「45」 の 検索結果

RM 14584744

フェルメール 「牛乳を注ぐ女」

所蔵: アムステルダム国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist： Vermeer, Jan (Johannes) (1632-1675) Title： The Milkmaid Nationaly： Holland Location： Rijksmuseum, Amsterdam Medium： Oil on canvas Date： 1660 Size： 45,5x41 Vermeer, Jan (Johannes) (1632-1675)\ Rijksmuseum, Amsterdam\ 1660\ 45,5x41\ Oil on canvas\ Baroque\ Holland\ Genre\

RM 26164726

エゴン・シーレ 「男性裸像（自画像) Ｉ」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「男性裸像（自画像） Ｉ」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Location：　Wien Museum Self-portrait (Kallir G1). Wrapping paper. Lithograph. 1912. 45 x 40 cm. Inv. Nr. HMW 75801

RM 90755783

ピーテル・ブリューゲル1世「農民の踊り」

Farmers Dance (Danza di contadini), by Pieter Bruegel the Elder, 1566-1568, 16th Century, oil on board Whole artwork view. Painting of a peasant party where men and women are feasting, dancing, kissing and playing the bagpipes in the typical landscape of a Flemish village

RM 87942480

ゴッホ「パリの屋根」

Gogh, Vincent van. 1853–1890. "View of Paris rooftops", spring 1886. Oil on canvas, 45.6 × 38.5cm. Dublin, National Gallery of Ireland.

RM 83414586

フェルメール 「牛乳を注ぐ女」

Vermeer, Johannes 1632-1675. The Milkmaid, 1660. Oil on canvas, 41 × 45.5-cm. Inv. Nr. SK-A-2344 Amsterdam, Rijksmuseum.

RM 21308173

フェルメール 「水差しを持つ女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: Young woman with jug of water at the window. About 1663 Dimensions: 45,7 x 40,6 cm Location: New York, Metropolitan Museum

RF 164011459

Mature man in protective workwear gesturing stop sign

RM 149226993

川瀬巴水「東京十二題　古ま形河岸」大正八年初夏

882139 Komagata Bank, 1919 by Hasui, Kawase (1883-1957); Minneapolis Institute of Arts, MN, USA; (add.info.: 9 7/16 x 14 3/8 in. (23.9 x 36.5 cm) (image) 10 1/4 x 15 3/8 in. (26 x 39.1 cm) (sheet) 14 x 17 15/16 in. (35.5 x 45.5 cm) (mat)); The Margaret McMillan Webber Estate; Japanese, in copyright.

RM 64141024

ホイッスラー 「陶器の国の姫君」

作家名： ジェームズ・マクニール・ホイッスラー ( 1834年 - 1903年 ) タイトル： 陶器の国の姫君 所蔵： フリーア美術館 Author: James Abbott McNeill Whistler (1834-1903) Description: La Princesse du Pay de la Porcelaine. Image size: 3009 x 5315 pixels (25.5 x 45.0 cm @ 300 dpi) 45.8 MB

RM 83892910

エドヴァルド・ムンク「メランコリー」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: Edvard Munch (1863-1944) Description: Melancholy Technique: OIL ON CANVAS School: NORWAY Museum: National Museum of Art, Oslo Dimensions: 64x96 Collection: Fine Art Images Image size: 5315 x 3529 pixels (45.0 x 29.9 cm @ 300 dpi) 53.7 MB

RM 20329081

「ニケ」

Codice: SEA-S-SR1997-0018 Artista: Sozzi, Olivio Titolo: La Vittoria, affresco di Olivio Sozzi, conservato nella volta della navata della chiesa di San Sebastiano a Melilli Data dell'opera: 1720-1765 ca. Periodo e stile: Settecento Collocazione Melilli, Basilica di S. Sebastiano Keywords: Dipinto murale - Vittoria - Antico - Nike - Vittoria - Ala Fotografo: Tatge, George per Alinari Data dello scatto: 1997 Luogo dello scatto: Melilli, Chiesa San Sebastiano Referenze fotografiche: Archivio Seat/Archivi Alinari AVVERTENZA: Autorizzazione obbligatoria per utilizzi non editoriali: rivolgersi ad Archivi Alinari Dimensione (pixel) 4104 X 5072 Dimensione (cm a 300 dpi) 34 X 42 Dimensione (MB) 24.45 Color space RGB

RM 101116636

レオナルド・ダ・ヴィンチ 「サルバトール・ムンディ」

Salvator Mundi, circa 1500 / Leonardo da Vinci or Bernardo Luini Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi. Identifier：AKG6249897 Museum：Abu Dhabi, Louvre Abu Dhabi Image date：1500

RM 70433095

ピーテル・ブリューゲル 1世「7つの罪源－邪淫」の原画

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「邪淫」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Author:BRUEGEL (BRUEGHEL), PIETER, THE ELDER (ca 1525-1569) Description:Luxuria Collection:Fine Art Images Credit:Album / Fine Art Images Image size:5315 x 4060 pixels (45.0 x 34.4 cm @ 300 dpi) 61.7 MB

RM 62548843

クリムト 「赤子（赤ん坊）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Baby (Cradle) Gustav Klimt 1862-1918. Baby (Cradle), 1917/1918. Oil on canvas, 110.9 × 110.4 cm. In.) Inv. Nr. 1978.41.1, Washington, National Gallery of Art. Identifier : AKG5010115 Artist : GUSTAV KLIMT Museum Washington, National Gallery of Art credit line : akg-images Time Period 1920S 20TH CENTURY 2ND MILLENNIUM A.D. technique : OIL ON CANVAS Size 3969px × 4000px (45 MB) 33.6 cm × 33.8 cm @ 300 dpi

RM 26164782

エゴン・シーレ 「人を軽蔑する女」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「人を軽蔑する女」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Location：　Wien Museum Derisive woman (Kallir D546). Gouache on wrapping paper. 1910. 45,3 x 31,5cm. Inv. Nr. HMW 240438.

RM 174213830

モディリアーニ「おさげ髪の少女」

Modigliani, Amedeo 1884–1920. “Girl with pigtails”. Oil on canvas, 60 × 45.5cm, c. 1918. Private collection.

RM 81460566

フェルメール 「ヴァージナルの前に立つ女性」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan (Johannes), gen. Vermeer van Delft. 1632–1675. "Stehende Virginalspielerin", um 1670/72. Oil on canvas, 51,7 × 45,2 cm. Inv. Nr. 1383 London, National Gallery.

