「4」 の 検索結果

RM 157603094

フランソワ＝ユベール・ドルーエ 「ポンパドゥール夫人の肖像」

Pompadour, Jeanne Antoinette Poisson, Marquise de (known as Madame Pompadour), mistress of Louis XV of France. Paris 29.12.1721 – Versailles 15.4.1764. “Madame de Pompadour at her Tambour Frame”. Painting, 1763, by François-Hubert Drouais (1727–1775). Oil on canvas, 217 × 156,8 cm. Inv. no. NG 6440. London, National Gallery.

RM 84633130

ゴッホ「糸杉のある麦畑」

所蔵: メトロポリタン美術館 Gogh, Vincent van 1853-1890. Wheat Field with Cypresses, Painting, 1889. Oil on canvas, 73.2 × 93.4 cm. Inv. Nr. 1993.132 New York, Metropolitan Museum of Art.

RM 79736511

横山大観「霊峰四趣・夏」

Taikan, Yokoyama (born Sakai Hidemaro), 1868 – 1958, Japanese painter. "Summer", 1940. (From the series: Four Seasons at Mount Fuji). Pigment on paper, 75 x 110 cm. Yasugi, Adachi Museum of Art.

RM 20777433

月岡芳年 「全盛四季春　立春梅園」

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RM 164767100

フランチェスコ・ボッティチーニ 「トビアスと3人の大天使」

Botticini and Verrochio (15th), Tobias and the Angel (Tobias, son of the blind Tobit, is led by archangels Raphael, Michael and Gabriel) Tempera on wood, 153 x 154 cm Inv. 8359

RM 146188498

吉田博「ブライトホルン山」

欧州シリーズ FSG348902 Breithorn, Taisho era, 1925 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 27.1 x 39.4 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, in copyright.

RM 140177790

吉田博「中里之雪」

東京拾二題 Yoshida Hiroshi, 1876–1950. Snow in Nakazato (Nakazato no yuki), from the series “Twelve Scenes of Tokyo (Tokyo junidai no uchi) ", 1928. Color woodblock print; double oban, 51.4 × 36.7 cm. Inv. No. 1933.849, Chicago, Art Institute.

RM 83823038

モディリアーニ「ジャンヌ・エピュテルヌ」

Modigliani, Amedeo 1884-1920. Jeanne Hebuterne (1898-1920), Painting, 1919. Oil on canvas, 91.4 × 73 cm. Inv. Nr. 56.184.2 New York, Metropolitan Museum of Art.

RM 78176512

マルカントニオ・ライモンディ「パリスの審判」

Artist:Raimondi, Marcantonio, ca. 1480-1527 Title:Judgment of Paris. 1517 Dimensions:29,4 x 44,2 cm Technique:copper engraving Location:Städel Museum, Frankfurt am Main, Graphische Sammlung

RM 66752116

アルブレヒト・アルトドルファー 「イッソスの戦い（アレクサンドロス大王の戦い）」

Albrecht Altdorfer (1480-1538). German artist, member of the Danube School. The Batlle of Alexander at Issus, 1529. It portrays the 330 BC Batlle of Issus, in which Alexander the Great secured a decisive victory over Daris III of Persia. Alte Pinakothek, Munich, Germany. Credit: Album / Prisma

RM 66739270

ピーテル・ファン・デル・ヘイデン 「大きな魚は小さな魚を食う」

彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 所蔵：メトロポリタン美術館 Heyden, Pieter van der 1525–1569. Big Fish Eat Little Fish, Print, 1557. Engraving; first state of four, 26.1 × 33.7 cm./Inv. Nr. 28.4 (22)/New York, Metropolitan Museum of Art. Identifier : AKG5092318/Museum/New York, Metropolitan Museum of Art image date : 1.1.1557/Time Period/16. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. Size : 3597px × 2748px (28 MB) / 30.4 cm × 23.2 cm @ 300 dpi

RM 64764137

グスタボ・ドレ 「月へ行くアストルフォ」

Astolfo TRAVELING TO THE MOON/Ludovico Ariosto (1474-1533) "The Journey of Astolfo to the moon in search of the wisdom of Orlando," er an illustrated edition of the Orlando Furioso (1532) engraving by Gustave Doré; Milan, Treves, 1881 Identifier : AKG4202287/Collection/Fototeca Gilardi snc / Fototeca Gilardi topic : ASTRONOMY/FANTASY/FULL MOON/LITERATURE/POEM/POESY/SCIENCE FICTION geography : ORLANDO/Person/ASTOLFO/CHARLES BARBANT/LUDOVICO ARIOSTO/Size 3720px × 4674px (49 MB) 31.4 cm × 39.5 cm @ 300 dpi

RM 62548337

クリムト「女の三世代」

国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Three Ages of Woman Klimt, Gustav. 1862-1918. "Die drei Lebensalter" (The Three Ages of Woman), 1905. Oil on canvas, 173 × 171 cm. Rome, Galleria Nazionale d'Arte Moderna. Identifier : AKG3553375 Artist : GUSTAV KLIMT Museum Rome, Galleria Nazionale d'Arte Moderna Collection Cameraphoto Arte credit line : akg-images / Cameraphoto event date : 1905 image date : 1905 Time Period 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART ART NOUVEAU AUSTRIAN ART BABY CHILD FLOWER IN HAIR GRANDMOTHER HOLDING CHILD ; CHILD IN ARMS MOTHER MOTHER AND CHILD NUDE (ARTWORK) OLD AGE OLD WOMAN PERIOD OF LIFE PERSON ; HUMAN ; INDIVIDUAL RESUME ; CURRICULUM VITAE TODDLER WOMAN YOUNG WOMAN YOUTH YOUTH VS. OLD AGE ; YOUNG AND OLD technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 3104px × 3124px (27 MB) 26.2 cm × 26.4 cm @ 300 dpi

RM 58475994

ジャン・レオン・ジェローム「指し降ろされた親指」

History / Ancient times:/Gladiators. "Pollice verso". (Death sentence for an under-gladiator by the down-thumbs)./Wood engraving, c. 1900, colored, after paintings by Jean Leon Gerome (1824 -1904) . Identifier : AKG27823 Artist : JEAN LEON GEROME image date : 1900TIME PERIOD/ANCIENT topic : STORY/GLADIATOR technique : PRINTS/GRAPHIC/WOOD ENGRAVING Size : 3364px × 2284px (21 MB)/28.4 cm x 19.3 cm @ 300 dpi Special Formats : 4519px × 3069px (40 MB) TIFF/38.3 cm x 26.0 cm @ 300 dpi

