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RM 14322812

クロード・モネ 「散歩、日傘をさす女性」

フランスの画家 ジャンル： 印象派 Artist： MONET, Claude (1840-1926) Title： Woman with a Parasol - Madame Monet and Her Son. 1875 Location： UNITED STATES OF AMERICA. DISTRICT OF COLUMBIA. Washington. National Gallery of Art. Medium： Oil on canvas

RM 72800

ルノワール 「ぶらんこ」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「ぶらんこ」 国籍： フランス ジャンル： 印象派 Artist：Renoir, Pierre Auguste (1841-1919) Title：The Swing, 1876 (oil on canvas) Location：Musee d'Orsay, Paris, France Age：1876 Medium：oil on canvas

RM 123624618

年英「国史画巻 黒田清隆訪問之図」

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RM 70450000

カラヴァッジョ 「ホロフェルネスの首を斬るユディト」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ ) ( 1571年 - 1610年 ) タイトル：「ホロフェルネスの首を斬るユディト」 国籍： イタリア ジャンル： バロック Judith and Holofernes (detail) by Caravaggio (Michelangelo Merisi) (1571-1610) canvas (inv. 2533) National Gallery of Ancient Art (Galleria Nazionale d'Arte Antica) - Palazzo Barberini - Rome, Italy - 2017.

RM 83411559

ドガ 「バレエの授業」

Degas, Edgar 1834-1917. "La classe de danse" (The dance class), begun 1873, completed 1875/76. Detail. Oil on canvas, 85-75cm. R.F. 1976 Paris, Musee d'Orsay.

RM 20952503

アラン・ラムゼイ 「画家の妻、マーガレット・リンゼー・オブ・エヴェリック」

Allan Ramsay (1713-1784), Portrait of his second wife Margaret Lindsay of Evelick (1726-1782), 1758-1760, oil on canvas, 74.30x61.90 cm. location : Edinburgh, National Gallery Of Scotland

RM 83411626

ゴッホ 「自画像」

Gogh, Vincent van. Dutch painter, Groot-Zundert near Breda 30.3.1853 - (suicide) Auvers-sur-Oise 29.7.1890. "Self-Portrait". Paris, autumn 1887. Oil on canvas, 44.1-35.1cm. R.F. 1947-28 Paris, Musee d'Orsay.

RM 21031769

エドヴァルド・ムンク「赤と白」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Edvard Munch (1863-1944), Red and White, 1894. location : Oslo, Munchmuseet (Munch'S Museum, Art Museum)

RM 21308141

ラファエロ

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Artist: Raffael (Raffaello Sanzio),1483-1520 Imagetitle: Portrait of Papst Julius II. About 1512. Dimensions: 108,5 x 80 cm Medium: Oil/Wood Location: Florenz, Galleria degli Uffizi

RM 21034907

ルノワール 「日傘をさすリーズ」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) フランスの画家 ジャンル　： 印象派 Pierre-Auguste Renoir (1841-1919), Lise with a Parasol, 1867, oil on canvas, 184x115 cm. location : Essen, Museum Folkwang (Art Museum)

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 62548260

クリムト 「ヘレーネ・クリムトの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Helene Klimt / Gem. von Gustav Klimt Klimt, Helene Luise (verehel. Donner), Nichte des Malers Gustav Klimt; Wien 28.7.1892-Wien 5.1.1980. "Bildnis Helene Klimt". Gemälde, 1898, von Gustav Klimt (1862-1918). Öl auf Karton, 60 × 40 cm. Leihgabe aus Privatsammlung, Bern, Kunstmuseum.

RM 62418776

マネ 「オリエンタル風の衣装をまとった若い女」

Manet, Edouard 1832–1883. "Jeune femme en costume oriental (La Sultane) " (Young woman wearing oriental dress / The Sultana), c. 1871/76. Oil on canvas, 92 × 73cm./Zurich, G.Buehrle Collection. Identifier : AKG337145 Artist : EDOUARD MANET/Museum/Zurich, E. G. Buehrle Collection/Collection/akg-images event date : 1876 image date : 1876/Time Period/19TH CENTURY topic : ETHNOLOGY/FAN (ACCESSORY)/FOLK COSTUME ; TRADITIONAL COSTUME ; NATIONAL DRESS/FRENCH ART/IMPRESSIONISM/ORIENTALISM/PORTRAIT/ROBE ; GOWN/SULTANA/TRANSPARENT ; SEE-THROUGH/WATER PIPE (TOBACCO)/WOMAN geography : TURKEY (COUNTRY) technique : PAINTING (OBJECT)/PAINTING (technique) Size : 2604px × 3364px (25 MB) / 22.0 cm × 28.4 cm @ 300 dpi Special Formats : 2984px × 3854px (33 MB) TIFF/25.3 cm × 32.6 cm @ 300 dpi

RM 21034772

ウォーターハウス

作家名： ジョン・ウィリアム・ウォーターハウス ( 1849年 - 1917年 ) 国籍： イギリス ジャンル　： ラファエル前派　 John William Waterhouse (1849-1917), Ophelia, 1910. location : London, Barbican Art Gallery

RM 96060803

ジョン・シンガー・サージェント 「レディー・アグニュー」

Sargent, John Singer 1856–1925. “Portrait der Gertrude, Lady Agnew of Lochnaw”, 1892/93. Oil on canvas, 127 × 101 cm. Edinburgh, National Gallery of Scotland.

RM 83412108

ボッティチェリ 「アテナとケンタウロス」

Botticelli, Sandro (born Alessandro Filipepi). 1444/45-1510. "Minerva and Centaur", c. 1482. On canvas, 207 × 148 cm. Inv. no. Depositi, 29 Florence, Galleria degli Uffizi.

