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RM 157603094

フランソワ＝ユベール・ドルーエ 「ポンパドゥール夫人の肖像」

Pompadour, Jeanne Antoinette Poisson, Marquise de (known as Madame Pompadour), mistress of Louis XV of France. Paris 29.12.1721 – Versailles 15.4.1764. “Madame de Pompadour at her Tambour Frame”. Painting, 1763, by François-Hubert Drouais (1727–1775). Oil on canvas, 217 × 156,8 cm. Inv. no. NG 6440. London, National Gallery.

RM 93466362

イヴァン・アイヴァゾフスキー「第九の波溝」

The Ninth Wave/Aivazovsky, Ivan./Armenian-Russian painter;/29 July 1817 – 5 May 1900. “The Ninth Wave”, 1850. Oil on canvas, 221 × 332 cm. The State Russian Museum, St. Petersburg. Identifier : AKG2061904/Collection/Bildarchiv Steffens / Bildarchiv Steffens/Time Period/19TH CENTURY topic : ART/MARINE PAINTING/MAST/MATERIAL/NAVY/REALISM/RUSSIAN ART/Person/IVAN KONSTANTINOVICH AIVAZOVSKY technique : PAINTING (OBJECT)/PAINTING (technique)/PHOTOGRAPH

RM 78176869

マルカントニオ・ライモンディ「パリスの審判」

Author: MARCANTONIO RAIMONDI (ca. 1480-before 1534) • AFTER RAPHAEL (RAFFAELLO SANZIO OR SANTI) (1483-1520) Title: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess Description: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm). Date: ca. 1510-20. A masterpiece of Renaissance printmaking, the Judgment of Paris represents a highpoint in the collaboration between the painter Raphael and the great Italian engraver Raimondi. This scene is one of a group of exceptional compositions Raphael designed specifically for Marcantonio to engrave, which, according to Giorgio Vasari, 'amazed all of Rome.' It demonstrates the meticulously ordered systems of hatching that Marcantonio developed to achieve the richest possible tonal effects, which was to influence generations of engravers. Depicted here is the incident that sparked the Trojan War: Paris being forced to decide which goddess--Juno, Minerva, or Venus--was the most beautiful. He chose Venus, seen receiving the golden apple upon promising to help him woo the most beautiful woman alive, Helen of Troy. Recognized by Vasari as one of Marcantonio's early Roman works of 1510-1511, and this date was supported by Delaborde; Shoemaker dated it between 1517-1520; more recently, Mason and Oberhuber date it between 1515-1516. Technique:engraving Dimensions:Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm) Location: EUROPE • ITALY Museum: Metropolitan Museum of Art, New York, USA Collection: Album Image size: 4192 x 2809 pixels (35.5 x 23.8 cm @ 300 dpi) 33.7 MB

RM 143516852

クロード・モネ「積みわら」

MPAW78 . Francais : Monet Meules Hill-Stead Museum W1267 . 29 November 2013, 18:49:00. Hill-Stead Museum website 900 Monet Grainstacks Hill-Stead Museum W1267

RM 78176512

マルカントニオ・ライモンディ「パリスの審判」

Artist:Raimondi, Marcantonio, ca. 1480-1527 Title:Judgment of Paris. 1517 Dimensions:29,4 x 44,2 cm Technique:copper engraving Location:Städel Museum, Frankfurt am Main, Graphische Sammlung

RM 87953589

ゴッホ「イーゼルの前の自画像」

Gogh, Vincent van. Dutch painter; Groot-Zundert near Breda 30.3.1853 – (suicide) Auvers-sur-Oise 29.7.1890. "Self-portrait at the easel", beginning of 1888. Oil on canvas, 65 × 50.5cm. Amsterdam, Van Gogh Museum.

RM 77243956

クリムト 「ベートーヴェン・フリーズ第3壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 国籍：オーストリア ジャンル： アール・ヌーヴォー 所蔵: セセッション館 (ウィーン) Gustav Klimt (1862-1918). The "Beethoven Frieze". 40-17-06/2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02/26,27, 40-16-02/29 and 31. Total size of the frieze: 34,14m x 2,15 m.

RM 70433113

ピーテル・ファン・デル・ヘイデン「7つの罪源－貪欲」

タイトル：「貪欲」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Avarice (Avaritia) from the series The Seven Deadly Sins, 1558, Engraving; first state of two, Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525-1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Representing the vice of greed, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. The personification of greed, a fashionably dressed woman, sits in the central foreground blithely gathering coins in her lap, while a poisonous toad lurks directly in front of her. Credit: Album / quintlox

RM 70433551

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Anger (Ira), from the series The Seven Deadly Sins, Print, 1558. Engraving, 22.5 × 29.7 cm. Inv. Nr. 18.55.24 New York, Metropolitan Museum of Art.

RM 62343638

歌川国芳 「猫の当字 なまず」

Japan: A number of cats intended to represent the Japanese kanji character for 'Catfish' namazu ? (which is the same in Chinese, nianyu ??). Utagawa Kuniyoshi, a noted cat lover (1797/8 -1862)/Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Pictures From History Identifier : AKG3830602/Collection/Pictures From History / Pictures From History image date : 9.7.2015 topic : ART/CAT/HISTORY/JAPANESE ART geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3487px × 5078px (50 MB) ; 29.5 cm × 42.9 cm @ 300 dpi

RM 83892910

エドヴァルド・ムンク「メランコリー」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: Edvard Munch (1863-1944) Description: Melancholy Technique: OIL ON CANVAS School: NORWAY Museum: National Museum of Art, Oslo Dimensions: 64x96 Collection: Fine Art Images Image size: 5315 x 3529 pixels (45.0 x 29.9 cm @ 300 dpi) 53.7 MB

RM 83411626

ゴッホ 「自画像」

Gogh, Vincent van. Dutch painter, Groot-Zundert near Breda 30.3.1853 - (suicide) Auvers-sur-Oise 29.7.1890. "Self-Portrait". Paris, autumn 1887. Oil on canvas, 44.1-35.1cm. R.F. 1947-28 Paris, Musee d'Orsay.

RM 66920994

クリムト 「ベートーヴェン・フリーズ第1壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: The " Beethoven Frieze". 40-17-06 / 2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02 / 26,27, 40-16-02 / 29 and 31. Total size of the frieze: 34,14m x 2,15 m. Classification: MURAL ~ JUGENDSTIL ~ 20th Personalities: LUDWIG VAN BEETHOVEN (1770-1827) Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 6030 x 2407 pixels (51.1 x 20.4 cm @ 300 dpi) 41.5 MB

RM 60398527

ゴヤ 「大馬鹿者」(妄-ロス・ディスパラテスより)

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Plate 4 from the 'Disparates': Simpleton/Goya (Francisco de Goya y Lucientes) 1746–1828. Plate 4 from the ‘Disparates': Simpleton, Print, ca. 1811–1828. Etching, burnished aquatint, burin and drypoint (?), 24.3 × 35.2 cm./Inv. Nr. 36.20 (4)/New York, Metropolitan Museum of Art. Identifier : AKG5089001/Museum/New York, Metropolitan Museum of Art image date : 1.1.1811/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. Size : 3821px × 2665px (29 MB) / 32.3 cm × 22.5 cm @ 300 dpi

RM 151995315

ロベール・ルフェーブル「フランス皇后ジョゼフィーヌの肖像」

Empress Joséphine / Painting by Lefèvre/Joséphine,/Empress (Napoleon I) of the French, nee Tascher de la Pagerie, widow of Beauharnais; Trois Ilets (Martinique)/23.6.1763 – Malmaison 29.5.1814. Portrait in court dress. Painting, c. 1805, by Robert Lefèvre (1755–1830)./Oil on canvas, 62 × 48.5cm./Rueil-Malmaison, Musée du Château. Identifier : AKG325854 Artist : ROBERT LEFEVRE/Museum/Rueil-Malmaison, Musée du Château/Collection/Laurent Lecat / Laurent Lecat event date : 1805 image date : 1805/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : CLASSICISM/DIADEM/DRESS/EMPIRE (STYLE)/EMPRESS/FASHION ; STYLE/FRENCH ART/HISTORY/JEWELRY ; JEWELLERY/PERSON/PORTRAIT/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE/Person/EMPRESS JOSEPHINE/NAPOLEON I BONAPARTE technique : PAINTING (OBJECT)/PAINTING (technique)

RM 97619910

カール・ブロスフェルト「芸術の原型」

1197681 Serratula Nudicaulis (Bare-stemmed Common Sawwort), c.1928 (gelatin silver print) by Blossfeldt, Karl (1865-1932); 29.8x23.8 cm; Private Collection; (add.info.: Blossfeldt, Karl (1865-1932)); Photo © Christie\'s Images; German, it is possible that some works by this artist may be protected by third party rights in some territories.

