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RM 14843936

セザンヌ 「大きな松のあるサント＝ヴィクトワール山」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「大きな松のあるサント＝ヴィクトワール山」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist：Cezanne, Paul (1839-1906) Title：Montagne Sainte-Victoire, c.1887 (oil on canvas) Nationaly：French Location：Samuel Courtauld Trust,The Courtauld Gallery, London, UK Medium：oil on canvas 　 Date：1887 (C19th) Size：66.8x92.3 cms

RM 88969

レオナルド・ダ・ヴィンチ 「白貂を抱く貴婦人」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル：白貂を抱く貴婦人 国籍： イタリア ジャンル： ルネサンス Title： The Lady with the Ermine (Cecilia Gallerani), 1496 (oil on walnut panel) Artist： Vinci, Leonardo da (1452-1519) Location： c Czartoryski Museum, Cracow, Poland Dimensions： 53.4x39.3 Date： 1496 Medium： oil on walnut panel

RM 935412

ルネ・マグリット 「大家族」

作家名： ルネ・マグリット ( 1898年 - 1967年 ) 国籍： ベルギー ジャンル： シュルレアリスム Artist: Magritte, Rene,1898-1967 Imagetitle: The great family. Dimensions: 100,3 x 81,2 cm Location: Coll.Nellens, Knokke-le-Zoute

RM 954547

ルーベンス 「十字架昇架の三連祭壇画」（中央が「キリスト昇架」）

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) タイトル：「キリスト昇架」 国籍： フランドル ジャンル： バロック Artist: Rubens, Peter Paul,1577-1640 Imagetitle: The Raising of the Cross (Triptych). 1610 Dimensions: 462 x 341 cm Medium: Oil on Wood Location: Antwerpen, Kathedrale

RM 938886

ヒエロニムス・ボス 「干草の車（三連祭壇画）」

作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) タイトル：「干草の車（三連祭壇画）」 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Artist: Bosch, Hieronymus,1453-1516 Imagetitle: Triptych, The Haywain. (Totale, opened) About 1490 Dimensions: 140 x 232 cm. Medium: Oil/Wood Location: Madrid, Museo del Prado

RM 154308594

吉田博「落合徳川ぼたん園」

東京拾二題 FSG348925 Tokugawa Peony Garden, from the series, Twelve Scenes of Tokyo, Showa era, 1928 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 27.6 x 41.3 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, out of copyright.

RM 145092815

ピエトロ・ベンヴェヌーティ「月光と蝋燭の灯火で手紙を読む皇帝ナポレオン」

TFJ225934 Napoleon (1769-1821) reading a letter by candle and moonlight, 1810 (oil on canvas) by Benvenuti, Pietro (1796-1844); 122x96.3 cm; Tokyo Fuji Art Museum, Tokyo, Japan; Italian, out of copyright.

RM 131422651

石川豊信「花下美人」

Toyonobu Ishikawa, 1711–1785. Print shows a woman, full-length, standing, hanging poems in a blossoming cherry tree. 1741, printed later. Woodcut, color; 59.3 × 25.3 cm (sheet).

RM 123083526

北斎「冨嶽三十六景 従千住花街眺望ノ不二」

前北斎為一筆

RM 83113991

ムンク 「橋の上の少女たち」

Munch, Edvard. 1863–1944. "Mädchen auf der Brücke", um 1900. Oil on canvas, 83,5 × 128,5 cm. Inv. Nr. 5052 Hamburg, Kunsthalle.

RM 78176869

マルカントニオ・ライモンディ「パリスの審判」

Author: MARCANTONIO RAIMONDI (ca. 1480-before 1534) • AFTER RAPHAEL (RAFFAELLO SANZIO OR SANTI) (1483-1520) Title: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess Description: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm). Date: ca. 1510-20. A masterpiece of Renaissance printmaking, the Judgment of Paris represents a highpoint in the collaboration between the painter Raphael and the great Italian engraver Raimondi. This scene is one of a group of exceptional compositions Raphael designed specifically for Marcantonio to engrave, which, according to Giorgio Vasari, 'amazed all of Rome.' It demonstrates the meticulously ordered systems of hatching that Marcantonio developed to achieve the richest possible tonal effects, which was to influence generations of engravers. Depicted here is the incident that sparked the Trojan War: Paris being forced to decide which goddess--Juno, Minerva, or Venus--was the most beautiful. He chose Venus, seen receiving the golden apple upon promising to help him woo the most beautiful woman alive, Helen of Troy. Recognized by Vasari as one of Marcantonio's early Roman works of 1510-1511, and this date was supported by Delaborde; Shoemaker dated it between 1517-1520; more recently, Mason and Oberhuber date it between 1515-1516. Technique:engraving Dimensions:Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm) Location: EUROPE • ITALY Museum: Metropolitan Museum of Art, New York, USA Collection: Album Image size: 4192 x 2809 pixels (35.5 x 23.8 cm @ 300 dpi) 33.7 MB

RM 70450000

カラヴァッジョ 「ホロフェルネスの首を斬るユディト」

国籍： イタリア ジャンル： バロック Judith and Holofernes (detail) by Caravaggio (Michelangelo Merisi) (1571-1610) canvas (inv. 2533) National Gallery of Ancient Art (Galleria Nazionale d'Arte Antica) - Palazzo Barberini - Rome, Italy - 2017.