RM 62548844

クリムト 「メーダ・プリマヴェージの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Mäda Primavesi (1903-2000) Klimt, Gustav 1862-1918. Mäda Primavesi (1903-2000), Painting, ca. 1912-1913. Oil on canvas, 149.9 × 110.5 cm. Inv. Nr. 64.148 New York, Metropolitan Museum of Art. Identifier : AKG5060098 credit line : akg-images image date : 1.1.1912 Size 2876px × 3877px (31 MB) 24.3 cm × 32.8 cm @ 300 dpi

RM 32022078

ジャン＝バティスト・グルーズ「壊れた瓶」

作家名： ジャン＝バティスト・グルーズ ( 1725年 - 1805年 ) フランスの画家 ジャンル　： ロココ美術　新古典主義 Jean Baptiste Greuze (1725-1805) La cruche cassee-the broken jug, 1772-1773 Canvas, 85 x 86,5 cm INV. 5036. Credit: Erich Lessing / Album

RM 87209382

ソフィー・ド・フランスの肖像

Portrait of Madame Sophie (1734-1782), 1770-1774, Princess Sophie of France, daughter of King Louis XV of France, painting by Lie Louis Perin-Salbreux (1753-1817 ), oil on canvas. Rheims, Musée des Beaux-Arts

RM 9784620

ドガ 「エトワール」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「エトワール」 フランスの画家 ジャンル： 印象派 Dancer On the Stage (L'etoile), C.1878, エドガー・ドガ ( Degas, Edgar ) (1834-1917 French), Musee d'Orsay, Paris, France

RM 149700906

ミケランジェロ 「アダムの創造」

国籍： イタリア ジャンル　： ルネサンス Michelangelo (1475-1564). Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Creation of Adam. Fresco. C.1512. Sistine Chapel. Vatican Museums. Vatican City. Credit: Album / Prisma

RM 21776005

イワン・クラムスコイ 「月明かりの夜 」

所蔵: トレチャコフ美術館 Artist: Kramskoi, Iwan,1837-1887 Imagetitle: Moonlit night (Woman dreaming). 1880 Dimensions: 179 x 135 cm Location: Moscow, Tretyakov Gallery

RM 21318264

ジーン・エティエン・リオタール 「トルコの服を着たマリア・アドレイド・ド・フランスの肖像」

Artist: Liotard, Jean Etienne,1702-1789 Imagetitle: Maria Adelaide reading. Dimensions: 50 x 56 cm Location: Florenz, Galleria degli Uffizi

RM 82032992

THE WYNDHAM SISTERS, by John Singer Sargent, 1897, American painting, oil on canvas. Lady Elcho, Mrs. Adeane, and Mrs. Tennant were the three daughters of the Honorable Percy Wyndham, a wealthy Londoner. They sit in the familys residence on Belgrave Square (BSLOC_2017_9_44)

RM 81878126

レンブラント 「フローラ」

Rembrandt van Rhijn. Flora. Credit: Album / Fine Art Images

RM 62414577

ベラスケス 「狩猟服姿のフェリペ４世」

Philip IV, King of Spain (1621–65) and/(as Philip III) of Portugal; son of King Philip III and Margaret of Habsburg./Valladolid 8.4.1605 – Madrid 17.9.1665. "Philip IV wearing hunting clothes". Painting, by 1632/36, by Diego Velázquez/(1599–1660)./Oil on canvas, 189 × 124.5cm./Inv. 1184/Madrid, Museo del Prado. Identifier : AKG20837 Artist : DIEGO VELAZQUEZ/Museum/Madrid, Museo del Prado/Collection image date : 1635/Time Period/17TH CENTURY topic : BAROQUE/DOG/DOG AND DOG OWNER ; MAN AND DOG/FASHION ; STYLE/FREE TIME ; LEISURE TIME/FULL-LENGTH ; FULL LENGTH ; LONG SHOT/GLOVE/HAPSBURG/HAPSBURG LIP/HISTORY/HUNT/HUNTER (MALE)/HUNTING ATTIRE ; HUNTING CLOTHES/HUNTING DOG ; HOUND, FIELD DOG/HUNTING GUN/JAEGERHUT/KING/LEATHER GLOVE/MAN/MEN'S FASHION ; MENSWEAR/NOBILITY ; ARISTOCRACY/PERSON/PORTRAIT/POSE/RIFLE ; GUN/SPANISH ART/WEAPON geography : SPAIN/Person/PHILIP IV OF SPAIN technique : PAINTING (OBJECT)/PAINTING (technique) Size : 3246px × 4961px (46 MB) / 27.4 cm × 42.0 cm @ 300 dpi Special Formats : 4945px × 7558px (107 MB) TIFF/41.9 cm × 64.0 cm @ 300 dpi

RM 60463805

セザンヌ 「タンホイザー序曲（ピアノを弾く若い娘）」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「タンホイザー序曲（ピアノを弾く若い娘）」 フランスの画家 ジャンル： 印象派　ポスト印象派 L'Ouverture de Tannhäuser/Cézanne, Paul 1839–1906. "L'Ouverture de Tannhäuser" (Girl at the piano; Tannhäuser-Ouverture), c. 1867/68. Oil on canvas, 57 × 92 cm./(former collection I.A. Morosow)./St Petersburg, State Hermitage.

RM 115920873

フアン・バウティスタ・マルティネス・デル・マーソ 「喪服姿のスペイン王妃マリアナ」

Maria Anna von Spanien / del Mazo Maria Anna (span. Mariana Teresa de Austria), Königin (Philipp IV.) und Regentin von Spanien, Tochter Kaiser Ferdinands III.; Wiener Neustadt 23.12.1634 – Madrid 16.5.1696. “Königin Maria Anna in Trauerkleidung”. Gemälde, 1666, von Juan Bautista Martinez del Mazo (1612/16 – 1667). Oil on canvas, 196,8 × 146 cm. Inv. Nr. 2926 London, National Gallery.

