「120」 の 検索結果

RM 83893032

エドヴァルド・ムンク「女殺人者」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard 1863–1944. “Die Mörderin (Stilleben) ", 1906. Oil on canvas, 110 × 120 cm. Inv. Nr. MM M 544. Oslo, Munch-Museet.

RM 66752116

アルブレヒト・アルトドルファー 「イッソスの戦い（アレクサンドロス大王の戦い）」

Albrecht Altdorfer (1480-1538). German artist, member of the Danube School. The Batlle of Alexander at Issus, 1529. It portrays the 330 BC Batlle of Issus, in which Alexander the Great secured a decisive victory over Daris III of Persia. Alte Pinakothek, Munich, Germany. Credit: Album / Prisma

RM 60462037

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan, Gen. Vermeer van Delft. 1632-1675. "The painting art" (The allegory of painting, The painter and his model as Klio), c. 1665/66. Oil on canvas, 120 × 100 cm./Inv. No. 9182 / Vienna, Museum of Art History. Identifier: AKG452980 Artist: JAN VERMEER / Museum / Vienna, Kunsthistorisches Museum / Collection / akg-images eventdate: 1665 imagedate: 1665 / Time Period / 17. CENTURY / 2. YEARS topic: ALLEGORIE / ATELIER / BAROCK / PICTURE IN THE PICTURE / TILE / WOMAN / FOOTBALL / EYED / HISTORY / GREEK-ROMAN MYTHOLOGY / HERRENMODE / INSTRUMENT / INTERIEUR / ARTISTS / ARTISTS AT THE WORK / ARTIST / MODEL / LANDKARTE / LEUCHTER / MUSIC / MYTHOLOGY / DUTCH ART / PERSPECTIVES / POSAUNE / BACKGROUND / SITTING / STAFFELEI / STRUMP / CUFFS / CURTAIN / WORKSHOP (GENERAL) / Person / KLIO technique: PAINTING / PAINTING Size: 4110px × 4961px (58MB) / 34.7cm x 42.0cm @ 300dpi Special formats: 7361px × 8885px (187 MB) TIFF / 62.3 cm × 75.2 cm @ 300 dpi

RM 97334591

ルーカス・クラナハ（父） 「若返りの泉」

作家名： ルーカス・クラナハ (1472年 - 1553年) タイトル：「若返りの泉」 国籍： ドイツ ジャンル： 北方ルネサンス Author:CRANACH, LUCAS, THE ELDER (1472-1553) Description:The Fountain of Youth technique:OIL ON WOOD School:GERMANY Museum:Staatliche Museen, Berlin Dimensions:120,6x186 Collection:Fine Art Images Credit:Album / Fine Art Images

RM 83893030

エドヴァルド・ムンク「ゴルゴダ」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard 1863–1944. “Golgatha”, 1900. Oil on canvas, 80 × 120 cm. Oslo, Munch-Museet.

RM 26172702

エゴン・シーレ 「住宅地、家と洗濯物」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「住宅地、家と洗濯物」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Houses with laundry (suburbs II). Oil on canvas, 100 x 120 cm. P283.

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 98602853

レオナルド・ダ・ヴィンチ「岩窟の聖母」

LEONARDO da Vinci: An elaborate sculpted altar was commissioned by the Milanese Confraternity of the Immaculate Conception for their oratory in San Francesco in 1480. A new contract was drawn up in 1483 with Leonardo and the de Predis brothers: a central panel was to be painted by Leonardo alone, and there were to be two side panels showing angels singing and playing musical instruments. Two paintings of angels (‘An Angel in Green with a Vielle’ and ‘An Angel in Red with a Lute’) by artists influenced by Leonardo, are undoubtedly those for the altarpiece. ‘The Virgin of the Rocks’ seems not to refer to the mystery of the Immaculate Conception, but depicts the type of subject that Leonardo might have painted in his native Florence where legends concerning the young Saint John the Baptist were popular. It was twenty five years until a painting of this subject was finally placed in the chapel. In the interim, Leonardo had painted two versions of the composition: the first (in the Louvre) probably sold in the 1490s to a private client after a financial wrangle with the Confraternity; and a replacement, – the painting that now hangs in the National Gallery – that was never finished despite some help from his studio, but was installed in the chapel in 1508. Latest news: New drawing discovered beneath the painting Oil on wood, 189.5 × 120 cm, about 1491 – 1508 London, National Gallery. Restrictions Additional permissions needed for non-editorial use

RM 86659840

ピエール・ボナール「浴槽」

所蔵：テート・ブリテン 技法：油絵 ジャンル：ナビ派　親密派 フランスの画家 Bonnard, Pierre, 1867–1947, French artist. “Baignoire (Le Bain)" (The bath tub (the Bath)), 1925. Oil on canvas, 86 x 120.6 cm. Gift from Lord Ivor Spencer-Churchill through the Contemporary Art Society 1930. Tate Britain, London, England.