RM 70449868

セザンヌ「骸骨のある静物」

Cézanne, Paul 1839–1906. "Nature morte au crâne" (Stilleben mit Totenschädel), 1895/1900. Oil on canvas, 54,3 × 65 cm. Merion (Pa), the Barnes Foundation. ----------------------------------------------------------------- 作家名： ポール・セザンヌ ( 1839年 - 1906年 ) フランスの画家 ジャンル： 印象派　ポスト印象派

RM 66312128

ベラスケス 「バラ色のドレスのマルガリータ王女」

Author: Diego Velázquez (Diego Rodriguez de Silva y Velázquez) (1599-1660) Description: CASA REAL ESPAÑOLA. Infanta Margarita, niña. Museum: KUNSTHISTORISCHES MUSEUM Feature: The fan in paintings Image size: 3574 x 4751 pixels (30.3 x 40.2 cm @ 300 dpi) 48.6 MB

RM 66312267

ベラスケス「セビーリャの水売り」

Artist:Velazquez, Diego Rodriguez de, 1599-1660 Title:Der Wasserverkäufer von Sevilla. 1616/1620. Dimensions: 104 x 75 cm Location:Florenz, Galleria degli Uffizi

RM 66312434

ベラスケス 「セビーリャの水売り」

The Waterseller of Seville (El aguador de Sevilla) by Diego Rodriguez de Silva y Velazquez, 1618-1622. Oil on canvas, 105 cm × 80 cm. DV: Spanish painter (1599- 1660). Courtesy of Apsley House/ Wellington Museum, London, UK.

RM 20776442

歌川広重 「不二三十六景　甲斐大月原」

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RM 20401904

三代歌川豊国(歌川国貞)　二代歌川広重　合作 「江戸自慢三十六興　池上本門寺会式」

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RM 123083524

北斎「冨嶽三十六景 礫川雪ノ旦」

前北斎為一筆

RM 70449158

ハンス・メムリンク 「最後の審判（三連祭壇画」

作家名： ハンス・メムリンク ( 1433年 - 1494年 ) タイトル：「最後の審判（三連祭壇画」 国籍： フランドル ジャンル　： ルネサンス　ネーデルランド絵画　初期ネーデルランド絵画 Title: The Last Judgement, 1473 (oil on panel) (see also 178090) Creator: Memling, Hans (c.1433-94) Nationality: Netherlandish Description: commissioned by Angelo di Jacopo Tani; Location: c Muzeum Narodowe, Gdansk, Poland Medium: oil on panel Date: 1473 (C15th) Dimensions: 222x321 in total cms Credit: The Last Judgement, 1473 (oil on panel) (see also 178090), Memling, Hans (c.1433-94) / c Muzeum Narodowe, Gdansk, Poland / Bridgeman Images Keywords: Christ Gates of Paradise Heaven angel archangel Michael balance condemned damned evil good hell judge judged majesty orb rainbow righteous scales sinner soul virtuous weighing souls

RM 66752116

アルブレヒト・アルトドルファー 「イッソスの戦い（アレクサンドロス大王の戦い）」

Albrecht Altdorfer (1480-1538). German artist, member of the Danube School. The Batlle of Alexander at Issus, 1529. It portrays the 330 BC Batlle of Issus, in which Alexander the Great secured a decisive victory over Daris III of Persia. Alte Pinakothek, Munich, Germany. Credit: Album / Prisma

RM 66312126

ベラスケス 「バラ色のドレスのマルガリータ王女」

Author: Diego Velázquez (Diego Rodriguez de Silva y Velázquez) (1599-1660) Description: Retrato de la Infanta Margarita a la edad de tres años/ 1652. Museum: KUNSTHISTORISCHES MUSEUM VIENA AUSTRIA Image size: 3406 x 4518 pixels (28.8 x 38.3 cm @ 300 dpi) 44.0 MB

RM 62547504

クリムト 「カンマー城の静かな池」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Still Pond. Image size: 5197 x 5197 pixels (44.0 x 44.0 cm @ 300 dpi) 77.3 MB

RM 60462037

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan, Gen. Vermeer van Delft. 1632-1675. "The painting art" (The allegory of painting, The painter and his model as Klio), c. 1665/66. Oil on canvas, 120 × 100 cm./Inv. No. 9182 / Vienna, Museum of Art History. Identifier: AKG452980 Artist: JAN VERMEER / Museum / Vienna, Kunsthistorisches Museum / Collection / akg-images eventdate: 1665 imagedate: 1665 / Time Period / 17. CENTURY / 2. YEARS topic: ALLEGORIE / ATELIER / BAROCK / PICTURE IN THE PICTURE / TILE / WOMAN / FOOTBALL / EYED / HISTORY / GREEK-ROMAN MYTHOLOGY / HERRENMODE / INSTRUMENT / INTERIEUR / ARTISTS / ARTISTS AT THE WORK / ARTIST / MODEL / LANDKARTE / LEUCHTER / MUSIC / MYTHOLOGY / DUTCH ART / PERSPECTIVES / POSAUNE / BACKGROUND / SITTING / STAFFELEI / STRUMP / CUFFS / CURTAIN / WORKSHOP (GENERAL) / Person / KLIO technique: PAINTING / PAINTING Size: 4110px × 4961px (58MB) / 34.7cm x 42.0cm @ 300dpi Special formats: 7361px × 8885px (187 MB) TIFF / 62.3 cm × 75.2 cm @ 300 dpi

RM 57997078

ジョセフ・ライト 「賢者の石を探す錬金術師」

Author: JOSEPH WRIGHT OF DERBY (1734-1797) Description: The Alchemist, 1770 Canvas,80,2 x 106 cm. Classification: PAINTING ~ ROMANTIC ~ 18th Location: Derby Museum and Art Gallery, Derby, Great Britain Image size: 3348 x 4269 pixels (28.3 x 36.1 cm @ 300 dpi) 40.9 MB

RM 53426790

ラファエロ 「エリザベッタ・ゴンザーガの肖像」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：エリザベッタ・ゴンザーガの肖像 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Author: Raphael (Raffaello Sanzio da Urbino) (1483-1520) Description: Elisabetta Gonzaga (1471-1526), wife of Guidobaldo Montrefelto of Urbino and central figure of " Il libro del Cortegiano" by Baldassare Castiglione, painted 1504. Wood, 52,5 x 37,3 cm Inv.1441. Classification: PAINTING ~ RENAISSANCE ~ 16th Personalities: GONZAGA, ELISABETTA, DUCHESS OF URBINO (1471-1526) Location: Uffizi, Florence, Italy