RM 87942082

ベラスケス「バラ色のドレスのマルガリータ王女」

Margarita, Empress (Leopold I), daughter of Philip IV of Spain; Madrid 12.7.1651 – Vienna 12.3.1673. "The Infanta Margarita Teresa at the age of three. Painting, 1653, by Diego Velasquez (1599–1660). Oil on canvas. Madrid, Coleccion Casa de Alba. Madrid, Fundación "Casa de Alba".

RM 66312129

ベラスケス 「白い服の王女マルガリータ・テレサ」

Diego Velázquez (1599-1660) Portrait of the Infanta Margaret Theresa (1651-1673) in a white Dress. Credit: Album / Fine Art Images

RM 63279151

クリムト 「メーダ・プリマヴェージの肖像」

Gustav Klimt (1862-1918) Portrait of Mäda Primavesi. Credit: Album / Fine Art Images

RM 63279159

クリムト 「メーダ・プリマヴェージの肖像」

Title: Mada Primavesi (1903-2000), 1912-13 (oil on canvas) creator: Klimt, Gustav (1862-1918) Nationality: Austrian Location: Metropolitan Museum of Art, New York, USA Medium: oil on canvas Date: 1912-1913 (C20th) Dimensions: 149.9x110.5 cms Credit: Mada Primavesi (1903-2000), 1912-13 (oil on canvas), Klimt, Gustav (1862-1918) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords , Expressionism Expressionist Mada Maeda Primavesi Viennese bow child colourful confidence female floral flowers full length girl hair hairstyle multi-coloured nine years old pattern portrait pose surreal symbolism symbolist tomboy vibrant young painting

RM 36490023

ティツィアーノ 「フローラ」

作家名： ティツィアーノ・ヴェチェッリオ (1488/1490年 - 1576年) タイトル：「フローラ」 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Flora/Titian (born Tiziano Vecellio),/c.1488/1490 - 1576,/Italian painter. "Flora", c.1515/20. Oil on canvas, 79.7 x 63.5 cm./Inv. no. 1462./Florence, Galleria degli Uffizi. Identifier : AKG1904331 Artist : TITIAN/Museum/Florence, Galleria degli Uffizi event date : 1515 image date : 1515/Time Period/16TH CENTURY/2ND MILLENNIUM A.D. topic : ART/BEAUTY/BLONDE HAIR/CURL/FLOWER/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/HAIR/HAND/ITALIAN ART/LOW NECKLINE ; DECOLLETE/MYTHOLOGY/PORTRAIT/RENAISSANCE/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/SHIRT/SPRING/WOMAN/YOUNG WOMAN/YOUTH/Person/FLORA (MYTHOLOGY) technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 36490020

ティツィアーノ 「フローラ」

作家名： ティツィアーノ・ヴェチェッリオ (1488/1490年 - 1576年) タイトル：「フローラ」 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Title: Painting by Tiziano Vecellio called Titian of Flora, in the Uffizi Gallery in Florence Credit: Reproduced with the permission of Ministero per i Beni e le Attivita Culturali / Alinari Archives, Florence WARNING: Permission must be required for non editorial use. Please contact Alinari Archives Artist: Tiziano Vecellio (ca. 1488-1576) Date of artwork: 1520 Period and style: High Renaissance LOCATION : : Florence, The Uffizi Gallery PHOTOGRAPHER : : Lorusso, Nicola for Alinari Date of photography: 1990 Place of photography: Florence, The Uffizi Gallery Collection: Alinari Archives, Florence

RM 36482741

マリー・アントワネットの肖像

Portrait of Marie Antoinette in white muslin dress. Painting, 1783, by Louise Elisabeth Vigee Le Brun (1755-1842). Oil on canvas, 90 × 72 cm. Darmstadt, Schlosmuseum. Artist : ELISABETH-LOUISE VIGEE-LEBRUN/Museum/Darmstadt, Schlosmuseum image date : 1783/Time Period/18TH CENTURY/2ND MILLENNIUM A.D. topic : ART BY WOMEN/BOTANY/BOW (CLOTHES)/DRESS/FASHION ; STYLE/FEATHER/FLOWER/FRENCH ART/FRENCH REVOLUTION (1789-99)/HAT/HISTORY/LADY'S HAT/MUSLIN/PERSON/PORTRAIT/QUEEN/ROCOCO/ROSE/RUFFLES/TEXTILE/WIFE OF CELEBRITIES/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR/YOUTH technique : PAINTING (OBJECT)/PAINTING (technique)

RM 34992918

フランソワ・ジェラール「ジョゼフィーヌ・ド・ボアルネの肖像」

Josephine,/Kaiserin (Napoleon I.) der Franzosen,/geb. Tascher de la Pagerie, verwitw./Beauharnais. Trois Ilets (Martinique)/23.6.1763 - Malmaison 29.5.1814./- Portrat. -/Gemalde, undat., von Francois Gerard (1770-1837) (Zuschreibung)./Ol auf Leinwand, 213 x 122 cm. Privatsammlung. Identifier : AKG3518830 Artist : FRANCOIS GERARD event date : 1805 image date : 1853/Time Period/19TH CENTURY topic : ART/CARPET ; RUG/CLASSICISM/CROWN/DIADEM/DRAPERY ; FOLDS/EMPIRE (STYLE)/EMPRESS/FASHION ; STYLE/FIRST EMPIRE (1804-1815)/FULL-LENGTH ; FULL LENGTH ; LONG SHOT/HISTORY/PERSON/PORTRAIT/SITTING/SOFA ; COUCH/WIFE OF CELEBRITIES/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : FRANCE/Person/EMPRESS JOSEPHINE/FRANCOIS GERARD/WILHELM VON KAULBACH technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 34631784

アングル 「モワテシエ夫人」

Madame Moitessier. 1856

RM 32806173

セザンヌ 「赤い服を着たセザンヌ夫人」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「赤い服を着たセザンヌ夫人」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist： PAUL CEZANNE Title： Mme Cezanne au fauteuil jaune Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1888 Description： Cezanne, Paul. 1839-1906. "Mme Cezanne au fauteuil jaune" (Hortense Cezanne, nee Fiquet, the artist's wife, in a yellow armchair), 1888/90. Oil on canvas, 116 × 89 cm. Mrs. and Mrs. Henry Ittleson jr. Purchase Fund,

RM 32737080

ゴヤ 「ドン・マヌエル・オソーリオ・マンリケ・デ・スニガ」

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) タイトル：ドン・マヌエル・オソーリオ・マンリケ・デ・スニガ 国籍： スペイン ジャンル　： ロマン主義 Manuel Osorio Manrique from Zuniga, 1790, by Francisco de Goya (1746-1828), oil on canvas, 127x101 cm.