RM 32429219

ヘレン・シャルフベック 「黒い背景の自画像」

Title: Self-Portrait with Black Background, 1915 (oil on canvas) creator: Schjerfbeck, Helene (1862-1946) Nationality: Finnish Location: Ateneum Art Museum, Finnish National Gallery, Helsinki, Finland Medium: oil on canvas Date: 1915 (C20th) Dimensions: 45.5x36 cms Credit: Self-Portrait with Black Background, 1915 (oil on canvas), Schjerfbeck, Helene (1862-1946) / Ateneum Art Museum, Finnish National Gallery, Helsinki, Finland

RM 172880772

テオドール・シャセリオー「ネレイデスに岩に鎖でつながれるアンドロメダ」

Author:Theodore Chasseriau (1819-1856) Description:Andromeda Chained to the Rock by the Nereids Technique:OIL ON CANVAS School:France Museum:Musee du Louvre, Paris Dimensions:92x74 Collection:Fine Art Images Credit:Album / Fine Art Images Image size:4160 x 5315 pixels (35.2 x 45.0 cm @ 300 dpi) 63.3 MB

RM 118696063

ルネ・マグリット「魔術師」

Künstler: Magritte, René,1898-1967 Titel: Der Zauberer (Le Sorcier). 1951 Technik: Oil on canvas Maße: 35 x 45.5 cm Standort: Christie's Images Ltd

RM 87941765

モンドリアン「コンポジション」

Mondrian, Piet 1872–1944. "Composition with red, blue, yellow and black", 1929. Oil on canvas, 45 × 45.5cm. New York, Solomon R Guggenheim Museum.

RM 83892913

エドヴァルド・ムンク「マドンナ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: Edvard Munch (1863-1944) Description: Madonna Technique: OIL ON CANVAS School: NORWAY Museum: National Museum of Art, Oslo Dimensions: 90,5x70,5 Collection: Fine Art Images Image size: 4135 x 5315 pixels (35.0 x 45.0 cm @ 300 dpi) 62.9 MB

RM 21774891

フラゴナールとマルグリット･ジェラール 「盗まれた接吻」

Artist: Fragonard, Jean Honore,1732-1806 Imagetitle: Der gestohlene Kuss. Dimensions: 45 x 55 cm Location: St. Petersburg, Hermitage

RM 14039612

ウォーターハウス 「ミランダ」

作家名： ジョン・ウィリアム・ウォーターハウス ( 1849年 - 1917年 ) タイトル：「ミランダ」 国籍： イギリス ジャンル　： ラファエル前派　 Title： Miranda, 1916 (oil on canvas) Artist： Waterhouse, John William (1849-1917) Location： Private Collection Dimensions： 45.7x60 Date： 1916 Medium： oil on canvas

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 149246159

ドラクロワ 「フレデリック・フランソワ・ショパンの肖像」

作家名： フェルディナン・ヴィクトール・ウジェーヌ・ドラクロワ ( 1798年 - 1863年 ) タイトル : フレデリック・フランソワ・ショパンの肖像 国籍： フランス ジャンル： ロマン主義 所蔵：ルーヴル美術館 rtist：Delacroix, Ferdinand Victor Eugene (1798-1863) Title：Frederic Chopin (1810-49) 1838 (oil on canvas) Location：Louvre, Paris, France Age：1838 Medium：oil on canvas 73292

RM 106797899

円山応挙

Three Puppies, 1790 (ink & colour on silk, mounted as a hanging scroll) Artist Okyo, Maruyama (1733-95) / Japanese Description Size including mount: 127 x 59.1 cm. Location Philadelphia Museum of Art, Pennsylvania, PA, USA Medium ink and colour on silk Date 1790 (C18th) Dimensions 38.7 x 45.5 cms

RM 104351512

レオナルド・ダ・ヴィンチ「サルバトール・ムンディ(救世主)」

Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi.

RM 82771876

エドヴァルド・ムンク「骸骨の腕のある自画像」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Munch, Edvard norweg. Maler und Graphiker Loten 12.12.1863 – auf Ekely 23.1.1944. "Selbstbildnis (mit Knochenarm) ", 1895. Lithographie (Kreide, Tusche) auf rohweißem Chinapapier, 45,8 × 31,6 cm. Inv. Nr. A 1951/1006 Stuttgart, Staatsgalerie, Graphische Sammlung.

RM 81879516

フェルメール 「牛乳を注ぐ女」

Maid with milk jug Vermeer, Jan (Johannes), called Vermeer van Delft; 1632–1675. "Maid with milk jug", c. 1658/60. Oil on canvas, 45.4 × 40.6cm. Amsterdam, Rijksmuseum.

RM 70383798

アルチンボルド 「皇帝マクシミリアン二世と家族の肖像」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「皇帝マクシミリアン二世と家族の肖像」 国籍：イタリアの画家 ジャンル　： マニエリスム Author:Giuseppe Arcimboldo (1527-1593) Description:Holy Roman Emperor Maximilian II of Austria (1527-1576) and his wife Infanta Maria of Spain with their children Collection:Fine Art Images Credit:Album / Fine Art Images Image size:4226 x 5315 pixels (35.8 x 45.0 cm @ 300 dpi) 64.3 MB

RM 60398528

ビアズリー 「踊り手の褒美」(オスカー・ワイルド/サロメより)

作家名： オーブリー・ヴィンセント・ビアズリー  ( 1872年 - 1898年 ) タイトル：「踊り手の褒美」 国籍： イギリス ジャンル　： アール・ヌーヴォー The Dancer's reward. From "Salome."/The Dancer's reward. From "Salome."./Leonard Smithers: London, 1897. From: A book of fifty drawings./K.T.C. 37. b. 7, page 27/London, British Library. Identifier : AKG5302544/Museum/London, British Library/Collection/British Library / British Library/Time Period/19TH CENTURY/Person/AUBREY BEARDSLEY/SALOME Size : 3966px × 5402px (61 MB) / 33.5 cm × 45.7 cm @ 300 dpi

RM 149226979

川瀬巴水「春の雪（京の清水）昭和七年四月作

881717 Spring Snow at Kiyomizu Temple in Kyo_o, April 1932 by Hasui, Kawase (1883-1957); Minneapolis Institute of Arts, MN, USA; (add.info.: 14 3/16 x 9 3/8 in. (36.1 x 23.8 cm) (image) 15 3/8 x 10 3/16 in. (39 x 25.8 cm) (sheet) 17 15/16 x 14 in. (45.5 x 35.5 cm) (mat)); The Margaret McMillan Webber Estate; Japanese, in copyright.

