「ロンドン」 の 検索結果

RM 945006

ロセッティ 「プロセルピナ」

作家名： ダンテ・ゲイブリエル・ロセッティ （ 1828年 - 1882年 ） タイトル：「プロセルピナ」 国籍：　イギリス ジャンル： ラファエル前派 Artist: Rossetti, Dante Gabriel,1828-1882 Medium: Proserpina. 1877. Dimensions: 119,5 x 57,8 cm Medium: Oil Location: Christie's Images Ltd

RM 127250651

ゴッホ「ひまわり」

国籍： オランダ ジャンル 印象派 ポスト印象派 Title： Sunflowers, 1888 (oil on canvas) Artist： Gogh, Vincent van (1853-90) Location： National Gallery, London, UK Dimensions： 92.1x73 Date： 1888 Medium： oil on canvas

RM 157603094

フランソワ＝ユベール・ドルーエ 「ポンパドゥール夫人の肖像」

Pompadour, Jeanne Antoinette Poisson, Marquise de (known as Madame Pompadour), mistress of Louis XV of France. Paris 29.12.1721 – Versailles 15.4.1764. “Madame de Pompadour at her Tambour Frame”. Painting, 1763, by François-Hubert Drouais (1727–1775). Oil on canvas, 217 × 156,8 cm. Inv. no. NG 6440. London, National Gallery.

RM 127250656

ターナー 「戦艦テメレール号」

作家名： ジョゼフ・マロード・ウィリアム・ターナー ( 1775年 - 1851年 ) タイトル：「戦艦テメレール号」 国籍： イギリス ジャンル ： ロマン主義 title:The "Fighting Temeraire" Tugged to her Last Berth to be Broken up, before 1839 Artist：Turner, Joseph Mallord William (1775-1851) Location：National Gallery, London, UK

RM 123248670

アントニオ・デル・ポッライオーロ

Antonio del Pollaiolo (c. 1432-1498). The Martyrdom of Saint Sebastian. Credit: Album / Fine Art Images

RM 115920865

ウィレム・ファン・デ・ヴェルデ（子）「多くの小型船に囲まれて礼砲を放つオランダの帆船」（部分）

Willem van de VELDE: This is the largest and most elaborate painting by Willem van de Velde in the National Gallery’s Collection. It is signed inside the wreath on the pennant of the boat in the right foreground, and dated 1661 on the stern of the row-barge to the left. The central vessel is a ‘statenjacht’ (a vessel used by the Dutch chamber of provincial representative, the States General, to transport its members and visitors) with the arms of the Province of Holland and, above, those of Amsterdam, which are also present on the stern of the row barge alongside. In the left foreground there is another row-barge with the arms of the admiralty. The painting probably represents the departure of admiralty officials on their way from Amsterdam across the Zuiderzee to visit the fleet. Oil on canvas, 90 × 126 cm, 1661 London, National Gallery.

RM 89418186

ルーベンス 「パリスの審判（三美神）」

作家名： ピーテル・パウル・ルーベンス 国籍： フランドル ジャンル　： バロック Judgement of Paris / P.P.Rubens / c. 1632/35 Rubens, Peter Paul 1577–1640. “The Judgement of Paris”, c. 1632/35. Oil on wood, 144,8 × 193,7 cm. Inv. no. 194 London, National Gallery. Identifier：AKG1557136 Artist：PETER PAUL RUBENS Museum：London, National Gallery Collection：The National Gallery, London

RM 66920427

クリムト 「ヘルミーネ・ガリアの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Klimt, Gustav, Austrian painter, 1862–1918. Portrait of Hermine Gallia,1904. Oil on canvas, 170,5 × 96,5 cm. London, National Gallery.

RM 9639061

ロンドン　ナショナル・ギャラリー

The National Gallery, London. Interior. Gallery space., Architect:E.M Barry,

RM 149245939

フェルメール 「ヴァージナルの前に立つ女性」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist：Vermeer, Jan (1632-75) Title：Lady standing at the Virginal, c.1672-73 (oil on canvas) Location：National Gallery, London, UK Age：17th Medium：oil on canvas 71191