RM 83113980

ムンク「アウグスト・ストリンドベリの肖像」

Strindberg, August Swedish author, Stockholm 22.1.1849 – 14.5.1912. "August Strindberg". Painting, 1892, by Edvard Munch (1863–1944). Oil on canvas, 120 × 90cm. Stockholm, Moderna Museet.

RM 25525670

フェルメール 「絵画芸術」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist： Jan Vermeer van Delft Location: Kunsthistorisches Museum, Wien, Osterreich The painter (Vermeer's self-portrait) and his model as Klio. Oil on canvas (1665-1666). 120 x 100 cm. Cat. 395, Inv. 9128.

RM 29192139

ジョヴァンニ・ボルディーニ 「扇子を持つエミリアーナ」

Artist: Boldini, Giovanni,1842-1931 Imagetitle: Portrait of Signorina Concha de Ossa. 1888 Dimensions: 221 x 120.5 cm Medium: Pastel/Canvas Location: Christie's Images Ltd

RM 22979255

ニコラ・プッサン 「オルフェウスとエウリュディケのいる風景」

作家名：　ニコラ・プッサン　 タイトル：　オルフェウスとエウリュディケのいる風景　 国籍：　フランス　 所蔵： ルーヴル美術館 ジャンル：　バロック　 Artist： POUSSIN, NICOLAS (1593-1665) Title： ORFEO ~ EURIDICE Nationaly： Location： MUSEE DU LOUVRE Medium： Oil on canvas Size： 120 x 200 cm

RM 21322144

ジェームズ・リントン 「シーリア『お気に召すまま』より」

Artist: Linton, James Dromgole,1840-1916 Imagetitle: Celia from 'As You Like It'. Dimensions: 120,7 x 60 cm Medium: Aquarell uber Bleistift Location: Christie's Images Ltd

RM 14584740

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 122601692

ミケール・アンガ「ボートを漕ぎ出す漁師たち」

Author:MICHAEL PETER ANCHER (1849-1927) Description:Fishermen launching a rowing boat. Date/Period: 1881. Painting. Canvas and oil. Width: 183 cm. Height: 120 cm (Without frame). Technique:painting Dimensions:Width: 183 cm. Height: 120 cm (Without frame) Location:Skagens Museum Collection:Album Image size:6946 x 4443 pixels (58.8 x 37.6 cm @ 300 dpi) 88.3 MB

RM 62548069

クリムト 「アデーレ・ブロッホ＝バウアーの肖像 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Bildnis Adele Bloch-Bauer II Klimt, Gustav 1862-1918. "Bildnis Adele Bloch-Bauer II", 1912. Oil on canvas, 190 × 120 cm. Location：Private Collection

RM 66331861

エドヴァルド・ムンク 「星月夜」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Sternennacht II Munch, Edvard 1863–1944. “Sternennacht II”, 1922/24. Oil on canvas, 120,5 × 100 cm. Inv. Nr. M 32 Oslo, Munch-Museet.

RM 164767065

ヒエロニムス・ボス

Bosch,Hieronymus (1450-1516), The table of the Seven Deadly Sins.Forming a circle around the figure of Christ, seven scenes depict the Seven Deadly Sins,each identified by an inscription."Sloth". Detail of 40-04-04/37 Wood, 120 x 150 cm Inv.2822

RM 164767294

ヤン・マテイコ 「スタンチク」

Matejko,Jan (1838-1893), The court jester Stanczyk (1480-1560) receives news of the loss of Smolensk (1514), during a ball at queen Bona's court. Stanczyk's face is a self-portrait of painter Matejko. Canvas, 88 x 120 cm Inv. MP 433 MNW

RM 83898081

マリー・ドニーズ・ヴィレール「マリー・ジョゼフィーヌ・シャルロット・デュ・ヴァル・ドーニュ（1868年没）」

Villers, Marie Denise 1774-1821. Marie Josephine Charlotte du Val d'Ognes (died 1868), Painting, 1801. Oil on canvas, 161.3 × 128.6cm. Inv. Nr. 17.120.204 New York, Metropolitan Museum of Art.

RM 25526036

エゴン・シーレ 「住宅地、家と洗濯物」

作家名： エゴン・シーレ ( 1890年 - 1918年 ) タイトル：「住宅地、家と洗濯物」 国籍： オーストリア ジャンル： 表現主義 Artist： Egon Schiele Categories: Expressionism Zwei Haeuserbloecke mit Waescheleinen or Vorstadt (II). Oil on canvas (1914). 100.5 x 120.5 cm.