RM 83892925

エドヴァルド・ムンク「カール・ヨハン通りの夕暮れ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Evening on Karl Johan Street, 1892, by Edvard Munch (1863-1944), oil on canvas, 85x121 cm. Norway, 20th century. Original format: 13 x 18 Information for the press: 45.24 X 32.31 cm with 300 dpi Oslo, Munchmuseet (Munch Museum, Art Museum)

RM 66320826

フェルメール 「水差しを持つ女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Young Woman with a Water Pitcher/Vermeer, Johannes 1632–1675. Young Woman with a Water Pitcher, Painting, ca. 1657–1667. Oil on canvas, 45.7 × 40.6 cm./Inv. Nr. 89.15.21/New York, Metropolitan Museum : of Art. Identifier : AKG5060330 Museum : New York, Metropolitan Museum of Art image date : 1.1.1657 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D./Person/JAN VERMEER technique : OIL ON CANVAS/Size

RM 83411335

フェルメール 「地理学者」

Vermeer, Jan (Johannes), called Vermeer van Delft, 1632-1675. "The geographer", c. 1668/69. Oil on canvas, 52 × 45.5cm. (Signature not original). Frankfurt am Main, Stadelsches Kunstinstitut.

RM 70433098

ピーテル・ファン・デル・ヘイデン「7つの罪源－邪淫」

タイトル：「邪淫」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Description:Lust (Luxuria) from The Seven Deadly Sins, 1558, Engraving, plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Collection:Liszt collection Credit:Album / quintlox Image size:5311 x 4042 pixels (45.0 x 34.2 cm @ 300 dpi) 61.4 MB

RM 21310244

アルベルト・ジャコメッティ 「歩く男 III」

作家名： アルベルト・ジャコメッティ ( 1901年 - 1966年 ) 国籍： スイス ジャンル： シュルレアリスム Artist: Giacometti, Alberto,1901-1966 Imagetitle: Homme qui marche III. 1950 Dimensions: Hohe (Height): 45,7 cm Medium: Bronze,painted Location: Christie's Images Ltd

RM 63816519

ベラスケス 「バリェーカスの少年」

作家名： ディエゴ・ベラスケス ( 1599年 - 1660年 ) タイトル：「バリェーカスの少年」 国籍： スペイン ジャンル　： バロック The Court Dwarf Francisco Lezcano/Velázquez, Diego 1599ー1660. "The Court Dwarf Francisco Lezcano" (El Niño de Vallecas), c. 1643/45. Oil on canvas, 107.5 × 83.5cm./Cat. 1204/Madrid, Museo del Prado. Identifier : AKG389540 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection/Joseph Martin / Joseph Martin event date : 1643 image date : 1643/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/COURT DWARF (MALE)/COURT JESTER ; COURT FOOL/COURT SOCIETY/DEFORMATIONS/DISABLED PERSON/DWARFISM/MAN/MEDICINE/OBSTRUCTION/PORTRAIT/SITTING/SPANISH ART/Person/FRANCISCO LEZCANO technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2599px × 3364px (25 MB) 22.0 cm × 28.4 cm @ 300 dpi/Special Formats/4597px × 6066px (80 MB) TIFF/38.9 cm × 51.4 cm @ 300 dpi

RM 120852932

アントネロ・ダ・メッシーナ「書斎の聖ヒエロニムス」

Messina, Antonello da (born Antonello di Giovanni di Antonio), c.1430 – February 1479, Italian painter. Saint Jerome in his Study. Painting, c.1475. Oil on lime, 45.7 × 36.2 cm. London, National Gallery.

RM 82771913

エドヴァルド・ムンク「骸骨の腕のある自画像」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Künstler: Munch, Edvard,1863-1944 Titel: Selbstbildnis. 1895,60397 Technik: Lithographie Maße: 45,7 x 31,7 cm Standort: Essen, Museum Folkwang,Graphische Sammlung

RM 21311289

フェリックス・ヴァロットン「ブローニュの風景」

作家名： フェリックス・ヴァロットン　( 1865年 - 1925年 ) 国籍： スイス ジャンル：ナビ派 Artist: Vallotton, Felix,1865-1925 Imagetitle: Bois du Boulogne. 1919 Dimensions: 61 x 45,7 cm Medium: Oil/Canvas Location: Christie's Images Ltd

RM 21920538

ドガ 「ロレンソ・パガンとオーギュスト・ド・ガス」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「ロレンソ・パガンとオーギュスト・ド・ガス」 フランスの画家 所蔵：オルセー美術館 ジャンル： 印象派 Lorenzo Pagans and Auguste Degas, by Edgar Degas, 1871 - 1872, 19th Century, oil on canvas France, Paris, Musee d'Orsay. Whole artwork view. Double portrait with guitar.

RM 149226986

川瀬巴水「五月雨（荒川）」昭和七年六月作

882007 May Day Rain at Arakawa River, June 1932 by Hasui, Kawase (1883-1957); Minneapolis Institute of Arts, MN, USA; (add.info.: 14 5/16 x 9 7/16 in. (36.3 x 24 cm) (image) 15 13/16 x 10 11/16 in. (40.1 x 27.2 cm) (sheet) 22 1/16 x 18 in. (56 x 45.7 cm) (mat)); The Margaret McMillan Webber Estate; Japanese, in copyright.

RM 34944577

シモーネ・マルティーニ 「グイドリッチョ・ダ・フォリアーノ」（部分）

作家名： シモーネ・マルティーニ (1284年-1344年) タイトル：グイドリッチョ・ダ・フォリアーノ 国籍：  イタリア ジャンル　：  ゴシック期シエナ派 Guido Riccio da Fogliano / Simone Martini/Guido Ricco (Guidoriccio) da Fogliano./Sienese military leader. Equestrian portait. Fresco, 1328, by Simone Martini/(c. 1280/85- 1344)./Overall size 345 × 987cm./Siena, Palazzo Pubblico, Sala del Mappamondo. Identifier : AKG2296599 Artist : SIMONE MARTINI source : Marco / Serge Rabatti / Domingie / Rabatti - Domingie event date : 1328 image date : 1328/Time Period/14TH CENTURY/2ND MILLENNIUM A.D. topic : CONDOTTIERE/DETAIL/EQUESTRIAN PORTRAIT/GOTHIC ART/HERALDRY/HISTORY/HORSE/HORSEBACK-RIDING ; HORSE RIDING ; EQUITATION/ITALIAN ART/LANDSCAPE ; SCENERY/MAN/MILITARY/MILITARY LEADER (MALE)/PERSON/PORTRAIT/PRIDE/RIDER (MALE) ; EQUESTRIAN (RIDER)/SADDLE BLANKET/SIEGE/SIENNESE ART/TUSCAN ART geography : ITALY/MONTEMASSI/PALAZZO PUBBLICO/SALA DEL MAPPAMONDO/SIENA/TUSCANY/Person/GUIDO RICCIO DA FOGLIANO technique : FRESCO/PAINTING (technique)/Size 4961px × 2970px (42 MB) 42.0 cm × 25.1 cm @ 300 dpi/Special Formats/5125px × 3068px (45 MB) JPEG/43.4 cm × 26.0 cm @ 300 dpi

