「18」 の 検索結果

RM 184110009

レッサー・ユリィ「夜のポツダム広場」

Author:LESSER URY (1861-1931) Description:Lesser Ury/ Potsdamer Platz at Night, Mid-1920s, oil on canvas, 79.6 x 100.0 cm, Israel Photo Museum Collection Museum:Israel Photo Museum Collection Image size:2808 x 2204 pixels (23.8 x 18.7 cm @ 300 dpi) 17.7 MB

RM 83415569

バルタザール・ファン・デル・アスト「籠に入った果物」

所蔵: ワシントン・ナショナル・ギャラリー Balthasar van der Ast, 1593/1594-1657. Basket of Fruits, ca. 1622. Oil on panel, 18.1 × 22.8 cm. Inv. Nr. 1992.51.1, Washington, National Gallery of Art.

RM 20971551

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftmen(Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307162)

RM 20970565

エジプト　ツタンカーメンの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Tutankhamen. Burial chamber. Western wall. Mural paintings. Illustrated Amduat. First hour. Scarab beetle as Sun in solar bark and baboons (Dynasty 18, Tutankhamen, 134

RM 20971323

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Pillars. Mural paintings. Illustrated Litany of Ra (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 335245)

RM 143516852

クロード・モネ「積みわら」

MPAW78 . Francais : Monet Meules Hill-Stead Museum W1267 . 29 November 2013, 18:49:00. Hill-Stead Museum website 900 Monet Grainstacks Hill-Stead Museum W1267

RM 83892812

エドヴァルド・ムンク「カール・ヨハン通りの夕暮れ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Work entitled Evening in Karl Johan Street by Norwegian artist Edvard Munch (1863-1944). This work was produced in 1892. Uncompressed size 59.98 MB Dimensions (pixels) 5564 x 3768 Dimensions 47.11 x 31.90 cm / 18.55 x 12.56 inch Resolution 118.11 ppc / 300.00 ppi

RM 66923933

クリムト 「水蛇 I」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Wasserschlangen (Watersnakes). Oil on canvas (1904-1907). Classification: PAINTING ~ JUGENDSTIL ~ 20th Location: Oesterreichische Galerie im Belvedere, Vienna, Austria Image size: 2212 x 5565 pixels (18.7 x 47.1 cm @ 300 dpi) 35.2 MB

RM 26165248

クリムト 「扇を持つ女」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「扇を持つ女」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Lady with fan. D203. Oil on Canvas by Gustav Klimt. 100 : 100 cm. 1917/18.

RM 100813113

ルノワール「木かげ」

Author: Pierre Auguste Renoir (1841-1919) Description: In the Woods. Date/Period: Ca. 1880. Painting. Oil on canvas Oil on canvas. Height: 558 mm (21.96 in); Width: 463 mm (18.22 in). Technique: painting Dimensions: Height: 558 mm (21.96 in); Width: 463 mm (18.22 in) Location: National Museum of Western Art Collection: Album Credit: Album Image size: 3300 x 4024 pixels (27.9 x 34.1 cm @ 300 dpi)

RM 85002211

エドヴァルド・ムンク「浜辺のインゲル」

ノルウェーの画家 技法: 油彩 ジャンル: 象徴主義　表現主義 NGER ON THE BEACH Edvard MUNCH (1863-1944) “Inger on the beach”. Oil on burlap, 1889. Identifier：AKG4448159 Collection：Fototeca Gilardi snc Credit line：akg-images / Fototeca Gilardi Topic：BEACH　EXPRESSIONISM　LONELINESS　NOSTALGIA SADNESS　SEA　WOMAN Size：2751px × 2145px (16 MB) 23.2 cm × 18.1 cm @ 300 dpi

RM 70433551

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Anger (Ira), from the series The Seven Deadly Sins, Print, 1558. Engraving, 22.5 × 29.7 cm. Inv. Nr. 18.55.24 New York, Metropolitan Museum of Art.

RM 20970546

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) Digital reconstruction (KV34 - 310878)

RM 102743692

ゴッホ「パイプをくわえた医師ガシェの肖像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) 国籍： オランダ ジャンル　印象派　ポスト印象派 Gogh, Vincent van; 1853-1890. "Portrait of Dr Gachet", Auvers-sur-Oise, 1890. Etching, 18 cm x 15 cm. Vincent van Gogh Foundation, Amsterdam, Van Gogh Museum.

RM 20970527

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 307370)

RM 117358753

ピエール・ボナール

Pierre Bonnard (1867-1947). Family Scene (Scène de famille). Dimensions: 58 cm x 41.5 cm, 31.2 cm x 18.5 cm. Credit: Album

RM 21031811

カラヴァッジョ 「ナルキッソス」

国籍： イタリア ジャンル： バロック Caravaggio (Michelangelo Merisi, 1571-1610), Narcissus. location : Rome, Galleria Nazionale D'Arte Antica Di Palazzo Barberini ( National Art Gallery, Barberini Palace)

RM 83410317

オペラ「魔笛」のための宣伝美術

Mozart, Wolfgang Amadeus Composer, 1756-1791. Works: The Magic Flute (1791). - "Inside of the sun temple" (Stage design for the prod. at the Berlin Opera, 18.1.1816, 12th decoration, final set). Drawing by Karl Friedrich Schinkel (1781-1841). Opaque colours, 54.2 × 62.5cm. Berlin, Schinkel Museum.

RM 56548906

ハンス・メムリンク 「キリストの復活の三連祭壇画」

Author: Hans Memling (Hans Memlinc) (c. 1433-1494) Description: Triptych of the Resurrection; left wing Saint Sebastian, right wing Ascension. Wood, 61,5 x 44,5 cm, 61,5 x 18,5 cm M. I. 247-249. Classification: PAINTING ~ GOTHIC ~ 15th Location: Louvre, Dpt. des Peintures, Paris, France

RM 20971555

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftmen(Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307165)

RM 20970577

エジプト　ツタンカーメンの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Tutankhamen. Burial chamber. Northern wall. Mural paintings. Pharaoh and Nut; reanimation rite (Dynasty 18, Tutankhamen, 1347-1338 BC) (KV62 - 307279)

RM 164767099

アンドレア・デル・ヴェロッキオ 「ダヴィデ」

Verrocchio,Andrea del (1435-1488), Young David, the head. Detail, see 40-07-09/18,20 Bronze inv. 450