RM 120141508

ドミニク・アングル「座るモワテシエ夫人」

Ingres, Jean-Auguste-Dominque 1780–1867. “Madame Moitessier”, 1856. (Ines Moitessier, geb. de Foucauld). Öl auf Leinwand, 120 × 92,1 cm. Inv. Nr. 4821 London, National Gallery.

RM 83411684

キルヒナー「ベルリンの街路」

Kirchner, Ernst Ludwig 1880-1938. "Die Strase" (The Street), 1913. Oil on canvas, 120,6 × 91,1 cm Inv. no. 274.1939 New York, Museum of Modern Art.

RM 20941941

「ペプロスのコレー（アクロポリスのコレー679）」

Greek civilization, 6th century b.C. Marble statue of kore with peplum, 540 b.C. Height 120 cm. location : Athens, Moussio (Acropolis Museum, Archaeological Museum)

RM 83410908

エドヴァルド・ムンク「星月夜」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Munch, Edvard 1863-1944, Norwegian painter. "Starry night", 1895/97. Oil on canvas, 108.5 x 120.5 cm. Inv. G 1179. Wuppertal, Von der Heydt-Museum.

RM 66496464

ルノワール 「道化師(ココの肖像)」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「道化師(ココの肖像)」 フランスの画家 ジャンル： 印象派 RENOIR, Pierre-Auguste (1841-1919). 'Claude Renoir in a Clown Costume. 1909' (120 x 77 cm). Impressionism. Oil on canvas. FRANCE. Paris. Orangerie Museum.

RM 82771878

ムンク「自画像、時計とベッドの間」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Munch, Edvard norweg. Maler und Graphiker Loten 12.12.1863 – auf Ekely 23.1.1944. "Selbstporträt. Zwischen Uhr und Bett", 1940/43. Oil on canvas, 149,5 × 120,5 cm. Inv. MM M 23 Oslo, Munch-Museet.

RM 34104139

キルヒナー 「月下の冬景色」

作家名： エルンスト・ルートヴィッヒ・キルヒナー ( 1880年 - 1938年 ) タイトル：「月下の冬景色」 国籍： ドイツ ジャンル　： ドイツ表現主義 所蔵： デトロイト美術館 Kirchner, Ernst Ludwig./German painter;/1880-1938. "Wintermondlandschaft" (Winter landscape in moonlight), 1919. Oil on canvas, 120 × 121 cm./(Formerly Magdeburg, Kaiser-Friedrich-Museum)./Gift of Curt Valentin in memory of the Artist : on the occasion oft Dr. William R. Valentiner's 60th birthday,/Detroit, The Detroit Institute of Arts. Identifier : AKG83430 Artist : ERNST LUDWIG KIRCHNER/Museum/Detroit, The Detroit Institute of Arts event date : 1919 image date : 1919/Time Period/1920s/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/ART EXHIBIT ; ART SHOW ; ART EXHIBITION/BLUE/DEGENERATE ART/DIE BRUECKE/EVENING/EXPRESSIONISM/GERMAN ART/LANDSCAPE ; SCENERY/LIGHT AND ILLUMINATION/MOON/MOONLIGHT ; MOONSHINE (LIGHT)/MOUNTAINS ; MOUNTAIN RANGE/NATIONAL SOCIALISM ; NAZISM/SEASONS/TIMES OF THE DAY/WINTER geography : ALPS (THE)/Title/MODERN ART technique : PAINTING (OBJECT)/PAINTING (technique)/Size 3364px × 3351px (32 MB) 28.4 cm × 28.3 cm @ 300 dpi/Special Formats/5999px × 5976px (103 MB) TIFF/50.8 cm × 50.6 cm @ 300 dpi

RM 34104157

キルヒナー 「月下の冬景色」

作家名： エルンスト・ルートヴィッヒ・キルヒナー ( 1880年 - 1938年 ) タイトル：「月下の冬景色」 国籍： ドイツ ジャンル　： ドイツ表現主義 所蔵： デトロイト美術館 Title: Winter Landscape in Moonlight, 1919 (oil on canvas) creator: Kirchner, Ernst Ludwig (1880-1938) Nationality: German Location: Detroit Institute of Arts, USA Medium: oil on canvas Date: 1919 (C20th) Dimensions: 120.6x120.6 cms Credit: Winter Landscape in Moonlight, 1919 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Detroit Institute of Arts, USA / Gift of Curt Valentin / Bridgeman Images Keywords Die Brucke Expressionist fir tree moonlit mountain mountains nocturne snow snow-capped

