × 53cm./Moscow, Pushkin Museum. Identifier : AKG112356 Artist : VINCENT VAN GOGH/Museum/Moscow, Pushkin Museum event date : 1889 image date : 1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : BEARD/DOCTOR/IMPRESSIONISM/MAN/MEDICINE/NETHERLANDISH ART/PATTERNED/POINTED BEARD/PORTRAIT/WALLPAPER/YOUNG MAN geography : ARLES/Person/FELIX REY technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4124px × 4961px (58 MB) 34.9 cm × 42.0 cm @ 300 dpi

RM 33524499

ディエゴ・ベラスケス 「十字架上のキリスト」

作家名： ディエゴ・ベラスケス ( 1599年 - 1660年 ) タイトル：「キリストの磔刑」 国籍： スペイン ジャンル　： バロック Christ on the Cross. Velazquez, Diego. 1599-1660. "Christ on the Cross", c. 1636/38. Oil on canvas, 248 × 169cm. Madrid, Museo del Prado. Identifier : AKG52600 Artist : DIEGO VELAZQUEZ Museum Madrid, Museo del Prado source : akg-images credit line : akg-images event date : 1636 image date : 1636 Time Period 17TH CENTURY 2ND MILLENNIUM A.D. topic : BAROQUE BIBLE CHRISTIANITY CRUCIFIXION HIGH CONTRAST ; CLAIR-OBSCUR LOINCLOTH NEW TESTAMENT PASSION OF CHRIST RELIGION SPANISH ART Person CHRIST technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 3307px × 4961px (46 MB) 27.9 cm × 42.0 cm @ 300 dpi Special Formats 5024px × 7584px (109 MB) TIFF 42.5 cm × 64.2 cm @ 300 dpi

RM 33313745

マティス 「絵画の制作」

作家名： アンリ・マティス ( 1869年 - 1954年 ) タイトル：「絵画の制作」 フランスの画家 ジャンル： フォーヴィスム　野獣派 Matisse, Henri/1869-1954./ "La seance de peinture" (Modell sitzen), 1918/19./ Ol auf Leinwand, 74 × 93 cm. Inv. Nr. GMA 929/Edinburgh, Scottish Nat. Gall. of Mod. Art. Artist : HENRI MATISSE/Museum/Edinburgh, National Gallery of Modern Art event date : 1918 image date : 1918/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART Artist : Artist : AND MODEL Artist : AT WORK/EASEL/FAUVES/FRENCH ART/MIRROR/MIRROR IMAGE/MODEL/PAINTER (MALE) ; PAINTER/READER (FEMALE)/READING/TABLE/VASE/WOMAN/YOUNG WOMAN technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3960px (56 MB) 42.0 cm × 33.5 cm @ 300 dpi/Special Formats/7620px × 6083px (133 MB) TIFF/64.5 cm × 51.5 cm @ 300 dpi/

RM 32661411

ルノワール 「イレーヌ・カーン・ダンヴェール嬢の肖像」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「イレーヌ・カーン・ダンヴェール嬢の肖像」 フランスの画家 所蔵 ： ビュールレ・コレクション ジャンル： 印象派 Renoir, Auguste 1841-1919. "Portrait de Mademoiselle Irene Cahen d'Anvers" (Portrait of Mademoiselle Irene Cahen d'Anvers), 1880. (Irene Cahen d'Anvers, 1872-1963, daughter of the banker Louis Cahen d'Anvers). Oil on canvas, 64 × 54cm. Zurich, E.G.Buehrle Collection. Identifier : AKG175268 Artist : AUGUSTE RENOIR source : akg-images credit line : akg-images event date : 1880 image date : Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : CHILD FRENCH ART GIRL IMPRESSIONISM LONG HAIR PARTIAL PROFILE PERSON ; HUMAN ; INDIVIDUAL PORTRAIT RED HAIR SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH SITTING Person IRENE CAHEN technique : PAINTING (OBJECT) PAINTING (technique) Size 4069px × 4961px (~7 MB / ~57 MB unc.) 34.4 cm × 42.0 cm (300dpi) Special Formats 5952px × 7257px (~107 MB / ~124 MB unc.) TIFF 50.4 cm × 61.4 cm (300dpi)