RM 34630683

レオナルド・ダ・ヴィンチ 「モナ・リザ」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： モナ・リザ　 国籍： イタリア 所蔵： ルーヴル美術館｜パリ｜フランス ジャンル： ルネサンス Mona Lisa (La Gioconda)/Leonardo da Vinci/1451-1519. "Mona Lisa (La Gioconda) ", c. 1503. Wood, 77 × 53cm./Paris, Musee du Louvre. Identifier : AKG310426 Artist : LEONARDO DA VINCI/Museum/Paris, Musee du Louvre event date : 1503 image date : 1503/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : FAMOUS WORKS OF ART ; FAMOUS MASTERPIECES/HAND/ITALIAN ART/PERSON ; HUMAN ; INDIVIDUAL/PORTRAIT/RENAISSANCE/SMILING ; SMILE/WOMAN/Title/MONA LISA technique : PAINTING (OBJECT)/PAINTING (technique)/Size 3212px × 4961px (45 MB) 27.1 cm × 42.0 cm @ 300 dpi/Special Formats/6333px × 9780px (177 MB) TIFF/53.6 cm × 82.8 cm @ 300 dpi

RM 33488440

オッタヴィオ・レオーニ 「スザンナと長老たち」

DTR465673 Susanna and the Elders, c.1620 (oil on copper panel) by Leoni, Ottavio Mario (c.1578-1630); 45.9x36 cm; Detroit Institute of Arts, USA; PERMISSION REQUIRED FOR NON EDITORIAL USAGE; Italian, out of copyrightPLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you.

RM 32806418

ゴッホ 「レストランの内部」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「レストランの内部」 国籍： オランダ ジャンル　印象派　ポスト印象派 Artist： VINCENT VAN GOGH Title： Interior of a Restaurant Location： Otterlo, Rijksmuseum Kroller-Muller Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1887 Description： Gogh, Vincent van. 1853-1890. "Interior of a Restaurant", Paris, June / July 1887. Oil on canvas, 45.5 × 56.5 cm.

RM 32806321

シャルダン

作家名： ジャン・シメオン・シャルダン ( 1699年 - 1779年 ) 国籍： フランス ジャンル： ロココ美術 Artist： JEAN BAPTISTE SIMEON CHARDIN Location： Winterthur, Oskar Reinhart Collection Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1759 Description： Chardin, Jean Baptiste Simeon. 1699-1779. "Un panier de prunes" (Basket of Plums), 1759. Oil on canvas, 36.5 × 45 cm. (Counterpart to "The Crystal Bowl").

RM 32806318

シャルダン

作家名： ジャン・シメオン・シャルダン ( 1699年 - 1779年 ) 国籍： フランス ジャンル： ロココ美術 Artist： JEAN BAPTISTE SIMEON CHARDIN Location： Winterthur, Oskar Reinhart Collection Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1759 Description： Chardin, Jean Baptiste Simeon. 1699-1779. "Le bol de cristal" (The Crystal Bowl), 1759. Oil on canvas, 37 × 45 cm. (counterpart to "Basket of Plums").

RM 30603702

フェルメール 「牛乳を注ぐ女」

所蔵: アムステルダム国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan (Johannes), called Vermeer van Delft; 1632-1675. "Maid with milk jug", c. 1658/60. Oil on canvas, 45.4 × 40.6cm. Identifier : AKG1823485 Location : Amsterdam, Rijksmuseum Artist : JAN VERMEER event date : 1658

RM 29499348

葛飾北斎「神奈川沖浪裏」

Title:　Under the Wave off Kanagawa, 1831-34 (colour woodblock print) creator:　Hokusai, Katsushika (1760-1849) Nationality:　Japanese Location:　Minneapolis Institute of Arts, MN, USA Medium:　colour woodblock print Date:　1831-1834 (C19th) Dimensions:　45.7x56 cms Credit:　Under the Wave off Kanagawa, 1831-34 (colour woodblock print), Hokusai, Katsushika (1760-1849) / Minneapolis Institute of Arts, MN, USA / Bequest of Richard P. Gale / Bridgeman Images Keywords ; Fuji Japanese Kanagawa Mt Under the Wave capped crest majestic mountain natural phenomenon snow snow-capped storm stylised surf tsunami water wave waves Under

RM 25258308

葛飾北斎 「百物語　しうねん（執念）」

作家名： 葛飾北斎 ( 1760年 - 1849年 ) タイトル：百物語　しうねん（執念） 国籍： 日本の浮世絵師 ジャンル： 浮世絵 年代： 19世紀、江戸時代 そのほか： 江戸時代後期、文化・文政の頃（化政文化）を代表する一人 Title:"Deep Attachment", 1831-1832 Creator:Hokusai, Katsushika (1760-1849) Nationality:Japanese Description:image, sheet: 10 1/2 x 7 3/8 in. (26.6 x 18.8 cm) 17 15/16 x 14 in. (45.5 x 35.5 cm) (mat) Location:Minneapolis Institute of Arts, MN, USA Medium:colour woodblock print Date:1831-1832 (19th) Credit:"Deep Attachment", 1831-1832, Hokusai, Katsushika (1760-1849) / Minneapolis Institute of Arts, MN, USA / Bequest of Louis W. Hill, Jr. / Bridgeman Image

RM 21935768

ドガ 「ベレッリ家の肖像」（部分）

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「ベレッリ家の肖像」 フランスの画家 ジャンル： 印象派 Bellelli Family, by Eduard Degas, 1860, 19th Century, oil on canvas France, Paris, Musee d'Orsay. Detail. Portrait of a woman with her daughters.

RM 21780999

クロード・モネ 「トルーヴィルの海岸」

フランスの画家 ジャンル： 印象派 Artist： MONET, Claude (1840-1926) Title: The Beach at Trouville. 1870 Technique: Oil on canvas (37'5 x 45'7 cm) Museum Location: UNITED KINGDOM. ENGLAND. London. National Gallery Description: This painting is one of five beach scenes produced by Monet in the summer of 1870. The figure to the left is probably Monet's wife Camille, and the woman on the right may be the wife of Euge`ne Boudin.