RM 21309585

ブーグロー 「アモールとプシュケ―子供たち」

Artist: Bouguereau, William Adolphe,1825-1905 Imagetitle: The first Kiss. 1889 Dimensions: 121,3 x 73 cm Medium: Oil/Canvas Location: Christie's Images Ltd

RM 20401186

歌川広重 「冨士三十六景　武蔵野毛横浜」

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RM 151982524

ホイッスラー「黒と金色のノクターン-落下する花火」

Nocturne in Black and Gold - the falling rocket, 1875. Canvas, 60.3 x 46.6 cm. Artist：Whistler,James Abbott PAINTER (1834-1903) Location：Institute of Art Detroit USA

RM 146188499

吉田博「マタホルン山　夜」

欧州シリーズ FSG348903 Matterhorn - Night, Taisho era, 1925 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 53.3 x 41 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, in copyright.

RM 145990944

鈴木春信 『お仙茶屋』

Author:SUZUKI HARUNOBU (1725-1770) Title:Osen Waiting on a Young Samurai Description:Osen Waiting on a Young Samurai. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban). Date: ca. 1770. The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine. A young samurai, two swords at his waist, sits on a bench in a relaxed pose and turns his face to look up at Osen, who approaches to serve him tea. The beautiful Osen and the handsome gallant are the very picture of stylish Edoites from the mid-eighteenth century. Technique:Polychrome woodblock print; ink and color on paper Dimensions:10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban) Periodo:Edo period (1615-1868) Location:ASIA • JAPAN Museum:Metropolitan Museum of Art, New York, USA Collection:Album Credit:Album / Metropolitan Museum of Art, NY

RM 140233384

小原 古邨

XOS5051871 Egret in the Snow, 1925-36 (colour woodcut) by Koson, Ohara (1877-1945); 36.3x32.3 cm; Rijksmuseum, Amsterdam, The Netherlands; Japanese, it is possible that some works by this artist may be protected by third party rights in some territories.

RM 140177866

吉田博「嵐山」

桜八題 Yoshida Hiroshi, 1867–1950. Arashiyama, from the series “Eight Scenes of Cherry Blossoms”, 1935. Color woodblock print, 40.5 × 27.3 cm. Inv. No. 1990.607.312, Chicago, Art Institute.

RM 123248672

藤原鎌足の肖像

Fujiwara no Kamatari as a Shinto Deity, Nanbokucho period (1336–92), after 1350, Japan, Hanging scroll; color on silk, Image: 34 x 15 in. (86.4 x 38.1 cm), Paintings, Fujiwara no Kamatari (614–699) is one of several historical figures deified in the religious tradition of Shinto. An important court minister, he was awarded the surname Fujiwara and became the first of the illustrious clan that would dominate Japanese court life from the tenth through the twelfth century

RM 118957318

クロード・モネ「サン＝ラザール駅」

Monet, Claude Paris 14.11.1840 – Giverny 6.12.1926, French painter. "The Gare St-Lazare", 1877 Oil on canvas, 54.3 × 73.6 cm. London, National Gallery.

RM 87953589

ゴッホ「イーゼルの前の自画像」

Gogh, Vincent van. Dutch painter; Groot-Zundert near Breda 30.3.1853 – (suicide) Auvers-sur-Oise 29.7.1890. "Self-portrait at the easel", beginning of 1888. Oil on canvas, 65 × 50.5cm. Amsterdam, Van Gogh Museum.

RM 77243956

クリムト 「ベートーヴェン・フリーズ第3壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 国籍：オーストリア ジャンル： アール・ヌーヴォー 所蔵: セセッション館 (ウィーン) Gustav Klimt (1862-1918). The "Beethoven Frieze". 40-17-06/2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02/26,27, 40-16-02/29 and 31. Total size of the frieze: 34,14m x 2,15 m.

RM 70845878

葛飾北斎「富嶽三十六景　礫川雪の旦」

国籍: 日本の浮世絵師 ジャンル: 浮世絵 年代: 19世紀、江戸時代・江戸時代後期

RM 20401181

歌川広重 「冨士三十六景　はこねの湖すい」

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RM 20180315

歌川広重 「東海道五十三対　江尻　羽衣」

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RM 149234327

マティス 「豪奢I」

Henri Matisse (1869-1954). Le Luxe I. Credit: Album / Fine Art Images

RM 140177758

吉田博「帆船　午前」

瀬戸内海集 Yoshida Hiroshi, 1876–1950. Sailing Boats: Forenoon (Hansen, gozen), from the series “Seto Inland Sea (Seto Naikai shu) ", 1926. Color woodblock print, 50.3 × 36 cm. Inv. No. 1985.1046b, Chicago, Art Institute.

RM 100557018

モーリス・ドニ「プリウレ前の自画像」

Denis, Maurice. French painter; Granville (Manche, France) 25.11.1870 – Paris 3.11.1943. “Autoportrait” (self-portrait), 1916. Oil on canvas, 68 × 80 cm. Inv. no. 8451 Florence, Galleria degli Uffizi.

RM 94830524

アデライド・ラビーユ・ギアール「弟子二人と一緒の自画像」

Adelaide Labille-Guiard (1749-1803). Self-portrait with Two Pupils, 1785, Oil on canvas Museum: METROPOLITAN MUSEUM OF ART

RM 83711131

ルーカス・クラーナハ 「ヴィーナスに訴えるキューピッド」

Cranach, Lucas the Elder, 1472–1553, German painter. Cupid complaining to Venus of being stung by bees while stealing a honeycomb. The inscription observes:‘Life’s pleasure is mixed with pain.’ Painting, c.1525. Oil on wood, 81.3 × 54.6 cm. London, National Gallery.

