「月岡 芳年」 の 検索結果
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RM 20777528
月岡芳年 「東京料理頗別品 浅草 寿仙楼」
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月岡芳年 「風俗三十二相 暗さう」
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月岡芳年 「物語絵 藤原俣昌月下弄笛之図」
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月岡芳年 「全盛四季春 立春梅園」
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月岡芳年 「東京料理頗別品 三拾間掘 狐尾張」
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芳年 「月百姿 信仰の三日月 幸盛」
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月岡芳年 「風俗三十二相 かいたさう」
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月岡芳年 「風俗三十二相 かゆさう」
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月岡芳年 「東京料理頗別品 久保町 尾張屋 松栄亭」
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月岡芳年 「東京料理頗別品 芝神明車屋」
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芳年「東名所墨田川梅若之古事」
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月岡芳年 「風俗三十二相 遊歩がしたさう」
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月岡芳年 「素盞嗚命、出雲の簸川上に八頭蛇を退治し玉ふ図」
Tsukioka Yoshitoshi (1839 – June 9, 1892), also named Taiso Yoshitoshi, was a Japanese artist. He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of feudal Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many outstanding aspects of traditional Japanese culture, among them traditional woodblock printing.
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月岡芳年 「風俗三十二相 はづかしさう」
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月岡芳年 「東京料理頗別品 金杉浜」
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月岡芳年「忠臣蔵:堀部武庸」
Japan: The 47 Ronin or Loyal Retainers, No. 28: Horibe Yasuhe Taketsune [Oribe] running over a broken screen. 'Historical Biographies of the Loyal Retainers' (1869). Tsukioka Yoshitoshi (1839-1892)The revenge of the Forty-seven Ronin ( Shi-ju-shichi-shi), also known as the Forty-seven Samurai, the Ako vendetta, or the Genroku Ako incident ( Genroku ako jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushido. The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kozuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira. In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots. Fictionalized accounts of these events are known as Chushingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.
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月岡芳年 「風俗三十二相 ねむさう」
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月岡芳年 「東京料理頗別品 芝口 伊勢源」
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月岡芳年 「東京料理頗別品 浅草 甲子屋」
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月岡芳年「神武天皇の肖像 (大日本名将鑑 より) 」
Emperor Jimmu was the first emperor of Japan, according to legend. His accession is traditionally dated as 660 BCE. He is a descendant of the sun goddess Amaterasu through her grandson Ninigi, as well as a descendant of the storm god Susanoo. He launched a military expedition from Hyuga near the Inland Sea, captured Yamato, and established this as his center of power. Jimmu's reign notionally spanned the years 660-585 BCE. Pictures From History
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月岡芳年 「風俗三十二相 さむさう」
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月岡芳年 「東京料理頗別品 山谷 八百善」
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月岡芳年 「風俗三十二相 めがさめさう」
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月岡芳年 「末広五十三次 小田原」
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芳年「新撰東錦絵 義士夜討之図」
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月岡芳年 「風俗三十二相 すずしさう」
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月岡芳年 「東京料理頗別品 采女町 酔月楼」
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月岡芳年 「風俗三十二相 むまさう」
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月岡芳年 「東京料理頗別品 御厩河岸 常盤楼」
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月岡芳年 「平清盛炎焼病之図」
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月岡芳年・歌川芳幾(落合芳幾) 英名二十八衆句目次
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月岡芳年「大日本名将鑑<道臣命>」
Title: Japan: 'Looking For the Omen'. Emperor Jimmu scans the sky for a wild bird during his military expedition to conquer Yamato. Tsukioka Yoshitoshi (1839-1892). From the series: 'Mirror of Famous Generals of Japan': 1876-1882 Description: Emperor Jimmu was the first emperor of Japan, according to legend. His accession is traditionally dated as 660 BCE. He is a descendant of the sun goddess Amaterasu through her grandson Ninigi, as well as a descendant of the storm god Susanoo. He launched a military expedition from Hyuga near the Inland Sea, captured Yamato, and established this as his center of power. Credit: Japan: 'Looking For the Omen'. Emperor Jimmu scans the sky for a wild bird during his military expedition to conquer Yamato. Tsukioka Yoshitoshi (1839-1892). From the series: 'Mirror of Famous Generals of Japan': 1876-1882 / Pictures from History / Bridgeman Images Keywords: Antoku Asia Asia Pictures Asian Asian Image Asian Images Asian Pictures Emperor Emperor Jimmu Emperors of Japan Historical Historical Images Historical Pictures History History Images History Pictures JAPANESE EMPERORS Japanese Jimmu Tenno King Monarch Monarchy Royalty Ruler Rulers Tsukioka Yoshitoshi Ukiyo-e Woodblock Woodblock Print Yoshitoshi Tsukioka Japan
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月岡芳年 「不知藪八幡之実怪」