RM 87507502

レオナルド・ダ・ヴィンチ 「アトランティコ手稿」

Leonardo Da Vinci (1452-1519), Codex Atlanticus, sheet 29 recto. Goldbeating machine., Location:Biblioteca Ambrosiana

RM 57762916

アロンソ・サンチェス・コエーリョ 「ドン・カルロス王子の肖像」

Author: Alonso Sánchez Coello (1531-1588) Description: Alonso Sánchez Coello / 'Prince Carlos', 1555-1559, Spanish School, Oil on canvas, 109 cm x 95 cm, P01136. Museum: MUSEO DEL PRADO Image size: 3501 x 3711 pixels (29.6 x 31.4 cm @ 300 dpi) 37.2 MB

RM 70433100

ピーテル・ファン・デル・ヘイデン「7つの罪源－嫉妬」

タイトル：「嫉妬」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Envy (Invidia) from The Seven Deadly Sins, 1558, Engraving; first state of two, 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525-1569). Credit: Album / quintlox

RM 62418773

ルノワール 「シスレーの肖像」

Portrait du peintre Alfred Sisley/Sisley, Alfred; French painter and graphic Artist : ; Paris 30.10.1839 – Moretsur-Loing near Fontainebleau 29.1.1899. "Portrait du peintre Alfred Sisley" (Portrait of the Alfred Sisley.) Painting 1864, by Auguste Renoir (1841–1919). Oil on canvas, 82 × 66cm./Zurich, E.G.Buehrle Collection. Artist : AUGUSTE RENOIR/Collection/akg-images event date : 1864 image date : 1864/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART Artist : BEARD/FRENCH ART/FULL BEARD/HANDS IN POCKETS/IMPRESSIONISM/LOOKING OUT OF PICTURE/MAN/PAINTER (MALE) ; PAINTER/PARTIAL PROFILE/PERSON/PORTRAIT/SITTING/THREE-QUARTER LENGTH geography : FRANCE/Person/ALFRED SISLEY technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique) Size : 4039px × 4961px (57 MB) / 34.1 cm × 42.0 cm @ 300 dpi Special Formats : 6550px × 8044px (151 MB) TIFF/55.5 cm × 68.1 cm @ 300 dpi

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 85138226

ゴッホ 「僧侶としての自画像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「僧侶としての自画像」 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van holländ. Maler Groot-Zundert bei Breda 30.3.1853 – (Selbstmord) Auvers-sur-Oise 29.7.1890. – “Selbstbildnis, Paul Gauguin gewidmet”, Arles, um den 16. September 1888. Oil on canvas, 61 × 50 cm. Inv. 1951.61 Nachlass aus der Sammlung von Maurice Wertheim, Cambridge, Fogg Art Museum.

RM 83412108

ボッティチェリ 「アテナとケンタウロス」

Botticelli, Sandro (born Alessandro Filipepi). 1444/45-1510. "Minerva and Centaur", c. 1482. On canvas, 207 × 148 cm. Inv. no. Depositi, 29 Florence, Galleria degli Uffizi.

RM 100813112

モネ「ヴェトイユ」

Author: CLAUDE MONET (1840-1926) Description: Vétheuil. Date/Period: 1902. Painting. Oil on canvas Oil on canvas. Height: 900 mm (35.43 in); Width: 930 mm (36.61 in). Technique: painting Dimensions: Height: 900 mm (35.43 in); Width: 930 mm (36.61 in) Location: National Museum of Western Art Image size: 3554 x 3450 pixels (30.1 x 29.2 cm @ 300 dpi)

RM 90755778

クリムト「女の三世代」

The Three Ages (Le tre età), by Gustav Klimt, 1905, 20th Century, oil on canvas, 171 x 171 cm Whole artwork view. The painting is a clear example of expressionistic realism in which the three women's naked bodies are surrounded by a stream of stylized decorations in gold, silver and multicoloured particles against a black and gray background; the three seasons of a woman's life can be read as a progression to physical decay, or as a perennial rebirth

RM 83892917

ムンク「新陳代謝（メタボリズム）」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Author: EDVARD MUNCH (1863-1944) Description: Metabolism Metabolisme. Date/Period: Between 1898 and 1899. Painting. Oil on canvas. 172x142 cm. Technique: painting Dimensions: 172x142 cm Location: Munch Museum Image size: 3518 x 5048 pixels (29.8 x 42.7 cm @ 300 dpi) 50.8 MB

RM 80365237

トマス・エイキンズ「チェスをする人々」

Thomas Eakins, 1844–1916. Die Schachspieler, Malerei, 1876. Öl auf Holz, 29,8 × 42,6 cm. Inv. Nr. 81.14 New York, Metropolitan Museum of Art.

RM 62343639

歌川国芳 「たとえ尽の内　右図」

Japan: Four cats adopting different feline postures. Utagawa Kuniyoshi, a noted cat lover (1797/8 -1862)/Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Pictures From History topic : ART/CAT/HISTORY/JAPANESE ART geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3500px × 5131px (51 MB) ; 29.6 cm × 43.4 cm @ 300 dpi

RM 78176867

カラヴァッジョ「ジュピター、ネプチューン、プルート（ユピテル・ネプトゥルヌス・プルート）」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ )( 1571年 - 1610年 ) タイトル：ジュピター、ネプチューン、プルート（ユピテル・ネプトゥルヌス・プルート） 国籍： イタリア ジャンル： バロック Author: Caravaggio (Michelangelo Merisi; Michelangelo Amerighi) (c. 1570-1610) Description: Jupiter, Neptune and Pluto Technique: Fresco-secco School: Italy, Roman School Museum: Villa Ludovisi, Rome Dimensions: 388x180 Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 1745 x 3432 pixels (14.8 x 29.1 cm @ 300 dpi) 17.1 MB

RM 70433547

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Anger (Ira) from The Seven Deadly Sins, Print, 1558. Engraving, 22.4 × 29.4 cm. Inv. Nr. 28.4 (31) New York, Metropolitan Museum of Art.