RM 53104897

ジャン・フーケ 「キリストの降誕」

J.Fouquet, Birth of Christ / Illumination Fouquet, Jean; c. 1415/20 – 1477/81. "Birth of Christ and Adoration of the shepherds", c. 1455. Illumination, on parchment, c. 16.5 x 12 cm (cropped end of 17th century). From: "Livre d'heures d'Étienne Chevalier" (Book of Hours o. French treasurer Étienne Chevalier), 3rd image of "Heures de la Vierge", Ms. fr. 71 Chantilly, Musée Condé. Identifier : AKG270208 Artist : JEAN FOUQUET Museum Chantilly, Musée Condé source : akg-images credit line : akg-images event date : 1455 image date : 1455 Time Period 15TH CENTURY 2ND MILLENNIUM A.D. topic : ADORATION (GENERAL) ADORATION OF THE SHEPHERDS ; ADORATION BY THE SH ANGEL ANNOUNCEMENT TO THE SHEPHERDS BIBLE BOOK OF HOURS CHRISTIANITY CHRIST'S INFANCY ; JESUS' CHILDHOOD DECORATIVE CHARACTERS ; ORNAMENTAL SCRIPT DOG FRENCH ART GOTHIC ART LATE GOTHIC LATIN (LANGUAGE) NATIVITY ; CHRIST'S BIRTH NEW TESTAMENT NIGHT OX AND DONKEY RELIGION SHEPHERD SHEPHERD'S DOG STALL (HORSE) STAR OF BETHLEHEM THATCHED ROOF Person CHRIST ETIENNE CHEVALIER JOSEPH (NEW TESTAMENT) MARY Title STUNDENBUCH DES ETIENNE CHEVALIER technique : BOOK ILLUMINATION PAINTING (technique) Size 2395px × 3364px (23 MB) 20.2 cm × 28.4 cm @ 300 dpi

RM 50498152

ルーベンス 「黒人の頭部の4つの習作」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) タイトル：「黒人の頭部の4つの習作」 国籍： フランドル ジャンル　： バロック Author: Peter Paul Rubens (1577-1640) Description: Studies of the head of a black man. Canvas. Classification: PAINTING ~ BAROQUE ~ 17TH CENTURY Location: Musee d'Art Ancien, Brussels, Belgium

RM 23384320

クロード・モネ 「アンティーブ」

フランスの画家 ジャンル： 印象派 Title:Antibes, 1888 Creator:Monet, Claude (1840-1926) Nationality:French Location:(c) Samuel Courtauld Trust, The Courtauld Gallery, London, UK Medium:oil on canvas Date:1888 (C19th) Size:65.5x92.4 cms

RM 172883072

礒田湖龍斎「風流小児十二支　寅」

Tiger, from the series Fashionable Children with the Twelve Signs of the Zodiac (Furyu kodomo juni shi), c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 7 3/4 in.

RM 145990944

鈴木春信 『お仙茶屋』

Author:SUZUKI HARUNOBU (1725-1770) Title:Osen Waiting on a Young Samurai Description:Osen Waiting on a Young Samurai. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban). Date: ca. 1770. The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine. A young samurai, two swords at his waist, sits on a bench in a relaxed pose and turns his face to look up at Osen, who approaches to serve him tea. The beautiful Osen and the handsome gallant are the very picture of stylish Edoites from the mid-eighteenth century. Technique:Polychrome woodblock print; ink and color on paper Dimensions:10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban) Periodo:Edo period (1615-1868) Location:ASIA • JAPAN Museum:Metropolitan Museum of Art, New York, USA Collection:Album Credit:Album / Metropolitan Museum of Art, NY

RM 123248672

藤原鎌足の肖像

Fujiwara no Kamatari as a Shinto Deity, Nanbokucho period (1336–92), after 1350, Japan, Hanging scroll; color on silk, Image: 34 x 15 in. (86.4 x 38.1 cm), Paintings, Fujiwara no Kamatari (614–699) is one of several historical figures deified in the religious tradition of Shinto. An important court minister, he was awarded the surname Fujiwara and became the first of the illustrious clan that would dominate Japanese court life from the tenth through the twelfth century

RM 83411450

マネ 「エミール・ゾラの肖像」

Zola, Emile, French author. Paris 2.4.1840-29.9.1902. "Emile Zola". Painting, 1868, by Edouard Manet (1832-1883). Oil on canvas, 146-114cm. Paris, Musee d'Orsay.

RM 66920985

クリムト 「花嫁」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: The Bride. Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 4724 x 4064 pixels (40.0 x 34.4 cm @ 300 dpi) 54.9 MB

RM 56876968

スーラ 「とがったオック岬、グランカン」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル：「とがったオック岬、グランカン」 フランスの画家 ジャンル： 印象派　新印象派 Seurat, Georges. 1859–1891. "Le Bec du Hoc, Grandcamp", 1885. Oil on canvas, 64,8 × 81,6 cm./London, Tate Britain. Artist : GEORGES SEURAT/Museum/London, Tate Britain image date : 1885/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/COAST ; SHORELINE/FRAME/FRENCH ART/LANDSCAPE ; SCENERY/POINTILLISM/POST-IMPRESSIONISM/ROCK ; BOULDER/SEA geography : ATLANTIC OCEAN ; ATLANTIC (OCEAN)/BASSE-NORMANDIE/BAYEUX/BEC DU HOC/CALVADOS/ENGLISH CHANNEL/FRANCE/GRANDCAMP/ISIGNY-SUR-MER/NORDFRANKREICH/NORMANDY technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3950px (56 MB) 42.0 cm × 33.4 cm @ 300 dpi Special Formats : 7418px × 5906px (125 MB) TIFF/62.8 cm × 50.0 cm @ 300 dpi/

RM 32303508

ゴーギャン 「牛のいる海景(海の景色と岩場の牛)」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「牛のいる海景(海の景色と岩場の牛)」 フランスの画家 所蔵： パリ装飾美術館 ジャンル： 印象派　ポスト印象派 Gauguin, Paul 1848-1903. "Landscape with cow between th. cliffs", 1888. Oil on canvas, 73 × 60cm. Identifier : AKG220716 Location : Paris, Les Arts Decoratifs Artist : PAUL GAUGUIN source : akg-images credit line : akg-images image date : 1888 Time Period :19TH CENTURY 2ND MILLENNIUM A.D. topic : ANIMAL CLIFF ; PRECIPICE FRENCH ART IMPRESSIONISM LANDSCAPE ; SCENERY MEADOW OXEN technique : PAINTING (OBJECT) PAINTING (technique) Size :2702px × 3364px (~2 MB / ~26 MB unc.) 22.8 cm × 28.4 cm (300dpi) Special Formats: 3452px × 4298px (~35 MB / ~42 MB unc.) TIFF29.2 cm × 36.4 cm (300dpi)

RM 149246022

コレッジョ 「キューピッドの教育」

作家名： コレッジョ ( 1489年 - 1534年 ) 本名： アントニオ・アッレグリ （Antonio Allegri） タイトル： 「キューピッドの教育」 国籍： イタリア ジャンル： マニエリスム エミリア派 Venus with Mercury and Cupid, 'The School of Love', c.1525, oil on canvas, Correggio,, Antonio Allegri, c.1489-1534 / National Gallery, London, UK 77611

RM 120854188

ジョヴァンニ・バッティスタ・ティエポロ「ヴィーナスと時の寓」

Giovanni Battista TIEPOLO: The painting was probably carried out as the central decoration for a ceiling in a palace belonging to the Contarini family in Venice, between 1753, when Tiepolo returned from Wurzburg, and 1758, by which time Tiepolo’s son Domenico had produced an etching of the composition in reverse. The ceiling which was also decorated with four oval monochrome paintings illustrating the virtues, may have been commissioned to celebrate the birth of an heir in the family. Venus (with her two doves embracing in the sky above and the Three Graces), consigns a boy to the figure of Time who is attended by a Cupid. Time has laid aside his scythe, the blade of which is silhouetted against the globe of the Earth at the base of the painting. Oil on canvas, 292 × 190.4 cm, about 1754–8 London, National Gallery.