RM 32661467

ルノワール 「道化師(ココの肖像)」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「道化師(ココの肖像)」 フランスの画家 ジャンル： 印象派 Author: Pierre Auguste Renoir (1841-1919) Description: Claude Renoir en clown, 1909 Canvas, 120 x 77 cm Classification: PAINTING ~ IMPRESSIONISM ~ 20th Personalities: CLAUDE RENOIR (Born 1901) Location: Musee de l'Orangerie, Paris, France

RM 20328924

「カリプソ」

Artist： Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82) Title：Calypso, 1869 (oil on canvas) - Minneapolis Institute of Arts, MN, USA Location： Minneapolis Institute of Arts, MN, USA Medium：oil on canvas Date： 1869 (C19th) Size： 120.7x153 cms

RM 14596142

クリムト 「アデーレ・ブロッホ＝バウアーの肖像 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Klimt, Gustav, (1862 - 1918) Title： Portrait of Adele Bloch-Bauer Iｌ Medium： Oil on Canvas Location：Private Collection Date： 1912 Size： D177. 190 : 120 cm Portrait of Adele Bloch-Bauer II. D177. 190 : 120 cm. Oil on Canvas by Gustav Klimt. 1912.

RM 13990090

フェルメール 「絵画芸術（画家のアトリエ）」（部分）

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 13990091

フェルメール 「絵画芸術（画家のアトリエ）」（部分）

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 10114191

ミケランジェロ 「ドーニの聖家族」

作家名： ミケランジェロ・ブオナローティ ( 1475年 - 1564年 ) タイトル : ドーニの聖家族 国籍： イタリア ジャンル　： ルネサンス Artist: Michelangelo,1475-1564 Imagetitle: The Holy Family with Saint John (Tondo Doni). About 1503-04 Dimensions: Durchmesser (Diameter): 120 cm Medium: Tempera on Panel Location: Florenz, Galleria degli Uffizi

RM 10114083

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 5354819

フェルメール 「絵画芸術（画家のアトリエ）」（部分）

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 4139769

クリムト 「アデーレ・ブロッホ＝バウアーの肖像 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : アデーレ・ブロッホ＝バウアーの肖像 II 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist：Klimt, Gustav, (1862 - 1918) Title： 'Bildnis Adele Bloch-Bauer II', ('portrait Adele Bloch-Bauer II'), 1912 Medium： oil on canvas Date： 20th century Size：190 cm x 120 cm Location：Private Collection

RM 4141877

レオナルド・ダ・ヴィンチ 「岩窟の聖母」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 岩窟の聖母　 製作年： 1508年頃 国籍： イタリア 所蔵： ロンドン・ナショナル・ギャラリー｜イギリス 技法： 油彩・板 ジャンル： ルネサンス fine arts, Leonardo da Vinci, (1452 - 1519), painting, virgin of the rocks , 2nd version, 1493 - 1495, oil on panel, 180 x 120 cm, National Gallery, London, Europe, Italy, 15th century, renaissance, religious art, religion, christianity, grotto, cave, Madonna, Saint Mary, Jesus Christ, child, blessing, Saint John the Baptist, angel, archangel Uriel,

RM 4141363

アルブレヒト・アルトドルファー 「アレクサンドロス大王の戦い」

作家名： アルブレヒト・アルトドルファー ( 1480年頃 - 1538年 ) タイトル： アレクサンドロス大王の戦い 国籍： ドイツ 所蔵： アルテ・ピナコテーク （ ドイツ / ミュンヘン ） バイエルン州立絵画コレクション ジャンル： ルネサンス　ドナウ派 Artist： Altdorfer, Albrecht, (1480 - 1538) Title： 'Alexanderschlacht' ('battle of Alexander the Great'), 1529 Location： Old Pinakothek, Munich, Germany Medium： oil on panel Size： 158,4 cm x 120,3 cm renaissance, history painting, battle at Issos, Issus, 333 BC, war, military, soldiers, flag, Dareios III., Darius, Macedonia, Persian, Macedone, event, historic, historical, ancient world,

RM 4964680

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 935489

エドヴァルド・ムンク「冬の夜」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: チューリッヒ美術館 Artist: Munch, Edvard,1863-1944 Imagetitle: Winter Night. About 1900 Dimensions: 80 x 120 cm Medium: Oil/Canvas Location: Zurich, Kunsthaus