RM 54595373

フォード・マドックス・ブラウン 「あなたの子どもを受け取ってください、旦那さま」

Ford Madox Brown, Take your Son, Sir! Brown, Ford Madox 1821–1893. "Take your Son, Sir!" (Nehmt Euren Sohn, Sir!), um 1851/92. Oil on canvas, 70,5 × 38,1 cm. Inv. Nr. N04429 London, Tate Britain. Identifier : AKG1799892 Artist : FORD MADOX BROWN Museum London, Tate Britain source : akg-images credit line : akg-images event date : 1851 image date : 1851 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : ART BABY BOY CHILD CRADLE DISEASE DOUBLE PORTRAIT ENGLISH ART FAMILY FATHER MIRROR MIRROR IMAGE MOTHER MOTHER AND CHILD MOTHER AND SON OPPOSITES PERIOD OF LIFE PERSON ; HUMAN ; INDIVIDUAL PRE-RAPHAELITE SYMBOLISM SYMBOLISM (ART) UNFINISHED WORK UNWANTED PREGNANCY VANITAS WEAKNESS ; FEEBLENESS WOMAN technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 2237px × 4205px (26 MB) 18.9 cm × 35.6 cm @ 300 dpi

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 20970536

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 307373)

RM 945865

サルバドール・ダリ 「セックス・アピールの亡霊」

作家名： サルバドール・ダリ ( 1904年 - 1989年 ) タイトル：「セックス・アピールの亡霊」 国籍： スペイン ジャンル　： シュルレアリスム Artist: Dali, Salvadore,1904-1989 Imagetitle: Le Spectre du Sex-Appeal. Dimensions: 18 x 14 cm Medium: Oil/Wood Location: Figueras, Museo Dali

RM 146238578

歌川豊国「大黒と福禄寿の相撲」

Sumo match between Daikoku and Fukurokuju. Toyokuni Utagawa. Print shows the Buddhist gods Daikoku and Fukurokuju, two of the seven lucky gods of Japan, as sumo wrestlers. 1831. Woodcut, color; 18.9 × 12.8 cm.

RM 81322019

アリ・シェフェール「慰めのキリスト」

Title: Christus Consolator, 1851 (oil on canvas) Creator: Scheffer, Ary (1795-1858) Nationality: Dutch Description: inspired by Luke 4:18: "I have come to comfort those who are brokenhearted and to announce to the prisoners their deliverance; to liberate those who are crushed by their chains." The "brokenhearted" are depicted to the left. A kneeling woman mourns her dead child, while in the background (from left to right) we see an exile with his walking stick, a castaway with a piece of ship's wreckage in his hand, and a suicide with a dagger. Placed near these groups are Torquato Tasso, a sixteenth-century poet imprisoned as a madman, and figures representing the three ages of women. To the right of Christ are the oppressed of both the past and present, among them a Roman slave, a medieval serf, a Greek independence fighter, and a fettered African slave. With his left hand Christ releases from his shackles a dying man, who personifies Poland with the shattered weapons of his failed 1832 insurrection against Russia by his side. The repentant Mary Magdalene kneels beside Christ. Location: Minneapolis Institute of Arts, MN, USA Medium: oil on canvas Date: 1851 (C20th) Dimensions: 65.1x87.6 cms

RM 66927186

クリムト 「金魚」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Author: Gustav Klimt (1862-1918) Description: Goldfish. Collection: Fine Art Images Credit: Album / Fine Art Images Image size: 2126 x 5854 pixels (18.0 x 49.6 cm @ 300 dpi) 35.6 MB

RM 66148664

アンリ・ルソー 「戦争」

作家名： アンリ・ルソー ( 1844年-1910年 ) 国籍： フランス ジャンル： 印象派　素朴派　ナイーヴ派 War Rousseau, Henri 1844-1910. "War", 1894. Oil on canvas, 114 × 195cm. Paris, Musée d'Orsay. Identifier : AKG452037 Artist : HENRI ROUSSEAU Museum Paris, Musée d'Orsay Collection Laurent Lecat credit line : akg-images / Laurent Lecat event date : 1894 image date : 1894 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : ALLEGORY ANIMAL ANTI-WAR ART ART BATTLEFIELD ; BATTLEGROUND CORPSE ; CADAVER DEAD SOLDIERS ; CASUALTIES (FATAL) DISCORD ; DISSENSION FRENCH ART HISTORY HORSE HORSEBACK-RIDING ; HORSE RIDING ; EQUITATION NAIVE ART NAIVE PAINTING PERSONIFICATION RIDER (MALE) ; EQUESTRIAN (RIDER) SWORD TORCH (FLAME) TREE VICE WAR Person DISCORDIA technique : PAINTING (OBJECT) PAINTING (technique) Size 3364px × 1932px (18 MB) 28.4 cm × 16.3 cm @ 300 dpi

RM 62548839

クリムト 「アマーリエ・ツッカーカンドルの肖像」

作家名：グスタフ・クリムト ( 1862年-1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Amalie Zuckerkandl / Painting by Gustav Klimt, 1917/18 Zuckerkandl, Amalie, neé Schlesinger, from 1895 married (Otto) Zuckerkandl. 1.8.1869- (murdered) extermination camp Belzec 1942. "Portrait Amalie Zuckerkandl". Painting, 1917/18, by Gustav Klimt (1862-1918). Oil on canvas, unfinished, 128 × 128cm. Inv. No. 7700 Vienna, Österr. Galerie im Belvedere. Identifier : AKG2080422 Artist : GUSTAV KLIMT Museum Vienna, Österr. Galerie im Belvedere Collection akg-images credit line : akg-images event date : 1917 image date : 1917 Time Period 1910S 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART ART NOUVEAU AUSTRIAN ART BOURGEOISIE CHOKER LOW NECKLINE ; DECOLLETE PERSON PORTRAIT SECESSION ; SECESSIONISM SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH SITTING STRAPLESS UNFINISHED WORK UPPER BOURGEOISIE VIENNESE SECESSION WOMAN geography : AUSTRIA Person AMALIE ZUCKERKANDL technique : OIL ON CANVAS PAINTING (OBJECT) PAINTING (technique) Size 4961px × 4864px (69 MB) 42.0 cm × 41.1 cm @ 300 dpi

RM 83892925

エドヴァルド・ムンク「カール・ヨハン通りの夕暮れ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Evening on Karl Johan Street, 1892, by Edvard Munch (1863-1944), oil on canvas, 85x121 cm. Norway, 20th century. Original format: 13 x 18 Information for the press: 45.24 X 32.31 cm with 300 dpi Oslo, Munchmuseet (Munch Museum, Art Museum)