RM 79228422

エドワード・ホッパー「日曜日」

Hopper, Edward 1882–1967. "Sunday" (Sonntag), 1926. Oil on canvas, 73,7 × 86,4 cm. Washington, Phillips Collection.

RM 66923212

クリムト 「希望 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Hope, II. Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 4093 x 4134 pixels (34.7 x 35.0 cm @ 300 dpi) 48.4 MB MUSEUM OF MODERN ART, NEW YORK

RM 66434012

フリードリヒ・オーヴァーベック 「イタリアとゲルマニア」

所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Johann Friedrich Overbeck Italia and Germania (Sulamith and Mary). Credit: Album / Fine Art Images

RM 20970244

エジプト　センネジェムの墓　壁画

Egypt - Ancient Thebes (UNESCO World Heritage List, 1979). New Kingdom village of state labourers at Dayr al-Madinah (Deir el-Medina). Tomb of Sennedjem. Mural painting, afterlife

RM 20970878

エジプト　ネフェルタリの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor - Valley of the Queens. Tomb of Nefertari. Antechamber to burial chamber. Mural paintings. Illustrated Book of the Dead. Chapter 17 (Dynasty 19, Ramses II, 1290-1224 BC) (QV66 - 333354)

RM 164767276

ドラクロワ 「新世界より戻ったクリストファー・コロンブス 」

Delacroix,Eugene (1798-1860), The return of Christopher Columbus;his audience before King Ferdinand and Queen Isabella, the "Catholic" rulers. Oil on canvas (1839) 90.4 x 118.3 cm

RM 145990889

鈴木春信 『お仙茶屋』

Osen Waiting on a Young Samurai, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine Identifier : AKG6252294 Collection : Artokoloro Quint Lox Limited Credit line : akg-images / Liszt Collection topic : EDO PERIOD/ENTRANCE/FAMILY/GATE/INK/KIMONO/PAPER/PAULOWNIA/SHRINE geography : CREST/JAPAN/TORII Person : SUZUKI HARUNOBU

RM 101116636

レオナルド・ダ・ヴィンチ 「サルバトール・ムンディ」

Salvator Mundi, circa 1500 / Leonardo da Vinci or Bernardo Luini Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi. Identifier：AKG6249897 Museum：Abu Dhabi, Louvre Abu Dhabi Image date：1500

RM 101116637

レンブラント「笑うレンブラント」

Rembrandt Laughing; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); Netherlands; about 1628; Oil on copper; 22.2 × 17.1 cm (8 3,4 × 6 3,4 in.)

RM 85002209

エドヴァルド・ムンク「橋の上の少女たち」

ノルウェーの画家 技法: 油彩 ジャンル: 象徴主義　表現主義 Four Girls on the Bridge Munch, Edvard 1863–1944. “Four Girls on the Bridge”, 1905. Oil on canvas, 126 × 126cm. Picture source: Rheinisches Bildarchiv, Cologne.Cologne, Wallraf-Richartz-Museum. Identifier：AKG295925 Artist：EDVARD MUNCH Museum：Cologne, Wallraf-Richartz-Museum Collection：akg-images Credit line：akg-images Event date：1905 Image date：1905 Time Period：20TH CENTURY　2ND MILLENNIUM A.D. Topic：ADOLESCENT　ART　ART NOUVEAU　BOREDOM ; ENNUI　BRIDGE　EXPRESSIONISM　FREE TIME ; LEISURE TIME　FRIENDSHIP　GIRL　LAZING AROUND　NORWEGIAN ART　SCANDINAVIAN ART　TURN OF THE CENTURY WALK ; STROLL　WOMAN WOMAN'S LIFE ; LIFE OF A WOMAN Geography：AASGAARD BEACH　ASGARDSTRAND Person：EDVARD MUNCH Technique：OIL ON CANVAS　PAINTING (OBJECT)　PAINTING (TECHNIQUE) Size：4899px × 4961px (69 MB) 41.4 cm × 42.0 cm @ 300 dpi

RM 84630154

尾形光琳「波濤図」

所蔵: メトロポリタン美術館 Korin 1658–1716. Rough Waves, Folding screen, ca. 1694–1719. Edo period (1615–1868). Two-panel folding screen; ink, color, and gold leaf on paper, 146.5 × 165.4 cm. Inv. Nr. 26.117 New York, Metropolitan Museum of Art.

RM 82771857

ムンク「マラーの死」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard 1863–1944. "Marats Tod II (Die Mörderin) ", 1907. Oil on canvas, 153 × 148,5 cm. Aus der Serie "Das grüne Zimmer". Inv. Nr. MM M 4. Oslo, Munch-Museet.

RM 78176968

アンゲリカ・カウフマン「ヘレンにパリスについていくよう説得するヴィーナス」

"Venus überredet Paris, Helena zu lieben", 1790. (Homer, Ilias, 2. Buch, Vers 390–394). Oil on canvas, 102 × 127,5 cm. St. Petersburg, Staatliche Ermitage. Identifier: AKG250973 Artist: ANGELIKA KAUFFMANN Museum: St Petersburg, State Hermitage Time Period: 18TH CENTURY 2ND MILLENNIUM A.D. Title:ILIAS Technique:PAINTING (OBJECT)PAINTING (TECHNIQUE) Size：3364px × 2649px (25 MB) 28.4 cm × 22.4 cm @ 300 dpi

RM 75158783

ゴヤ「魔女たちの夜宴」

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Author:Francisco de Goya (1746-1828) Description:Witches Sabbath Technique:OIL ON CANVAS School:SPAIN Museum:Museo Lázaro Galdiano, Madrid Dimensions:43x30 Collection:Fine Art Images Credit:Album / Fine Art Images Image size:3969 x 5669 pixels (33.6 x 48.0 cm @ 300 dpi) 64.4 MB Keywords:ALLEGORY AND LITERATURE,DEMONS,DEVIL,GOOD AND EVIL,GOYA, FRANCISCO DE, LUCIFER,MUSEO LAZARO GALDIANO, MADRID,MYTHOLOGY,OIL ON CANVAS,PAINTING,ROMANTICISM,SATAN,SIN,SINNER,SORCERESS,SPAIN,WITCH,WITCHCRAFT,WITCHES,WITCHES SABBATH

RM 70433095

ピーテル・ブリューゲル 1世「7つの罪源－邪淫」の原画

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「邪淫」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Author:BRUEGEL (BRUEGHEL), PIETER, THE ELDER (ca 1525-1569) Description:Luxuria Collection:Fine Art Images Credit:Album / Fine Art Images Image size:5315 x 4060 pixels (45.0 x 34.4 cm @ 300 dpi) 61.7 MB

RM 66920994

クリムト 「ベートーヴェン・フリーズ第1壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: The " Beethoven Frieze". 40-17-06 / 2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02 / 26,27, 40-16-02 / 29 and 31. Total size of the frieze: 34,14m x 2,15 m. Classification: MURAL ~ JUGENDSTIL ~ 20th Personalities: LUDWIG VAN BEETHOVEN (1770-1827) Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 6030 x 2407 pixels (51.1 x 20.4 cm @ 300 dpi) 41.5 MB

RM 65079985

クリムト 「ひまわりの園（ヒマワリの園、向日葵の園）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Gustav Klimt / 'Garden with Sunflowers', c. 1907, Oil on canvas, 110 x 110 cm. Museum: Österreichische Galerie Image size: 4321 x 4320 pixels (36.6 x 36.6 cm @ 300 dpi) 53.4 MB