RM 948683

ヒエロニムス・ボス 「七つの大罪と四終」

作家名： ヒエロニムス・ボス ( 1450年頃 - 1516年 ) タイトル：「七つの大罪と四終」 国籍： ネーデルラント　フランドル ジャンル： ルネサンス　初期フランドル派　初期ネーデルランド絵画 Artist: Bosch, Hieronymus,1453-1516 Imagetitle: Tabletop of the Seven Deadly Sins and the Four Last Things. 1475/80 Dimensions: 120 x 150 cm Medium: wood Location: Madrid, Museo del Prado

RM 947637

セザンヌ 「画家アシル・アンプレールの肖像」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「画家アシル・アンプレールの肖像」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist: Cezanne, Paul,1839-1906 Imagetitle: Bildnis Achille Emperaire im Lehnstuhl. Gegen 1868. Dimensions: 200 x 120 cm Location: Paris, Musee d'Orsay

RM 941012

エドヴァルド・ムンク「灰」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Artist: Munch, Edvard,1863-1944 Imagetitle: Ashes. 1894 Dimensions: 120,6 x 140,9 cm Location: Oslo, Nasjonalgalleriet

RM 941013

エドヴァルド・ムンク「臨終の床」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 Artist: Munch, Edvard,1863-1944 Imagetitle: Am Sterbebett. 1895. Dimensions: 90 x 120,5 cm Location: Bergen, Rasmus Meyer Samlinger

RM 938611

クレー 「スーパーチェス」

作家名： パウル・クレー ( 1879年 - 1940年 ) タイトル：「スーパーチェス」 国籍： スイス ジャンル　： 抽象芸術 所蔵: チューリッヒ美術館 Artist: Klee, Paul,1879-1940 Imagetitle: Uberschach. 1937. Dimensions: 120 x 110 cm. Location: Zurich, Kunsthaus

RM 953863

クロード・モネ 「睡蓮」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: The Waterlily Pond. 1919 Dimensions: 130 x 120 cm Location: Paris, Musee Marmottan

RM 953864

クロード・モネ 「睡蓮」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: Waterlilies and Agapanthus. 1914-17. Dimensions: 140 x 120 cm Location: Paris, Musee Marmottan

RM 936516

ローヴィス・コリント 「ゼウスの子供時代」

作家名： ローヴィス・コリント (1858年-1925年) タイトル：「ゼウスの子供時代」 国籍： ドイツ ジャンル： 印象派　ポスト印象派　ポン・タヴェン派 Artist: Corinth, Lovis,1858-1925 Imagetitle: The Childhood of Zeus. 1905/1906 Dimensions: 120 x 150 cm. Location: Bremen, Kunsthalle

RM 936381

キルヒナー 「サーカスの乗り手」

作家名： エルンスト・ルートヴィッヒ・キルヒナー ( 1880年 - 1938年 ) タイトル：「サーカスの乗り手」 国籍： ドイツ ジャンル　： ドイツ表現主義 所蔵: ピナコテーク・デア・モデルネ バイエルン州立絵画コレクション Artist: Kirchner, Ernst Ludwig,1880-1938 Imagetitle: The Circus Rider. 1912 Dimensions: 120 x 100 cm Medium: Oil/Canvas Location: Munchen, Pinakothek der Moderne

RM 937726

クリムト 「アデーレ・ブロッホ＝バウアーの肖像 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル : アデーレ・ブロッホ＝バウアーの肖像 II 国籍：オーストリア ジャンル： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist: Klimt, Gustav,1862-1918 Imagetitle: Bildnis Adele Bloch-Bauer II. 1912 Dimensions: 190 x 120 cm Medium: oil/canvas Location: Private Collection,formerly Osterreichische Galerie, Vienna

RM 939740

ルーカス・クラナハ（父） 「聖なる親族」

作家名： ルーカス・クラナハ (1472年 - 1553年) タイトル：「聖なる親族」 国籍： ドイツ ジャンル： 北方ルネサンス Artist: Cranach the Elder, Lucas,1472-1553 Imagetitle: The Holy Kinship (so-called Torgau Altarpiece). 1509 Dimensions: 120 x 186 cm Medium: Mixed technique on limewood Location: Stadel Museum, Frankfurt am Main

RM 935714

アルブレヒト・アルトドルファー 「アレクサンドロス大王の戦い」（部分）

作家名： アルブレヒト・アルトドルファー ( 1480年頃 - 1538年 ) タイトル： アレクサンドロス大王の戦い 国籍： ドイツ 所蔵： アルテ・ピナコテーク （ ドイツ / ミュンヘン ） バイエルン州立絵画コレクション ジャンル： ルネサンス　ドナウ派 Artist: Altdorfer, Albrecht,ca. 1480-1538 Imagetitle: The Battle of Issus 333 B.C. (The Victory of Alexander the Great). 1529 Dimensions: 158,4 x 120,3 cm. Medium: on Panel Location: Munchen, Alte Pinakothek