RM 31617116

ピーテル・デ・ヨーデ 「ヤーコブ・ヨルダーンスの肖像」

Jordaens, Jacob; flam. Maler; Antwerpen (getauft 20.5.) 1593 - ebd. 18.10.1678. "IACOBUS IORDAENS". Kupferstich von Pieter de Jode (1606-nach 1674) nach Gemalde von Anthonis van Dyck (1599-1641). Identifier : AKG192197 source : akg-images credit line : akg-images event date : 1640 image date : 1640 topic : 17TH CENTURY/BAROQUE/FLEMISH ART/FRILL (COLLAR) ; RUFF (COLLAR)/HAND/MAN/NETHERLANDISH ART/PAINTER (MALE) ; PAINTER/PERSON/POINTED BEARD/PORTRAIT/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH geography : NETHERLANDS Person ANTHONIS VAN DYCK JACOB JORDAENS PIETER II DE JODE technique : COPPER ENGRAVING GRAPHIC ART ; GRAPHIC ARTS PRINTED GRAPHICS REPRODUCTION

RM 20971560

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftsmen(Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307168)

RM 100078503

葛飾北斎「千絵の海　甲州火振」

Katsushika Hokusai (1760-1849). Fishing by Torch in Kai Province (Koshu hiburi) from the series "One Thousand Pictures of the Ocean (Chie no umi)". Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1828-1838. Dimensions: 18.8 x 26.0 cm (7 3/8 x 10 1/4 in.). Color woodblock print; chuban. Origin: Japan. Credit: Album

RM 56268937

棟方志功

Title: Untitled (Seated Nude Female with Birds), 1930-1974 creator: Munakata, Shiko (1903-75) Nationality: Japanese Description: 9 15/16 x 7 5/16 in. (25.3 x 18.6 cm) (image) 14 3/16 x 10 9/16 in. (36 x 26.8 cm) (sheet) Location: Minneapolis Institute of Arts, MN, USA Medium: Woodblock print Date: 1930-1974 (C20th) Credit: Untitled (Seated Nude Female with Birds), 1930-1974, Munakata, Shiko (1903-75) / Minneapolis Institute of Arts, MN, USA / Bequest of Richard P. Gale / Bridgeman Images

RM 20971550

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftsmen (Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) - (TT100 - 307161

RM 20971322

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Pillars. Mural paintings. Illustrated Litany of Ra (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 335244)

RM 21031779

エドヴァルド・ムンク「橋の上の少女たち」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Edvard Munch (1863-1944), Girls on a Bridge, 1901. location : Oslo, Nasjonalgalleriet (National Gallery, Art Gallery)

RM 82771877

ムンク「森の吸血鬼」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard 1863–1944. "Vampir im Wald", 1916/18. Oil on canvas, 150 × 137 cm. Inv. MM M 703 Oslo, Munch-Museet.

RM 20970542

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 310877)

RM 108770388

マネ「キング・チャールズ・スパニエル」

edouard manet. A King Charles Spaniel. Dated: c. 1866. Dimensions: overall: 46 x 38 cm (18 1/8 x 14 15/16 in.) framed: 66 x 57.8 x 8.9 cm (26 x 22 3/4 x 3 1/2 in.). Medium: oil on linen.

RM 20970523

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 307369)

RM 62548055

クリムト 「ヨハンナ・シュタウデの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portrait of Johanna Staude Klimt, Gustav. 1862-1918. "Bildnis Johanna Staude", 1917/18. (Portrait of Johanna Staude, Vienna 16.2.1883-2.7.1967). Oil on canvas (unfinished), 50 × 70 cm. Vienna, Österr. Galerie im Belvedere. Identifier : AKG290775 Artist : GUSTAV KLIMT Museum Vienna, Österr. Galerie im Belvedere Collection akg-images credit line : akg-images event date : 1917 image date : 1917 Time Period 1910S 20TH CENTURY 2ND MILLENNIUM A.D. topic : ART NOUVEAU AUSTRIAN ART FASHION ; STYLE PATTERNED PERSON ; HUMAN ; INDIVIDUAL PORTRAIT SHORT HAIR TEXTILE UNFINISHED WORK WOMAN WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR Person JOHANNA STAUDE technique : PAINTING (OBJECT) PAINTING (technique) Size 3603px × 4961px (51 MB) 30.5 cm × 42.0 cm @ 300 dpi Special Formats 4843px × 6667px (92 MB) TIFF 41.0 cm × 56.4 cm @ 300 dpi

RM 20971564

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftsmen (Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) Digital reconstru

RM 83711098

「ケルズの書」

Ireland / Scotland: The Book of Kells, c. 800 CE. Matthew 1:18, the celebrated Chi-rho page. Chi and rho are the first two letters of the word Christ in GreekThe Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure. The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations. The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands. The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.

RM 62548052

クリムト 「ある女性の肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portait Ria Munk III Munk, Ria (real name Maria) Vienna 6.11.1887-(Suicide) Vienna 28.12.1911. "Portait Ria Munk III". Painting, 1917/18, by Gustav Klimt (1862-1918). Oil on canvas, 180 × 90 cm. Identifier : AKG290701 Artist : GUSTAV KLIMT Collection akg-images credit line : akg-images event date : 1917 image date : 1917 Time Period 1910S 20TH CENTURY 2ND MILLENNIUM A.D. topic : AUSTRIAN ART FULL-LENGTH ; FULL LENGTH ; LONG SHOT ORNAMENTAL ART PERSON PORTRAIT VIENNESE SECESSION WOMAN Person RIA MUNK technique : PAINTING (OBJECT) PAINTING (technique) Size 2463px × 4961px (34 MB) 20.8 cm × 42.0 cm @ 300 dpi

RM 57584445

ティツィアーノ 「聖母被昇天」

Mariä Himmelfahrt Titian, born Tiziano Vecelli (o) c. 1487/90-1576. "Assumption of Mary" (L'Assunta), 1516/18. Oil on wood, 690 × 360 cm. Venice, S. Maria Gloriosa dei Frari. Identifier : AKG3977484 Artist : TITIAN source : Cameraphoto Arte credit line : akg-images / Cameraphoto event date : 1516 image date : 1516 Time Period 16TH CENTURY 2ND MILLENNIUM A.D. topic : ALTAR ANGEL APOSTEL ART ASSUMPTION OF THE VIRGIN MARY BIBLE CHRISTIANITY FAMOUS WORKS OF ART ; FAMOUS MASTERPIECES FLOATING GOD THE FATHER ITALIAN ART KINGDOM OF HEAVEN ; HEAVEN LIFE OF THE VIRGIN NEW TESTAMENT PUTTO RELIGION RENAISSANCE VENETIAN ART geography : ITALY SANTA MARIA GLORIOSA DEI FRARI VENICE Person MARY TITIAN Title L'ASSUNTA technique : OIL ON WOOD PAINTING (OBJECT) PAINTING (technique) Size 3879px × 5155px (57 MB) 32.8 cm × 43.6 cm @ 300 dpi