RM 87440

アンヌ＝ルイ・ジロデ＝トリオゾン 「ダナエに扮するランジュ嬢」

Artist：アンヌ＝ルイ・ジロデ＝トリオゾン Title：ダナエに扮するランジュ嬢 所蔵：ミネアポリス美術館 Artist： Girodet de Roucy-Trioson, Anne Louis (1767-1824) Title： Portrait of Mademoiselle Lange as Danae, 1799 (oil on canvas) (b/w photo) Location： Minneapolis Institute of Arts, MI, USA Age：1799 Medium：oil on canvas

RM 10115681

クロード・モネ 「ヨーロッパ橋、サン・ラザール駅」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: The Pont de l'Europe, Gare Saint-Lazare. 1877 Dimensions: 64 x 81 cm Medium: Oil/Canvas Location: Paris, Musee Marmottan

RM 8155949

ルノワール 「縫い物をするリュエル嬢」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「縫い物をするリュエル嬢」 フランスの画家 ジャンル： 印象派 所蔵: クラーク美術館 Artists:Renoir, Pierre Auguste (1841-1919) Title: Marie-Therese Durand-Ruel Sewing, 1882 ( oil on canvas) 64.8x53.8 cm　 Location: Sterling & Francine Clark Art Institute, Williamstown, USA Nationaly： French

RM 4142320

サルバドール・ダリ 「アルノルト・ベックリン」

作家名： サルバドール・ダリ ( 1904年 - 1989年 ) タイトル : アルノルト・ベックリン 国籍： スペイン ジャンル　： シュルレアリスム fine arts, Dali, Salvador, (1904 - 1989), painting, 'Vrai tableau de 'L`ile des morts' d`Arnold B?cklin a l`heure de l`Angelus', ('true image of the isle of the dead by Arnold B?cklin at the hour of the Angelus'), 1932, oil on canvas, 77,5 cm x 64,5 cm, von der Heydt Museum, Wuppertal, historic, historical, Europe, Spain, 20th century, surrealism, cup, loneliness, human, dream, infinity, sea, water, landscape, landscapes, shadow, reflection, cube, Boecklin, Bocklin, ARTIST'S COPYRIGHT MUST ALSO BE CLEARED,

RM 4140595

クリムト 「ユディト II（ユーディット II）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : ユディト II（ユーディット II） 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist：Klimt, Gustav, (1862 - 1918) Title： 'Judith II', 1909 Location： gallery of modern art, Venice Medium： oil on canvas Size：64 cm x 17,8 cm Date： 20th century

RM 935345

サルバドール・ダリ 「アルノルト・ベックリン」

作家名： サルバドール・ダリ ( 1904年 - 1989年 ) タイトル : アルノルト・ベックリン 国籍： スペイン ジャンル　： シュルレアリスム Artist: Dali, Salvadore,1904-1989 Imagetitle: The True Painting of 'The Isle of the Dead' by Arnold Bocklin at the Hour of the Angelus. 1932 Dimensions: 77 x 64 cm. Location: Wuppertal, Von-der-Heydt-Museum

RM 935385

ヤン・ステーン 「アムノンとタマル」

Artist: Steen, Jan,1625/26-1679 Imagetitle: Amnon and Thamar. Dimensions: 64,5 x 83 cm. Location: Koln, Wallraf-Richartz-Museum

RM 950603

ドガ 「画家の肖像」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「画家の肖像」 フランスの画家 ジャンル： 印象派 Artist: Degas, Edgar,1834-1917 Imagetitle: Self portrait 1855. Dimensions: 81 x 64,5 cm Medium: Papier/Ol/Lwd. Location: Paris, Musee d'Orsay