RM 21563980

ミレイ 「連隊の子ども」

作家名： ジョン・エヴァレット・ミレイ ( 1829年 - 1896年 ) タイトル : 連隊の子ども 国籍： イギリス ジャンル　： ラファエル前派 Artist：Millais, Sir John Everett (1829-1896) Title：L'Enfant du Regiment (The Random Shot) 1855 Nationaly：English Location：Yale Center for British Art, Paul Mellon Fund, USA Medium：oil on paper laid down on board Date：1855 (C19th) Size：45.1x61 cms

RM 11233879

フェルメール 「天文学者」

所蔵: ルーヴル美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The Astronomer. 1668 Dimensions: 51 x 45 cm Location: Paris, Musee du Louvre

RM 89418185

ティツアーノ「毛皮をまとった婦人像」

作家名： ティツィアーノ・ヴェチェッリオ 国籍： イタリアの画家 ジャンル： ルネサンス、ヴェネツィア派 Das Mädchen im Pelz Tizian, eigentl. Tiziano Vecelli (o). um 1488/90–1576. “Das Mädchen im Pelz”, um 1535. Oil on canvas, 95 × 63 cm. Inv. Nr. 89 Wien, Kunsthistorisches Museum. Identifier：AKG570318 Museum：Vienna, Kunsthistorisches Museum Collection：André Held Credit line：akg-images / André Held Event date：1535 Image date：1535 Time Period：16TH CENTURY　2ND MILLENNIUM A.D. Topic：CLOTHING ; APPAREL ; CLOTHES COURTISAN,EROTICISM,FUR,ITALIAN ART,JEWELRY ; JEWELLERY PERSON ; HUMAN ; INDIVIDUAL,PORTRAIT RENAISSANCE,STRING OF PEARLS ; PEARL NECKLACE VENETIAN ARTWOMAN Person：TITIAN Technique PAINTING (OBJECT) PAINTING (TECHNIQUE) Size：3224px × 4961px (45 MB)　27.2 cm × 42.0 cm @ 300 dpi

RM 65623433

ゴッホ 「アイリス」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) 国籍： オランダ ジャンル　印象派　ポスト印象派 Irises; Vincent van Gogh, Dutch, 1853 - 1890; Saint-Rémy, France, Europe; 1889; Oil on canvas; Unframed: 71.1 x 93 cm (28 x 36 5/8 in.), Framed: 95.3 x 115.6 x 7.9 cm (37 1/2 x 45 1/2 x 3 1/8 in.). Credit: Album / quintlox

RM 32776252

ピーテル・ブリューゲル 1世 「東方三博士の礼拝」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「東方三博士の礼拝」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Artist:Brueghel d.A., Pieter, 1525/30-1569 Title:The Adoration of the Kings. 1564 Dimensions:112.1 × 83.9 cm Technique:Oil/Wood Location:London, National Gallery File size:300 dpi: 28.6 x 38.0 cm RGB-TIF:45.4 MB

RM 32776345

ピーテル・ブリューゲル 1世 「東方三博士の礼拝」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「東方三博士の礼拝」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Artist:Brueghel d.A., Pieter, 1525/30-1569 Title:The Adoration of the Kings. 1564 Dimensions:112.1 × 83.9 cm Technique:Oil/Wood Location:London, National Gallery File size:300 dpi: 28.6 x 38.0 cm RGB-TIF:45.4 MB

RM 21035543

フェルメール 「天文学者」（部分）

所蔵: ルーヴル美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Jan Vermeer (1632-1675), The Astronomer, 1668, oil on canvas, 51 x 45 cm. Detail: Globe. location : Paris, Musee Du Louvre

RM 9793513

ラファエロ 「トンマーゾ・インギラーミの肖像」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「トンマーゾ・インギラーミの肖像」 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Count Tommaso Inghirami, Raphael (1483-1520 Italian), Palatine Gallery, Palazzo Pitti, Florence, Italy

RM 120142053

コロー「木々を集める人」

Jean-Baptiste-Camille COROT: Painted in the last decade of the artist’s life and exhibited in 1871, this painting is typical of Corot’s late work. The subject of a distant town seen through a group of trees is a familiar one among his later themes. Oil on canvas, 45.7 × 64.1 cm, perhaps 1865–70 London, National Gallery.

RM 98602854

トマス・ゲインズバラ 「アンドルーズ夫婦」

Mr and Mrs Andrews Gainsborough, Thomas, 1727–1788, English painter. “Robert Andrews an his wife Mary”, c.1750. Oil on canvas, 69.8 × 119.4 cm. Inv. No. 6301. London, National Gallery. Identifier：AKG1558942 Artist：THOMAS GAINSBOROUGH Museum：London, National Gallery Collection：The National Gallery, London Credit line：The National Gallery, London / akg Image date：1750 Time Period：18TH CENTURY　2ND MILLENNIUM A.D. Size 4961px × 2895px (41 MB) 42.0 cm × 24.5 cm @ 300 dpi Special Formats 5197px × 3033px (45 MB) JPEG 44.0 cm × 25.7 cm @ 300 dpi Restrictions Additional permissions needed for non-editorial use

RM 81879517

フェルメール 「水差しを持つ女」

Vermeer, Jan (Johannes), gen. Vermeer van Delft; 1632–1675. "Junge Frau mit Wasserkanne am Fenster", um 1664/65. Oil on canvas, 45,7 × 40,6 cm. Marquand Collection. New York, Metropolitan Museum of Art.

RM 21322646

エゴン・シーレ 「赤い帽子をかぶって横たわる女性」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「赤い帽子をかぶって横たわる女性」 国籍： オーストリア ジャンル： 表現主義 Artist: Schiele, Egon,1890-1918 Imagetitle: Reclining Semi-Nude with Red Hat. 1910 Dimensions: 31.5 x 45.1 cm Medium: Watercolour,crayon with white heightening Location: Christie's Images Ltd

RM 145092698

ヘラルト・テル・ボルフ「手紙を書く士官とトランペット吹き」

Gerard ter Borch (1617-1681). Officer Writing a Letter, with a Trumpeter. Date/Period: Ca. 1658-59. Painting. Oil on canvas Oil on canvas. Height: 568.45 mm (22.37 in); Width: 438.40 mm (17.25 in). Credit: Album

RM 133856665

「パリ・イリュストレ」日本特集号表紙

Ethnology:Japan. – Courtesan (after Keisai Eisen). – Front cover of “Paris Illustré. Le Japon”, nos. 45 and 46, May 1886. Amsterdam, Van Gogh Museum.

RM 122601698

ハマスホイ「自画像」

Author:Hammershoi, Vilhelm (1864-1916) Description:Self-Portrait Technique:OIL ON CANVAS School:DENMARK Museum:Statens Museum for Kunst, Copenhagen Collection:Fine Art Images Credit:Album / Fine Art Images Image size:3942 x 5315 pixels (33.4 x 45.0 cm @ 300 dpi) 59.9 MB

RM 83411941

エドヴァルド・ムンク「病める子」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Munch, Edvard 1863-1944. "The Sick Child", 1896. Lithograph, printed in two colours on heavy vellum, 42.1 × 56.5cm. Inv. No. 1973.45 Madrid, Thyssen-Bornemisza Museum.