RM 53231069

ポントルモ 「受胎告知」

Annunciation Pontormo, Jacopo, orig. Jacopo Carrucci. 1494–1557. "Annunciation", c. 1526/28. Right part: Mary of the Annunciation. Fresko. Florence, S.Felicita, Cappella Barbadori (Cappella Capponi), window wall (south wall). Identifier : AKG249547 source : Rabatti & Domingie credit line : akg-images / Rabatti & Domingie event date : 1526 image date : 1526 Time Period 16TH CENTURY 2ND MILLENNIUM A.D. topic : ANNUNCIATION ; ANNUNCIATION TO MARY BIBLE CHRISTIANITY CHRIST'S INFANCY ; JESUS' CHILDHOOD DETAIL ITALIAN ART LIFE OF THE VIRGIN MANNERISM NEW TESTAMENT RELIGION geography : CAPPELLA BARBADORI CAPPELLA CAPPONI FLORENCE ITALY SANTA FELICITA TUSCANY Person JACOPO PONTORMO MARY technique : FRESCO MURAL PAINTING ; WALL PAINTING PAINTING (technique) Size 1918px × 3364px (18 MB) 16.2 cm × 28.4 cm @ 300 dpi

RM 35269704

アメデオ・モディリアーニ「白いクッションに横たわる裸婦」

作家名： アメデオ・モディリアーニ ( 1884年 - 1920年 ) 国籍： イタリア ジャンル： エコール・ド・パリ Reclining female nude on a white cushion/Modigliani, Amedeo/1884-1920. "Reclining female nude on a white cushion", 1917/18. Oil on canvas, 60 × 92cm./Stuttgart, Staatsgalerie. Identifier : AKG101431 Artist : AMEDEO MODIGLIANI/Museum/Stuttgart, Staatsgalerie event date : 1917 image date : 1917/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ECOLE DE PARIS ; SCHOOL OF PARIS/ITALIAN ART/LYING DOWN/NUDE (ARTWORK)/PILLOW ; CUSHION/WOMAN technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3260px (46 MB) 42.0 cm × 27.6 cm @ 300 dpi/Special Formats/9813px × 6448px (181 MB) TIFF/83.1 cm × 54.6 cm @ 300 dpi

RM 34838078

アルフォンス・ミュシャ 「宝石(ルビー)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（ルビー）」 国籍： チェコ ジャンル： アール・ヌーヴォー A.Mucha, Ruby / 1900/Mucha, Alfons./1860-1939. "Ruby", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-132/Mucha Trust. Identifier : AKG1006683 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/ART/ART NOUVEAU/BOTANY/CHAIN (JEWELRY) ; CHAIN (JEWELLERY)/CZECH ART/FLOWER/JEWELRY ; JEWELLERY/MINERALOGY/MORAVIAN ART/NECKLACE/ORNAMENTAL ART/PENDANT/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/RUBY/SITTING/THREE-QUARTER LENGTH/TURN OF THE CENTURY/WOMAN/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2150px × 4961px (30 MB) 18.2 cm × 42.0 cm @ 300 dpi/Special Formats/3425px × 7904px (77 MB) TIFF/29.0 cm × 66.9 cm @ 300 dpi

RM 34838077

アルフォンス・ミュシャ 「宝石(エメラルド)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（エメラルド）」 国籍： チェコ ジャンル： アール・ヌーヴォー A.Mucha, Emerald / 1900/Mucha, Alfons./1860-1939. "Emerald", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-134/Mucha Trust. Identifier : AKG1006682 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/ANIMAL/ART/ART NOUVEAU/BARING TEETH/BOTANY/CARNIVORE ; PREDACENA ; PREDATORY ANIMAL/CZECH ART/EMERALD/EXOTIC/FLOWER/HAIR ORNAMENTS/MINERALOGY/MORAVIAN ART/ORNAMENTAL ART/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/SITTING/SNAKE/THREE-QUARTER LENGTH/TURN OF THE CENTURY/WOMAN/WOMAN AND ANIMAL/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2133px × 4961px (30 MB) 18.0 cm × 42.0 cm @ 300 dpi/Special Formats/3352px × 7795px (75 MB) TIFF/28.4 cm × 66.0 cm @ 300 dpi

RM 34838079

アルフォンス・ミュシャ 「宝石(トパーズ)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（トパーズ）」 国籍： チェコ ジャンル： アール・ヌーヴォー A.Mucha, Topaz / 1900/Mucha, Alfons./1860-1939. "Topaz", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-131/Mucha Trust. Identifier : AKG1006684 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/ART/ART NOUVEAU/BOTANY/BUN (HAIRSTYLE)/CHAIRS AND RECLINERS/CZECH ART/HAIRSTYLE/HEAD (BODY)/MINERALOGY/MORAVIAN ART/ORNAMENTAL ART/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/SITTING/THREE-QUARTER LENGTH/TOPAZ/TURN OF THE CENTURY/WOMAN/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2190px × 4961px (31 MB) 18.5 cm × 42.0 cm @ 300 dpi/Special Formats/3229px × 7313px (68 MB) TIFF/27.3 cm × 61.9 cm @ 300 dpi

RM 34838025

アルフォンス・ミュシャ 「宝石(アメジスト)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（アメジスト）」 国籍： チェコ ジャンル： アール・ヌーヴォー Amethyst/Mucha, Alfons./1860-1939. "Amethyst", 1900. From a series of four panneaux decoratifs "Precious Stones". Colour lithograph, 62 × 24.4cm./Inv. No. L-133/Mucha Trust. Identifier : AKG1006680 Artist : ALFONS MUCHA source : Mucha Trust credit line : akg-image / Mucha Trust event date : 1900 image date : 1900/Time Period/19TH CENTURY/20TH CENTURY/2ND MILLENNIUM A.D. topic : ALLEGORY/AMETHYST/ART/ART NOUVEAU/BOTANY/BUN (HAIRSTYLE)/CZECH ART/FLOWER/HAIRSTYLE/IRIS (BOTANY)/MINERALOGY/MORAVIAN ART/ORNAMENTAL ART/PERSON ; HUMAN ; INDIVIDUAL/PERSONIFICATION/PLANT/PORTRAIT/PRECIOUS STONE/SITTING/THREE-QUARTER LENGTH/TURN OF THE CENTURY/WOMAN/YOUNG WOMAN/Person/MUCHA TRUST technique : CHROMOLITHOGRAPHY ; CHROMOLITHOGRAPH/GRAPHIC ART ; GRAPHIC ARTS/LITHOGRAPH/PRINTED GRAPHICS/Size 2171px × 4961px (30 MB) 18.3 cm × 42.0 cm @ 300 dpi/Special Formats/3411px × 7795px (76 MB) TIFF/28.9 cm × 66.0 cm @ 300 dpi