RM 31647346

ルノワール 「ミシア・セール」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：ミシア・セール フランスの画家 ジャンル ： 印象派 BRN160562 Misia Sert (1872-1950) with a Lap Dog, c.1906 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: married to Jose Maria Sert, the Spanish painter;); REPRODUCTION PERMISSION REQUIRED; French　

RM 29192139

ジョヴァンニ・ボルディーニ 「扇子を持つエミリアーナ」

Artist: Boldini, Giovanni,1842-1931 Imagetitle: Portrait of Signorina Concha de Ossa. 1888 Dimensions: 221 x 120.5 cm Medium: Pastel/Canvas Location: Christie's Images Ltd

RM 29192158

ジョン・シンガー・サージェント 「ウィンダム姉妹」

'Lady Elcho, Mrs Tennant and Mrs Adeane', 1926. From "Apollo" magazine, volume IV, no 24, December 1926.

RM 29150456

フランク・ディックシー 「マイ・レディ・フェア」

Title:　My Lady Fair, 1903 (oil on canvas) creator:　Dicksee, Sir Frank (1853-1928) Nationality:　English Location:　Manchester Art Gallery, UK Medium:　oil on canvas Date:　1903 (C20th) Dimensions:　125.9x76.4 cms Credit:　My Lady Fair, 1903 (oil on canvas), Dicksee, Sir Frank (1853-1928) / Manchester Art Gallery, UK / Bridgeman Images Keywords ; Edwardian ; beauty ; black hat ; corsage ; elegant ; fashion ; fashionable ; female ; lace dress ; portrait ; three-quarter length ; violet ; violets ; white gloves

RM 29150480

ジョルジュ・クレラン 「サラベルナールの肖像」

GEORGES CLAIRIN. Actress Sarah Bernhardt (1844-1923). Canvas,1875. . Credit: Erich Lessing / Album

RM 29150458

ジョン・シンガー・サージェント 「レディー・アグニュー」

Title:　Lady Agnew of Lochnaw, c.1892-93 (oil on canvas) creator:　Sargent, John Singer (1856-1925) Nationality:　American Location:　c Scottish National Gallery, Edinburgh Medium:　oil on canvas Date:　(C19th) Dimensions:　124.5x99.7 cms Credit:　Lady Agnew of Lochnaw, c.1892-93 (oil on canvas), Sargent, John Singer (1856-1925) / c Scottish National Gallery, Edinburgh / Bridgeman Images Keywords ; armchair ; beauty ; female ; grace ; portrait ; regard ; sash ; seated ; staring

RM 29150493

クリムト 「ヘレーネ・クリムトの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「ヘレーネ・クリムトの肖像」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portrait of Helene Klimt, 1898. Found in the collection of the Kunstmuseum Bern.

RM 28393282

フェルメール 「手紙を読む青衣の女」

所蔵: アムステルダム国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Woman Reading a Letter, Johannes Vermeer, c. 1663. . Credit: Album / quintlox

RM 23534115

フレデリック・レイトン 「ビアンカ」

Title:　Bianca, c.1881 (oil on canvas) creator:　Leighton, Frederic (1830-96) Nationality:　English Location:　Leighton House Museum, Kensington & Chelsea, London, UK Medium:　oil on canvas Date:　19th (C19th) Credit:　Bianca, c.1881 (oil on canvas), Leighton, Frederic (1830-96) / Leighton House Museum, Kensington & Chelsea, London, UK / The Bridgeman Art Library Keywords:　Victorian adolescent arms folded beauty bras croises crossed dress female girl grace half length pale complexion paleur pallid pensive portrait shy shyness teenager traditional costume

RM 23534131

トーマス・フランシス・ディクシー 「ジュリエット」

Title:　Juliet, 1877 (oil on canvas) creator:　Dicksee, Thomas-Francis (1819-95) Nationality:　English Description:　Juliet, one of the world's most famous and tragic lovers, appears here on the moonlit balcony of her house in the well known scene from Shakespeare's play 'Romeo and Juliet'. Dicksee painted many Shakespearian subjects and exhibited at the Royal Academy in London; Location:Sunderland Museums & Winter Garden Collection, Tyne & Wear, UK Medium:　oil on canvas Date:　1877 (C19th) Dimensions:　106.5x71 cms Credit:　Juliet, 1877 (oil on canvas), Dicksee, Thomas-Francis (1819-95) / Sunderland Museums & Winter Garden Collection, Tyne & Wear, UK / c Tyne & Wear Archives & Museums / The Bridgeman Art Library Keywords:　William Shakespeare balcony c19th character evening female lover night tragic Categories Literature Shakespeare The Arts and Entertainment

RM 22999133

ニコ・ピロスマニ 「女優マルガリータ」

'The Actress Margarita', 1909. From the collection of the The State Museum of Fine Arts of Georgia, Tbilisi.