RM 83411626

ゴッホ 「自画像」

Gogh, Vincent van. Dutch painter, Groot-Zundert near Breda 30.3.1853 - (suicide) Auvers-sur-Oise 29.7.1890. "Self-Portrait". Paris, autumn 1887. Oil on canvas, 44.1-35.1cm. R.F. 1947-28 Paris, Musee d'Orsay.

RM 66855205

ヤン・ブリューゲル 1世 「木桶の中の大きな花束」

作家名： ヤン・ブリューゲル 1世 ( 1568年 - 1625年 ) 国籍： フランドル　ネーデルランド ジャンル　： バロック　 所蔵：美術史美術館 Author: Jan Brueghel the Elder (1568-1625) Description: Big Flower Bouquet in a wooden vessel, 1606 / 07 Oil on oakwood Size 98 x 73 cm Cat. 74, Inv. 570. Classification: PAINTING ~ BAROQUE ~ 16th Location: Kunsthistorisches Museum, Gemaeldegalerie, Vienna, Austria Image size: 3221 x 4366 pixels (27.3 x 37.0 cm @ 300 dpi) 40.2 MB

RM 66095764

アントワーヌ＝ジャン・グロ 「アルコレ橋のボナパルト(1798年11月17日)」(部分)

所蔵：ルーヴル美術館 Author: Antoine Jean Gros (1771-1835) Description: General Napoleon Bonaparte at the bridge of Arcole. Oil on canvas 73 x 59 cm RF 361. Classification: PAINTING ~ CLASSICISM ~ 18th Personalities: NAPOLÉON (1769-1821) Location: Louvre, Dpt. des Peintures, Paris, France Image size: 3341 x 4111 pixels (28.3 x 34.8 cm @ 300 dpi) 39.3 MB

RM 62548247

クリムト 「ストックレー・フリーズ－期待の原図」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Die Erwartung Klimt, Gustav. 1862-1918. "Die Erwartung", 1905/09. Werkvorlage zum Stocletfries. Mischtechnik auf Papier, 193,5 × 115 cm. Wien, Museum für angewandte Kunst. Identifier : AKG452624 Artist : GUSTAV KLIMT Museum Wien, Museum für angewandte Kunst Collection akg-images credit line : akg-images event date : 1905 image date : 1909 Time Period 2. JAHRTAUSEND N.CHR. 20. JAHRHUNDERT topic : ABSTRAKTION BAUM DEKORATION EINSAMKEIT ERWARTUNG FRAU FRAUENLEBEN FRIES JUGENDSTIL JUNGFRAU KUNST LEBENSBAUM LIBIDO ORNAMENTIK ÖSTERREICHISCHE KUNST PANNEAU SEHNSUCHT (GEFÜHL) SPIRALE STOCLETFRIES SYMBOLIK VERZIERUNG WARTEN WIENER SEZESSION geography : BRÜSSEL PALAIS STOCLET technique : GEMÄLDE MALEREI Size 2990px × 4961px (42 MB) 25.3 cm × 42.0 cm @ 300 dpi

RM 56706255

マネ 「オランピア」

作家名： エドゥアール・マネ ( 1832年 - 1883年 ) タイトル：「オランピア」 国籍： フランス ジャンル： 印象派 Olympia Manet, Edouard 1832–1883. "Olympia", 1863. Oil on canvas, 130 × 190cm. Paris, Musée d'Orsay. Identifier : AKG46499 Artist : EDOUARD MANET Museum Paris, Musée d'Orsay source : akg-images credit line : akg-images event date : 1863 image date : 1863 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : ARMLET ; ARMRING BEAUTY BED BED COVERS BLACK CAT BLACK WOMAN; BLACK FEMALE BOUQUET OF FLOWERS BOW (HAIR) CAT CHOKER EROTICISM FAMOUS WORKS OF ART ; FAMOUS MASTERPIECES FRENCH ART JEWELRY ; JEWELLERY LASCIVIOUSNESS LYING DOWN NONCHALANCE NUDE (ARTWORK) NUDITY ; NAKEDNESS PILLOW PILLOW ; CUSHION PRESENT (GIFT) PROSTITUTE SERVANT (FEMALE) SHAME SHOES ; SHOE TEXTILE WOMAN YOUNG WOMAN YOUTH geography : FRANCE OLYMPIA (GREECE) PARIS (CITY) Person OLYMPIA (MANET) VICTORINE MEURENT technique : PAINTING (OBJECT) PAINTING (technique) Size 4961px × 3352px (47 MB) 42.0 cm × 28.3 cm @ 300 dpi

RM 20777382

歌川貞虎 「見立三福神」

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RM 20778984

右田年英 「英雄三十六歌撰　羽柴秀吉の肖像」

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RM 20401893

二代 歌川広重 「東都三十六景　佃しま漁舟」

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RM 149246196

パブロ・ピカソ 「闘牛士の死」

作家名： パブロ・ピカソ ( 1881年 - 1973年 ) タイトル：「闘牛士の死」 国籍： スペイン ジャンル ： キュビスム Artist： Picasso, Pablo (1881-1973) Title： The Bullfight: The Death of the Bullfighter, 19th September 1933 (oil on panel) Nationaly： Spanish Location： Musee Picasso, Paris, France Medium： oil on panel Date： 1933 (C20th) Size： 31.2x40.3 cms 21811440

RM 145990889

鈴木春信 『お仙茶屋』

Osen Waiting on a Young Samurai, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine Identifier : AKG6252294 Collection : Artokoloro Quint Lox Limited Credit line : akg-images / Liszt Collection topic : EDO PERIOD/ENTRANCE/FAMILY/GATE/INK/KIMONO/PAPER/PAULOWNIA/SHRINE geography : CREST/JAPAN/TORII Person : SUZUKI HARUNOBU

RM 140177759

吉田博「帆船　午後」

瀬戸内海集 Yoshida Hiroshi, 1876–1950. Sailing Boats: Afternoon (Hansen, gogo), from the series “Seto Inland Sea (Seto Naikai shu) ", 1926. Color woodblock print, 50.3 × 36 cm. Inv. No. 1985.1046c, Chicago, Art Institute.