RM 935819

マックス・ベックマン 「男と女」

作家名： マックス・ベックマン ( 1884年 - 1950年 ) タイトル：「男と女」 国籍： ドイツ ジャンル： ドイツ表現主義　新即物主義　 Artist: Beckmann, Max,1884-1950 Imagetitle: Man and Woman. 1932 (Adam and Eve) Dimensions: 175 x 120 cm Medium: oil/canvas Location: Private Collection USA (Lackner)

RM 944143

オットー・ディックス 「ジャーナリスト、シルヴィア・フォン・ハルデンの肖像」

所蔵：ポンピドゥー・センター/パリ国立近代美術館 Artist: Dix, Otto,1891-1969 Imagetitle: Portrait of the Journalist Sylvia von Harden. 1926. Dimensions: 120 x 88 cm Medium: Mixed technique on wood Location: Paris, Musee national d'Art moderne

RM 942843

キルヒナー「ベルリンの街路」

作家名： エルンスト・ルートヴィッヒ・キルヒナー ( 1880年 - 1938年 ) タイトル：「ベルリンの街路」 国籍： ドイツ ジャンル　： ドイツ表現主義 Artist: Kirchner, Ernst Ludwig,1880-1938 Imagetitle: The Street. 1913 Dimensions: 120,6 x 91,1 cm Medium: Oil/Canvas Location: New York, Museum of Modern Art

RM 22112815

サンタクロースのイラスト

Artist： English School, (20th century) Title： Postcard depicting Father Christmas, c.1900 (colour litho) Location： Private Collection Medium： colour lithograph Date：20th Description：carte postale Anglaise vers 1900;

RM 22065169

フェルメール 「絵画芸術（画家のアトリエ）」

所蔵: ウィーン美術史美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: The art of painting (The Artist's Studio). About um 1666/68 Dimensions: 120 x 100 cm Medium: On Canvas,Oil/Canvas Location: Wien, Kunsthistorisches Museum

RM 22033042

ティツィアーノ

作家名： ティツィアーノ・ヴェチェッリオ (1488/1490年 - 1576年) 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Calling of St Matthew, by Tiziano Vecellio known as Titian, 1544 - 1546 about, 16th Century, oil on canvas, cm 120 x 172 Italy, Campania, Naples, Capodimonte National Museum and Galleries. All. Nude woman lying down on soft white pillows. Beside her, a putto holding a bow in his hand, watches the golden coins falling as rain on the young goddess. To the left, a thick cloth is lifted as the wings of a stage so as to reveal the scene.

RM 21955924

セザンヌ 「画家アシル・アンプレールの肖像」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) フランスの画家 ジャンル： 印象派　ポスト印象派 Achille Emperaire, by Paul Czanne, 1868 about, 19th Century, oil on canvas, cm 200 x 120 Musee d'Orsay, Paris, France, RF 2210. All. Achille Emperaire chair blue azure light blue armchair moustache man seated.

RM 15322399

アングル 「モワテシエ夫人の肖像」

INGRES, JEAN AUGUSTE DOMINIQUE (1780-1867). French school. Madame Moitessier. 1856. Oil on canvas (120 x 92 cm). London, National Gallery Artist: INGRES, JEAN AUGUSTE DOMINIQUE Personality: MOITESSIER MADAME Location: NATIONAL GALLERY, ENGLAND, LONDON Collection: Oronoz

RM 169984386

PAINTING , The painter (Vermeer's self-portrait) and his model as Klio. Detail of 40-03-01/50 Oil on canvas (1665-1666) Overall size 120 x 100 cm Cat. 395, Inv. 9128 , Artist: Vermeer van Delft,Jan (1632-1675)

RM 169992382

Artist: Maratta,Carlo (1625-1713), PAINTING , Sleeping Christ-child, angels making music, 1697. Wood, 120 x 98,4 cm INV. 373

RM 169988954

Artist: Degas,Edgar (1834-1917), Helene Rouart in her father's study,1886. The painter Henri Rouart was a high school friend of Degas. Canvas, 161 x 120 cm NG 6469 , PAINTING

RM 169990483

Christ as pilgrim received by two Dominican monks, 1440-1442 Mural,120 x 127 cm , Artist: Fra Angelico (Beato Angelico) (1387(?)-1455), MURAL

RM 101022357

エミール・ベルナール

Bernard, Emile. French painter, 1868–1941. “Three Races”, 1898. Oil on paper, on canvas, 120.7 × 180.3cm. Purchased with Funds provided by Mr and Mrs Stewart Resnick, Los Angeles, County Museum of Art.