RM 22979242

セザンヌ 「赤い服を着たセザンヌ夫人」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「赤い服を着たセザンヌ夫人」 フランスの画家 所蔵：メトロポリタン美術館 ジャンル： 印象派　ポスト印象派 Artist：Cezanne, Paul (1839-1906) Title：Madame Cezanne in a red dress Nationaly：French Location：Metropolitan Museum. New York. United States Medium：oil on canvas Date：19th

RM 22979300

ロートレック 「 テーブルの若い女（白粉）」

作家名： アンリ・ド・トゥルーズ＝ロートレック ( 1864年 - 1901年 ) タイトル： テーブルの若い女（白粉） フランスの画家 所蔵： ファン・ゴッホ美術館　（ オランダ　/　アムステルダム　） ジャンル： 印象派　ポスト印象派　アールヌーヴォー　象徴主義 Artist： TOULOUSE LAUTREC (1864-1901) Title： MUJER JOVEN SENTADA A UNA MESA "POUDRE DE RIZ" - POLVO DE ARROZ - 1887- OLEO SOBRE CARTON - Location： MUSEO VAN GOGH ~ AMSTERDAM ~ HOLANDA

RM 22979270

ゴヤ 「アルバ公爵夫人」

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) タイトル：「アルバ公爵夫人」 国籍： スペイン ジャンル　： ロマン主義 Description: Spanish school. Duchess of Alba. 1797. New York, Hispanic Society Location: HISPANIC SOCIETY OF AMERICA ~ NEW YORK ~ USA Autor: GOYA, FRANCISCO DE (1746-1828) Personalities: SILVA MARIA TERESA CAYETANA (1762-1802) ~ ALBA DUQUESA DE XIII (1762-1802) ~ DUQUESA DE ALBA XIII (1762-1802)

RM 22120860

ホイッスラー 「 白のシンフォニー第1番-白の少女」

作家名： ジェームズ・マクニール・ホイッスラー ( 1834年 - 1903年 ) タイトル： 白のシンフォニー第1番-白の少女 国籍： アメリカ Artist： WHISTLER, James Abbott McNeill (1834-1903) Title： Symphony in White, No.1. 1862 (oil on canvas) Location： UNITED STATES OF AMERICA. DISTRICT OF COLUMBIA. Washington. National Gallery of Art Age：1862 Medium：oil on canvas

RM 21955923

ドガ 「ベレッリ家の肖像」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「ベレッリ家の肖像」 フランスの画家 ジャンル： 印象派 The Bellelli family, by Edgar Degas, 1860 - 1860 about, 19th Century, oil on canvas, cm 200 x 250 Musee d'Orsay, Paris, France, RF 2210. All. Bellelli family father mother children picture painting mirror armchair black dress white apron wallpaper azure light blue desk chair.

RM 21935768

ドガ 「ベレッリ家の肖像」（部分）

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「ベレッリ家の肖像」 フランスの画家 ジャンル： 印象派 Bellelli Family, by Eduard Degas, 1860, 19th Century, oil on canvas France, Paris, Musee d'Orsay. Detail. Portrait of a woman with her daughters.

RM 21867557

マネ

作家名： エドゥアール・マネ ( 1832年 - 1883年 ) 国籍： フランス ジャンル： 印象派 Artist：Manet, Edouard, (1832 - 1883) Title：Portrait of Eva Gonzales in Manet's studio Location：London National Gallery

RM 21780999

クロード・モネ 「トルーヴィルの海岸」

フランスの画家 ジャンル： 印象派 Artist： MONET, Claude (1840-1926) Title: The Beach at Trouville. 1870 Technique: Oil on canvas (37'5 x 45'7 cm) Museum Location: UNITED KINGDOM. ENGLAND. London. National Gallery Description: This painting is one of five beach scenes produced by Monet in the summer of 1870. The figure to the left is probably Monet's wife Camille, and the woman on the right may be the wife of Euge`ne Boudin.

RM 20953869

ジョルジュ・バルビエ 「セレナーデ」

Fashion, France, 20th century. Art Deco. George Barbier, Falbalas et Fanfreluches. Almanac for 1924. Serenade (Serenade in Mexican costumes)

RM 15145072

ホイッスラー 「白のシンフォニーNo.2 ― 白衣の少女」

作家名： ジェームズ・マクニール・ホイッスラー ( 1834年 - 1903年 ) タイトル：「白のシンフォニーNo.2 ― 白衣の少女」 国籍： アメリカ The girl in the white dress,1864, by James Abbot McNeill Whistler (1834-1903).

RM 13659582

マネ 「庭のモネ一家」

作家名： エドゥアール・マネ ( 1832年 - 1883年 ) タイトル： 庭のモネ一家 フランスの画家 ジャンル： 印象派 The Monet Family in Their Garden at Argenteuil, 1874, by Edouard Manet

RM 11373811

ロートレック 「洗濯女」

作家名： アンリ・ド・トゥルーズ＝ロートレック ( 1864年 - 1901年 ) タイトル：「洗濯女」 フランスの画家 ジャンル： 印象派　ポスト印象派　アールヌーヴォー　象徴主義 Artist： Toulouse-Lautrec, Henri de (1864-1901) Title： The Laundress, 1889 (oil on canvas) Location： Private Collection Age：1889 Medium：oil on canvas

RM 968866

「エレン・テリー」

-

RM 83411779

ドラクロワ 「墓地の孤児（墓場の少女）」

Delacroix, Eugene 1798-1863. "Young orphan on the cemetery", 1823. Oil on canvas, 65,5 × 54,3 cm. Paris, Musee du Louvre.

RM 22479403

アルフォンス・ミュシャ 「宝石(アメジスト)」

作家名： アルフォンス・ミュシャ ( 1860年 - 1939年 ) タイトル：「宝石（アメジスト）」 国籍： チェコ ジャンル： アール・ヌーヴォー Artist： Mucha, Alphonse Marie (1860-1939) Title： The Precious Stones: Amethyst, 1900 (colour litho) Location： Mucha Trust Medium： colour lithograph

RM 83411622

ゴッホ 「庭に立つガシェ嬢」

Gogh, Vincent van 1853-1890. "Marguerite Gachet in her Garden", Auvers-sur-Oise, June 1890. Oil on canvas, 46-55cm. Paris, Musee d'Orsay.