RM 140177919

吉田博「立山別山」

日本アルプス十二題 Yoshida Hiroshi, 1867–1950. Tateyama Betsuzan, from the series “Twelve Scenes of Japanese Alps”, 1926. Color woodblock print, 28.3 × 39.6 cm. Inv. No. 1990.607.343, Chicago, Art Institute.

RM 101116637

レンブラント「笑うレンブラント」

Rembrandt Laughing; Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669); Netherlands; about 1628; Oil on copper; 22.2 × 17.1 cm (8 3,4 × 6 3,4 in.)

RM 93824516

歌川国貞「忠臣蔵：堀部武庸と堀部弥次兵衛」

Kunisada Utagawa, 1786–1864. A scene from the drama “The Storehouse of the Loyalties.” The two figures in the image are the actors Horibe Yatsubei (Yasubei) and Horibe Yajibe. Ca. 1818–1830. Woodcut, color; 37.7 × 26.3 cm.

RM 92479597

橋本関雪

Author:HASHIMOTO KANSETSU (1883-1945) Description:Monkey. Date/Period: 1940. Japanese Painting. Color on silk. Height: 512 mm (20.15 in); Width: 571 mm (22.48 in). Technique:Japanese painting Dimensions:Height: 512 mm (20.15 in); Width: 571 mm (22.48 in) Location:Adachi Museum of Art Collection:Album Credit:Album Image size:3062 x 2752 pixels (25.9 x 23.3 cm @ 300 dpi) 24.1 MB

RM 83898199

ハブリエル・メツー「新生児の訪問」

Metsu, Gabriel 1629-1667. The Visit to the Nursery, Painting, 1661. Oil on canvas, 77.5 × 81.3 cm. Inv. Nr. 17.190.20 New York, Metropolitan Museum of Art.

RM 83892918

エドヴァルド・ムンク「接吻」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: EDVARD MUNCH (1863-1944) Description: The Kiss El Beso. Date/Period: 1897. Painting. Oil on canvas. 99x81 cm. Technique: painting Dimensions: 99x81 cm Location: Munch Museum Image size: 3109 x 3808 pixels (26.3 x 32.2 cm @ 300 dpi) 33.9 MB

RM 83892916

エドヴァルド・ムンク「病室での死」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: EDVARD MUNCH (1863-1944) Description: Death in the Sickroom Muerte en el cuarto del enfermo. Date/Period: 1893. Painting. Oil on canvas. 134x160 cm. Technique: painting Dimensions: 134x160 cm Location: Munch Museum Image size: 4526 x 3804 pixels (38.3 x 32.2 cm @ 300 dpi) 49.3 MB

RM 83835924

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Entrance Gateway, Queen's College, Oxford, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.3 New York, Metropolitan Museum of Art.

RM 73491489

アリ・シェフェール「「パオロとフランチェスカ」(「神曲」地獄編 より）

所蔵：ハンブルク美術館 Ary Scheffer, 1795–1858. "Francesca and Paolo in the Cyclone", 1854th (Dante and Vergil see the shadows of Francesca da Rimini and Paolo Malatesta). Oil on canvas, 57.7 × 81.3 cm. Inv. 1868 Hamburg, Kunsthalle.

RM 72625705

ダニエル・ガードナー「マクベスの三人の魔女」

The Three Witches from Shakespeares Macbeth by Daniel Gardner, 1775

RM 71709894

ドラクロワ　「父の足元にひざまずくデズデモーナ（第1幕第3場）」

作家名： フェルディナン・ヴィクトール・ウジェーヌ・ドラクロワ ( 1798年 - 1863年 ) タイトル：「父の足元にひざまずくデズデモーナ（第1幕第3場）」 フランスの画家 ジャンル： ロマン主義 Artist：Delacroix, Ferdinand Victor Eugene (1798-1863) Title：Act I, scene 3: Desdemona kneeling at her father's feet, 1852 (oil on canvas) Location：Musee des Beaux-Arts, Reims, France Age：1852 Medium：oil on canvas

RM 70299895

ウィリアム・ブレイク　「巨大な赤い龍と太陽の衣をまとった女」

タイトル：巨大な赤い龍と太陽の衣をまとった女 作家名：ウィリアム・ブレイク（1757年-1827年） 国籍：イギリス ジャンル： ロマン主義 Title：The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4) Creator：Blake, William (1757-1827) Nationality：English Description：image: 17 3/16 x 13 11/16 in. (43.7 x 34.8 cm); sheet: 21 11/16 x 17 1/16 in. (55.1 x 43.3 cm) Location：Brooklyn Museum of Art, New York, USA Medium：black ink and watercolor over traces of graphite and incised lines Date：c.1803-1805 Dimensions：117x89 cms43.7x34.8 cms Credit：c.1803-05 (black ink and watercolor over traces of graphite and incised lines), Blake, William (1757-1827) / Brooklyn Museum of Art, New York, USA / Gift of William Augustus White

RM 65631031

フェルメール「紳士とワインを飲む女（ぶどう酒のグラス）」

所蔵: 絵画館 / ベルリン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan, gen. Vermeer van Delft 1632–1675. "Herr und Dame beim Wein", um 1660. Oil on canvas, 66,3 × 76,5 cm. Berlin, SMB, Gemäldegalerie.