RM 88038481

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Heuernte" (Hay Making), 1924–26/37. Oil on canvas, 90 × 120 cm. Private collection. Biberach, Braith-Mali-Museum.

RM 87963463

エドヴァルド・ムンク

Munch, Edvard 1863–1944, Norwegian painter. "The wave", 1921`. Oil on canvas, 100 x 120 cm. Inv. no.M 558. Oslo, Munch-Museet.

RM 87923668

Botany / Rose / Cabbage rose (Rosa centifolia bullata) "Rosa Centifolia Bullata / Rosier à feuilles de Laitue". – / Colour engraving, retouched by hand, by Victor after Pierre Joseph Redouté (1759–1840). From: P.J.Redouté, Choix des plus belles fleurs, Paris (Librairie Encyclopédique de Roret) no date (1835), plate 120. Private Collection.

RM 87962965

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Sail boats in a storm", 1912/13. Oil on canvas, 90 × 120 cm. Private collection.

RM 87938125

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Fehmarnküste mit Leuchtturm" (Coast of Fehmarn with lighthouse), 1913. Oil on canvas, 90,5 × 120,5 cm. Moritzburg Foundation, Hermann Gerlinger Collection. Halle an der Saale, Kunstmuseum d. Landes S.-A..

RM 87970159

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Vor Sonnenaufgang – Selbst mit Erna vor Wildbodenhaus " (Before Sunrise – me with Erna in front of Wildbodenhaus), 1927. (Self-portrait with his partner Erna Schilling, 1884–1945). Oil on canvas, 120 × 90 cm. Bern, Eberhard W. Kornfeld Collection.

RM 87938254

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Amselfluh", 1922. Oil on canvas, 120 × 170.5cm. Basel, Kunstmuseum.

RM 87940134

キルヒナー

Kirchner, Ernst Ludwig 1880–1938. "Tightrope Dance", 1909/10. Oil on canvas, 120 × 149 cm. Kunsthandel Düsseldorf 1995.

RM 83902304

Bolles, Charles E. 1845-1919. Hauling in Nets, Long Island Sound, Photograph, ca. 1890-1899. Platinum print. Inv. Nr. 42.120.3 New York, Metropolitan Museum of Art.

RM 83898171

Rembrandt 1606-1669. Head of Christ, Painting, ca. 1626-1669. Oil on canvas, 42.5 × 34.3 cm. Inv. Nr. 17.120.222 New York, Metropolitan Museum of Art.

RM 83417225

Herp, Willem van, 1614-1677. "The Entry into Jerusalem". Oil on canvas, 86 x 120 cm. Inv. NM 461 Stockholm, National Museum.

RM 21774704

ヴェロネーゼ

作家名： パオロ・ヴェロネーゼ ( 1528年 - 1588年 ) 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Artist: Veronese, Paolo (Paolo Caliari),1528-1588 Imagetitle: Rest on the Flight to Egypt. Dimensions: 120 x 85 cm Location: Moskau, Puschkin-Museum

RM 21310776

ピエール・ボナール

ジャンル： ナビ派　親密派 フランスの画家 Artist: Bonnard, Pierre,1867-1947 Imagetitle: Terrasse a Vernon. 1923 Dimensions: 120 x 105 cm Medium: oil/canvas Location: Christie's Images Ltd

RM 21308566

ヤコブ・アガム

所蔵：クンストパラスト美術館 Artist: Agam,Yaacov,born 1928 Imagetitle: Mouvement naturel. 1961 Dimensions: 96 x 120 x 9 cm Medium: Metall,Holz, Farbe Location: Dusseldorf, Stiftung Museum Kunstpalast

RM 175598196

Raederscheidt, Anton 1892–1970. “Portrait of Dr. Andreas Becker”, 1930. Oil on canvas, 120 × 100 cm. Cologne, Museum Ludwig.

RM 169985667

PAINTING , Artist: Rubens,Peter Paul (1577-1640), Venus before a mirror. Wood (1614/1615) 124 x 98 cm Inv. 120

RM 169977821

Byline: Anonymous Dutch painter, Categories: PAINTING, Spring ("Amor"),one of four paintings showing the Ages of Man. Canvas,120 x 240 cm Inv.2200

RM 101330010

Bellini, Giovanni c. 1430 – 1516. “Enthroned Madonna, worshipping the sleeoing Child”, c. 1470/73. Oil on wood, 120 × 63cm. Inv. no. 200 Venice, Galleria dell’Accademia.