RM 66920995

クリムト 「ベートーヴェン・フリーズ第3壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: The " Beethoven Frieze". 40-17-06 / 2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02 / 26,27, 40-16-02 / 29 and 31. Total size of the frieze: 34,14m x 2,15 m. Classification: MURAL ~ JUGENDSTIL ~ 20th Personalities: LUDWIG VAN BEETHOVEN (1770-1827) Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 6030 x 2407 pixels (51.1 x 20.4 cm @ 300 dpi) 41.5 MB

RM 63284076

クリムト 「農家の庭（花の庭）」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : 農家の庭（花の庭） 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Farm Garden (Flower Garden). Image size: 3534 x 3543 pixels (29.9 x 30.0 cm @ 300 dpi) 35.8 MB

RM 56464985

ヘラルト・ダヴィト 「聖母子とミルク粥」

Madonna mit der Milchsuppe David, Gerard um 1450/60 - 1523. "Madonna mit der Milchsuppe". Auf Holz, 35 × 29 cm. Brüssel, Musées Royaux d'Art et d'Hist. Identifier : AKG50505 Artist : GERARD DAVID Museum Brüssel, Musées Royaux d'Art et d'Hist source : akg-images credit line : akg-images event date : 1500 image date : 1500 topic : ESSEN (NAHRUNG) ESSEN UND TRINKEN GOTIK MARIA MIT KIND MILCHSUPPE MUTTER UND KIND NIEDERLÄNDISCHE KUNST RELIGION SÄUGLINGSNAHRUNG SUPPE technique : GEMÄLDE MALEREI Size 4005px × 4961px (56 MB) 33.9 cm × 42.0 cm @ 300 dpi

RM 22006344

ドガ 「若い婦人 1867」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「若い婦人 1867」 フランスの画家 ジャンル： 印象派 Portrait of a Young Lady (Ritratto di giovane donna), by Edgard Degas, 1867, 19th Century, oil on canvas, 27 x 22 cm France, Paris, Orsay Museum. Whole artwork view. Portrait of young woman in the foreground turned three-quarters, with brown hair, headband in her hair and earrings blacks.

RM 70433098

ピーテル・ファン・デル・ヘイデン「7つの罪源－邪淫」

タイトル：「邪淫」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Description:Lust (Luxuria) from The Seven Deadly Sins, 1558, Engraving, plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels) Collection:Liszt collection Credit:Album / quintlox Image size:5311 x 4042 pixels (45.0 x 34.2 cm @ 300 dpi) 61.4 MB

RM 60463808

レンブラント 「アブラハムの燔祭」

"Abraham's Sacrifice of Isaac", 1635. Oil on canvas, 193 × 133cm./St Petersburg, State Hermitage. Artist : REMBRANDT HARMENSZOON VAN RIJN/Museum/St Petersburg, State Hermitage/Collection image date : 1635/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ANGEL/ART/BAROQUE/BIBLE/CULT/DUTCH ART/FATHER AND SON/HUMAN SACRIFICE/JEWISH-CHRISTIAN ; JUDEO-CHRISTIAN/NETHERLANDISH ART/OLD TESTAMENT/PATRIARCH (ORTHODOX) ; PATRIARCH/SACRIFICE (RELIGION)/SACRIFICE OF ISAAC/Person/ABRAHAM/ISAAC technique : PAINTING (OBJECT)/PAINTING (technique) Size : 3480px × 4961px (49 MB) / 29.4 cm × 42.0 cm @ 300 dpi Special Formats : 5610px × 7997px (128 MB) TIFF/47.5 cm × 67.7 cm @ 300 dpi

RM 56769048

アルベルト・ジャコメッティ 「歩く男 I」

作家名： アルベルト・ジャコメッティ ( 1901年 - 1966年 ) 国籍： スイス 所蔵：マルグリット&エメ・マーグ財団美術館、サン＝ポール・ド・ヴァンス ジャンル： 実存主義 シュルレアリスム Author: Alberto Giacometti (1901-1966) Description: Walking Male. Bronze sculpture. Location: Fondation Maeght, St-Paul-de-Vence, France Image size: 3422 x 4369 pixels (29.0 x 37.0 cm @ 300 dpi) 42.8 MB

RM 149700906

ミケランジェロ 「アダムの創造」

国籍： イタリア ジャンル　： ルネサンス Michelangelo (1475-1564). Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Creation of Adam. Fresco. C.1512. Sistine Chapel. Vatican Museums. Vatican City. Credit: Album / Prisma

RM 70440596

ピーテル・ブリューゲル 　「錬金術師」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「錬金術師」 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. The Alchemist, Print, 1558. Engraving; first state of three, 33.5 × 44.9 cm. Inv. Nr. 26.72.29 New York, Metropolitan Museum of Art.

RM 65984143

ルドン 「秘密（囚われ人）」

所蔵: ニューヨーク近代美術館 "Le Forçat" (The prisoner), 1881. Coal on paper, 53,3 x 37,1 cm. Erworben durch den Lillie P. Bliss Bequest, 1952. Inv. Nr. 199.1952. New York, Museum of Modern Art. Identifier : AKG4229938 Artist : ODILON REDON/MUSEUM/NEW YORK, MUSEUM OF MODERN ART/COLLECTION/AKG-IMAGES topic : ART COWERING DUNGEON JAIL HUNGER ISOLATION LATTICE PRISON JAIL PRISONER 19TH CENTURY geography : FRANCE technique : CHARCOAL DRAWING/DRAWING/GRAPHIC ART ; GRAPHIC ARTS/HAND DRAWING Size : 3525px × 4961px (50 MB)/29.8 cm × 42.0 cm @ 300 dpi Special Formats : 5623px × 7913px (127 MB) / 47.6 cm × 67.0 cm @ 300 dpi

RM 157298161

吉田博「白馬山頂より」

日本アルプス十二題 FSG348908 Habuka san, from the series, Twelve Scenes in the Japan Alps, Taisho era, 1926 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 29.1 x 40.4 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: woodblock print; ink and colour on paper;); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase and partial gift of H. Ed Robison; Japanese, out of copyright.

RM 85002182

エドヴァルド・ムンク「ブローチ エヴァ・ムドッチ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author:EDVARD MUNCH (1863-1944) Description:The Brooch. Eva Mudocci. Date/Period: 1903. Lithograph. 76 × 53.2 cm (29.9 × 20.9 in). Dimensions:76 × 53.2 cm (29.9 × 20.9 in) Location:Munch Museum Collection:Album Credit:Album Image size: 2834 x 3641 pixels (24.0 x 30.8 cm @ 300 dpi) 29.5 MB

RM 70433101

ピーテル・ファン・デル・ヘイデン「7つの罪源－激怒」

タイトル：「激怒」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Anger (Ira), from the series The Seven Deadly Sins, 1558, Engraving, sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525-1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Credit: Album / quintlox

RM 36844936

アレクサンドル・スタンラン「黒猫（ルドルフ・サリの黒猫の巡業）」

Th. A.Steinlen / Poster Chat Noir/ 1895/Steinlen, Theophile-Alexandre/1859-1923. "Tournee du Chat Noir", 1895. Poster for the Cabaret "Chat Noir" in Paris./Col. lithograph, 141.5 × 100cm./Print: Charles Verneau, Paris./Paris, Musee de la Publicite. Identifier : AKG215739 Artist : THEOPHILE-ALEXANDRE STEINLEN/Museum/Paris, Musee de la Publicite event date : 1895 image date : 1895/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : ART NOUVEAU/BLACK CAT/CABARET/CAT/FRENCH ART/POSTER/REVUE/THEATRE ; THEATER/VARIETY SHOW/ZOOLOGY geography : FRANCE/PARIS (CITY)/Person/RODOLPHE SALIS/Title/CHAT NOIR technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS Size : 3509px × 4961px (49 MB) 29.7 cm × 42.0 cm @ 300 dpi

RM 34992918

フランソワ・ジェラール「ジョゼフィーヌ・ド・ボアルネの肖像」

Josephine,/Kaiserin (Napoleon I.) der Franzosen,/geb. Tascher de la Pagerie, verwitw./Beauharnais. Trois Ilets (Martinique)/23.6.1763 - Malmaison 29.5.1814./- Portrat. -/Gemalde, undat., von Francois Gerard (1770-1837) (Zuschreibung)./Ol auf Leinwand, 213 x 122 cm. Privatsammlung. Identifier : AKG3518830 Artist : FRANCOIS GERARD event date : 1805 image date : 1853/Time Period/19TH CENTURY topic : ART/CARPET ; RUG/CLASSICISM/CROWN/DIADEM/DRAPERY ; FOLDS/EMPIRE (STYLE)/EMPRESS/FASHION ; STYLE/FIRST EMPIRE (1804-1815)/FULL-LENGTH ; FULL LENGTH ; LONG SHOT/HISTORY/PERSON/PORTRAIT/SITTING/SOFA ; COUCH/WIFE OF CELEBRITIES/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE/Person/EMPRESS JOSEPHINE/FRANCOIS GERARD/WILHELM VON KAULBACH technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 34838078