RM 66320819

フェルメール 「天文学者」

所蔵: ルーヴル美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 The Astronomer/Vermeer, Jan, called Vermeer van Delft 1632–1675. "The Astronomer", 1668. Oil on canvas, 51.5 × 45.5cm./R.F. 1983–28 Paris, Musée du Louvre. Identifier : AKG325775 Artist : JAN VERMEER Museum : Paris, Musée du Louvre Collection : akg-images event date : 1668 image date : 1668 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D. topic : ASTRONOMER (MALE)/ASTRONOMY/BAROQUE/CELESTIAL GLOBE/DAYLIGHT/GLOBE ( geography : )/HISTORY/HOUSECOAT/INSIDE VIEW/INSTRUMENTS/INTELLECTUAL (MALE)/LEAD GLASS WINDOWS/LONG HAIR/MAN/MEN'S FASHION ; MENSWEAR/NETHERLANDISH ART/OFFICE ; WORK ROOM/PORTRAIT/SCIENCES ; SCIENCE/SCIENTIST/TABLECLOTH/THINKING ABOUT ; REFLECTING (THOUGHT) ; PONDERING/THOUGHTS/WINDOW/Person/ANTHONY VAN LEEUWENHOE technique : PAINTING (OBJECT)/PAINTING (technique)

RM 66320827

フェルメール 「リュートを調弦する女（窓辺でギターを弾く女）」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Woman with a Lute/Vermeer, Johannes 1632–1675. Woman with a Lute, Painting, ca. 1662–1663. Oil on canvas, 51.4 × 45.7 cm./Inv. Nr. 25.110.24/New York, Metropolitan Museum : of Art. Identifier : AKG5060333 Museum : New York, Metropolitan Museum of Art image date : 1.1.1662 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D./Person/JAN VERMEER technique : OIL ON CANVAS/Size 3374px × 3870px (37 MB)

RM 115920894

フランシスコ・デ・スルバラン「アンティオキアの聖マルガリータ 」

Saint Margaret of Antioch Oil on canvas, 163 × 105 cm, 1630–4 London, National Gallery. Artist：FRANCISCO DE ZURBARAN Museum：London, National Gallery Collection：The National Gallery, London Credit line：The National Gallery, London / akg Time Period：17TH CENTURY　2ND MILLENNIUM A.D Person JOSEPH MARTIN　MARGARETA Technique：PAINTING (OBJECT)　PAINTING (TECHNIQUE) Size：3201px × 4961px (45 MB) 27.1 cm × 42.0 cm @ 300 dpi

RM 36637380

シャルダン 「食前の祈り」

作家名： ジャン・シメオン・シャルダン ( 1699年 - 1779年 ) タイトル：「食前の祈り」 国籍： フランス ジャンル　： ロココ美術 Image ID: 22898 Artist: Chardin, Jean-Baptiste Simeon, 1699-1779 Title:Saying grace before meal. 1744 Dimensions:49,5 x 38,4 cm / Location:St. Petersburg, Eremitage Photo:c ARTOTHEK File size:300 dpi: 35.1 x 45.3 cm RGB-TIF: 66.6 MB

RM 169993110

La naissance de l'Amour - The birth of Love. Painted for the 'Cabinet de l'Amour' at the Hotel Lambert,Paris. Canvas, 45 x 40 cm ,Artist: Le Sueur,Eustache (1616-1655), PAINTING

RM 149246228

シャセリオー 「エステルの化粧」

作家名： テオドール・シャセリオー ( 1819年 - 1856年 ) タイトル：「エステルの化粧」 国籍： フランス ジャンル： ロマン主義 所蔵：ルーヴル美術館 Artist：Chasseriau, Theodore (1819-56) Title：The Toilet of Esther, 1841 (oil on canvas) Location：Louvre, Paris, France Description：Esther se parant pour etre presentee au roi Assuerus; Esther preparing herself for presentation to King Xerxes Age：1841 Medium：oil on canvas 74173

RM 149226995

川瀬巴水「旅みやげ第二集　浜小屋（越中氷見）」大正九年

882141 Beach Shed at Himi in Etchu_ Province, June 1920 by Hasui, Kawase (1883-1957); Minneapolis Institute of Arts, MN, USA; (add.info.: 9 7/16 x 14 5/16 in. (24 x 36.4 cm) (image) 10 1/4 x 15 1/16 in. (26 x 38.3 cm) (sheet) 14 x 17 15/16 in. (35.5 x 45.5 cm) (mat)); The Margaret McMillan Webber Estate; Japanese, in copyright.

RM 84259644

マティス「自画像」

作家名： アンリ・マティス ( 1869年 - 1954年 ) フランスの画家 ジャンル： フォーヴィスム　野獣派 Author:Henri Matisse (1869-1954) Description:Self-portrait Technique:LITHOGRAPH School:France Museum:PRIVATE COLLECTION Dimensions:22,9x18,5 Collection:Fine Art Images Credit:Album / Fine Art Images Image size:3961 x 5315 pixels (33.5 x 45.0 cm @ 300 dpi) 60.2 MB

RM 70449968

シャセリオー 「エステルの化粧」

作家名： テオドール・シャセリオー ( 1819年 - 1856年 ) タイトル：「エステルの化粧」 国籍： フランス ジャンル： ロマン主義 所蔵：ルーヴル美術館 Chassériau, Théodore. 1819–1856. "Esther vor der Begegnung mit Ahasver", 1841. Oil on canvas, 46 × 36 cm. Paris, Musée du Louvre.

RM 66320820

フェルメール 「真珠の首飾りの女」

所蔵: 絵画館 / ベルリン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Woman with a Pearl Necklace/Vermeer, Jan (also Johannes, or Johan),/1632 – 1675,/Dutch painter. "Woman with a pearl necklace", c.1664. Oil on canvas, 55 x 45 cm. Inv. 912 B. Gemäldegalerie, Berlin, Germany. Identifier : AKG1823412 Artist : JAN VERMEER Museum : Berlin, SMB, Gemäldegalerie Collection : akg-images event date : 1664 image date : 1664 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/BATH/BOURGEOISIE/BOW (HAIR)/CHOKER/DUTCH ART/ERMINE/EVERYDAY LIFE/FASHION ; STYLE/FUR TRIMMING/INSIDE VIEW/JACKET/JEWELRY ; JEWELLERY/MIRROR/MORNING TOILET/NETHERLANDISH ART/PEARL/PERSONAL HYGIENE/PORTRAIT/POWDER PUFF/PROFILE/PROSPERITY/STRING OF PEARLS ; PEARL NECKLACE/VANITY ; CONCEITEDNESS/WALL MIRROR/WOMAN/WOMAN'S LIFE ; LIFE OF A WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR/YOUNG WOMAN geography : NETHERLANDS technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size