RM 63221204

ルネ・マグリット 「白紙委任状」

"Carte Blanche" (Le Blanc-seing),1965. auf Leinwand, 81 × 65 cm./(Sammlung Mr. u. Mrs. Paul Mellon),/Washington, National Gallery of Art. Artist : RENÉ MAGRITTE/Museum/Washington, National Gallery of Art/Collection/akg-images image date : 1965/Time Period/1960S/20TH CENTURY/2ND MILLENNIUM A.D. topic : BELGIAN ART/FOREST ; WOODS/LANDSCAPE ; SCENERY/RIDER (FEMALE) ; EQUESTRIENNE/RIDING CLOTHES ; RIDING ATTIRE/RIDING HORSE ; SADDLE HORSE/SURREALISM/TREE TRUNK technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2676px × 3364px (25 MB) / 22.6 cm × 28.4 cm @ 300 dpi Special Formats : 5928px × 7452px (126 MB) TIFF/50.2 cm × 63.1 cm @ 300 dpi

RM 62548843

クリムト 「赤子（赤ん坊）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Baby (Cradle) Gustav Klimt 1862-1918. Baby (Cradle), 1917/1918. Oil on canvas, 110.9 × 110.4 cm. In.) Inv. Nr. 1978.41.1, Washington, National Gallery of Art. Identifier : AKG5010115 Artist : GUSTAV KLIMT Museum Washington, National Gallery of Art credit line : akg-images Time Period 1920S 20TH CENTURY 2ND MILLENNIUM A.D. technique : OIL ON CANVAS Size 3969px × 4000px (45 MB) 33.6 cm × 33.8 cm @ 300 dpi

RM 60451390

ターナー 「古代ローマ：ゲルマニクスの遺灰を持って上陸するアグリッピナ」

Agrippina the Elder; Wife of Germanicus. 14/13 BC-33 AD "Ancient Rome; Agrippina with the Ashes of Germanicus. The Triumphal Bridge and the Palace of the Caesars" (Ancient Rome: Agrippina meets the ashes of Germanicus, the triumphal bridge and palace of the Caesars rebuilt.) Painting, c. 1839, by William Turner (1775-1851). Oil on canvas, 91.5 × 122 cm. London, Tate Britain. Identifier : AKG1823502 Artist : WILLIAM TURNER Museum:London, Tate Britain event date : 19 image date : 1839 Time Period:19TH CENTURY 1ST CENTURY ANCIENT WORLD ; ANTIQUITY technique : OIL ON CANVAS PAINTING (OBJECT)PAINTING (technique) Size 3364px × 2511px (24 MB) 28.4 cm × 21.2 cm @ 300 dpi

RM 60398527

ゴヤ 「大馬鹿者」(妄-ロス・ディスパラテスより)

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Plate 4 from the 'Disparates': Simpleton/Goya (Francisco de Goya y Lucientes) 1746–1828. Plate 4 from the ‘Disparates': Simpleton, Print, ca. 1811–1828. Etching, burnished aquatint, burin and drypoint (?), 24.3 × 35.2 cm./Inv. Nr. 36.20 (4)/New York, Metropolitan Museum of Art. Identifier : AKG5089001/Museum/New York, Metropolitan Museum of Art image date : 1.1.1811/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. Size : 3821px × 2665px (29 MB) / 32.3 cm × 22.5 cm @ 300 dpi

RM 51887588

ゴーギャン 「タヒチの牧歌」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「タヒチの牧歌」 フランスの画家 ジャンル： 印象派　ポスト印象派 Pastorales tahitiennes/Gauguin, Paul 1848–1903. "Pastorales tahitiennes" (Zwei Tahitierinnen mit Hund), 1893. Oil on canvas, 86 × 113 cm./Inv. Nr. 9119/St. Petersburg, Staatliche Ermitage. Identifier : AKG46302 Artist : PAUL GAUGUIN/Museum/St. Petersburg, Staatliche Ermitage event date : 1893 image date : 1893/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : EXOTIK/FRANZÖSISCHE KUNST/FRAU/FRAU UND TIER/FRAUENLEBEN/HARMONIE/HAUSTIER/HUND/JAHRHUNDERTWENDE/LAND UND LEUTE/LANDSCHAFT/PASTORALE/VÖLKERKUNDE geography : OZEANIEN/POLYNESIEN/TAHITI technique : GEMÄLDE/MALEREI/Size 3364px × 2584px (24 MB) 28.4 cm × 21.8 cm @ 300 dpi/Special Formats/3926px × 3016px (34 MB) TIFF/33.2 cm × 25.5 cm @ 300 dpi

RM 141069912

江戸時代の祇園祭の様子

Japanese, Edo period, early 18th century. “Rakuchu-rakugai-zu” (city scenes from the capital and the surrounding area); Detail: The pageant of the Gion Matsuri festival moves through the streets of Kyoto. Eight-part screen with city scenes from Kyoto and the surrounding area with displays of the sights and the annual festivals. Ink, colors and gold leaf on paper on wood. Overall dimensions 2.2 × 4.8 m. Art trade Paris 1984.

RM 140177875

吉田博「鐘楼」

桜八題 Yoshida Hiroshi, 1867–1950. In a Temple Yard, from the series “Eight Views of Cherry Blossoms”, 1935. Color woodblock print, 40.4 × 26.5 cm. Inv. No. 1990.607.315, Chicago, Art Institute.

RM 66393813

ゴーギャン 「四人のブルターニュの女の踊り（四人のブルターニュの婦人)」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「四人のブルターニュの婦人」 フランスの画家 ジャンル： 印象派　ポスト印象派 所蔵: ノイエ・ピナコテーク バイエルン州立絵画コレクション Gauguin, Paul 1848–1903. "Les quatre bretonnes" (Bretonische Bäuerinnen), 1886. Oil on canvas, 72 x 91 cm. Inv.Nr.8701 München, Neue Pinakothek.

RM 62553864

ゴッホ 「ひまわり」

国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van; 1853–1890./– "Sunflowers" (Vase with Fourteen Sunflowers), Arles, January 1889./Oil on canvas, 100 × 76 cm./(Sold at Christie's London on 30 March 1987 for 24.75 million pounds. Recently attributed to Claude-Emile Schuffenecker)./Inv. LO–175/Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art. Identifier : AKG50724 Artist : VINCENT VAN GOGH/MUSEUM/TOKYO, SEIJI TOGO MEMORIAL SOMPO JAPAN MUSEUM OF ART/COLLECTION/AKG-IMAGES event date : 1889 image date : 1889TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : BOTANY/BOUQUET OF FLOWERS/FLOWER/FORGERY/IMPRESSIONISM/NETHERLANDISH ART/RECORD PRICE ; HIGHEST AUCTION PRICE/STILL LIFE/SUNFLOWER/VASE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2637px × 3364px (25 MB)/22.3 cm × 28.4 cm @ 300 dpi Special Formats : 2859px × 3647px (30 MB) TIFF/24.2 cm × 30.9 cm @ 300 dpi

RM 57762916

アロンソ・サンチェス・コエーリョ 「ドン・カルロス王子の肖像」

Author: Alonso Sánchez Coello (1531-1588) Description: Alonso Sánchez Coello / 'Prince Carlos', 1555-1559, Spanish School, Oil on canvas, 109 cm x 95 cm, P01136. Museum: MUSEO DEL PRADO Image size: 3501 x 3711 pixels (29.6 x 31.4 cm @ 300 dpi) 37.2 MB