RM 951052

「アポロン」

Artist: Francken II., Frans,1581-1642 Medium: Die Welt huldigt Apollo. Dimensions: 64,5 x 104,5 cm Medium: Oil on oakwood Location: Landesmuseum fur Kunst und Kulturgeschichte Oldenburg

RM 946268

セザンヌ 「赤いチョッキの少年」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル： 赤いチョッキの少年 製作年： 1894年 フランスの画家 所蔵 ： ビュールレ・コレクション ジャンル： 印象派　ポスト印象派 Artist: Cezanne, Paul,1839-1906 Imagetitle: The boy with the red vest. Dimensions: 79,5 x 64 cm Location: Zurich, Fondation E.G. Buhrle Collection

RM 947641

セザンヌ 「自画像」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) フランスの画家 ジャンル： 印象派　ポスト印象派 Artist: Cezanne, Paul,1839-1906 Imagetitle: Selbstbildnis 1873/1876. Dimensions: 64 x 55 cm Location: Paris, Musee d'Orsay

RM 947843

二コラ・プッサン「四季（冬、あるいは大洪水）」

作家名： ニコラ・プッサン ( 1594年 - 1665年 ) フランスの画家 ジャンル　： バロック 所蔵：ルーヴル美術館 Artist: Poussin, Nicolas,1594-1665 Imagetitle: Der Winter (oder: Die Sintflut). 1660/64 Location: Paris, Musee du Louvre

RM 944254

カミーユ・コロー「モルトフォンテーヌの想い出」

作家名： ジャン＝バティスト・カミーユ・コロー ( 1796年 - 1875年 ) タイトル：「モルトフォンテーヌの想い出」 国籍： フランス ジャンル： 写実主義 所蔵：ルーヴル美術館 Artist: Corot, Jean-Baptiste Camille,1796-1875 Imagetitle: Recollections of Mortefontaine. 1864. Dimensions: 64 x 88 cm Location: Paris, Musee du Louvre

RM 940217

ゴッホ 「曇り空の下の積み藁」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「曇り空の下の積み藁」 国籍： オランダ ジャンル　印象派　ポスト印象派 Artist: Gogh, Vincent van,1853-1890 Imagetitle: Haystacks on a rainy day, Auvers-sur-Oise. July 1890 Dimensions: 64 x 52,5 cm Location: Otterlo, Museum Kroller-Muller

RM 954337

ロートレック 「女道化師　シャ・ユ・カオ」

作家名： アンリ・ド・トゥルーズ＝ロートレック ( 1864年 - 1901年 ) タイトル：「女道化師　シャ・ユ・カオ」 フランスの画家 ジャンル： 印象派　ポスト印象派　アールヌーヴォー　象徴主義 Artist: Toulouse-Lautrec, Henri de,1864-1901 Imagetitle: Die Clownesse Cha-U-Kao. 1895. Dimensions: 64 x 49 cm Medium: Oil on board Location: Paris, Musee d'Orsay

RM 948410

ギルバート・ステュアート「ジョージ・ワシントンの肖像」

Artist: Stuart, Gilbert,1755-1828 Imagetitle: George Washington. 1795 Dimensions: 76.8 x 64.1 cm Medium: Oil/Canvas Location: New York, Metropolitan Museum

RM 936570

ルノワール 「イレーヌ・カーン・ダンヴェール嬢の肖像」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル： 「イレーヌ・カーン・ダンヴェール嬢の肖像」 国籍： フランス 所蔵 ： ビュールレ・コレクション ジャンル： 印象派 Artist: Renoir, Auguste,1841-1919 Imagetitle: Irene Cahen d'Anvers. 1880 Dimensions: 64 x 54 cm Location: Zurich, Fondation E.G. Buhrle Collection

RM 936927

ピサロ 「羊飼いの娘（小枝を持つ少女、座る農家の娘）」

タイトル：「羊飼いの娘（小枝を持つ少女、座る農家の娘）」 国籍： フランス ジャンル： 印象派 Artist: Pissarro, Camille,1830-1903 Imagetitle: Girl with a Stick. 1881 Dimensions: 81 x 64,7 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 945503