RM 83411464

スーラ 「サーカス」

Seurat, Georges 1859-1891. "Le cirque" (The circus), 1891. Oil on canvas, 185.5-152.5cm. Paris, Musee d'Orsay.

RM 21034636

フェルメール 「窓辺で手紙を読む女」

所蔵: アルテマイスター絵画館 / ドレスデン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Johannes or Jan Vermeer (1632-1675), A Girl Reading a Letter by an Open Window, 1657, oil on canvas, 83x64,5 cm. location : Dresda, Gemaldegalerie Alte Meister (Old Masters Gallery, Picture Gallery)

RM 83411498

ピサロ 「羊飼いの娘（小枝を持つ少女、座る農家の娘）」

Pissarro, Camille 1830-1903. "La bergere"-"Jeune Fille-la baguette"-"Paysanne assise", 1881. Oil on canvas, 81-64.7cm. R.F. 2013 Paris, Musee d'Orsay.

RM 62553905

トマス・ゲインズバラ 「青衣の少年」（ジョナサン・バトールの肖像）

GAINSBOROUGH: BLUE BOY. Jonathan Buttall ('The Blue Boy'). Oil on canvas, c1770, by Thomas Gainsborough.

RM 115920894

フランシスコ・デ・スルバラン「アンティオキアの聖マルガリータ 」

Saint Margaret of Antioch Oil on canvas, 163 × 105 cm, 1630–4 London, National Gallery. Artist：FRANCISCO DE ZURBARAN Museum：London, National Gallery Collection：The National Gallery, London Credit line：The National Gallery, London / akg Time Period：17TH CENTURY　2ND MILLENNIUM A.D Person JOSEPH MARTIN　MARGARETA Technique：PAINTING (OBJECT)　PAINTING (TECHNIQUE) Size：3201px × 4961px (45 MB) 27.1 cm × 42.0 cm @ 300 dpi

RM 36499547

ピエール・ボナール 「庭の女性たち　白い水玉模様の服を着た女性」

所蔵: オルセー美術館 ジャンル: ナビ派　親密派 フランスの画家 Title: Woman in a White Spotted Dress, one of four panels of 'Women in the Garden', 1891 (oil on paper on canvas) creator: Bonnard, Pierre (1867-1947) Nationality: French Description: Femme a la Robe a Pois Blancs; Location: Musee d'Orsay, Paris, France Medium: oil on paper on canvas Date: 1891 (C19th) Dimensions: 160x48 cms Credit: Woman in a White Spotted Dress, one of four panels of 'Women in the Garden', 1891 (oil on paper on canvas), Bonnard, Pierre (1867-1947) / Musee d'Orsay, Paris, France / Bridgeman Images Keywords , Nabis blanc dog fashion female jumping pet playful playing stylish

RM 36499551

ピエール・ボナール 「庭の女性たち　格子柄の服を着た女性」

所蔵: オルセー美術館 ジャンル: ナビ派　親密派 フランスの画家 Title: Woman with a Checked Dress, one of four panels of 'Women in the Garden', 1891 (oil on paper on canvas) creator: Bonnard, Pierre (1867-1947) Nationality: French Description: Femme a la Robe Quadrillee; originally designed for a screen; Location: Musee d'Orsay, Paris, France Medium: oil on paper on canvas Date: 1891 (C19th) Dimensions: 160x48 cms Credit: Woman with a Checked Dress, one of four panels of 'Women in the Garden', 1891 (oil on paper on canvas), Bonnard, Pierre (1867-1947) / Musee d'Orsay, Paris, France / Bridgeman Images

RM 36499571

ピエール・ボナール 「庭の女性たち　白い水玉模様の服を着た女性」

所蔵: オルセー美術館 ジャンル: ナビ派　親密派 フランスの画家 'Woman in a White Spotted Dress', 1891. One of four panels of 'Women in the Garden', 1891. Found in the collection of the Musee d'Orsay, Paris, France.

RM 35538675

マリア・カロリーナの肖像

ハプスブルク＝ロートリンゲン家の系譜 フランツ1世とマリア・テレジアの子ども Maria Carolina, Queen (Ferdinand I)/of Naples-Sicily, daughter of Emperor Francis I and Empress Maria Theresa./Vienna 13.8.1752 ? Hetzendorf near Vienna 8.9.1814. Portrait. Painting by Francesco Liano (born 1712)./Oil on canvas./Capua, Museo Campano. Identifier : AKG367427/Museum/Capua, Museo Campano source : Nimatallah / Nimatallah event date : 1770 image date : 1770/Time Period/18TH CENTURY topic : ART/CHOKER/FASHION ; STYLE/GESTURES ; GESTURE/HAIRSTYLE/HAPSBURG/HISTORY/ITALIAN ART/LOW NECKLINE ; DECOLLETE/NEAPEL-SIZILIEN/PORTRAIT/QUEEN/ROCOCO/THREE-QUARTER LENGTH/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : ITALY/Person/FRANCESCO LIANO/MARIA CAROLINA VON NEAPEL technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2355px × 3364px (22 MB) 19.9 cm × 28.4 cm @ 300 dpi/Special Formats/2900px × 4143px (34 MB) TIFF/24.6 cm × 35.1 cm @ 300 dpi