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月岡芳年 「各大区纒鑑 第一大区 一番組」
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月岡芳年 「新撰東錦絵 大久保彦左衛門盥登場之図」
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月岡芳年 「英名組討揃 義仲と知教」
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月岡芳年 「宇佐八幡神社(宇佐神宮)の神から神託を受けている和気清麻呂」
Title: Japan: Wake no Kiyomaro receiving a message from the divinity at Usa Hachiman shrine (Usa Jingu), colour woodblock print, Tsukioka Yoshitoshi (1839 - 1892), published posthumously, 1895 Description: Wake no Kiyomaro was born in Bizen Province (now Wake, Okayama) to a family of politically important, devoted Buddhists who hoped to keep Buddhism and politics separate through religious reform. He became a trusted advisor to Emperor Kammu, a position which he used to encourage the development of Buddhism in a direction which would prevent it from posing a threat to the government. Usa Jingu, also known as Usa Hachimangu, is a Shinto shrine in the city of Usa in Oita Prefecture. Emperor Ojin, who was deified as Hachiman-jin (the tutelary god of warriors), is said to be enshrined in all the sites dedicated to him; and the first and earliest of these was at Usa in the early 8th century. The Usa Jingu has long been the recipient of Imperial patronage; and its prestige is considered second only to that of Ise. Credit: Japan: Wake no Kiyomaro receiving a message from the divinity at Usa Hachiman shrine (Usa Jingu), colour woodblock print, Tsukioka Yoshitoshi (1839 - 1892), published posthumously, 1895 / Pictures from History / Bridgeman Image
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月岡芳年 「美勇水滸伝 金神長五郎」
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月岡芳年 「美勇水滸伝 魔陀羅丸」
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月岡芳年 「美勇水滸伝 稲葉太郎鬼門」
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Tsukioka Yoshitoshi 1839-1892. Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichoren no zu), Print, 1867. Edo period (1615-1868). Triptych of polychrome woodblock prints; ink and color on paper, 36.2 × 73 cm. Inv. Nr. 2007.49.259 New York, Metropolitan Museum of Art.
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Tsukioka Yoshitoshi 1839-1892. Illustration of Ladies-in-waiting boarding at a station (Kanjo suteshon chakusha zu), Print, 1879. Meiji period (1868-1912). Polychrome woodblock print; ink and color on paper, 34.6 × 70.5 cm. Inv. Nr. JP3252a-c New York, Metropolitan Museum of Art.
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月岡芳年 「大日本名将鑑 平重盛」
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月岡芳年 「武者絵 曽我時政乗裸馬駆大磯」
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Tsukioka Yoshitoshi 1839-1892. Print, 1877. Meiji period (1868-1912). Triptych of polychrome woodblock prints; ink and color on paper, 36 × 74.3 cm. Inv. Nr. JP3277 New York, Metropolitan Museum of Art.
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月岡芳年 「美勇水滸伝 児雷也」
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月岡芳年 「美勇水滸伝 明石志賀之助」
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月岡芳年 「美勇水滸伝 賊の女於百」
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月岡芳年 「美勇水滸伝 勇婦綱手」
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月岡芳年 「美勇水滸伝 神洞小二郎信行」
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月岡芳年 「仮名手本忠臣蔵 三段目 松の廊下 刃傷」
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月岡芳年 「新形三十六怪撰 鐘馗」
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月岡芳年 「大日本名将鑑 左馬頭義朝」
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月岡芳年 「各大区纒鑑 第一大区 七番組」
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月岡芳年 「加賀見山再岩藤」
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月岡芳年 「各大区纒鑑 第一大区 五番組」
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月岡芳年 「東叡山文殊楼焼討之図」
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月岡芳年 「相撲絵 徳川治蹟年間記事 徳川家定公相撲上覧之図」
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月岡芳年 「関ヶ原勇軍賞之図」
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月岡芳年 「月百姿 嵯峨野の月 」
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月岡芳年 「物語絵 芳年漫画 浦島之子帰国従竜宮城之図」
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月岡芳年 「月百姿 出潮の月」
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月岡芳年 「三人吉三巴白浪」
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月岡芳年 「新形三十六怪撰 老婆鬼腕を持去る図」
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月岡芳年 「美勇水滸伝 和田津龍王太郎正辰」
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月岡芳年 「美勇水滸伝 八丁礫喜平治妻八代」
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月岡芳年 「水戸浪士芝愛宕山へ集会之図」
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月岡芳年
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) was a Japanese artist and Ukiyo-e woodblock print master. Yukimori (1543-76), a samurai known for his great strength and loyalty, served the Amako warlord during a time in Japanese history referred to as 'Sengoku', or 'the country at war'. He wears a suit of armor called 'tosei gusoku' ('modern equipment') that was designed in the 16th century to be worn by a foot soldier. Pictures From History
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芳年武者无類 弾正忠松永久秀
Tsukioka Yoshitoshi (1839–1892). Danjo Matsunaga Hisahide before His Suicide, 1883. Color woodblock print. Inv. Nr. M. 84.31.74, Los Angeles, County Museum of Art.