ジャン＝フランソワ・ラファエリ 「サン＝ミシェル大通り」

作家名： ジャン=フランソワ・ラファエリ ( 1850年 - 1924年 ) フランスの画家 ジャンル： 印象派 Artist: Raffaelli, Jean Francois,1850-1924 Imagetitle: Der Boulevard Saint-Michel in Paris. After 1890. Dimensions: 64 x 77 cm Medium: Oil/Canvas Location: Moskau, Puschkin-Museum

RM 22568238

フランツ・ヴィンターハルター 「ヴィクトリア女王の肖像」

Artist： Winterhalter, Franz Xaver (1806-73) (after) Title： Portrait of Queen Victoria in coronation robes (oil on paper laid down on canvas) Location： Private Collection Medium： oil on paper laid down on canvas Size：64.8x41.8 Description：Queen Victoria (Alexandrina Victoria; 24 May 1819 ? 22 January 1901) was the monarch of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death. From 1 May 1876, she used the additional title of Empress of India.

RM 13994149

ルーベンス 「レダと白鳥」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) 国籍： フランドル ジャンル　： バロック Artist： Rubens, Peter Paul (1577-1640) Title： Leda and the Swan (oil on panel) Location： Private Collection Medium： oil on panel Date：17th Size：64.5x80.5

RM 22065295

ラファエロ 「フランチェスコ・マリーア1世・デッラ・ローヴェレの肖像」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：フランチェスコ・マリーア1世・デッラ・ローヴェレの肖像 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Portrait of Francesco Maria della Rovere (presumed), by Raffaello Sanzio, 1504, 16th Century, oil on panel, cm 85 x 64 Italy, Tuscany, Florence, Uffizi Gallery. Detail. Young man hat red fur face eyes look.

RM 22008748

セザンヌ 「自画像」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) フランスの画家 ジャンル： 印象派　ポスト印象派 Self portrait, by Paul Czanne, 1873 - 1876, 19th Century, oil on canvas, cm 64 x 53 Musee d'Orsay, Paris, France, R.F.1947-29. All. Self portrait beard mustache bust long hair brown jacket picture painter.

RM 21986054

ジャン＝フランソワ・ラファエリ 「サン＝ミシェル大通り」

作家名： ジャン=フランソワ・ラファエリ ( 1850年 - 1924年 ) 国籍：フランス ジャンル　： 印象派 Boulevard Saint-Michel, by Raffaelli Jean-Francois, 19th Century, 1898, oil on canvas, cm 64 x 77 Russia, Moscow, Pushkin Museum of Fine Arts. All. People walk along Boulevard Saint-Michel. In the background the dome of the Pantheon.

RM 21986004

ゴッホ 「医師フェリックス・レーの肖像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：医師フェリックス・レーの肖像 国籍： オランダ ジャンル　印象派　ポスト印象派 Portrait of Doctor Felix Rey, by van Gogh Vincent, 19th Century, 1889-1889, oil on canvas, cm 64 x 53 Russia, Moscow, Pushkin Museum of Fine Arts. All. Portrait of doctor Felix Rey wearing a blue jacket.

RM 21935657

トマス･ゲインズバラ 「青い服を着た婦人の肖像」

Lady in Blue, by Thomas Gainsborough, 1770 - 1780, 18th Century, oil on canvas, 76 x 64 cm Russia, St. Petersburg, The State Hermitage Museum. Whole artwork view. Half-lenght portrait of an elegant Lady, with volumionous hairstyle and little feathered hat.

RM 15333154

ゴッホ 「麦の穂」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：麦の穂 国籍： オランダ ジャンル　印象派　ポスト印象派 GOGH, VINCENT VAN (1853-1890). . ESPIGAS- JUNIO 1890- O/L 64,5 X 48,5 CM Artist: GOGH, VINCENT VAN;VAN GOGH, VINCENT Location: MUSEO VAN GOGH, HOLANDA, Amsterdam Collection: Oronoz