RM 62547517

クリムト 「アッター湖近郊の田舎家」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Country house on Attersee Lake (Landhaus am Attersee), Upper Austria. Oil on canvas (1914). Classification: PAINTING ~ JUGENDSTIL ~ 20th Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 3971 x 4057 pixels (33.6 x 34.3 cm @ 300 dpi) 46.1 MB

RM 60398527

ゴヤ 「大馬鹿者」(妄-ロス・ディスパラテスより)

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Plate 4 from the 'Disparates': Simpleton/Goya (Francisco de Goya y Lucientes) 1746–1828. Plate 4 from the ‘Disparates': Simpleton, Print, ca. 1811–1828. Etching, burnished aquatint, burin and drypoint (?), 24.3 × 35.2 cm./Inv. Nr. 36.20 (4)/New York, Metropolitan Museum of Art. Identifier : AKG5089001/Museum/New York, Metropolitan Museum of Art image date : 1.1.1811/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. Size : 3821px × 2665px (29 MB) / 32.3 cm × 22.5 cm @ 300 dpi

RM 51551799

ルーベンス 「ニコラース・ルーベンス」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) 国籍： フランドル ジャンル　： バロック Rubens' son Nicolas/Rubens, Peter Paul; 1577–1640. "Rubens' son Nicolas", 1621. (Nicolas, son from Rubens' first marriage to Isabella Brant; baptised on 23.3.1618, died on 28.9.1655)./Black, white and red chalk, 25.2 × 20.3cm./Inv. Nr. 17.650./Vienna, Graphische Sammlung Albertina. Identifier : AKG1642045 Artist : NICOLAS RUBENS/Museum/Vienna, Graphische Sammlung Albertina event date : 1621 image date : 1621/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAROQUE/BOY/CHAIN (JEWELRY) ; CHAIN (JEWELLERY)/CHILD/CHIPMUNK CHEEKS ; CHUBBY CHEEKS/CORAL/FLEMISH ART/HEAD (BODY)/JEWELRY ; JEWELLERY/LOOK/NECKLACE/NETHERLANDISH ART/PARTIAL PROFILE/PORTRAIT/SON/SON OF CELEBRITY/STRING OF PEARLS ; PEARL NECKLACE/TODDLER/Person/ISABELLA BRANT/PETER PAUL RUBENS technique : CHALK DRAWING ; CRAYON DRAWING/DRAWING/GRAPHIC ART ; GRAPHIC ARTS/HAND DRAWING/PEN AND INK DRAWING ; LINE DRAWING/RED CHALK DRAWING ; SANGUINE DRAWING/Size 3983px × 4961px (56 MB) 33.7 cm × 42.0 cm @ 300 dpi/Special Formats/5987px × 7457px (128 MB) TIFF/50.7 cm × 63.1 cm @ 300 dpi

RM 26164782

エゴン・シーレ 「人を軽蔑する女」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「人を軽蔑する女」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Location：　Wien Museum Derisive woman (Kallir D546). Gouache on wrapping paper. 1910. 45,3 x 31,5cm. Inv. Nr. HMW 240438.

RM 20401887

歌川国芳 「東都富士見三十六景　山王神事」

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RM 134542496

クリムト「ベートーヴェン・フリーズ第3壁面」

"作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 国籍：オーストリア ジャンル： アール・ヌーヴォー 所蔵: セセッション館 Artist：Klimt, Gustav (1862-1918) Title：The longing for happiness, 1902 (mural) Nationaly：Austrian Location：Osterreichische Galerie Belvedere, Vienna, Austria Medium：mural Date：1902 (20th) 21607679

RM 70923231

ポール・セザンヌ「大水浴図」

Cezanne, Paul 1839–1906. "Grandes baigneuses" (The large bathers) c. 1898/1900./Oil on canvas, 208 × 249cm./Philadelphia, Museum of Art. Artist : PAUL CÉZANNE/MUSEUM/PHILADELPHIA, MUSEUM OF ART. technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 4181px (59 MB) / 42.0 cm × 35.3 cm @ 300 dpi Special Formats : 6593px × 5606px (106 MB) TIFF / 55.8 cm × 47.5 cm @ 300 dpi

RM 62553864

ゴッホ 「ひまわり」

国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van; 1853–1890./– "Sunflowers" (Vase with Fourteen Sunflowers), Arles, January 1889./Oil on canvas, 100 × 76 cm./(Sold at Christie's London on 30 March 1987 for 24.75 million pounds. Recently attributed to Claude-Emile Schuffenecker)./Inv. LO–175/Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art. Identifier : AKG50724 Artist : VINCENT VAN GOGH/MUSEUM/TOKYO, SEIJI TOGO MEMORIAL SOMPO JAPAN MUSEUM OF ART/COLLECTION/AKG-IMAGES event date : 1889 image date : 1889TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : BOTANY/BOUQUET OF FLOWERS/FLOWER/FORGERY/IMPRESSIONISM/NETHERLANDISH ART/RECORD PRICE ; HIGHEST AUCTION PRICE/STILL LIFE/SUNFLOWER/VASE technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2637px × 3364px (25 MB)/22.3 cm × 28.4 cm @ 300 dpi Special Formats : 2859px × 3647px (30 MB) TIFF/24.2 cm × 30.9 cm @ 300 dpi

RM 62553866

カラヴァッジョ 「法悦のマグダラのマリア」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ )  ( 1571年 - 1610年 ) タイトル：「法税のマグダラのマリア」 国籍： イタリア ジャンル： バロック Artist : Caravaggio, born Michelangelo Merisi; /1571-1619. "The Rapture of Mary Magdalene", 1606. Oil on canvas, 106.5 x 91 cm. Rome, private collection./Private Collection. topic : ART/BAROQUE/BIBLE/CHRISTIANITY/ECSTASY/FOLDED HANDS ; PRAYING HANDS/HIGH CONTRAST ; CLAIR-OBSCUR/ITALIAN ART/LAST WILL AND TESTAMENT ; WILL (TESTAMENT)/NEW TESTAMENT/PRIVATE COLLECTION/RELIGION/SAINTS/WOMAN/PERSON/MARIA MAGDALENA (HEILIGE) technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 3228px × 3766px (34 MB)/27.3 cm × 31.8 cm @ 300 dpi