RM 52217010

フランス・ハルス 「陽気な酒飲み」

所蔵: アムステルダム国立美術館 作家名： フランス・ハルス ( 1581年頃 - 1666年 ) タイトル：「陽気な酒飲み」 国籍： オランダ ジャンル　： バロック A Militiaman Holding a Berkemeyer, Known as the ‘Merry Drinker' Hals, Frans 1583–1666. A Militiaman Holding a Berkemeyer, Known as the ‘Merry Drinker', ca. 1628–1630. Oil on canvas, 66.5 × 81 cm. Inv. Nr. SK-A–135 Amsterdam, Rijksmuseum. Identifier : AKG5001838 Artist : FRANS HALS Museum Amsterdam, Rijksmuseum credit line : akg-images Time Period 17TH CENTURY 2ND MILLENNIUM A.D. topic : ART BAROQUE BONNET (FASHION) BOURGEOISIE COLLAR DRINKING GLASS DUTCH ART FASHION ; STYLE FOOD AND DRINK FOODSTUFFS GESTURES ; GESTURE HAIRSTYLE HAPPINESS ; CHEERFULNESS HAT HEAD COVERING JEWELRY FOR MEN ; JEWELLERY FOR MEN MAN'S HAT MEDALLION ; LOCKET MEN'S FASHION ; MENSWEAR NETHERLANDISH ART PERSON ; HUMAN ; INDIVIDUAL PUFFED SLEEVES SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH STIMULANTS ; LUXURY FOODSTUFFS WOMAN WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 4626px × 5430px (71 MB) 39.1 cm × 45.9 cm @ 300 dpi

RM 33509775

ピーテル・ブリューゲル 1世 「絞首台の上のかささぎ」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「絞首台の上のかささぎ」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Bruegel, Pieter d. A./um 1525/30 - 1569. "Landschaft mit der Elster auf dem Galgen", 1568. Ol auf Eichenholz, 45,9 × 50,8 cm./Inv. Nr. GK 165/Darmstadt, Hessisches Landesmuseum. Identifier : AKG480687 Artist : PIETER BRUEGEL DER ALTERE/Museum/Darmstadt, Hessisches Landesmuseum event date : 1568 image date : 1568/Time Period/16. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : BAUER (LANDWIRT)/BURG (BAUWERK)/DORF/ELSTER/GALGEN/GEGENSATZ/IM FREIEN (ALLGEMEIN)/KRUZIFIX/KUNST/LANDBEVOLKERUNG/LANDLEBEN/LANDSCHAFT/MUHLE/NIEDERLANDISCHE KUNST/NOTDURFT/TANZ/VOGEL/VOLKSKUNDE/WASSERMUHLE/ZOOLOGE geography : NIEDERLANDE technique : GEMALDE/MALEREI/Size 4961px × 4471px (63 MB) 42.0 cm × 37.8 cm @ 300 dpi/Special Formats/6490px × 5837px (108 MB) TIFF/54.9 cm × 49.4 cm @ 300 dpi

RM 33509695

ピーテル・ブリューゲル 1世 「イカロスの墜落のある風景」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「イカロスの墜落のある風景」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Brueghel, Pieter the Elder c. 1525/30 1569. "The Fall of Icarus". Oil on canvas, mounted on wood,/74 × 112cm./Brussels, Royal Museums of Fine Art. Identifier : AKG261963 Artist : PIETER BRUEGEL, THE ELDER/Museum/Brussels, Royal Museums of Fine Art event date : 1560 image date : 1560 topic : ARABLE FARMING/FARMING/GLOBAL LANDSCAPE/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/LANDSCAPE ; SCENERY/MYTHOLOGY/NETHERLANDISH ART/PEASANT ; FARMER/PLOUGH ; PLOW/Person/ICARUS technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3233px (45 MB) 42.0 cm × 27.3 cm @ 300 dpi/Special Formats/12705px × 8281px (301 MB) TIFF/107.6 cm × 70.1 cm @ 300 dpi

RM 33509714

ピーテル・ブリューゲル 1世 「サウルの自害」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「サウルの自害」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 <br Bruegel, Pieter the Elder c. 1525/30 - 1569. "Saul's Suicide in the Battle on Mount Gilboa", 1562. On oakwood, 33.5 × 55 cm./Inv. No. 1011/Vienna, Kunsthistorisches Museum. Identifier : AKG452469 Artist : PIETER BRUEGEL, THE ELDER/Museum/Vienna, Kunsthistorisches Museum event date : 1562 image date : 1562/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : BATTLE/BIBLE/DEATH/DEATH IN BATTLE/GLOBAL LANDSCAPE/JEWISH-CHRISTIAN ; JUDEO-CHRISTIAN/KILLING ONESELF WITH SWORD/MANNERISM/NETHERLANDISH ART/OLD TESTAMENT/PAINTER (MALE) ; PAINTER/SAUL'S DEATH/SUICIDE geography : GILBOA/Person/SAUL technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 2952px (41 MB) 42.0 cm × 24.9 cm @ 300 dpi/Special Formats/9048px × 5384px (139 MB) TIFF/76.6 cm × 45.6 cm @ 300 dpi

RM 81460606

フェルメール 「ヴァージナルの前に座る女」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan (Johannes), gen. Vermeer van Delft; 1632–1675. "Sitzende Virginalspielerin", um 1670/72. Oil on canvas, 51,5 × 45,5 cm. London, National Gallery.

RM 52561038

モネ 「ウォータールー橋、ロンドン、太陽の印象」

フランスの画家 ジャンル： 印象派 Waterloo Bridge, sun /Monet, Claude 1840-1926./"Waterloo Bridge, sun ", 1899/1901./Oil on canvas, 65 × 100cm. Zurich, Foundation E.G.Bührle Collection/Zurich, Stiftung Sammlung E.G.Buhrle. Artist : CLAUDE MONET/Museum/Zurich, Stiftung Sammlung E.G.Buhrle technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3233px (45 MB)

RM 164767053

フェルメール「ヴァージナルの前に座る女 」

Vermeer van Delft,Jan (1632-1675), A young woman seated at the virginal, around 1670. Canvas, 51,5 x 45,5 cm NG 2568

RM 14799709

フェルメール 「リュートを調弦する女（窓辺でギターを弾く女） 」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan Imagetitle: Woman with a Lute. 1664. Dimensions: 51,4 x 45,7 cm Medium: oil on canvas Location: New York, Metropolitan Museum

RM 149226988

川瀬巴水「塩原志ほがま」大正七秋

882008 Shiobara Shiogama, 1918 by Hasui, Kawase (1883-1957); Minneapolis Institute of Arts, MN, USA; (add.info.: 17 15/16 x 6 1/2 in. (45.5 x 16.5 cm) (image) 18 3/4 x 6 15/16 in. (47.6 x 17.6 cm) (sheet) 22 1/16 x 18 in. (56 x 45.7 cm) (mat)); The Margaret McMillan Webber Estate; Japanese, in copyright.