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Takagi Umanosuke with a ghost, 1866. Artist: Tsukioka Yoshitoshi., Takagi Umanosuke with a ghost, 1866. Dimensions: height x width: mount 40.4 x 27.8 cmheight x width: print 25.5 x 18.5 cm Location: Ashmolean Museum
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Tsukioka Yoshitoshi 1839-1892. Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ochoren no zu), Print, 1867. Edo period (1615-1868). Triptych of polychrome woodblock prints; ink and color on paper, 36.8 × 23.5 cm. Inv. Nr. 2007.49.258a-c New York, Metropolitan Museum of Art.
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月岡芳年 「美勇水滸伝 天狗小僧霧太郎」
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月岡芳年 「美勇水滸伝 大原武二郎武松」
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月岡芳年 「全盛根津花やしき 大松楼」
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月岡芳年 「新撰東錦絵 生島新五郎之話」
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月岡芳年 「武者絵 月百姿 弁慶大物海上月」
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Tametomo?s Military Might Drives Away the Smallpox Demons, 1890. Artist: Tsukioka Yoshitoshi., Tametomo?s Military Might Drives Away the Smallpox Demons, 1890. Dimensions: height x width: mount 55.5 x 40.3 cmheight x width: print 35.5 x 23.7 cm Location: Ashmolean Museum
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Tsukioka Yoshitoshi 1839-1892. Hideyoshi and His Troops Leaving Nagoya Camp (Mashiba Hideyoshi ko nagoya jin saki te no shosho kuridashi no zu), Print, ca. 1800-1899. Meiji period (1868-1912). Triptych of polychrome woodblock prints; ink and color on paper, 35.2 × 24.8 cm. Inv. Nr. 2007.49.309 New York, Metropolitan Museum of Art.
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月岡芳年 「美勇水滸伝 犬江親兵衛仁」
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月岡芳年 「各大区纒鑑 第一大区 九番組」
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月岡芳年 「新撰東錦絵 お富与三郎話」
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月岡芳年 「諸国武者八景 函館港」
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月岡芳年「藤原保昌月下弄笛図」
Title: Triptych of 'Fujiwara No Yasumasa Playing the Flute by Moonlight', 1883 (colour woodblock print) Artist: Yoshitoshi, Tsukioka (1839-92) Location: Private Collection Dimensions: 36.8x24.8 each Date: 1883 Medium: colour woodblock pr
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月岡芳年 「美勇水滸伝 犬田小文吾悌順」
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月岡芳年 「東京料理頗別品 芝金杉 三島屋」
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月岡芳年 「風俗三十二相 うれしさう」
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月岡芳年 「新撰東錦絵 太田道藩」
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月岡芳年 「雪月花の内 尾上梅幸の岩倉宗玄」
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月岡芳年 「美勇水滸伝 黒雲皇子」
「美勇水滸伝 将軍太郎平良門」と一対
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月岡芳年 「美勇水滸伝 鳥山秋作照忠」
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月岡芳年 「月百姿 盆の月 盆踊り」
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月岡芳年 「吾妻男美揃祭礼」
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月岡芳年 「新撰東錦絵 橋本屋白糸」
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月岡芳年 「新形三十六怪撰 ぼたんどうろう」
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月岡芳年 「達磨図」
Artist:Yoshitoshi, Tsukioka (1839-92) Title:Meditation by moonlight, (colour woodblock print) Location:Private Collection Age:19th
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月岡芳年 「月百姿 志津が獄月 秀吉」
Artist:Yoshitoshi, Tsukioka (1839-92) Title:Hideyoshi (c.1536-98) Blowing a Conch Shell, from '100 Phases of the moon', (colour litho) Location:Ashmolean Museum, University of Oxford, UK Age:19th Medium:colour lithograph
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月岡芳年・歌川芳幾(落合芳幾) 英名二十八衆句「因果小僧六之助」
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月岡芳年・歌川芳幾(落合芳幾) 英名二十八衆句「げいしゃ美代吉」
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月岡芳年 「和漢百物語 小野川喜三郎」
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Tsukioka Yoshitoshi 1839-1892. Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ochoren no zu), Print, 1867. Edo period (1615-1868). Triptych of polychrome woodblock prints; ink and color on paper, 36.8 × 71.6 cm. Inv. Nr. 2007.49.257 New York, Metropolitan Museum of Art.
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