RM 33244274

マティス 「セキセイインコとマーメイド」

作家名： アンリ・マティス ( 1869年 - 1954年 ) タイトル：セキセイインコとマーメイド フランスの画家 ジャンル　： フォーヴィスム　野獣派 Author: Henri Matisse (1869-1954) Description: Henri Matisse / 'The Parrot and the Mermaid', 1952. Museum: STEDELIJK MUSEUM Collection: Album Credit: Album / Joseph Martin / Fototeca H.Matisse Image size: 4800 x 2215 pixels (40.6 x 18.8 cm @ 300 dpi) 30.4 MB

RM 33129816

セザンヌ 「レヴェヌマン紙を読む画家の父」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「レヴェヌマン紙を読む画家の父」 フランスの画家 ジャンル： 印象派　ポスト印象派 Cezanne, Paul 1839-1906. "Louis-Auguste Cezanne, pere de l' Artist : e, lisant L'Evenement" (The father of the Artist : reading a newspaper), 1866. Oil on canvas, 200 × 120cm. Washington, National Gallery of Art. Identifier : AKG207878 Artist : PAUL CEZANNE Museum Washington, National Gallery of Art source : akg-images credit line : akg-images event date : 1866 image date : 1866 Time Period 19TH CENTURY 2ND MILLENNIUM A.D. topic : EASY CHAIR ; ARMCHAIR FATHER OF CELEBRITY MAN NEWSPAPER PAINTER (MALE) ; PAINTER PERSON PORTRAIT READER READING SITTING geography : FRANCE Person LOUIS-AUGUSTE CEZANNE technique : PAINTING (OBJECT) PAINTING (technique) Size 1924px × 3364px (18 MB) 16.2 cm × 28.4 cm @ 300 dpi Special Formats 3024px × 5287px (46 MB) TIFF 25.6 cm × 44.8 cm @ 300 dpi

RM 32806432

ゴッホ 「夕陽と種播く人」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：夕陽と種播く人 国籍： オランダ ジャンル： ポスト印象派　後期印象派 Artist： VINCENT VAN GOGH Title： Man Sowing at Sunset Location： Otterlo, Rijksmuseum Kroller-Muller Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1888 Description： Gogh, Vincent van, 1853-1890, Dutch painter. "Man sowing at sunset", Arles, June 1888. Oil on canvas, 64 x 80.5 cm. Inv. 303　18.

RM 30985754

Hendik Hondius the Elder 「ヒエロニムス・ボスの肖像画」

Bosch, Hieronymus (real name Aken). Netherlandish painter; s'Hertogenbosch c. 1450 - (buried 9.8.) 1516. "HIERONIMO BOSCHIO PICTORI (…) ". Copper engraving, c. 1610/18, by Hendik Hondius the Elder (1573-after 1648). From series: Pictorum aliquot celebrium (…) With verses by Lampsonius. Image 20 × 12cm. Location : Berlin, Sammlung Archiv fur Kunst und Geschichte Artist : HENDRIK HONDIUS DER ALTERE source : akg-images credit line : akg-images event date : 1500 image date : 1610 topic : 16TH CENTURY/ Artist : /BONNET/HAND/HEAD COVERING/MAN/NETHERLANDISH ART/PAINTER (MALE) ; PAINTER/PERSON/PORTRAIT geography : NETHERLANDS Person HIERONYMUS BOSCH LAMPSONIUS Title PICTORUM ALIQUOT CELEBRIUM technique : COPPER ENGRAVING GRAPHIC ART ; GRAPHIC ARTS PRINTED GRAPHICS

RM 29235590

フェルドウスィー 「シャー・ナーメ」

Title: Persian 239 fol.278a Isfandiyar slays Arjasp in the Brazen Hold, illustration from the 'Shahnama' (Book of Kings), by Abu'l-Qasim Mansur Firdawsi (c.934-c.1020), 1444 (gouache on paper) creator: Persian School, (15th century) Nationality: Persian Description: Presented by Lieutenant Colonel Doyle. Earlier: Mughal Royal Library, Salar Jang of Oudh (d. 1787). Location: c Royal Asiatic Society, London, UK Medium: gouache on paper Date: 1444 (C15th) Dimensions: 18.4x13.8 cms Credit: Persian 239 fol.278a Isfandiyar slays Arjasp in the Brazen Hold, illustration from the 'Shahnama' (Book of Kings), by Abu'l-Qasim Mansur Firdawsi (c.934-c.1020), 1444 (gouache on paper), Persian School, (15th century) / c Royal Asiatic Society, London, UK / Bridgeman Images Keywords , Abu'l-Qasim Mansur Firdawsi Arjasp Book of Kings Brazen Hold Ferdowsi Firdausi History of Iran Isfandiyar Persia Persian Persian 239 fol.278a Shahnama Shahnameh epic epics fortress fortresses gate gates killing kills literature manuscript manuscripts mythological mythology poetry slaying slays text walled walls writing

RM 25945849

フビライ・ハーンの肖像

Title：Mongolia / China: Kublai Khan (r.1260-1294), 5th Khagan of the Mongol Empire. Founder and First Yuan Emperor Shizu Description：Kublai (or Khubilai) Khan (September 23, 1215 - February 18, 1294) was the fifth Great Khan of the Mongol Empire from 1260 to 1294 and the founder of the Yuan Dynasty in East Asia. As the second son of Tolui and Sorghaghtani Beki and a grandson of Genghis Khan, he claimed the title of Khagan of the Ikh Mongol Uls (Mongol Empire).