RM 32536595

ロベール・ドローネー 「エッフェル塔」

作家名： ロベール・ドローネー ( 1885年 - 1941年 ) タイトル：エッフェル塔 国籍： フランス ジャンル： キュビズム 　後に 抽象絵画 Artist : Delaunay, Robert French 12.4.1885 - 25.10.1941./"La Tour Eiffel" (Eiffel Tower),/1926./Oil on canvas, 169 × 86 cm. Inv. No. AM 2941 P Centre Georges Pompidou, Identifier : AKG916357 Location : Paris, Musee National d'Art Moderne Artist : ROBERT DELAUNAY source : Andre Held / Andre Held event date : 1926 image date : 1926/Time Period/1920S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECTURE/CUBISM/EMBLEM/FRENCH ART geography : ORPHISM/PAINTING OF ARCHITECTURE/PERSPECTIVE/TOPOGRAPHY/TOWER geography : EIFFEL TOWER/FRANCE/PARIS (CITY) technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2568px × 4961px (～6 MB / ～36 MB unc.) 21.7 cm × 42.0 cm (300dpi)

RM 172883077

虎

Unknown Artist (Japanese), untitled (Tiger), n.d., pen and ink on linen, 4 11/16 in. x 3 9/16 in. (11.91 cm x 9.05 cm)

RM 125110516

ゴッホ「荒れ模様の空の麦畑」

Wheatfield under Thunderclouds/Gogh, Vincent van;/1853-1890. "Wheatfield under Thunderclouds", Auvers-sur-Oise, July 1890. Oil on canvas, 50.4 cm x 101.3 cm./Vincent van Gogh Foundation,/Amsterdam, Van Gogh Museum. Identifier : AKG5885618 Artist : VINCENT VAN GOGH/Museum/Amsterdam, Van Gogh Museum/Collection/akg-images event date : 1890 image date : 1890/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAD STORM ; TEMPEST ; SEVERE STORM/BLUE/CLOUD/DUTCH ART/FARMING/FIELD/GRAIN/GRAIN FIELD/GRAIN GROWING/IMPRESSIONISM/JULY/LANDSCAPE ; SCENERY/METEOROLOGY/NETHERLANDISH ART/SEASONS/SKY/STORM/SUMMER/WEATHER/WHEAT geography : AUVERS-SUR-OISE/FRANCE technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 123248671

鑑真の肖像

Priest in Meditation, Muromachi period (1392–1573), 15th century, Japan, Hanging scroll; color on silk, 35 x 15 1/4 in. (88.9 x 38.7 cm), Paintings, This figure bears a close resemblance to the famous dry-lacquer statue in Toshodai-ji temple of the blind Chinese priest Jianzhen (Ganjin in Japanese; 688–763), who, overcoming great obstacles, arrived in Japan in 753

RM 100953362

ウィリアム・ホルマン・ハント「自画像」

Author:WILLIAM HOLMAN HUNT (1827-1910) Description:Self-portrait. Date/Period: 1845. Painting. Oil on canvas. Width: 394 mm. Height: 457 mm. Technique:painting Dimensions:Width: 394 mm. Height: 457 mm Location:Birmingham Museum and Art Gallery Image size:4874 x 5692 pixels (41.3 x 48.2 cm @ 300 dpi) 79.4 MB

RM 77231057

ジャック＝ルイ・ダヴィッド 「レカミエ夫人の肖像」

Récamier, Julie, geb. Bernard; franz. Schriftstellerin; (ihr Salon war Treffpunkt der Opposition gegen Napoleon). Lyon 4.12.1777 – Paris 11.5.1849. "Madame Récamier". Gemälde (unvollendet), 1800, von Jacques-Louis David (1748–1825). Oil on canvas, 174 × 244 cm. INV. 3708 Paris, Musée du Louvre.

RM 72692281

オスカー・シュレンマー「自画像」

Oskar Schlemmer, self portrait, painting 1931/32/ Oskar Schlemmer. /German painter, sculptor and stage desinger, Stuttgart/(Germany) 4.9.1888 – Baden-Baden (Germany) 13.4.1943./"Selbstbildnis mit erhobener Hand" (Self portrait with raised hand), 1931/32./Watercolour on handmade paper, 53.9 × 39.5cm./Inv. no. K.Z. 140/Collection Kamm,Zug, Kunsthaus./Oskar Schlemmer, Bauhaustreppe/ 1932/

RM 53104896

ジャン・フーケ 「聖母の死」

J.Fouquet, Death of Mary / Illumination Fouquet, Jean c. 1415/20 – 1477/81. "Death of Mary", c. 1455. Illumination, on parchment, c. 16.5 x 12 cm (copped end of 17th century). From: "Livre d'heures d'Étienne Chevalier" (Book of Hours o. French treasurer Étienne Chevalier), 5th image of "Heures de la Vierge", Ms. fr. 71 Chantilly, Musée Condé. Identifier : AKG270205 Artist : JEAN FOUQUET Museum Chantilly, Musée Condé source : akg-images credit line : akg-images event date : 1455 image date : 1450 Time Period 15TH CENTURY 2ND MILLENNIUM A.D. topic : APOSTEL BIBLE BOOK OF HOURS CHRISTIANITY DEATH DEATH OF THE VIRGIN DEATHBED DYING FRENCH ART GOTHIC ART IMMORTALITY KINGDOM OF HEAVEN ; HEAVEN LATE GOTHIC LIFE AFTER DEATH LIFE OF THE VIRGIN NEW TESTAMENT PALLIATIVE CARE ; CARING FOR DYING RELIGION SOUL Person CHRIST ETIENNE CHEVALIER MARY ST. JOHN THE EVANGELIST ; JOHN THE EVANGELIST ST. PETER Title STUNDENBUCH DES ETIENNE CHEVALIER technique : BOOK ILLUMINATION PAINTING (technique) Size 2527px × 3364px (24 MB) 21.3 cm × 28.4 cm @ 300 dpi

RM 32291195

サルバドール・ダリ 「亡き兄の肖像」

作家名： サルバドール・ダリ ( 1904年 - 1989年 ) タイトル： 亡き兄の肖像 国籍： スペイン ジャンル　： シュルレアリスム Dali, Salvador.1904-1989. "Portrait de mon frere mort" (Portrait of my dead brother), 1963. Oil on canvas, 175 × 175cm. Switzerland, Private Collection. Collection of The Salvador Dali Museum, Identifier : AKG992777 Location : St Petersburg, Salvador Dali Museum Artist : SALVADOR DALI source : akg-images credit line : akg-images event date : 1963 image date : 1963 Time Period :1960S 20TH CENTURY 2ND MILLENNIUM A.D. topic : BROTHER BROTHER OF CELEBRITY COMMEMORATING THE DEAD ; MEMORIAL TO THE DEAD DEATH MAN MEMORY PORTRAIT SPANISH ART SURREALISM YOUNG MAN technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size: 4961px × 4920px (~9 MB / ~69 MB unc.) 42.0 cm × 41.6 cm (300dpi) Special Formats 5955px × 5906px (~78 MB / ~101 MB unc.) TIFF 50.4 cm × 50.0 cm (300dpi)

RM 21644783

マーク・ロスコ 「オレンジ、赤、黄」

Title： Orange, Red, Yellow, 1961 (oil on canvas) Artist： Rothko, Mark (1903-70) Location： Private Collection Dimensions： 236.2x206.4 Date： 1961 Medium： oil on canvas

RM 20970896

エジプト　ネフェルタリの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor - Valley of the Queens. Tomb of Nefertari. Annex to antechamber. Mural paintings. Queen before divine entity representing Osiris resting in Ra in circle of goddesses Isis and Nephthy (Dynasty 19, Ra

RM 164767077

エドワード・バーン＝ジョーンズ「コフェテュア王と乞食娘」

Burne-Jones,Edward (1833-1898), King Cophetua and the beggar maid. In a poem by Alfred Lord Tennyson, the African King Cophetua disdains women, but in the end falls in love with a beggar maid. Oil on canvas (1884) - 293.4 x 135.9 cm

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 140177901

吉田博「利根川」

Yoshida Hiroshi, 1867–1950. Tone River, 1926. Color woodblock print, 27.4 × 40.9 cm. Inv. No. 1990.607.333, Chicago, Art Institute.