アルフォンス・ミュシャ 「宝石(ルビー)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（ルビー）」 国籍： チェコ ジャンル： アール・ヌーヴォー A.Mucha, Ruby / 1900/Mucha, Alfons./1860-1939. "Ruby", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-132/Mucha Trust. Identifier : AKG1006683 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/ART/ART NOUVEAU/BOTANY/CHAIN (JEWELRY) ; CHAIN (JEWELLERY)/CZECH ART/FLOWER/JEWELRY ; JEWELLERY/MINERALOGY/MORAVIAN ART/NECKLACE/ORNAMENTAL ART/PENDANT/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/RUBY/SITTING/THREE-QUARTER LENGTH/TURN OF THE CENTURY/WOMAN/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2150px × 4961px (30 MB) 18.2 cm × 42.0 cm @ 300 dpi/Special Formats/3425px × 7904px (77 MB) TIFF/29.0 cm × 66.9 cm @ 300 dpi

RM 33129658

フリーダ・カーロ 「ルーツ」

作家名： フリーダ・カーロ ( 1907年 - 1954年 ) タイトル：「ルーツ」 国籍： メキシコ Kahlo, Frida 1907-1954. "Roots", 1943. Oil on metal, 30.5 × 49.9cm. Private Collection. Identifier : AKG107963 Artist : FRIDA KAHLO source : akg-images credit line : akg-images event date : 1943 image date : 1943 Time Period 1940S 20TH CENTURY 2ND MILLENNIUM A.D. topic : ANATOMY ART BY WOMEN BOTANY FANTASTIC ART MEXICAN ART PERSON PORTRAIT ROOT (PLANT) SELF-PORTRAIT SURREALISM WOMAN technique : PAINTING (OBJECT) PAINTING (technique) Size 4961px × 2910px (~6 MB / ~41 MB unc.) 42.0 cm × 24.6 cm (300dpi) Special Formats 5906px × 3464px (~48 MB / ~59 MB unc.) TIFF 50.0 cm × 29.3 cm (300dpi)

RM 32806435

ゴッホ 「包帯をした自画像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：包帯をした自画像 国籍： オランダ ジャンル： ポスト印象派　後期印象派 Artist： VINCENT VAN GOGH Title： Self portrait with bandaged ear Location： London, Courtauld Institute Galleries Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1889 Description： Gogh, Vincent van. Dutch painter; Groot-Zundert near Breda 30.3.1853 (suicide) Auvers-sur-Oise 29.7.1890. "Self portrait with bandaged ear", Arles, January 1889. Oil on canvas, 60 × 49 cm.

RM 32806242

クロード・モネ 「ラ・グルヌイエール」

フランスの画家 ジャンル： 印象派 Artist： CLAUDE MONET Title： La Grenouillere Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1869 Description： Monet, Claude; 1840-1926. "La Grenouillere", 1869. 1871/72. (Swimming area and boat rental, La Grenouillere, on the Ile de la Loge on the Seine near Bougival). Oil on canvas, 74.6 × 99.7 cm. H.O.Havemyer Collection, Bequest of Mrs. H.O.Havemyer, 1929 (29.100.112). H

RM 32806375

レンブラント「石橋のある風景」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) 国籍： オランダ ジャンル　： バロック 所蔵：アムステルダム国立美術館 Artist： HARMENSZ VAN RIJN REMBRANDT Title： The Stone Bridge Location： Amsterdam, Rijksmuseum Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT) Date： 1636 Description： Rembrandt, Harmenszoon van Rijn. 1606-1669. "The Stone Bridge", 所蔵：アムステルダム国立美術館 c. 1636/38. Oil on wood, 29.5 × 42.3 cm.

RM 32805810

ピーテル・ブリューゲル 1世 「干し草の収穫」（部分）

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「干し草の収穫」（部分） 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Bruegel (Brueghel), Pieter the Elder,/c.1525/30 - 1569. "The Hay Harvest" (detail), 1565./("July" from the series: The Months). Oil on panel, 117 x 161 cm./Inv. O 9299./Prague, National Gallery. Identifier : AKG1028924 Artist : PIETER BRUEGEL, THE ELDER/Museum/Prague, National Gallery source : Andre Held / Andre Held event date : 1565 image date : 1565/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : ART/CARRYING ON THE HEAD/COUNTRY LIVING ; RURAL LIFE/CROP ; HARVEST/DETAIL/FARMING/FLEMISH ART/HAY/HORSE/JULY/LANDSCAPE ; SCENERY/MONTH/NETHERLANDISH ART/PEASANT ; FARMER/PEASANT WOMAN/RENAISSANCE/RURAL POPULATION/SEASONS/SUMMER/YEAR AND CALENDAR technique : PAINTING (OBJECT)/PAINTING (technique)/Size 3484px × 4961px (49 MB) 29.4 cm × 42.0 cm @ 300 dpi/Special Formats/6586px × 9379px (177 MB) TIFF/55.8 cm × 79.4 cm @ 300 dpi

RM 32806365

レンブラント 「ヤコブ・デ・ヘイン三世の肖像」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：ヤコブ・デ・ヘイン三世の肖像 国籍： オランダ ジャンル　： バロック Title： Portrait of Jacques III de Gheyn Location： London, Dulwich College Picture Gallery Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON WOOD Date： 1632 Description： Gheyn, Jacques (Jacob) III de; Dutch draftsman and engraver; 1596 - Leiden 27.4.1644. "Portrait of Jacques III de Gheyn". Painting, 1632, by Rembrandt Harmenszoon van Rijn (1606-1669). Oil on wood, 29.9 × 24.9 cm.

RM 28241713

ハン・ファン・メーヘレン 「エマオの晩餐」

20世紀のもっとも有名な贋作者の1人、ハン・ファン・メーヘレンの作品。エマオの食事とも。フェルメールの贋作として制作され、ボイマンス美術館が所蔵している。 The faux Vermeer "The Emmausgangers" (1937) painted by Dutch master forger Han van Meegeren (1889-1947) is seen in this picture and displayed at the De Kunsthal gallery in Rotterdam, March 29. 50 years ago the record crowd jostling to see the Vermeers biggest-ever international exhibition at The Hague's Mauritshuis museum would have seen 28 canvases instead of the current 22. But today's visitors seeking the 6 paintings once hailed as the "art find of the age" will have to go to Rotterdam , where it hangs in a rogue's gallery of faux Vermeers

RM 23667114

マティス「赤いキュロットのオダリスク」

フランスの画家 ジャンル： フォーヴィスム 野獣派 Odalisque in red culottes, 1924-25, oil on canvas, Matisse, Henri, 1869-1954 / Musee de l'Orangerie, Paris, France /

RM 23491078

マーカス・ストーン 「ドン・ジョンにだまされてヒーローを責めるクローディオ（第4幕第1場）」

Title:　Claudio, deceived by Don John, accuses Hero, 1861 (oil on panel) (see also 67757) creator:　Stone, Marcus (1840-1921) Nationality:　English Description:　scene from 'Much Ado About Nothing' by William Shakespeare; Location:　c Guildhall Art Gallery, City of London Medium:　oil on panel Date:　1861 (C19th) Dimensions:　29.2x38.1 cms Credit:　Claudio, deceived by Don John, accuses Hero, 1861 (oil on panel) (see also 67757), Stone, Marcus (1840-1921) / c Guildhall Art Gallery, City of London / The Bridgeman Art Library Keywords:　Shakespearean characters fainted fainting female male medieval pointing Categories Literature Shakespeare The Arts and Entertainment

RM 21920624

ルノワール 「陽光のなかの裸婦」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「陽光のなかの裸婦」 フランスの画家 ジャンル： 印象派 Young Woman in the Sun, or Study, Torso, Sunlight, by Pierre-Auguste Renoir, 1876, 19th Century, oil on canvas France, Paris, Musee d'Orsay. Whole artwork view. Naked torso of a woman in half-light.