RM 25945850

フビライ・ハーンの肖像

Title：Mongolia / China: Kublai Khan (r.1260-1294), 5th Khagan of the Mongol Empire. Founder and First Yuan Emperor Shizu Description：Kublai (or Khubilai) Khan (September 23, 1215 - February 18, 1294) was the fifth Great Khan of the Mongol Empire from 1260 to 1294 and the founder of the Yuan Dynasty in East Asia. As the second son of Tolui and Sorghaghtani Beki and a grandson of Genghis Khan, he claimed the title of Khagan of the Ikh Mongol Uls (Mongol Empire).

RM 25258308

葛飾北斎 「百物語　しうねん（執念）」

作家名： 葛飾北斎 ( 1760年 - 1849年 ) タイトル：百物語　しうねん（執念） 国籍： 日本の浮世絵師 ジャンル： 浮世絵 年代： 19世紀、江戸時代 そのほか： 江戸時代後期、文化・文政の頃（化政文化）を代表する一人 Title:"Deep Attachment", 1831-1832 Creator:Hokusai, Katsushika (1760-1849) Nationality:Japanese Description:image, sheet: 10 1/2 x 7 3/8 in. (26.6 x 18.8 cm) 17 15/16 x 14 in. (45.5 x 35.5 cm) (mat) Location:Minneapolis Institute of Arts, MN, USA Medium:colour woodblock print Date:1831-1832 (19th) Credit:"Deep Attachment", 1831-1832, Hokusai, Katsushika (1760-1849) / Minneapolis Institute of Arts, MN, USA / Bequest of Louis W. Hill, Jr. / Bridgeman Image

RM 22349323

ロセッティ 「エリザベス・シダルの肖像」

作家名： ダンテ・ゲイブリエル・ロセッティ （ 1828年 - 1882年 ） タイトル：エリザベス・シダルの肖像 国籍：　イギリス ジャンル： ラファエル前派 Title：　Portrait of Elizabeth Siddal (1829-62) 1854 (w/c on paper) creator：　Rossetti, Dante Charles Gabriel (1828-82) Nationality：　English Location：　Delaware Art Museum, Wilmington, USA Medium：　watercolour on paper Date：　1854 (C19th) Dimensions：　18.1x16.1 cms Credit：　Portrait of Elizabeth Siddal (1829-62) 1854 (w/c on paper), Rossetti, Dante Charles Gabriel (1828-82) / Delaware Art Museum, Wilmington, USA / F.V. DuPont Acquisition Fund / The Bridgeman Art Library Keywords:PreRaphaelite,artist,brooch,female,model,pensive,portrait,red hair,thoughtful Categories: Portraits of people in the arts and entertainment world,The Arts and Entertainment

RM 22346325

ミレー 「種まく人」

作家名： ジャン・フランソワ・ミレー ( 1814年 - 1875年 ) タイトル：種まく人 フランスの画家 ジャンル： 写実主義、バルビゾン派 The Sower, 1850, by Jean-Francois Millet (1814-1875), oil on canvas, 101x82 cm. Author: De Agostini Picture Library High resolution image available Original format: 18 X 24 ENCYCLOPAEDIC CATEGORIES Art and architecture: Art Art and architecture: Painting: 19th century painting Art and architecture: Painting: General TOPICS School, barbizon PLACENAMES Europe: France PERSONAGES AND MARKS Millet Jean-Francois KEY WORDS Farm work Sowing Farmer HISTORY AND CULTURE Contemporary age: Literary and artistic currents and movements: Realism (art andliterature, from 1855) MUSEUMS AND COLLECTIONS Boston, Museum Of Fine Arts

RM 21854943

エル・グレコ 「自画像」

作家名： エル・グレコ ( 1541年 - 1614年 ) タイトル：自画像 国籍： ギリシャ ジャンル： マニエリスム Portrait of a Man, ca. 1590-1600, by El Greco, Domenikos Theotokopoulos, Greek, 1541?1614, Oil on canvas 20 3/4 x 18 3/8 in. , (52. 7 x 46. 7 cm), Metropolitan Museum of Art, New York City

RM 21776292

葛飾北斎 「百物語　お岩さん」

Artist: Hokusai, Katsushika,1760-1849 Imagetitle: Mrs. O-Iwa. Dimensions: 25,5 x 18,6 cm Medium: colour woodblock Location: Stadel Museum, Frankfurt am Main,Graphische Sammlung

RM 20971554

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftmen (Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307164)

RM 20970573

エジプト　ツタンカーメンの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Tutankhamen. Burial chamber. Northern wall. Mural paintings. Pharaoh and ka meet Osiris; pharaoh and Nut; reanimation rite (Dynasty 18, Tutankhamen, 1347-1338 BC) (KV62

RM 20971325

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Pillars. Mural paintings. Illustrated Litany of Ra (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 335247)

RM 20971505

エジプト　ラモーゼ墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Ramose. Hypostyle hall. Mural paintings. Funeral cortege (Dynasty 18, Amenhotep IV, 1364-1347 BC) Digital reconstruction (TT55 - 336513)

RM 14596113

クリムト 「アマーリエ・ツッカーカンドルの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portrait of Amalie Zuckerkandl. D213. 128 x 128. Oil on Canvas, 1917/18.

RM 53231072

マゾリーノ 「原罪」

The Fall of Man Masolino, orig. Tommaso di Cristofano Fini; 1383 – c. 1447. "The Fall of Man", c. 1425. Fresco, 208 × 88cm. Florence, S.Maria del Carmine, Cappella Brancacci, left pillar, top part. Identifier : AKG259535 source : Rabatti & Domingie credit line : akg-images / Rabatti & Domingie event date : 1425 image date : 1425 Time Period 15TH CENTURY 2ND MILLENNIUM A.D. topic : BIBLE EARLY RENAISSANCE GENESIS ITALIAN ART JEWISH-CHRISTIAN ; JUDEO-CHRISTIAN MAN NUDE (ARTWORK) OLD TESTAMENT RENAISSANCE SNAKE THE FALL (GENESIS) ; THE FIRST FALL TREE OF KNOWLEDGE WOMAN geography : CAPPELLA BRANCACCI FLORENCE ITALY SANTA MARIA DEL CARMINE Person ADAM ADAM AND EVE EVE MASOLINO technique : FRESCO MURAL PAINTING ; WALL PAINTING PAINTING (technique) Size 2147px × 4961px (30 MB) 18.1 cm × 42.0 cm @ 300 dpi

RM 20970532

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 307372)

RM 20971119

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Column. Pharaoh drinks at Isis in guise of tree (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 333517)