RM 130479759

葛飾北斎「雪月花　隅田」

??? ??, Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka), Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/2 in. (24.8 x 36.8 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Hokusai's snowy landscape at Mukojima along the Sumida River is similar to his pupil Katsushika Isai's fan painting, seen on the right. At the lower right of Hokusai's print is a small shrine, the Umewaka Jinja, dedicated to a little boy who was kidnapped and died there in ancient times Identifier : AKG6257746/Collection/Artokoloro Quint Lox Limited / Liszt Collection topic : EDO PERIOD/FLOWER/INK/LITTLE BOY/MOON/PAPER/SNOW geography : JAPAN/TOKYO/YEDO/Person/HOKUSAI

RM 118591051

ジョージ・スタッブス「ホイッスルジャケット」

Stubbs, George, 1724 – 1806, English painter. Whistlejacket, 1762. (His most famous victory was in a race over four miles for 2000 guineas at York in August 1759). Oil on canvas, 292 × 246.4 cm. London, National Gallery.

RM 115920867

ジョヴァンニ・ジローラモ・サヴォルド「マグダラのマリア」（部分）

Giovanni Girolamo SAVOLDO: On the Sunday morning after the Crucifixion, Mary Magdalene visited the tomb of Jesus, but found it empty. The story is recounted in the New Testament (John 20), and Mary Magdalene is here identified by the pot of ointment with which she anointed Christ’s body, and by the glimpse of her traditional red dress beneath a silver-grey cloak. She was the first person to see Christ after the Resurrection. Several other versions of this composition by Savoldo are known. The landscape background appears to represent Venice and its lagoon. Oil on canvas, 89.1 × 82.4 cm, about 1535–40 London, National Gallery.

RM 102725016

高橋松亭「伊豆稲取」

Author:TAKAHASHI HIROAKI (SHOTEI) (1871-1944) Description:Inatori Bay in Izu. Takahashi Hiroaki (Shotei); Japanese, 1871-1945. Date: 1926. Dimensions: 26.0 x 38.1 cm (10 1/4 x 15 in.). Color woodblock print; oban. Origin: Japan. Dimensions:26.0 x 38.1 cm (10 1/4 x 15 in.) Museum:The Chicago Art Institute, Chicago, U. S. A.

RM 83835927

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Bust of Patroclus, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.4 New York, Metropolitan Museum of Art.

RM 79482596

ティントレット 「天の川の起源」

国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス　ヴェネツィア派 Tintoretto (real name: Jacopo Robusti). Italian painter, 1518–1594. –– "The Origin of the Milky Way", c. 1575. – (Jupiter, holds the infant Hercules to the breasts of the sleeping Juno. The milk which spurted upwards formed the Milky Way.) Oil on canvas, 149.4 × 168cm. Inv. No. NG1313. London, National Gallery.

RM 62547502

クリムト 「ひまわりの園（ヒマワリの園、向日葵の園）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Gustav Klimt / 'Garden with Sunflowers', c. 1907, Oil on canvas, 110 x 110 cm. Museum: Österreichische Galerie Image size: 4321 x 4320 pixels (36.6 x 36.6 cm @ 300 dpi) 53.4 MB

RM 62418776

マネ 「オリエンタル風の衣装をまとった若い女」

Manet, Edouard 1832–1883. "Jeune femme en costume oriental (La Sultane) " (Young woman wearing oriental dress / The Sultana), c. 1871/76. Oil on canvas, 92 × 73cm./Zurich, G.Buehrle Collection. Identifier : AKG337145 Artist : EDOUARD MANET/Museum/Zurich, E. G. Buehrle Collection/Collection/akg-images event date : 1876 image date : 1876/Time Period/19TH CENTURY topic : ETHNOLOGY/FAN (ACCESSORY)/FOLK COSTUME ; TRADITIONAL COSTUME ; NATIONAL DRESS/FRENCH ART/IMPRESSIONISM/ORIENTALISM/PORTRAIT/ROBE ; GOWN/SULTANA/TRANSPARENT ; SEE-THROUGH/WATER PIPE (TOBACCO)/WOMAN geography : TURKEY (COUNTRY) technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2604px × 3364px (25 MB) / 22.0 cm × 28.4 cm @ 300 dpi Special Formats : 2984px × 3854px (33 MB) TIFF/25.3 cm × 32.6 cm @ 300 dpi

RM 62149144

「ガルバ胸像」

Bust of Galba / 17th century Galba, Servus Sulpicius. Roman Emperor (68/69), 3 BC- 15.1.69 AD. Bust of Galba. Sculpture, 17th century. Marble. Hall of busts of emperors. Rome, Musei Capitolini. Identifier : AKG274439 Museum Rome, Musei Capitolini Collection akg-images credit line : akg-images event date : 68 image date : 1680 Time Period 1ST CENTURY 1ST MILLENNIUM A.D. ANCIENT WORLD ; ANTIQUITY topic : BAROQUE BUST (SCULPTURE) ; BUST EMPEROR HISTORY MAN MARBLE (STONE) ; MARBLE PERSON PORTRAIT ROMAN EMPIRE geography : ITALY ROME Person SERVIUS SULPICIUS GALBA technique : SCULPTURE SCULPTURE IN THE ROUND ; FULL SCULPTURE Size 3319px × 4065px (38 MB) 28.1 cm × 34.4 cm @ 300 dpi

RM 58824310

カンディンスキー 「コンポジションⅦ」

所蔵：レンバッハハウス美術館 作家名： ワシリー・カンディンスキー ( 1866年 - 1944年 ) タイトル：「コンポジションⅦ」 国籍： ロシア ジャンル　： ドイツ表現主義 "Study for Composition VII", 1913. Oil and tempera on canvas,/78.5 x 100.5 cm./Inv. no. GMS 63./Munich, Lenbachhaus. Artist : WASSILY KANDINSKY/Museum/Munich, Lenbachhaus image date : 1913/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ABSTRACT ART/ART/RUSSIAN ART/STUDY/THE BLUE RIDER technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3904px (55 MB) / 42.0 cm × 33.0 cm @ 300 dpi Special Formats : 7559px × 5949px (129 MB) TIFF / 64.0 cm × 50.4 cm @ 300 dpi

RM 50211932

カロリュス・デュラン 「喜び楽しむ人々」

Title: Merrymakers, 1870 (oil on canvas) creator: Carolus-Duran, Charles Emile Auguste (1837-1917) Nationality: French Location: Detroit Institute of Arts, USA Medium: oil on canvas Date: 1870 (C19th) Dimensions: 90.2x139.7 cms Credit: Merrymakers, 1870 (oil on canvas), Carolus-Duran, Charles Emile Auguste (1837-1917) / Detroit Institute of Arts, USA / Founders Society Purchase, R.H. Tannahill Foundation fund / Bridgeman Images

RM 124720906

エドマンド・デュラック「アンデルセン童話」の挿絵

3760003 Hans Christian Andersen 's 'The Garden of Paradise' by Dulac, Edmund (1882-1953); (add.info.: Hans Christian Andersen 's 'The Garden of Paradise'-illustration by Edmund Dulac, 1911. Caption: 'The Fairy dropped her shimmering garment, drew back the branches, and a moment after was hidden within their depths'. HCA: Danish author, fairy tale writer, and poet, 2 April 1805- 4 August 1875. Stories from Hans Andresen, Published by George H. Doran Company, New York, p. 147); Lebrecht Authors; English, in copyright. PLEASE NOTE: This image is protected by the artist's copyright which needs to be cleared by you. If you require assistance in clearing permission we will be pleased to help you.