RM 62414586

ベラスケス 「マルス」

Author: Diego Rodriguez de Silva y Velázquez (1599-1660) Description: God Mars,1640-1642. Painted for the Torre Parada, King Philip IV's hunting lodge in Pardo. Canvas,179 x 94 cm Cat.1207. Classification: PAINTING ~ BAROQUE ~ 17TH CENTURY Personalities: MARS Location: Museo del Prado, Madrid, Spain Image size: 2867 x 5199 pixels (24.3 x 44.0 cm @ 300 dpi) 42.6 MB

RM 56548906

ハンス・メムリンク 「キリストの復活の三連祭壇画」

Author: Hans Memling (Hans Memlinc) (c. 1433-1494) Description: Triptych of the Resurrection; left wing Saint Sebastian, right wing Ascension. Wood, 61,5 x 44,5 cm, 61,5 x 18,5 cm M. I. 247-249. Classification: PAINTING ~ GOTHIC ~ 15th Location: Louvre, Dpt. des Peintures, Paris, France

RM 37485038

クリムト 「ストックレー・フリーズ－生命の樹の原図」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Image ID: 26281 Artist: Klimt, Gustav, 1862-1918 Title: Tree of Life. Detail. Technique: mixed media File size: 300 dpi: 28.3 x 55.0 cm RGB-TIF: 65.1 MB

RM 25525931

ゴヤ 「1808年5月3日、プリンシペ・ピオの丘での銃殺」

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) タイトル：1808年5月3日、プリンシペ・ピオの丘での銃殺 国籍： スペイン ジャンル　： ロマン主義 Artist： Francisco Jose de Goya y Lucientes Location: Museo del Prado, Madrid, Spanien Categories: Classizism The Third of May. The execution of Spanish insurgents by Napoleonic troops under General Murat, on Principe Pio Hill, Madrid, May 3, 1808. Painted 1814. Oil on canvas, 266 x 345 cm. Inv. 749.

RM 20401211

歌川広重 「冨士三十六景　甲斐御坂峠」

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RM 125110516

ゴッホ「荒れ模様の空の麦畑」

Wheatfield under Thunderclouds/Gogh, Vincent van;/1853-1890. "Wheatfield under Thunderclouds", Auvers-sur-Oise, July 1890. Oil on canvas, 50.4 cm x 101.3 cm./Vincent van Gogh Foundation,/Amsterdam, Van Gogh Museum. Identifier : AKG5885618 Artist : VINCENT VAN GOGH/Museum/Amsterdam, Van Gogh Museum/Collection/akg-images event date : 1890 image date : 1890/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BAD STORM ; TEMPEST ; SEVERE STORM/BLUE/CLOUD/DUTCH ART/FARMING/FIELD/GRAIN/GRAIN FIELD/GRAIN GROWING/IMPRESSIONISM/JULY/LANDSCAPE ; SCENERY/METEOROLOGY/NETHERLANDISH ART/SEASONS/SKY/STORM/SUMMER/WEATHER/WHEAT geography : AUVERS-SUR-OISE/FRANCE technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 115920891

ポンペオ・ジローラモ・バトーニ「リチャード・ミルズの肖像」

Pompeo Girolamo BATONI: The sitter has been identified as Richard Milles of Nackington, (about 1735 – 1820), Member of Parliament for nearby Canterbury from 1761–80. Milles probably sat for this portrait when he was in Rome during his Grand Tour. He points to a map inscribed with the place name ‘Grisoni’, a Swiss Canton which he probably visited on his way to Italy. The classical bust of the Emperor Marcus Aurelius alludes to the sitter’s interest in classical antiquity. Batoni painted a half-length portrait of Milles and a miniature on ivory (the latter in the Fitzwilliam Museum, Cambridge). The mood of the portrait is one of assurance and ease, created by the artist to dignify the sitter. Oil on canvas, 134.6 × 96.3 cm, probably 1760s London, National Gallery.

RM 115920868

ジョン・コンスタブル「コロートン・ホールのジョシュア・レノルズ記念碑」

Cenotaph to the Memory of Sir Joshua Reynolds / Constable Constable, John English painter. 11.6.1776 – 31.3.1837. Cenotaph to the memmory of Sir Joshua Reynolds. Coleorton, Leicestershire. 1833, Oil on canvas, 132 × 108.5 cm. London, National Gallery.

RM 100953362

ウィリアム・ホルマン・ハント「自画像」

Author:WILLIAM HOLMAN HUNT (1827-1910) Description:Self-portrait. Date/Period: 1845. Painting. Oil on canvas. Width: 394 mm. Height: 457 mm. Technique:painting Dimensions:Width: 394 mm. Height: 457 mm Location:Birmingham Museum and Art Gallery Image size:4874 x 5692 pixels (41.3 x 48.2 cm @ 300 dpi) 79.4 MB

RM 87923350

ゴッホ「ラザロの蘇生」

Gogh, Vincent van 1853–1890. "The Raising of Lazarus", Saint-Rémy, 3 May 1890. (after Rembrandt). Oil on thick paper, mounted onto canvas, 50 × 65cm. Inv. S 169 V/1962 Amsterdam, Van Gogh Museum.

RM 83407911

ジャン・クルーエ「フランス国王フランソワ1世の肖像」

Francis I, King of France, Cognac 12.9.1494 - Rambouillet 31.3.1547 - Portrait. Painting, c. 1535, by Jean Clouet (c. 1480-1547). Oil on wood, 96 × 74cm. Paris, Musee du Louvre.