RM 114823459

アルフレッド・シスレー「冬のルーヴシエンヌ」

Author: ALFRED SISLEY (1839-1899) Description: Snow at Louveciennes. Date/Period: 1874. Painting. Oil on canvas. Height: 22 mm (0.86 in); Width: 18 mm (0.70 in). Technique: painting Dimensions: Height: 22 mm (0.86 in); Width: 18 mm (0.70 in) Location: The Phillips Collection

RM 26165243

クリムト 「アダムとイブ」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「アダムとエヴァ（アダムとイブ）」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Adam and Eve. D220. Oil on Canvas by Gustav Klimt, 173 : 160 cm. 1917/18 (incomplete). Location:Belvedere, Wien

RM 20971559

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftsmen(Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307167)

RM 20971328

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Pillars. Mural paintings. Illustrated Litany of Ra (Dynasty 18, Thutmose III, 1490-1436 BC) Digital reconstruction (KV34 - 335250)

RM 36843869

テオドール・ジェリコー 「白馬の頭部」

所蔵：ルーヴル美術館 Author: Theodore Gericault (1791-1824) Description: Translate with Google Cabeza de caballo blanco. Museum: MUSEO DEL LOUVRE PARIS FRANCIA Image size: 2292 x 2837 pixels (19.4 x 24.0 cm @ 300 dpi) 18.6 MB

RM 21776247

アルブレヒト・デューラー

作家名： アルブレヒト・デューラー ( 1471年 - 1528年 ) 国籍： ドイツ ジャンル： ルネサンス Artist: Durer, Albrecht,1471-1528 Imagetitle: Melancholia. 1514 Dimensions: 24 x 18,7 cm Medium: copper engraving Location: Stadel Museum, Frankfurt am Main,Graphische Sammlung

RM 128718449

「不忍池図」小田野直武

Japan: 'Shinobazu Pond'. Oil on canvas painting by Odano Naotake (1750-1780), 1770. Odano Naotake (18 January 1750 - 19 June 1780) was a Japanese painter from Kakunodate. He was a major follower and voice within the Akita ranga/Akita-ha school of painting, a short-lived school that was influenced by Dutch-style painting. It combined traditional Japanese themes and composition with Western-style techniques, such as use of shadows, perspective, reflections in water and oil paints.

RM 127736456

歌川国芳「風俗女水滸伝」

882954 Washing Hands as a Mitare of Gongsun Sheng, c. 1828 by Kuniyoshi, Utagawa (1798-1861); Minneapolis Institute of Arts, MN, USA; (add.info.: 8 5/16 x 7 1/16 in. (21.1 x 18 cm) (image, sheet)); Bequest of Louis W. Hill, Jr.; Japanese, out of copyright.

RM 100078345

葛飾北斎「千絵の海　宮戸川長縄」

883521 "Long-line Fishing on the Miyato River", 1832-1834 by Hokusai, Katsushika (1760-1849); Minneapolis Institute of Arts, MN, USA; (add.info.: 7 5/16 x 10 1/16 in. (18.5 x 25.5 cm) (image, sheet)); Bequest of Louis W. Hill, Jr.; Japanese, out of copyright.

RM 70433549

ピーテル・ブリューゲル 1世「7つの罪源－貪欲」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「貪欲」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Avarice (Avaritia), from the series The Seven Deadly Sins, Print, 1558. Engraving; first state of two, 22.5 × 29.7 cm. Inv. Nr. 18.55.21 New York, Metropolitan Museum of Art.

RM 15328764

カラヴァッジョ 「ナルキッソス」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ ) ( 1571年 - 1610年 ) タイトル：「ナルキッソス」 国籍： イタリア ジャンル： バロック CARAVAGGIO (1573-1610). Narcissus - 1600 - 110x92 cm - oil on canvas - Italian Baroque Artist: CARAVAGGIO Personality: NARCISO Location: GALERIA NACIONAL DE ARTE ANTIGUO-PALACIO BARBERINI, ITALIA, Rome Collection: Oronoz

RM 82033000

ジュール・バスティアン・ルパージュ「声を聞くジャンヌ・ダルク」

JOAN OF ARC, by Jules Bastien-Lepage, 1879, French painting, oil on canvas. The artist depicts a super-natural event with extreme naturalism. The expressive figure of Joan of Arc draws the viewer's first attention. At left, the lightly painted spirits of Saints Michael, Margaret, and Catherine suggest their incorporeal presence (BSLOC_2017_9_75)

RM 78176870

ニコラ・プッサン「鹿児島で少女を蘇らす聖フランシスコ・ザビエル」

作家名： ニコラ・プッサン ( 1594年 - 1665年 ) 国籍： フランス ジャンル　： バロック Author: Nicolas Poussin (1594-1665) Description: Saint François-Xavier rappelant à la vie la fille d'un habitant de Cangoxima au Japon - Saint Francis-Xavier resurrecting an inhabitant of Cangoxima in Japan. 1641. Canvas, 444 x 234cm. Inv. 7289 Classification: PAINTING ~ BAROQUE ~ 17TH CENTURY Personalities: SAINT FRANCIS XAVIER (1506-1552) Location: Louvre, Dpt. des Peintures, Paris, France Collection: Lessing Image size:2233 x 4000 pixels (18.9 x 33.9 cm @ 300 dpi) 25.6 MB

RM 33509834

ピーテル・ブリューゲル 1世 「ナポリ湾の戦い」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「ナポリ湾の戦い」 国籍： フランドル　ネーデルランド ジャンル　： 初期ネーデルランド絵画 Naples. "Battle in the Gulf of Naples." (In the background Cityscape of Naples)./Painting by Pieter Brueghel d. A./(To 1525/30 - 1569)./On wood, 41 × 70 cm./Rome, Galleria Doria Pamphilj. Identifier : AKG68073 Artist : Pieter Bruegel der Altere/museum/Rome, Galleria Doria Pamphilj event date : 1525 image date : 1525/Time Period/16TH CENTURY/2. MILLENNIUM AD. topic : geography/DUTCH ART/BATTLE/NAVAL BATTLE/TOPOGRAPHY geography : GULF OF NAPLES/ITALY/NAPLES technique : PAINTING/PAINTING/Size 3364px × 1974px (18 MB) 28.4 cm x 16.7 cm @ 300 dpi/Special Formats/4883px × 2865px (40 MB) TIFF/41.3 cm x 24.3 cm @ 300 dpi

RM 20970539

エジプト　トトメス3世の墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Thutmose III. Burial chamber. Mural paintings. Illustrated Amduat (Dynasty 18, Thutmose III, 1490-1436 BC) (KV34 - 307374)