RM 21771911

ヘラルト・テル・ボルフ 「ワイングラスを持つ婦人」

オランダの画家 ジャンル: バロック Artist: Borch, Gerard ter,1617-1681 Imagetitle: Lady with Wine Glass. Dimensions: 38,9 x 29,7 cm Medium: On Canvas Location: Stadel Museum, Frankfurt am Main

RM 21569692

ウォーターハウス 「オフィーリア」

作家名： ジョン・ウィリアム・ウォーターハウス ( 1849年 - 1917年 ) タイトル：「オフィーリア」 国籍： イギリス ジャンル　： ラファエル前派　 PICTURE SUPPLIED BY NATIONAL PICTURES- SOTHEBY'S LONDON - NOVEMBER 29, 2001 IMPORTANT BRITISH PICTURES AUCTION John William Waterhouse, R.A. (1849-1917) OPHELIA

RM 13996045

「エレン・テリー」

Artist： Moore, Albert Joseph (1841-93) Title： Ellen Terry as Portia in 'The Merchant of Venice', c.1885 (oil on canvas) Location： Private Collection Medium： oil on canvas Date：19th Size：29.2x23.2 Description：Ellen Terry (1847-1928); William Shakespeare (1564-1616);

RM 11362999

スーラ 「サーカスの客寄せ」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル： サーカスの客寄せ フランスの画家 所蔵： メトロポリタン美術館 （ アメリカ　ニューヨーク ） ジャンル： 印象派　新印象派 Artist： Georges-Pierre Seurat (December 2, 1859 - March 29, 1891) Title： Invitation to the Side Show (La Parade de Cirque) - 1887-88. Location： The Metropolitan Museum of Art, New York, USA. Invitation to the Side Show (La Parade de Cirque) - 1887-88. The Metropolitan Museum of Art, New York, USA. Georges-Pierre Seurat (December 2, 1859 - March 29, 1891) was the founder of Neoimpressionism. Seurat painted this particular work in six months during 1887-88 and showed the painting at the fourth exhibition of the Society of Independent Artists, in 1888. It was his first attempt to render the effects of artificial light at night using the Pointillist technique.

RM 11363004

スーラ 「サーカスの客寄せ」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル： サーカスの客寄せ フランスの画家 所蔵： メトロポリタン美術館 （ アメリカ　ニューヨーク ） ジャンル： 印象派　新印象派 Artist： Georges-Pierre Seurat (December 2, 1859 - March 29, 1891) Title： Invitation to the Side Show (La Parade de Cirque) - 1887-88. Location： The Metropolitan Museum of Art, New York, USA. Invitation to the Side Show (La Parade de Cirque) - 1887-88. The Metropolitan Museum of Art, New York, USA. Georges-Pierre Seurat (December 2, 1859 - March 29, 1891) was the founder of Neoimpressionism. Seurat painted this particular work in six months during 1887-88 and showed the painting at the fourth exhibition of the Society of Independent Artists, in 1888. It was his first attempt to render the effects of artificial light at night using the Pointillist technique.

RM 56020112

ルネ・　マグリット 「イメージの裏切り」

作家名： ルネ・マグリット ( 1898年-1967年 ) タイトル：「イメージの裏切り」 国籍： ベルギー ジャンル： シュルレアリスム La Trahision des images Magritte, René 1898-1967. "La Trahision des images" (The Treachery of Images), 1928/29. Oil on canvas, 64.6 × 94.1cm. Purchases with funds from the Mr. a Mrs. Preston Harrison Collection, Los Angeles, County Museum of Art. Identifier : AKG442502 Artist : RENÉ MAGRITTE Museum Los Angeles, County Museum of Art source : akg-images credit line : akg-images event date : 1928 image date : 1928 Time Period 1920S 20TH CENTURY 2ND MILLENNIUM A.D. topic : BELGIAN ART FRENCH LANGUAGE PIPE (TOBACCO) STIMULANTS ; LUXURY FOODSTUFFS SURREALISM TOBACCO WRITING AND SCRIPT ; WRITING AND CHARACTERS technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 4961px × 3646px (51 MB) 42.0 cm × 30.8 cm @ 300 dpi

RM 70433111

ピーテル・ファン・デル・ヘイデン「7つの罪源－大食」

タイトル：「大食」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Gluttony (Gula) from The Seven Deadly Sins, 1558, Engraving, Sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525-1569). Credit: Album / quintlox

RM 58055843

ジョン・コンスタブル 「干し草車」

国籍： イギリス ジャンル　： ロマン主義 Constable, John / 11.6.1776 - 31.3.1837. "The hay wain", 1821. Oil on canvas, 130.2 × 185.4 cm./Inv. No. 1207/London, National Gallery. Artist : JOHN CONSTABLE Museum : London, National Gallery image date : 1821/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. topic : BROOK ; STREAM (RIVERLET)/CART/CLOUD/ENGLISH ART/FORD (WATER)/HAY CART ; HAY WAGON/LANDSCAPE ; SCENERY geography : ENGLAND technique : PAINTING (OBJECT)/PAINTING (technique) Size : 4961px × 3524px (50 MB) 42.0 cm × 29.8 cm @ 300 dpi Special Formats : 5197px × 3692px (55 MB) JPEG/44.0 cm × 31.3 cm @ 300 dpi

RM 25525718

ターナー「ターナーの自画像」

作家名： ジョゼフ・マロード・ウィリアム・ターナー ( 1775年 - 1851年 ) 国籍： イギリス ジャンル　： ロマン主義 所蔵：テートギャラリー Artist： Willliam Turner Location: Tate Gallery, London, Grossbritannien Categories: UK, Great Britain William Turner, self-portrait. Oil on canvas, around 1798. 29 1/4 x 23 inch. Inv. 458.

RM 108771037

マネ「春（ジャンヌ・ドマルシー）」

Jeanne (Spring); Édouard Manet (French, 1832 - 1883); France; 1881; Oil on canvas; 74 × 51.5 cm (29 1,8 × 20 1,4 in.)

RM 53423332

ゴーギャン 「いつ結婚するの」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「いつ結婚するの」 フランスの画家 ジャンル： 印象派　ポスト印象派 Author: Eugène Henri Paul Gauguin (1848-1903) Description: Nafea Faaipoipo (When are you getting married). Two young Tahitian women, crouching on the ground. Oil on canvas (1892) 105 x 77.5 cm Cat. W 454. Classification: PAINTING ~ POST-IMPRESSIONISM ~ 19th Location: Fondation Rudolf Staechlin, Basel, Switzerland Collection: Lessing Image size: 3472 x 4895 pixels (29.4 x 41.4 cm @ 300 dpi) 48.6 MB

RM 34782806

ティツィアーノ 「ウルビーノのヴィーナス」

作家名： ティツィアーノ・ヴェチェッリオ (1488/1490年 - 1576年) タイトル：「ウルビーノのヴィーナス」 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Tizian, orig. Tiziano Vecelli (o)/c. 1487/90-1576. "Resting Venus" (Venus of Urbino), c. 1538./Oil on canvas, 119 × 165cm./Inv. Nr. 1437/Florence, Galleria degli Uffizi. Identifier : AKG248640/Museum/Florence, Galleria degli Uffizi source : Marco / Serge Rabatti / Domingie / Rabatti - Domingie event date : 1538 image date : 1538/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : BEAUTY/BED/BEDROOM/DOG/EROTIC ART/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/ITALIAN ART/LAP DOG/LYING DOWN/MYTHOLOGY/NUDE (ARTWORK)/RENAISSANCE/SERVANT/VENETIAN ART/WOMAN/Person/TITIAN/VENUS (APHRODITE)/Title/VENUS VON URBINO technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3526px (50 MB) 42.0 cm × 29.8 cm @ 300 dpi/Special Formats/8699px × 6184px (154 MB) TIFF/73.7 cm × 52.4 cm @ 300 dpi