RM 35537639

マリア・クリスティーナの肖像

ハプスブルク＝ロートリンゲン家の系譜 フランツ1世とマリア・テレジアの子ども Maria Christina of Austria, A.Roslin, portrait / painting/Maria Christina, Archduchess (daughter of Holy Roman EmperorFrancis I, Grand Duke of Tuscany, and his wife Archduchess Maria Theresa of Austria), Regent (governor) of the AustrianNetherlands (1781?1793),/married to Prince Albert Casimir August of Saxony, Duke of Teschen; Vienna (Austria) 13.5.1742 - ibid. 24.6.1798. Portrait. Painting, c. 1887, by Alexander Roslin (1718? 1793). Oil on canvas, 119.4 × 91.4cm./London, Sotheby's, 21.4.1993, Lot169. Identifier : AKG2047894 Artist : ALEXANDER ROSLIN source : Sotheby's credit line : c Sotheby's / akg-images event date : 1778 image date : 1778/Time Period/18TH CENTURY topic : ACCESSORIES (FASHION)/ARCHDUCHESS/ART/EARRING/FAN (ACCESSORY)/FASHION ; STYLE/FEATHER/HABSBURG-LOTHRINGEN/HAIR ORNAMENTS/HAIRSTYLE/HISTORY/LACE/LOOKING OUT OF PICTURE/LOW NECKLINE ; DECOLLETE/NECKLACE/NOBILITY ; ARISTOCRACY/PERSON/PORTRAIT/ROCOCO/SACHSEN-TESCHEN/SEMI-FIGURE ; MEDIUM SHOT ; HALF LENGTH/SITTING/STRING OF PEARLS ; PEARL NECKLACE/SWEDISH ART/TEXTILE/TURMFRISUR/UPSWEPT HAIRDO/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : AUSTRIA/NETHERLANDS/Person/MARIE CHRISTINE technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)/Size 3801px × 4961px (53 MB) 32.1 cm × 42.0 cm @ 300 dpi/Special Formats/6674px × 8710px (166 MB) TIFF/56.5 cm × 73.7 cm @ 300 dpi

RM 35538674

マリア・カロリーナの肖像

ハプスブルク＝ロートリンゲン家の系譜 フランツ1世とマリア・テレジアの子ども Maria Carolina, Queen (Ferdinand I)/of Naples Sicily, daughter of Emperor Franz I and Empress Maria Theresia./Vienna 13.8.1752 - Hetzendorf nr. Vienna/8.9.1814. Portrait. Painting, 1772/73, by Anton Raphael Mengs (1728?1779)./Oil on canvas, 136 × 100cm./Madrid, Patrimonio Nacional. Identifier : AKG304355/Museum/Madrid, Patrimonio Nacional event date : 1773 image date : 1773/Time Period/18TH CENTURY topic : BRACELET/CHOKER/CLASSICISM/DRESS/FAN (ACCESSORY)/FASHION ; STYLE/FUR TRIMMING/GERMAN ART/HISTORY/HOOP SKIRT/JEWELRY ; JEWELLERY/LACE/PERSON/PORTRAIT/QUEEN/ROCOCO/THREE-QUARTER LENGTH/WOMAN/WOMEN'S FASHION ; LADIES' FASHION ; WOMENSWEAR geography : ITALY/NAPLES/SICILY/Person/ANTON RAPHAEL MENGS/MARIA CAROLINA VON NEAPEL technique : PAINTING (OBJECT)/PAINTING (technique)/Size 2446px × 3364px (23 MB) 20.7 cm × 28.4 cm @ 300 dpi/Special Formats/2779px × 3821px (30 MB) TIFF/23.5 cm × 32.4 cm @ 300 dpi

RM 83411442

ドガ 「ベレッリ家の肖像」

Degas, Edgar, 1834-1917. "La famille Bellelli" (The Bellelli family, 1858/67. (Senator Gennaro Bellelli, 1812-75, and his wife Clotilde Laure De Gas, aunt of the artist, 1814-97, and his daughters Giovanna, b. 1848, and Giulia, 1851-1922). Oil on canvas, 200-250 cm. R.F. 2210 Paris, Musee d'Orsay.

RM 21308181

ラファエロ 「ヴェールをかぶった婦人（ラ・ヴェラータ）」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「ヴェールをかぶった婦人（ラ・ヴェラータ）」 国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス Artist: Raffael (Raffaello Sanzio),1483-1520 Imagetitle: La Donna Velata. Location: Florenz, Palazzo Pitti

RM 21032353

ルーカス・クラナハ（父） 「ホロフェルネスの首を持つユディト」

作家名： ルーカス・クラナハ (1472年 - 1553年) タイトル：「ホロフェルネスの首を持つユディト」 国籍： ドイツ ジャンル： 北方ルネサンス Lucas Cranach the Elder (1472-1553), Judith with the Head of Holophernes, 1503. location : Vienna, Kunsthistorisches Museum (Museum Of Fine Arts)

RM 71485

アングル 「カロリーヌ・リヴィエール嬢の肖像」

作家名： ジャン・オーギュスト・ドミニク・アングル ( 1780年 - 1867年 ) タイトル：「カロリーヌ・リヴィエール嬢の肖像」 国籍： フランス ジャンル　： 新古典主義 所蔵：ルーヴル美術館 Title： Portrait of Mademoiselle Caroline Riviere (1793-1803) 1805 (oil on canvas) Artist： Ingres, Jean Auguste Dominique (1780-1867) Location： Louvre, Paris, France Dimensions： 100x70 Date： 1805 Medium： oil on canvas

RM 62414585

ベラスケス 「狩猟服姿のフェリペ４世」

Author: Diego Velázquez (Diego Rodriguez de Silva y Velázquez) (1599-1660) Description: Felipe IV, King of Spain (1605-1665), with hunting dog, painted 1634-36 Canvas,191 x 126 cm Inv.1184. Classification: PAINTING ~ BAROQUE ~ 17TH CENTURY Personalities: PHILIP IV OF SPAIN (1621-1665) Location: Museo del Prado, Madrid, Spain Image size: 2962 x 4355 pixels (25.1 x 36.9 cm @ 300 dpi) 36.9 MB

RM 21031773

ムンク「別離」

ノルウェーの画家 ジャンル: 象徴主義　表現主義 所蔵: ムンク美術館 Edvard Munch (1863-1944), Separation, 1896. location : Oslo, Munchmuseet (Munch'S Museum, Art Museum)

RM 26165351

クリムト 「ヨハンナ・シュタウデの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「ヨハンナ・シュタウデの肖像」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Artist： Gustav Klimt Portrait of Johanna Staude. Oil on canvas, around 1917/18. Unfinished.