RM 151976546

ホイッスラー「黒と金色のノクターン-落下する花火」

James Abbott McNeill Whistler, American, 1834-1903, Nocturne in Black and Gold, the Falling Rocket, 1875, Oil on panel, Unframed: 23 3/4 × 18 3/8 inches (60.3 × 46.7 cm) Identifier:AKG7647550 Collection:Artokoloro Quint Lox Limited Credit line:akg-images / Liszt Collection Topic:AMERICAN,BLACK,GOLD,OIL,PANEL Person:JAMES MCNEILL WHISTLER

RM 93303205

アメデオ・モディリアニ 「アントニア」

Author: AMEDEO MODIGLIANI (1884-1920) Description: Antonia. Date/Period: Ca. 1915. Painting. Oil on canvas. Height: 820 mm (32.28 in); Width: 460 mm (18.11 in). Technique: painting Dimensions: Height: 820 mm (32.28 in); Width: 460 mm (18.11 in) Location: MUSEE DE L'ORANGERIE

RM 32304309

アルブレヒト・デューラー 「メランコリア I」

作家名： アルブレヒト・デューラー ( 1471年 - 1528年 ) タイトル：メランコリア I 国籍： ドイツ ジャンル： ルネサンス Durer, Albrecht/1471-1528. "Melencolia" (Melancholia), 1514. Etching, 23.9 × 18.8cm. Identifier : AKG178630 Artist : ALBRECHT DUERER event date : 1514 image date : 1514/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : FAMOUS WORKS OF ART ; FAMOUS MASTERPIECES/GERMAN ART/MELANCHOLY ; THE BLUES/PSYCHOLOGY/RENAISSANCE/TEMPERAMENTS ; DISPOSITION technique : COPPER ENGRAVING/GRAPHIC ART ; GRAPHIC ARTS/PRINTED GRAPHICS/Size 2566px × 3364px (~2 MB / ~24 MB unc.) 21.7 cm × 28.4 cm (300dpi)

RM 26165351

クリムト 「ヨハンナ・シュタウデの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「ヨハンナ・シュタウデの肖像」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Portrait of Johanna Staude. Oil on canvas, around 1917/18. Unfinished.

RM 66320824

フェルメール 「信仰の寓意」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Allegory of the Catholic Faith/Vermeer, Johannes 1632–1675. Allegory of the Catholic Faith, Painting, ca. 1670–1672. Oil on canvas, 114.3 × 88.9 cm./Inv. Nr. 32.100.18/ New York, Metropolitan Museum : of Art. Identifier : AKG5059767 Museum : New York, Metropolitan Museum of Art image date : 1.1.1670 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D./Person/JAN VERMEER technique : OIL ON CANVAS

RM 64359618

ベラスケス 「フアン・マルティネス・モンタニェースの肖像」

作家名： ディエゴ・ベラスケス ( 1599年 - 1660年 ) タイトル：「フアン・マルティネス・モンタニェースの肖像」 国籍： スペイン ジャンル　： バロック Juan Martinez Montanes / Velasquez/Montanés, Juan Martínez; Span. sculptor and architect; Alcala la Real (baptised 16.3.) 1568 - Seville 18.6.1649. Portrait. Painting, 1636, by Diego Velásquez/(1599-1660)./Oil on canvas, 109 × 88 cm./Inv. no. 1194/Madrid, Museo del Prado. Identifier : AKG276810/Museum/Madrid, Museo del Prado/Collection/akg-images event date : 1636 image date : 1636/Time Period/17TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECT (MALE) ; ARCHITECT/ART Artist : BAROQUE/MAN/PERSON/PORTRAIT/SCULPTOR (MALE) ; SCULPTOR/SCULPTURE IN PICTURE/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/SPANISH ART geography : SPAIN/Person/DIEGO VELAZQUEZ/JUAN MARTINEZ MONTANES technique : PAINTING (OBJECT)/PAINTING (technique)

RM 59811952

クロード・モネ 「ルーアン大聖堂 正面」　

タイトル：「ルーアン大聖堂 正面」 フランスの画家 ジャンル： 印象派 所蔵：ボストン美術館 Monet, Claude 1840–1926./"Rouen Cathedral: The Portal",/c. 1892-94./Oil on canvas, 100.6 × 66cm. Juliana Cheney Edwards Collection,/Boston, Museum of Fine Arts. Artist : CLAUDE MONET MUSEUM/BOSTON, MUSEUM OF FINE ARTS event date : 1892 image date : 1894TIME PERIOD/19TH CENTURY/2ND MILLENNIUM A.D. topic : ARCHITECTURE/CATHEDRAL/FACADE/FRENCH ART geography : IMPRESSIONISM/LIGHT (LIGHTING)/PAINTING OF ARCHITECTURE/SUNLIGHT/TOPOGRAPHY/TURN OF THE CENTURY technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2183px × 3364px (21 MB) / 18.4 cm × 28.4 cm @ 300 dpi Special Formats : 2839px × 4375px (36 MB) TIFF / 24.0 cm × 37.0 cm @ 300 dpi (Die Kathedrale von Rouen in der Sonne), 1893/94. Oil on canvas, 100 × 65 cm. Juliana Cheney Edwards Collection, Inv. Nr. 39.671 Boston, Museum of Fine Arts.

RM 20971562

エジプト　レクミラの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Sheikh 'Abd al-Qurna. Tomb of city governor and vizier Rekhmire. Burial chamber. Mural paintings. Craftsmen(Dynasty 18, Thutmose III, 1490-1436 BC and Amenhotep II, 1438-1312 BC) (TT100 - 307169)

RM 20970592

エジプト　ツタンカーメンの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor. Valley of the Kings. Tomb of Tutankhamen. Burial chamber. Western wall. Mural paintings. Illustrated Amduat. First hour. Scarab beetle as Sun in solar bark and baboons (Dynasty 18, Tutankhamen, 134

RM 145363578

ジョセフ・クローホール「モリフクロウ」

1213955 Tawny Owl (bodycolour & w/c on brown Holland linen) by Crawhall, Joseph (1861-1913); 18.2x25.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Scottish, out of copyright.

RM 87964511

葛飾北斎「千絵の海　宮戸川長縄」

Hokusai, 1760–1849. "Line-fishing in the Miyato River", between 1832 and 1834. From the series: "One Thousand Pictures of the Ocean" (chie no umi). Colour woodblock print, chuban format, 18.5 × 25.8cm. Tokyo, Sumida City.