RM 66085572

フェルメール 「手紙を書く婦人と召使い」

所蔵: アイルランド国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Author: JAN (JOHANNES) VERMEER (1632-1675) Description: Lady Writing a Letter with her Maid. Image size: 4227 x 5315 pixels (35.8 x 45.0 cm @ 300 dpi) 64.3 MB

RM 53718555

ムンク 「叫び」

ノルウェーの画家 技法: パステル画 ジャンル: 象徴主義　表現主義 所蔵：ムンク美術館 Author: Edvard Munch (1863-1944) Description:The Scream. Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 3985 x 5315 pixels (33.7 x 45.0 cm @ 300 dpi) 60.6 MB

RM 26164645

クリムト 「牧歌」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Location：　Wien Museum "Idylle" (Idyll). 1884. Oil on canvas. 49,7 x 74 cm

RM 109184225

レスリー「キューバ危機」

Author:LESLIE GILBERT ILLINGWORTH (1902-1979) Description:Cuban Missile Crisis. Daily Post, October 1962 Technique:lithography School:GREAT BRITAIN Museum:PRIVATE COLLECTION Collection:Fine Art Images Credit:Album / Fine Art Images Image size:5315 x 3770 pixels (45.0 x 31.9 cm @ 300 dpi) 57.3 MB

RM 107730735

マティス・マリス「出会い（仔ヤギ）」

所蔵：デン・ハーグ市美術館 Getting acquainted (The little goat). Date/Period: Ca. 1865. Painting. Oil, panel, Plain, wooden frame. Height: 164 mm (6.45 in); Width: 312 mm (12.28 in).

RM 81326050

ピーテル・デ・ホーホ「人の居る裏庭」

所蔵: アムステルダム国立美術館 Hooch, Pieter de 1629–1684. "Gesellschaft im Innenhof", um 1663/65. Oil on canvas, 60 × 45,7 cm. Leihgabe der Stadt Amsterdam seit 1885, Amsterdam, Rijksmuseum.

RM 36197644

ゴッホ 「花咲く桃の木(マウフェの思い出)」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：花咲く桃の木（マウフェの思い出） 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van/1853-1890. "Der rosa Pfirschbaum", 1888. Ol auf Leinwand, 80,5 × 59 cm./Amsterdam, Van Gogh Museum. Identifier : AKG1913121 Artist : VINCENT VAN GOGH/Museum/Amsterdam, Van Gogh Museum event date : 1888 image date : 1888/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : BAUM/BAUMBLUTE/FRUHLING/IMPRESSIONISMUS/JAHRESZEITEN/KUNST/LANDSCHAFT/NIEDERLANDISCHE KUNST/OBSTBAU/OBSTBAUM/PFIRSICH/PFIRSICHBAUM geography : FRANKREICH/SUDFRANKREICH technique : GEMALDE/MALEREI/OL AUF LEINWAND/Size 3659px × 4961px (51 MB) 30.9 cm × 42.0 cm @ 300 dpi/Special Formats/4000px × 5423px (62 MB) TIFF/33.9 cm × 45.9 cm @ 300 dpi

RM 36197648

ゴッホ 「後姿の石膏トルソ(女)」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：後姿の石膏トルソ（女） 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van/1853-1890. "Gipstorso (weiblich) in Ruckenansicht". Paris, Fruhjahr 1886./Ol auf Leinwand,/40,5 × 27 cm./Vincent van Gogh Stiftung,/Amsterdam, Van Gogh Museum. Identifier : AKG205280 Artist : VINCENT VAN GOGH/Museum/Amsterdam, Van Gogh Museum event date : 1886 image date : 1886/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : AKT/ANTIKENREZEPTION/FRAU/HOLLANDISCHE KUNST/NIEDERLANDISCHE KUNST/RUCKENAKT/SKULPTUR IM BILD technique : GEMALDE/MALEREI/Size 3202px × 4961px (45 MB) 27.1 cm × 42.0 cm @ 300 dpi/Special Formats/4632px × 7176px (95 MB) TIFF/39.2 cm × 60.8 cm @ 300 dpi

RM 36197651

ゴッホ 「雨雲のあるオーヴェールの麦畑」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：雨雲のあるオーヴェールの麦畑 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van/1853-1890. "Weizenfelder in Auvers mit Regenwolken" (Felder, nach dem Regen),/Auvers-sur-Oise, Juli 1890./Ol auf Leinwand, 73 × 92 cm./Pittsburgh, Carnegie Museum of Art. Identifier : AKG335798 Artist : VINCENT VAN GOGH/Museum/Pittsburgh, Carnegie Museum of Art event date : 1890 image date : 1890/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : FELD/GETREIDEFELD/HOLLANDISCHE KUNST/IMPRESSIONISMUS/KUNST/LANDSCHAFT/LANDWIRTSCHAFT/METEOROLOGIE/NIEDERLANDISCHE KUNST/NIMBUS (WOLKE)/REGEN/WOLKE geography : AUVERS-SUR-OISE/FRANKREICH technique : GEMALDE/MALEREI/Size 4961px × 3902px (55 MB) 42.0 cm × 33.0 cm @ 300 dpi/Special Formats/6856px × 5392px (106 MB) TIFF/58.0 cm × 45.7 cm @ 300 dpi

RM 35740159

ゴーギャン 「自画像（レ・ミゼラブル）」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：自画像（レ・ミゼラブル） フランスの画家 ジャンル： 印象派　ポスト印象派 Paul Gauguin / Self-portrait 1888/Gauguin, Paul; French painter, Paris 7.6.1848 - Atuona on Hiva Oa (Marquesas Islands) 8.5.1903. "Self-portrait with the portrait of Bernard attributed to Vincent van Gogh (Les Miserables) ", Pont-Aven, end of September/1888. Oil on canvas, 45 × 55cm./Inv. S 224 V/1962/Amsterdam, Van Gogh Museum. Identifier : AKG317003/Museum/Amsterdam, Van Gogh Museum event date : 1888 image date : 1888/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : Artist : BEARD/FRENCH ART/GOATEE/HEAD-AND-SHOULDERS ; HEAD SHOT ; BUST SHOT/LOOKING OUT OF PICTURE/MAN/MUSTACHE ; MOUSTACHE/PAINTER (MALE) ; PAINTER/PATTERNED/PERSON/PICTURE WITHIN A PICTURE/PORTRAIT/SCHULE VON PONT-AVEN/SELF-PORTRAIT/SYNTHETISM/TWIDDLE MOUSTACHE/WALLPAPER geography : FRANCE/Person/EMILE BERNARD/PAUL GAUGUIN/Size 3364px × 2648px (25 MB) 28.4 cm × 22.4 cm @ 300 dpi/Special Formats/3726px × 2945px (31 MB) TIFF/31.5 cm × 24.9 cm @ 300 dpi