RM 20951376

ヘラルト・テル・ボルフ「父の訓戒」

オランダの画家 ジャンル: バロック 所蔵：アムステルダム国立美術館 Gerard ter Borch the Younger (1617-1681), Gallant Conversation (Paternal admonition), 1654 ca., oil on canvas, 71x73 cm. Detail. location : Amsterdam, Rijksmuseum (Art Museum)

RM 21032495

Portrait of Christine Wilhelmine

Germany - 19th century. Portrait of Christine Wilhelmine "Minna" Planer (Oederan, 1809 - Dresden, 1866), first wife (from 1836 to 1862) of Richard Wagner. Watercolor by Clementine Stokar, 1835. location : Bayreuth, Richard-Wagner-Museum

RM 15323807

ドガ 「舞台のバレエ稽古」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル： 舞台のバレエ稽古 フランスの画家 ジャンル： 印象派 DEGAS, EDGAR (1834-1917). Ballet Rehearsal on the Stage - 1874 - 65x81 cm - oil on canvas Artist: DEGAS, EDGAR Location: MUSEE D'ORSAY, France, Paris Collection: Oronoz

RM 81878186

レンブラント 「フローラ」

Rembrandt, Harmensz van Rijn 1606–1669. "Flora" (Portrait of Saskia as Flora), 1634. (Saskia van Uylenburgh, Rembrandt's wife from 1634, died 14 July 1642). Oil on canvas, 124.7 × 100.4cm. Inv. No. 732 St Petersburg, State Hermitage.

RM 21775327

トマス･ゲインズバラ 「青い服を着た婦人の肖像」

Artist: Gainsborough, Thomas,1727-1788 Imagetitle: Dame in blau (Die Herzogin von Beaufort). Um 1780 Dimensions: 76 x 64 cm Location: St. Petersburg, Hermitage

RM 20942490

エジプト　ネフェルタリの墓

Egypt, Thebes (UNESCO World Heritage List, 1979) - Luxor - Valley of the Queens. Tomb of Nefertari. Detail of antechamber frescoes, Queen Nefertari playing Senet.

RM 149700912

ミケランジェロ「リビアのシビュラ」

国籍： イタリア ジャンル　： ルネサンス MICHELANGELO BUONARROTI . Prophets and Sibyls: Libyan Sibyl (Sistine Chapel ceiling in the Vatican). Photo after restoration. Credit: Album / Fine Art Images

RM 66496419

ルノワール 「アルフォンシーヌ・フルネーズ」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) フランスの画家 ジャンル　： 印象派 RENOIR, Pierre-Auguste (1841-1919). 'Alphonsine Fournaise. 1879' (73,5 x 93 cm). Daughter (1845-1937) of the owner of a restaurant at l'ile du Chiard (Yvelines), between Chatou and Rueil. Work also known as At the Grenouillere. Impressionism. Oil on canvas. FRANCE. Paris. Musée d'Orsay (Orsay Museum).

RM 30484368

ハインリッヒ・ロッソウ 「マリー・アントワネット」

Marie Antoinette. artist:Lossow, Heinrich, 1843-1897 Title:Marie Antoinette. Dimensions:125.8 x 97.8 cm technology:Oil / Lwd.

RM 25526712

ホイッスラー 「白のシンフォニーNo.2 ― 白衣の少女」

作家名： ジェームズ・マクニール・ホイッスラー ( 1834年 - 1903年 ) タイトル：「白のシンフォニーNo.2 ― 白衣の少女」 国籍： アメリカ 所蔵：テートギャラリー Artist： James Abbott Whistler Location: Tate Gallery, London, Grossbritannien Categories: Symbolism Whistler,James Abbott (1834-1903) Symphony in White No. 2 "The little white girl", 1864 Canvas,Tate Gallery, London, Great Britain

RM 21033902

フラ・アンジェリコ 「受胎告知」

作家名： フラ・アンジェリコ ( 1387年 - 1455年 ) タイトル：「受胎告知」 国籍： イタリア ジャンル　： ルネサンス Fra Angelico (ca. 1400-1455), Annunciation. location : Florence, Museo Di San Marco (Art Museum)

RM 149696615

ミケランジェロ「リビアのシビュラ」

国籍： イタリア ジャンル　： ルネサンス The Sistine Chapel;ceiling frescos after restoration. The Libyan Sibyl.Michelangelo used a male model for the Libyan sibyl.

RM 83411497

ベルト・モリゾ 「化粧する若い女」

Morisot, Berthe 1841-1895. "Jeune femme se poudrant (Young woman powdering her face) ", 1877. Oil on canvas, 46-39cm. Paris, Musee d'Orsay.

RM 83411433

ベルト・モリゾ 「蝶々捕り」

Morisot, Berthe 1841-1895. "La chasse aux papillons" (The butterfly hunt), 1874. (Mme Pontillon, nee Edma Morisot, with her daughters Jeanne and Blanche at-butterfly hunt). Oil on canvas, 46-56cm. Paris, Musee d'Orsay.

RM 26165239

クリムト 「メーダ・プリマヴェージ」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「メーダ・プリマヴェージ」 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Portrait of Maeda Primavesi by Gustav Klimt. D179. Oil on canvas. 150 x 110. 1913.

RM 78171878

マネ 「すみれのブーケをつけたベルト・モリゾ」

フランスの画家 ジャンル： 印象派 Morisot, Berthe; French painter (1877 married Eugène Manet); Bourges 14.1.1841 – Paris 2.3.1895. "Berthe Morisot au bouquet de violettes" (Berthe Morisot with a bunch of violets). Painitng, 1872, by Eduard Manet (1832–1883). Oil on canavs, 55 × 38cm. R.F. 1998–30 Paris, Musée d'Orsay.