RM 83892921

エドヴァルド・ムンク「ダグニー・ユールの肖像」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Author: Edvard Munch (1863-1944) Description: Dagny Juel Przybyszewska, 1893 Canvas MM M 212 Permission to reproduce has to be requested from BONO Classification: PAINTING ~ EXPRESSIONISM ~ 19th Location: Munch Museet, Oslo, Norway Image size: 3497 x 4828 pixels (29.6 x 40.9 cm @ 300 dpi) 48.3 MB

RM 36637386

レンブラント 「運命を悟るハマン」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：運命を悟るハマン 国籍： オランダ ジャンル　： バロック Description: Translate with Google Bartolome Esteban Murillo (1617-1682). Spanish baroque painter. The Infant Jesus and St. John, 1655-1660. The State Hermitage Museum. Saint Petersburg. Russia. Collection: Prisma Credit: Album / Prisma Image size: 3425 x 3977 pixels (29.0 x 33.7 cm @ 300 dpi) 39.0 MB 1650 1655-1660 17TH CENTURY ARTISTE ANGELES BAROQUE BASKET BIBLE NT BIBLE; BIBLICAL EUROPE EUROPEAN FRAME FRUIT GOLDEN AGE HERMITAGE HISTORIA UNIVERSAL JESUS CHRISTUS KNIGHTS HOSPITALLER LITTLE GIRL MURILLO, BARTOLOME ESTEBAN MODERN PERIOD MURILLO MUSEUMS OIL RITE RUSIA RUSSIAN SAINT SAINT PETERSBURG SPAIN ST. JOHN SAINT JOHN THE BAPTIST STATE HERMITAGE MUSEUM, THE CANVAS PAINT PAINTER PERIOD RELIGIOUS RELIGIOUS WORK S. XVII

RM 36637390

ムリーリョ 「幼子イエスと洗礼者聖ヨハネ」

作家名： バルトロメ・エステバン・ムリーリョ ( 1617年 - 1682年 ) タイトル：幼子イエスと洗礼者聖ヨハネ 国籍： スペイン ジャンル　： バロック　セビーリャ派 Description: Translate with Google Bartolome Esteban Murillo (1617-1682). Spanish baroque painter. The Infant Jesus and St. John, 1655-1660. The State Hermitage Museum. Saint Petersburg. Russia. Collection: Prisma Credit: Album / Prisma Image size: 3425 x 3977 pixels (29.0 x 33.7 cm @ 300 dpi) 39.0 MB 1650 1655-1660 17TH CENTURY ARTISTE ANGELES BAROQUE BASKET BIBLE NT BIBLE; BIBLICAL EUROPE EUROPEAN FRAME FRUIT GOLDEN AGE HERMITAGE HISTORIA UNIVERSAL JESUS CHRISTUS KNIGHTS HOSPITALLER LITTLE GIRL MURILLO, BARTOLOME ESTEBAN MODERN PERIOD MURILLO MUSEUMS OIL RITE RUSIA RUSSIAN SAINT SAINT PETERSBURG SPAIN ST. JOHN SAINT JOHN THE BAPTIST STATE HERMITAGE MUSEUM, THE CANVAS PAINT PAINTER PERIOD RELIGIOUS RELIGIOUS WORK S. XVII

RM 36300890

アルキータ・リッチ 「支倉常長の肖像」

Japan: Hasekura Tsunenaga (1571-1622), leader of the Keicho Embassy from Japan to Europe (1613-1620), in Rome. Claude Deruet (c. 1588-1660), 1615/Hasekura Rokuemon Tsunenaga was a Japanese samurai and retainer of Date Masamune, the daimyo of Sendai. In the years 1613 - 1620, Hasekura headed a diplomatic mission to the Vatican in Rome, traveling through New Spain (arriving in Acapulco and departing from Veracruz) and visiting various ports-of-call in Europe. This historic mission is called the Keicho Embassy, and follows the Tensho embassy of 1582. On the return trip, Hasekura and his companions re-traced their route across Mexico in 1619, sailing from Acapulco for Manila, and then sailing north to Japan in 1620. He is conventionally considered the first Japanese ambassador in the Americas and in Europe. Although Hasekura's embassy was cordially received in Europe, it happened at a time when Japan was moving toward the suppression of Christianity. European monarchs such as the King of Spain thus refused the trade agreements Hasekura had been seeking. Hasekura returned to Japan in 1620 and died of illness a year later, his embassy seemingly ending with few results in an increasingly isolationist Japan. Pictures From History Identifier : AKG3877816 source : Pictures From History / Pictures From History image date : 3.9.2015 topic : ENTDECKUNG/GESCHICHTE/KUNST geography : ASIEN/JAPAN/ROM/Person/CLAUDE DERUET/Size 3446px × 5454px (53 MB) 29.1 cm × 46.1 cm @ 300 dpi

RM 70433546

ピーテル・ブリューゲル 1世「7つの罪源－邪淫」の原画

タイトル：「邪淫」七つの罪源(大罪）シリーズより 下絵：ピーテル・ブリューゲル 1世 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter the Elder, c. 1525/30 – 1569. "Luxuria" (Lust / Lechery). Drawing, pen and brown ink on paper, 1557. From the series of the Seven Deadly Sins 22.6 × 29.7 cm. Brussels, Bibliothèque Royale.

RM 70433549

ピーテル・ブリューゲル 1世「7つの罪源－貪欲」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「貪欲」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Avarice (Avaritia), from the series The Seven Deadly Sins, Print, 1558. Engraving; first state of two, 22.5 × 29.7 cm. Inv. Nr. 18.55.21 New York, Metropolitan Museum of Art.

RM 66920992

クリムト 「ベートーヴェン・フリーズ第1壁面」

作品自体はオーストリア・ギャラリーが所蔵 現在は分離派館(セセッション館)にて展示されている 作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: The " Beethoven Frieze". 40-17-06 / 2-7 show the complete frieze in sequence. For more text information and details of some parts of the frieze see 40-16-02 / 26,27, 40-16-02 / 29 and 31. Total size of the frieze: 34,14m x 2,15 m. Classification: MURAL ~ JUGENDSTIL ~ 20th Personalities: LUDWIG VAN BEETHOVEN (1770-1827) Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 6505 x 2281 pixels (55.1 x 19.3 cm @ 300 dpi) 42.5 MB

RM 62553865

ルーベンス 「サムソンとデリラ」

Samson and DelilahRubens, Peter Paul;/Flemish Baroque painter;/1577 - 1640. "Samson and Delilah", c. 1609-10. (Old Testament, Judges 16: 17-20. Candlelit interior, the Philistines wait at the door, one cuts Samson's hair, while an elderly woman provides extra light. In a niche behind: a statue of the goddess of love, Venus, with Cupid). Oil on wood, 185 x 205 cm. Inv. No. NG6461 , /Room 29,/London, National Gallery. Artist : PETER PAUL RUBENS/MUSEUM/LONDON, NATIONAL GALLERY/COLLECTION/THE NATIONAL GALLERY, LONDON credit line : The National Gallery, London / akg image date : 1609TIME PERIOD/17TH CENTURY/2ND MILLENNIUM A.D. topic : SAMSON AND DELILAH/PERSON/PETER PAUL RUBENS/SAMSON Size : 4961px × 4551px (64 MB)/42.0 cm × 38.5 cm @ 300 dpi Special Formats : 5197px × 4768px (71 MB) JPEG/44.0 cm × 40.4 cm @ 300 dpi

RM 62553867

クロード・モネ 「散歩、日傘をさす女」

Claude Monet 1840–1926. Woman with a Parasol – Madame Monet and Her Son, 1875. Oil on canvas, 100 × 81 cm. Inv. Nr. 1983.1.29, Washington, National Gallery of Art.