RM 101022473

エミール・ベルナール

Émile Bernard; French painter; Lille 28.4.1868 – Paris 16.4.1941. – “The family in Tonnerre” (The family), around 1908/10. – (The artist with his second wife Andrée Fort (1877–1963), center, his children Milandre (1905–1994), Michel-Ange (1906–1992), Emilienne Elisabeth (1907–1993), all left, Antoine (1900 –1971) and Irène (1902–1990), all on the right). Oil on canvas, 95 × 120 cm. Private collection.

RM 88038645

ピエト・モンドリアン

Mondrian, Piet, 1872–1944, Dutch painter. "New York City 1", 1941 (unfinished). Oil on canvas, 120 x 115.2 cm. Dusseldorf, North Rhine-Westphalia Art Collection.

RM 87940689

ルーカス・クラナッハ

Cranach, Lucas th. E.. 1472–1553. "Madonna and Child with the Infant St. John", 1534. Limewood, 120.8 × 82.6 cm. Inv. no. 5566 Aschaffenburg, Staatsgalerie.

RM 87942589

キルヒナー

Kirchner, Ernst Ludwig 1880 – 1938. "Zirkusreiterin" (Circus rider), 1913. Oil on canvas, 120 × 100 cm. Munich, Pinakothek der Moderne.

RM 83841542

王義之

QIAN XUAN 1235-1307. Wang Xizhi watching geese, Handscroll, ca. 1285-1305. Yuan dynasty (1271-1368). Handscroll; ink, color, and gold on paper, 23.2 × 92.7 cm. Inv. Nr. 1973.120.6 New York, Metropolitan Museum of Art.

RM 83408458

Kustodijev, Boris Michailovich 1878-1927. "Salesman's Wife having Tea", 1918. Oil on canvas, 120.5 × 121.2cm. St Petersburg, Russian State Museum.

RM 21775837

Artist: Bakalovitsch, Stephan,1857-1947 Imagetitle: Im Boot. Anfang 1900. Dimensions: 120 x 90 cm Location: Private Collection Moskau

RM 21665947

Artist: Zagefka, Sarah,1977- Imagetitle: GS.6-1 (state of affairs). 2010 Dimensions: 90 x 120 cm Medium: oil/acrylic colours/canvas Location: Private Collection

RM 21311183

エゴン・シーレ

作家名： エゴン・シーレ ( 1890年 - 1918年 ) 国籍： オーストリア ジャンル： 表現主義 Artist: Schiele, Egon,1890-1918 Imagetitle: Autumn Sun (Herbstsonne). 1914 Dimensions: 100 x 120.5 cm Medium: oil/canvas Location: Christie's Images Ltd

RM 169989979

Annunciation, late 15th or early 16th. Wood,transferred to canvas, 164 x 120 cm Inv.2537 , PAINTING , Artist: School:Umbrian

RM 169992263

Artist: Domenichino (Domenico Zampieri) (1581-1641), PAINTING , Sainte Cecile et un ange tenant une partition musicale. Saint Cecilia and an angel who holds up a musical score. Painted around 1620 for Cardinal Ludovico Ludovisi. Canvas, 160 x 120 cm INV 793

RM 169971612

Byline: Anonymous Spanish painter, Conquest of Mexico - The death of Montezuma at the hands of his own people on July 1st, 1520. Oil on canvas; 120 x 200 cm. Montezuma II (or Moctezuma, 1480-1520) was trained as a priest and rose to become leader of the Aztecs in 1502. At the time the Aztecs controlled most of what is now Mexico and Central America, their capital being at the great city of Tenotchitlan (Mexico City). The story goes that when Cortes arrived in 1519, Montezuma thought the Spanish conquerors were descendants of the god Quetzalcoatl. Montezuma allowed the Spaniards to enter Tenotchitlan unopposed, and he was captured and held hostage by Cortes. Montezuma was either killed by a rock in the head from a crowd of his own people, or he was stabbed by the Spaniards, depending on who tells the story. Categories: PAINTING

RM 169984132

Artist: Bosch,Hieronymus (1450-1516), PAINTING , The table of the Seven Deadly Sins.Forming a circle around the figure of Christ, seven scenes depict the Seven Deadly Sins,each identified by an inscription. "Pride". Detail of 40-04-04/37 Wood, 120 x 150 cm Cat.2822

RM 83899547

Joos van Cleve 1485-1541. Francis I (1494-1547), King of France, Painting, ca. 1507-1541. Oil on canvas, transferred from wood, 40.6 × 32.7 cm. Inv. Nr. 32.100.120 New York, Metropolitan Museum of Art.