RM 107062496

川瀬巴水「白鷺城」

所蔵：シカゴ美術館 kawase hasui. Shiragashi Castle (Shiragashijo). Kawase Hasui ?? ??; Japanese, 1883-1957. Date: 1948. Dimensions: 39.7 x 26.6 cm (paper); 36.5 x 24.4 cm (block). Color woodblock print. Origin: Japan.

RM 104351512

レオナルド・ダ・ヴィンチ「サルバトール・ムンディ(救世主)」

Leonardo da Vinci (15.04.1452 Vinci (Tuscany, Italy) – 02.05.1519 Amboise, France) italian universal artist Salvator Mundi, circa 1500 (attributed to Leonardo da Vinci or Bernardo Luini) Oil on wood, 65.6 cm x 45.4 cm (25.8 in x 19.2 in) Abu Dhabi, Louvre Abu Dhabi.

RM 87553668

レオナルド・ダ・ヴィンチ 「アトランティコ手稿」

Leonardo Da Vinci (1452-1519), Codex Atlanticus, sheet 1090 verso. Crank spinning machine with many details; on the left, note on fire and quintessence; note on men skin color., Location:Biblioteca Ambrosiana

RM 83412859

マネ 「自画像」

Edouard Manet, French painter, Paris 23.1.1832 - ibid 30.4.1883. "Self Portrait", 1878/79. Oil on canvas, 95 × 63 cm. Ishibashi Foundation, Tokyo, Bridgestone Museum of Art.

RM 81879516

フェルメール 「牛乳を注ぐ女」

Maid with milk jug Vermeer, Jan (Johannes), called Vermeer van Delft; 1632–1675. "Maid with milk jug", c. 1658/60. Oil on canvas, 45.4 × 40.6cm. Amsterdam, Rijksmuseum.

RM 81322019

アリ・シェフェール「慰めのキリスト」

Title: Christus Consolator, 1851 (oil on canvas) Creator: Scheffer, Ary (1795-1858) Nationality: Dutch Description: inspired by Luke 4:18: "I have come to comfort those who are brokenhearted and to announce to the prisoners their deliverance; to liberate those who are crushed by their chains." The "brokenhearted" are depicted to the left. A kneeling woman mourns her dead child, while in the background (from left to right) we see an exile with his walking stick, a castaway with a piece of ship's wreckage in his hand, and a suicide with a dagger. Placed near these groups are Torquato Tasso, a sixteenth-century poet imprisoned as a madman, and figures representing the three ages of women. To the right of Christ are the oppressed of both the past and present, among them a Roman slave, a medieval serf, a Greek independence fighter, and a fettered African slave. With his left hand Christ releases from his shackles a dying man, who personifies Poland with the shattered weapons of his failed 1832 insurrection against Russia by his side. The repentant Mary Magdalene kneels beside Christ. Location: Minneapolis Institute of Arts, MN, USA Medium: oil on canvas Date: 1851 (C20th) Dimensions: 65.1x87.6 cms

RM 66148664

アンリ・ルソー 「戦争」

作家名： アンリ・ルソー ( 1844年-1910年 ) 国籍： フランス ジャンル： 印象派　素朴派　ナイーヴ派 War Rousseau, Henri 1844-1910. "War", 1894. Oil on canvas, 114 × 195cm. Paris, Musée d'Orsay. Identifier : AKG452037 Artist : HENRI ROUSSEAU Museum Paris, Musée d'Orsay Collection Laurent Lecat credit line : akg-images / Laurent Lecat event date : 1894 image date : 1894 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : ALLEGORY ANIMAL ANTI-WAR ART ART BATTLEFIELD ; BATTLEGROUND CORPSE ; CADAVER DEAD SOLDIERS ; CASUALTIES (FATAL) DISCORD ; DISSENSION FRENCH ART HISTORY HORSE HORSEBACK-RIDING ; HORSE RIDING ; EQUITATION NAIVE ART NAIVE PAINTING PERSONIFICATION RIDER (MALE) ; EQUESTRIAN (RIDER) SWORD TORCH (FLAME) TREE VICE WAR Person DISCORDIA technique : PAINTING (OBJECT) PAINTING (technique) Size 3364px × 1932px (18 MB) 28.4 cm × 16.3 cm @ 300 dpi

RM 55936506

ドミニク・ヴィヴァン・ドノン 挿絵「ボナパルト将軍麾下の上下エジプト紀行」

Luxor / Amun Temple / Entrance / Denon Luxor, Luksor, Arabic El-Uksur (Upper E-gypt); Amun Temple (built under Amenhotep III c. 1400 B.C.). Entrée de Louqssor". Etching based on drawing by Dominique Vivant Denon (1747–1825), 16.5 x 23 cm. From D.V.Denon, Voyage dans la Basse et la Haute Égypte…, Paris 1802,/pl. 50, No. 1. Paris, private collection. source : Gilles Mermet / Gilles Mermet image date : 1802/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ANCIENT EGYPT/ARCHITECTURE/BOOK ILLUSTRATION/EGYPTIAN EXPEDITION/FRENCH ART geography : HISTORY/ILLUSTRATION/OBELISK/PYLON/TEMPLE/TOPOGRAPHY geography : AMUN TEMPLE ; TEMPLE OF AMUN/EGYPT/LUXOR/Person/DOMINIQUE VIVANT DENON/Title/VOYAGE DANS LA BASSE ET LA HAUTE EGYPTE technique : ETCHING/GRAPHIC ART ; GRAPHIC ARTS/PRINTED GRAPHICS Size : 2416px × 3364px (23 MB) / 20.4 cm × 28.4 cm @ 300 dpi

RM 51106489

エリザベート・ルイーズ・ヴィジェ・ルブラン 「自画像」

Vigée Le Brun, Louise Élisabeth,/16.4.1755 – 20.3.1842,/French painter. "Self-portrait", 1790. Oil on canvas, 100 x 81 cm. Florence, Galleria degli Uffizi. Identifier : AKG348613 Artist : ELISABETH-LOUISE VIGEE-LEBRUN/Museum/Florence, Galleria degli Uffizi source : Nimatallah / Nimatallah event date : 1800 image date : 1800 topic : ART BY WOMEN Artist : (FEMALE) Artist : AT WORK/BOW (CLOTHES)/COLLAR/FASHION ; STYLE/HEAD COVERING/LACE COLLAR/LACE CUFF/PAINTBRUSH/PAINTER (FEMALE) ; PAINTER/PAINTING (ACTIVITY)/PALETTE/PERSON/PORTRAIT/SASH/SCARF/SELF-PORTRAIT/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/TURBAN/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE technique : PAINTING (OBJECT)/PAINTING (technique)/ Size : 2560px × 3364px (24 MB) 21.6 cm × 28.4 cm @ 300 dpi/Special Formats/2861px × 3759px (31 MB) TIFF/24.2 cm × 31.8 cm @ 300 dpi