RM 81822443

葛飾北斎「富嶽三十六景　礫川雪の旦」

国籍: 日本の浮世絵師 ジャンル: 浮世絵 年代: 19世紀、江戸時代・江戸時代後期

RM 78176970

エゴン・シーレ「死と乙女」

国籍： オーストリア ジャンル　： 表現主義 1890–1918, Austrian painter. "Der Tod und das Mädchen" (Death and the maiden), 1915. Oil on canvas, 150 × 180 cm. Galerie im Belvedere, Vienna, Austria. Identifier：AKG452627 Artist：EGON SCHIELE Museum：Vienna, Österr. Galerie im Belvedere Collection：akg-images Credit line：akg-images Event date：1915 Image date：1915 Time Period：1910S 20TH CENTURY 2ND MILLENNIUM A.D. Topic:ART NOUVEAU,AUSTRIAN ART,COUPLE (PEOPLE) ; COUPLE DANCE OF DEATH,DEATH,EXPRESSIONISM,GIRL,HUG ; EMBRACE LOVERS ; PAIR OF LOVERS Title:TOD UND MÄDCHEN Technique:PAINTING (OBJECT)PAINTING (TECHNIQUE) Size:4961px × 4174px (59 MB) 42.0 cm × 35.3 cm @ 300 dpi

RM 72044514

ラファエル・ピール「海から上がったヴィーナス- だまし絵」

Peale, Raphaelle 1774–1825. "Venus Rising from the Sea –A Deception" (Venus, dem Meer entsteigend – Eine Täuschung), 1823. Oil on canvas, 74.3 × 61.3cm. Kansas City, Nelson-Atkins Museum. TIME PERIOD：19. JAHRHUNDERT 2. JAHRTAUSEND N.CHR. PERSON：VENUS (APHRODITE) TECHNIQUE：GEMÄLDE MALEREI

RM 66752029

ムリーリョ 「サイコロ遊びをする少年たち」

所蔵: アルテ・ピナコテーク バイエルン州立絵画コレクション 作家名： バルトロメ・エステバン・ムリーリョ ( 1617年 - 1682年 ) 国籍： スペイン ジャンル　： バロック　セビーリャ派 Murillo, Bartolomé Estéban 1618–1682. "Buben (Bettelbuben) beim Würfelspiel", um 1670/75. Oil on canvas, 146 × 108,5 cm. Inv. Nr. 597 München, Alte Pinakothek.

RM 53713589

ヒエロニムス・ボス 「聖アントニウスの誘惑」

タイトル：聖アントニウスの誘惑 作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Bosch, Hieronymus c. 1450 – 1516. "The Temptation of St. Antony". Centre panel and inner panels of the wings of the Antony triptych./Wood, centre panel 132 × 119cm, wings/132 × 53cm each. Artist : HIERONYMUS BOSCH Location : Lisbon, National Museum of Antique Art image date : 1550 technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 2751px (39 MB)/42.0 cm × 23.2 cm @ 300 dpi Special Formats : 10188px × 5649px (165 MB) TIFF/86.3 cm × 47.8 cm @ 300 d

RM 53104896

ジャン・フーケ 「聖母の死」

J.Fouquet, Death of Mary / Illumination Fouquet, Jean c. 1415/20 – 1477/81. "Death of Mary", c. 1455. Illumination, on parchment, c. 16.5 x 12 cm (copped end of 17th century). From: "Livre d'heures d'Étienne Chevalier" (Book of Hours o. French treasurer Étienne Chevalier), 5th image of "Heures de la Vierge", Ms. fr. 71 Chantilly, Musée Condé. Identifier : AKG270205 Artist : JEAN FOUQUET Museum Chantilly, Musée Condé source : akg-images credit line : akg-images event date : 1455 image date : 1450 Time Period 15TH CENTURY 2ND MILLENNIUM A.D. topic : APOSTEL BIBLE BOOK OF HOURS CHRISTIANITY DEATH DEATH OF THE VIRGIN DEATHBED DYING FRENCH ART GOTHIC ART IMMORTALITY KINGDOM OF HEAVEN ; HEAVEN LATE GOTHIC LIFE AFTER DEATH LIFE OF THE VIRGIN NEW TESTAMENT PALLIATIVE CARE ; CARING FOR DYING RELIGION SOUL Person CHRIST ETIENNE CHEVALIER MARY ST. JOHN THE EVANGELIST ; JOHN THE EVANGELIST ST. PETER Title STUNDENBUCH DES ETIENNE CHEVALIER technique : BOOK ILLUMINATION PAINTING (technique) Size 2527px × 3364px (24 MB) 21.3 cm × 28.4 cm @ 300 dpi

RM 20401183

歌川広重 「冨士三十六景　武蔵越がや在」

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RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

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ボッティチェリ 「若い男の肖像」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル：「若い男の肖像」 国籍： イタリア ジャンル ： ルネサンス 初期ルネサンス フィレンツェ派 Title: Portrait of a Young Man, c.1480-85 (tempera & oil on panel) Creator: Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) Nationality: Italian Location: National Gallery, London, UK Medium: tempera and oil on panel Date: (C15th) Dimensions: 37.5x28.3 cms Credit: Portrait of a Young Man, c.1480-85 (tempera & oil on panel), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / National Gallery, London, UK / Bridgeman Images Keywords: Renaissance fur-lined jacket male 71954

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吉田博「帆船　霧」

瀬戸内海集 Yoshida Hiroshi, 1876–1950. Sailing Boats: Fog (Hansen, kiri), from the series “Seto Inland Sea (Seto Naikai shu) ", 1926. Color woodblock print, 50.3 × 36 cm. Inv. No. 1985.1046f, Chicago, Art Institute.

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葛飾北斎「雪月花　隅田」

??? ??, Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka), Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/2 in. (24.8 x 36.8 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Hokusai's snowy landscape at Mukojima along the Sumida River is similar to his pupil Katsushika Isai's fan painting, seen on the right. At the lower right of Hokusai's print is a small shrine, the Umewaka Jinja, dedicated to a little boy who was kidnapped and died there in ancient times Identifier : AKG6257746/Collection/Artokoloro Quint Lox Limited / Liszt Collection topic : EDO PERIOD/FLOWER/INK/LITTLE BOY/MOON/PAPER/SNOW geography : JAPAN/TOKYO/YEDO/Person/HOKUSAI