RM 83892811

エドヴァルド・ムンク「接吻」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Work entitled Kiss by Norwegian artist Edvard Munch (1863-1944). This work was produced in 1897. Uncompressed size 60.00 MB Dimensions (pixels) 4572 x 4587 Dimensions 38.71 x 38.84 cm / 15.24 x 15.29 inch Resolution 118.11 ppc / 300.00 ppi

RM 70433096

ピーテル・ファン・デル・ヘイデン「7つの罪源－怠惰」

タイトル：「怠惰」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Sloth (Desidia), from the series The Seven Deadly Sins, 1558, Engraving, Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525-1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels), Representing the vice of sloth, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. The personification of sloth, a shabbily dressed woman, demonstratively sleeps away the time in the central foreground, resting her weight on the back of an ass. Credit: Album / quintlox

RM 62343640

歌川国芳 「ネズミよけの猫」

Japan: A Japanese cat. Utagawa Kuniyoshi, a noted cat lover (1797/8 -1862)/Utagawa Kuniyoshi (January 1, 1798 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He is associated with the Utagawa school. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of samurai and legendary heroes. His artwork was affected by Western influences in landscape painting and caricature. Pictures From History Identifier : AKG3836109/Collection/Pictures From History / Pictures From History image date : 9.7.2015 topic : ANIMAL/ART/CAT/FAUNA/HISTORY/JAPANESE ART geography : ASIA/JAPAN/Person/UTAGAWA KUNIYOSHI technique : COLOUR WOODCUT ; COLOR WOODCUT/PRINTED GRAPHICS/WOODCUT Size : 3500px × 5077px (50 MB) ; 29.6 cm × 42.9 cm @ 300 dpi

RM 33509746

ピーテル・ブリューゲル 1世 「農民の踊り」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「農民の踊り」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Bruegel, Pieter the Elder c. 1525/30 - 1569./"Peasant dance", c. 1568./On wood, 114 × 164cm. Inv. 1054/Vienna, Kunsthistorisches Museum. Identifier : AKG452484 Artist : PIETER BRUEGEL, THE ELDER/Museum/Vienna, Kunsthistorisches Museum event date : 1568 image date : 1568/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : BAGPIPE/BAGPIPE PLAYER/BONNET (FASHION)/CARNIVAL (FAIR) ; FUN FAIR/CHILDRENSWEAR/COUNTRY LIVING ; RURAL LIFE/DANCE/DRINK/EVERYDAY LIFE/FACIAL FORM ; SHAPE OF FACE/FARMHOUSE/FASHION ; STYLE/FEASTS ; FESTIVALS/FOLK COSTUME ; TRADITIONAL COSTUME ; NATIONAL DRESS/FOLK DANCE/FOLKLORE/FOOD/FOOD AND DRINK/FOOL/HEAD COVERING/INSTRUMENT/JOY OF LIFE ; JOIE DE VIVRE/KNEESOCKS ; KNEE-LENGTH STOCKINGS/MANNERISM/MEN'S FASHION ; MENSWEAR/MUSIC/NETHERLANDISH ART/OUTDOORS ; OUTSIDE/PAINTING OF ARCHITECTURE/PEASANT ; FARMER/PEASANT WOMAN/PENNON ; PENON/PEOPLES AND TRADITIONS/PERSPECTIVE/PHYSIOGNOMICS/PITCHER/PURSE/RENAISSANCE/RHYTHMICS/RURAL POPULATION/SCENE/SQUARE (PLAZA)/STOCKINGS/STREET SCENE/VILLAGE/VILLAGE LIFE ; COUNTRY LIFE/WILDNESS ; HILARITY ; EXUBERANCE/WIND INSTRUMENT/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FLANDERS/NETHERLANDS technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3534px (50 MB) 42.0 cm × 29.9 cm @ 300 dpi/Special Formats/11682px × 8321px (278 MB) TIFF/98.9 cm × 70.5 cm @ 300 dpi

RM 33509683

ピーテル・ブリューゲル 1世 「種まく人の譬え」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「種まく人の譬え」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Brueghel, Pieter the Elder c. 1525/30-1569. "Landscape with the Parable of the Sower", 1557. On wood, 74 × 102cm. Identifier : AKG100572 Artist : PIETER BRUEGEL, THE ELDER event date : 1557 image date : 1557/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : ARABLE FARMING/BIBLE/CHRISTIANITY/FARMING/GLOBAL LANDSCAPE/LANDSCAPE ; SCENERY/NETHERLANDISH ART/NEW TESTAMENT/PARABLE/PARABLE/SOWER/SOWING technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3514px (49 MB) 42.0 cm × 29.7 cm @ 300 dpi/Special Formats/8480px × 6007px (146 MB) TIFF/71.8 cm × 50.9 cm @ 300 dpi

RM 66855071

ピーテル・ブリューゲル 2世 「野外での婚礼の踊り」

作家名： ピーテル・ブリューゲル 2世 ( 1564年頃ー1638年 ) 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 The Wedding Dance/Brueghel, Pieter the Younger, 1564–1638./"The Wedding Dance",/c. 1607/26./Oil on wood, 39 × 51 cm. Inv. 822/Munich, Alte Pinakothek. Identifier : AKG610024/Museum/Munich, Alte Pinakothek/Collection/akg-images event date : 1607 image date : 1607/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : BAGPIPE/COUNTRY LIVING ; RURAL LIFE/DANCE/FARMHOUSE/FOLK DANCE/FOLKLORE/GARDEN ; YARD/INSTRUMENT/LOVE AND MARRIAGE/MUSIC/NETHERLANDISH ART/OUTDOORS ; OUTSIDE/PEOPLES AND TRADITIONS/PERSON ; HUMAN ; INDIVIDUAL/RENAISSANCE/RURAL POPULATION/VILLAGE LIFE ; COUNTRY LIFE/WEDDING/WILDNESS ; HILARITY ; EXUBERANCE geography : NETHERLANDS/Person/PIETER BRUEGEL, THE YOUNGER technique : OIL ON WOOD/PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3491px (49 MB) 42.0 cm × 29.5 cm @ 300 dpi/Special Formats/6713px × 4724px (91 MB) TIFF/56.8 cm × 40.0 cm @ 300 dpi

RM 90674581

ゴッホ「自画像」

Netherlands / Holland: Self-Portrait, Vincent Van Gogh (1853-1890), 1887 Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Post-Impressionist painter. He was a Dutch artist whose work had a far-reaching influence on 20th century art. His output includes portraits, self portraits, landscapes and still lifes of cypresses, wheat fields and sunflowers. He drew as a child but did not paint until his late twenties; he completed many of his best-known works during the last two years of his life. In just over a decade, he produced more than 2,100 artworks, including 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints. This painting is currently in the Art Institute of Chicago, USA. Pictures From History

RM 87556478

ゴッホ 「包帯をした自画像」

Gogh, Vincent van. Dutch painter Groot-Zundert nr. Breda 30.3.1853 – (suicide) Auvers-sur-Oise 29.7.1890. “Self-portrait with bandaged ear”, Arles, Januray 1889. Oil on canvas, 60 × 49cm. London, Courtauld Institute Galleries. 所蔵：London, Courtauld Institute Galleries 技法：PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS

RM 63361272

ジョゼフ・ニコラス・ロバート・フルーリー 「宗教裁判にかけられるガリレオ」

所蔵：ルーヴル美術館 Author: JOSEPH NICOLAS ROBERT-FLEURY (1797-1890) Description: Galileo Galilei before the Holy Office in the Vatican,1632. Painted 1847. Canvas, 196,5 x 308 cm RF 567. Classification: PAINTING ~ HISTORISM ~ 19th Personalities: GALILEO GALILEI (1564-1642) Location: Louvre, Dpt. des Peintures, Paris, France Collection: Lessing Image size: 4000 x 2599 pixels (33.9 x 22.0 cm @ 300 dpi) 29.7 MB

RM 52143292

ジョアン・ミロ 「古い靴のある静物」

所蔵: ニューヨーク近代美術館 Author: Joan Miró (1893-1983) BODEGON DEL ZAPATO - 1937 - OLEO/LIENZO - 81.3 x 116.8 cm. Location: MUSEUM OF MODERN ART ~ NEW YORK Collection: Oronoz Image size: 4974 x 3446 pixels (42.1 x 29.2 cm @ 300 dpi) 49.0 MB

RM 57366380

ピエール・ボナール 「小さな洗濯女」

ジャンル： ナビ派　親密派 フランスの画家 La petite blanchiseuse Bonnard, Pierre 1867–1947. "La petite blanchiseuse", 1896. Colour lithograph, 29.2 × 20cm. Identifier : AKG452476 source : Jacqueline Guillot (CDA) credit line : akg-images / CDA / Guillot event date : 1896 image date : 1896 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : ART NOUVEAU BASKET CARRYING CHILD CHILD LABOR ; CHILD LABOUR DOG FRENCH ART GIRL LAUNDERESS LAUNDRY BASKET LIFE AS A CHILD ; CHILD'S LIFE MESSENGER (FEMALE) ; COURIER (FEMALE) MORE THAN ONE CAN BEAR ; EXCESSIVE DEMAND NABIS PERSON ; HUMAN ; INDIVIDUAL PROFESSION SERVICE UMBRELLA WOMAN WORK Person PIERRE BONNARD technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH GRAPHIC ART ; GRAPHIC ARTS LITHOGRAPH PRINTED GRAPHICS Size 3392px × 4961px (48 MB) 28.7 cm × 42.0 cm @ 300 dpi

RM 26167209

エゴン・シーレ 「自画像」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「自画像」 国籍： オーストリア ジャンル： 表現主義 Male nude self-portrait. 1911. Opaque Color, Watercolour and Pencil. By Egon Schiele. 53 x 29 cm.

RM 149700912

ミケランジェロ「リビアのシビュラ」

国籍： イタリア ジャンル　： ルネサンス MICHELANGELO BUONARROTI . Prophets and Sibyls: Libyan Sibyl (Sistine Chapel ceiling in the Vatican). Photo after restoration. Credit: Album / Fine Art Images

RM 70433112

ピーテル・ファン・デル・ヘイデン「7つの罪源－激怒」

タイトル：「激怒」七つの罪源(大罪）シリーズより 彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Anger (Ira) from The Seven Deadly Sins, 1558, Engraving, plate: 8 13/16 x 11 9/16 in. (22.4 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525-1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Credit: Album / quintlox

RM 70433550

ピーテル・ブリューゲル 1世「7つの罪源－邪淫」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「邪淫」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Lust (Luxuria) from The Seven Deadly Sins, Print, 1558. Engraving, 22.6 × 29.7 cm. Inv. Nr. 28.4 (32) New York, Metropolitan Museum of Art.

RM 61615078

パブロ・ピカソ 「籐張りの椅子のある静物」

作家名： パブロ・ピカソ ( 1881年 -1973年 ) タイトル：籐張りの椅子のある静物 国籍： スペイン ジャンル： キュビスム Nature morte a la chaise cannee Picasso, Pablo 1881-1973. "Nature morte a la chaise cannee" (Still life with Chair Caning), Paris, May 1912. Oil / oilcloth on canvas framed by cord, 29 × 37 cm. Paris, Musée Picasso. Identifier : AKG186628 Artist : PABLO PICASSO Museum Paris, Musée Picasso Collection akg-images credit line : akg-images event date : 1912 image date : 1912 Time Period 1910S 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART CUBISM FRENCH ART SPANISH ART STILL LIFE SYNTHETIC CUBISM technique : COLLAGE PAINTING (OBJECT) PAINTING (technique) Size 4961px × 3655px (51 MB) 42.0 cm × 30.9 cm @ 300 dpi Special Formats 9150px × 6742px (176 MB) TIFF 77.5 cm × 57.1 cm @ 300 dpi

RM 149696615

ミケランジェロ「リビアのシビュラ」

国籍： イタリア ジャンル　： ルネサンス The Sistine Chapel;ceiling frescos after restoration. The Libyan Sibyl.Michelangelo used a male model for the Libyan sibyl.

RM 149246342

ハンス・バルドゥング 「死と乙女」

作家名： ハンス・バルドゥング・グリーン ( 1485年頃 - 1545年 ) タイトル：「死と乙女」 国籍： ドイツ ジャンル： ルネサンス 所蔵：バーゼル市立美術館 Artist： Baldung Grien, Hans (1484/5-1545) Title： Woman and Death, c.1517 (tempera on panel) Location： Kunstmuseum, Basel, Switzerland Age：16th Medium：tempera on panel 79872

RM 83899693

ドガ「踊り子たち、ピンクと緑」

Degas, Edgar 1834-1917. Dancers, Pink and Green, Painting, ca. 1885-1895. Oil on canvas, 82.2 × 75.6 cm. Inv. Nr. 29.100.42 New York, Metropolitan Museum of Art.

RM 71141004

バーバラ・クラフト「モーツァルトの肖像」

Mozart, Wolfgang Amadeus Composer,/Salzburg 27.1.1756 – Vienna 5.12.1791.Portrait. Painting, 1819, by Barbara Krafft, nee Steiner (1764–1825)./Oil on Canvas, 54 × 42cm./Vienna, Gesellschaft der Musikfreunde. Artist : BARBARA KRAFFT/Museum/Vienna, Gesellschaft der Musikfreunde/Collection/akg-images event date : 1790 image date : 1819/Time Period/19TH CENTURY technique : PAINTING (OBJECT)/PAINTING (technique) Size : 3490px × 4961px (49 MB) / 29.5 cm × 42.0 cm @ 300 dpi

RM 66926024

クリムト 「ピアニスト兼ピアノ教師ヨーゼフ・ペンバウアーの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Joseph Pembauer, pianist and piano teacher. Frame also by Gustav Klimt. Oil on canvas (1890) 69 x 55 cm. Classification: PAINTING ~ JUGENDSTIL ~ 19th Personalities: PEMBAUER, JOSEPH, PIANIST (19th) Location: Landesmuseum Ferdinandeum, Innsbruck, Austria Image size: 3505 x 3989 pixels (29.7 x 33.8 cm @ 300 dpi) 40.0 MB

RM 66752030

フランソワ・ブーシェ 「ポンパドゥール夫人の肖像」

所蔵: アルテ・ピナコテーク バイエルン州立絵画コレクション 作家名： フランソワ・ブーシェ ( 1703年 - 1770年 ) タイトル：「ポンパドゥール侯爵夫人の肖像」 フランスの画家 ジャンル　： ロココ Pompadour, Jeanne Antoinette Poisson, Marquise de (genannt Madame Pompadour), Mätresse Ludwigs XV., Paris 29.12.1721 – Versailles 15.4.1764. Porträt. Gemälde, 1756, von François Boucher (1703–1770). Oil on canvas, 201 × 157 cm. Inv. H. u. W. 18. München, Alte Pinakothek.

RM 25525604

エゴン・シーレ 「緑の靴下で横になっている女性」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「緑の靴下で横になっている女性」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Categories: Expressionism Liegende Frau mit grunen Strumpfen [Reclining Woman with Green Stockings]. D1995. Gouache and black crayon. 1917. 29,4 : 46 cm