RM 20940172

「アメンホテプ四世（アクエンアテン）立像」

Egyptian civilization, New Kingdom, Dynasty XVIII. Limestone pillar statue of Amenhotep IV (Akhenaten), from the Aton Temple at Karnak. location : Cairo, Egyptian Museum

RM 172883075

西村五雲

Tiger, Nishimura Goun (Japanese, 1877-1938), Meiji, 1877-1938, ink, color and gold on silk, 50-3/4 x 16-1/2 in. (image) 84-1/2 x 24 in. (overall), Signed: Goun Seal: Goun, Asian Art

RM 149231083

ジョン・コンスタブル 「干し草車」

国籍： イギリス ジャンル　： ロマン主義 Title： The Hay Wain, 1821 (oil on canvas) Artist： Constable, John (1776-1837) Location： National Gallery, London, UK Dimensions： 130.2x185.4 Date： 1821 Medium： oil on canvas 14116169

RM 140177818

吉田博「弘前城」

桜八題 Yoshida Hiroshi, 1867–1950. Hirosaki Castle, from the series “Eight Views of Cherry Blossoms”, 1935. Color woodblock print, 40.5 × 26.4 cm. Inv. No. 1990.607.277, Chicago, Art Institute.

RM 84632913

カラヴァッジョ「音楽家たち」

所蔵: メトロポリタン美術館 Caravaggio (Michelangelo Merisi) 1571-1610. The Musicians, Painting, ca. 1590-1600. Oil on canvas, 92.1 × 118.4 cm. Inv. Nr. 52.81 New York, Metropolitan Museum of Art.

RM 83892924

ムンク「桟橋の女性たち」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Author: Edvard Munch (1863-1944) Description: Translate with Google MUJERES SOBRE EL PUENTE - 1935 - 110x130 - EXPRESIONISMO Location: MUSEO MUNCH • OSLO Image size: 4251 x 3591 pixels (36.0 x 30.4 cm @ 300 dpi) 43.7 MB

RM 83841830

尾形光琳「八橋図」

所蔵: メトロポリタン美術館 Korin 1658-1716. Irises at Yatsuhashi (Eight Bridges), Folding screen, ca. 1710-1716. Edo period (1615-1868). Pair of six-panel folding screens; ink and color on gold leaf on paper, 163.7 × 352.4 cm. Inv. Nr. 53.7.1, New York, Metropolitan Museum of Art.

RM 70449952

ヤコポ・アミゴーニ「ヤエルとシセラ」

Amigoni, Jacopo 1682–1752. "Jael und Sisera", um 1518. (Jael tötet den Feldhauptmann Sisera; –Richter 4,4–24). Oil on canvas. Museo del Settecento Veneziano, Venedig, Ca' Rezzonico.

RM 62414579

ベラスケス 「東方三博士の礼拝」

Velazquez, Diego 1599–1660. "The Adoration of the Magi", 1619. Oil on canvas, 203 × 125cm./Madrid, Museo del Prado. Identifier : AKG52602 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection/akg-images event date : 1619 image date : 1619/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ADORATION OF THE MAGI ; ADORATION BY THE MAGI/BAROQUE/BIBLE/CHRISTIANITY/CHRIST'S INFANCY ; JESUS' CHILDHOOD/NEW TESTAMENT/RELIGION/SPANISH ART/THREE MAGI ; THREE WISE MEN ; THREE KINGS technique : PAINTING (OBJECT)/PAINTING (technique) Size : 3126px × 4961px (44 MB) / 26.4 cm × 42.0 cm @ 300 dpi Special Formats : 6439px × 10218px (188 MB) TIFF/54.5 cm × 86.5 cm @ 300 dpi

RM 62343639

歌川国芳 「たとえ尽の内　右図」

Japan: Four cats adopting different feline postures. Utagawa Kuniyoshi, a noted cat lover (1797/8 -1862)/Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Pictures From History topic : ART/CAT/HISTORY/JAPANESE ART geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3500px × 5131px (51 MB) ; 29.6 cm × 43.4 cm @ 300 dpi

RM 59811951

クロード・モネ 「ルーアン大聖堂の正面とアルバーヌ塔（夜明け）」　

タイトル：「ルーアン大聖堂の正面とアルバーヌ塔（夜明け）」 フランスの画家 ジャンル： 印象派 所蔵：ボストン美術館 Rouen Cathedral: The Portal and the Tour d'AlbaneMonet, Claude 1840–1926./"Rouen Cathedral: The Portal and the Tour d'Albane" (Dawn), 1894./Oil on canvas, 106 × 74cm. The Tompkins Collection,/Boston, Museum of Fine Arts. Artist : CLAUDE MONET MUSEUM/BOSTON, MUSEUM OF FINE ARTS image date : 1894TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECTURE/CATHEDRAL/FRENCH ART geography : FRANCE/ROUEN/TOUR D'ALBANE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2307px × 3364px (22 MB) / 19.5 cm × 28.4 cm @ 300 dpi Special Formats : 4395px × 6368px (80 MB) TIFF / 37.2 cm × 53.9 cm @ 300 dpi

RM 53104899

ジャン・フーケ 「聖霊降臨日」

J.Fouquet, Diffusion of the Holy Ghost Fouquet, Jean; c. 1415/20 – 1477/81. "The Diffusion of the Holy Ghost", c. 1455. Illumination, on parchment, c. 16.5 x 12 cm (cropped end of 17th century. From: "Livre d'heures d'Étienne Chevalier" (Book of Hours o. French treasurer Étienne Chevalier), 1st image of "Heures du Saint-Esprit", Ms. fr. 71 Chantilly, Musée Condé. Identifier : AKG270213 Artist : JEAN FOUQUET Museum Chantilly, Musée Condé source : akg-images credit line : akg-images event date : 1455 image date : 1455 Time Period 15TH CENTURY 2ND MILLENNIUM A.D. topic : ACTS OF THE APOSTLES ; ACTS (BIBLE) APOSTEL BIBLE BOOK OF HOURS CHRISTIANITY DECORATIVE CHARACTERS ; ORNAMENTAL SCRIPT EFFUSION OF THE HOLY GHOST FOLDED HANDS ; PRAYING HANDS FRENCH ART GOTHIC ART HEAD-ON VIEW ; CENTERED SHOT INSIDE VIEW LATE GOTHIC LATIN (LANGUAGE) NEW TESTAMENT PAINTING OF ARCHITECTURE PENTECOST ; WHITSUN ; WHITSUNTIDE PIGEON PRAYER RELIGION Person ETIENNE CHEVALIER HOLY SPIRIT ; HOLY GHOST MARY Title STUNDENBUCH DES ETIENNE CHEVALIER technique : BOOK ILLUMINATION PAINTING (technique) Size 2440px × 3364px (23 MB) 20.6 cm × 28.4 cm @ 300 dpi