RM 149246033

ハンス・ホルバイン（子） 「大使たち（ジャン・ド・ダントヴィルとジョルジュ・ド・セルヴの肖像）」

作家名： ハンス・ホルバイン（子） ( 1497年頃 - 1543年頃 ) タイトル：「大使たち（ジャン・ド・ダントヴィルとジョルジュ・ド・セルヴの肖像）」 国籍： ドイツ ジャンル ： 北方ルネサンス Title： The Ambassadors, 1533 (oil on panel) Artist： Holbein the Younger, Hans (1497/8-1543) Location： National Gallery, London, UK Dimensions： 207x209.5 Date： 16th Medium： oil on panel 77797

RM 120142578

カミーユ・ピサロ「エルミタージュ地区のコート・デ・パブ」

Pissarro, Camille, 1830 – 1903, Danish-French painter. "The Cote des Bufs at L’Hermitage", 1877. Oil on canvas, 114.9 × 87.6 cm. London, National Gallery.

RM 118591039

ラファエロ「アレクサンドリアの聖女カタリーナ」

Raffael, eigentl. Raffaello Santi; italienischer Maler und Architekt; 1483-1520. "Die Heilige Katharina von Alexandrien", um 1507. Öl auf Pappelholz, 72,2 × 55,7 cm. Inv. Nr. NG168 (Die heilige Katharina lehnt auf dem Rad, auf dem sie zu Tode kommen sollte, welches aber durch einen wundersamen Blitzeinschlag zerbrach). London, National Gallery.

RM 115920859

ジョバンニ・パオロ・パンニーニ「人物のいるローマの廃墟」

Panini, Roman Ruins with Figures / painting. Panini, Giovanni Paolo. Italian painter, 1691 – 1765. “Roman Ruins with Figures”, c. 1730. Oil on canvas, 49.5 × 63.5cm. Inv. No. NG138. London, National Gallery.

RM 101446042

ムリーリョ「窓枠に身を乗り出した農民の少年」

Murillo, Bartholomé Estéban 1618–1682. “Knabe, auf ein Fensterbrett gestützt”, um 1670/80. Oil on canvas, 52 × 38,5 cm. Inv. Nr. 74 London, National Gallery.

RM 61968735

ハンス・ホルバイン（子） 「大使たち」

作家名： ハンス・ホルバイン（子） ( 1497年頃 - 1543年頃 ) タイトル：「大使たち（ジャン・ド・ダントヴィルとジョルジュ・ド・セルヴの肖像）」 国籍： ドイツ ジャンル　： 北方ルネサンス Die Gesandten. 1533

RM 149245952

レンブラント 「水浴する女」

国籍： オランダ ジャンル ： バロック Artist：Rembrandt Harmensz. van Rijn (1606-69) Title：Woman Bathing in a Stream, 1654 (oil on panel) Location：National Gallery, London, UK Age：1654 Medium：oil on panel 72216

RM 149245934

メインデルト・ホッベマ 「ミッデルハルニスの並木道」

Title: The Avenue at Middelharnis, 1689 (oil on canvas) Creator: Hobbema, Meindert (1638-1709) Nationality: Dutch Location: National Gallery, London, UK Medium: oil on canvas Date: 1689 (C17th) Dimensions: 103.5x141 cms Credit: The Avenue at Middelharnis, 1689 (oil on canvas), Hobbema, Meindert (1638-1709) / National Gallery, London, UK / Bridgeman Images Keywords: South Holland agricultural church cottage ditch gardener gardening landscape orchard pruning rural scene trees village 71101

RM 127250666

ウッチェロ「聖ゲオルギウスと竜」

Title:St. George and the Dragon, c.1470 (oil on canvas) (for detail see 85548) Artists: Uccello, Paolo (1397-1475) Location: National Gallery, London, UK

RM 120853941

フィリップ・ド・シャンパーニュ「リシュリューの肖像」

Philippe de CHAMPAIGNE: Armand-Jean du Plessis, Cardinal and Duc de Richelieu (1585 – 1642), became a cardinal in 1622. He governed France as chief minister from 1624 until his death in 1642. This portrait is one of several variants of a full-length composition showing the minister in cardinal’s robes and wearing the Order of the Saint-Esprit. For a prince of the Church to have himself portrayed standing like a secular prince was novel and was presumably intended to underline Richelieu’s role as statesman. The terrace to the left and the garden beyond may represent a view of the gardens at the cardinal’s chateau at Rueil, near Paris. Champaigne repeated the attitude of the face turned to the left in his ‘Triple Portrait of Cardinal Richelieu’ of 1642, also in the National Gallery. Oil on canvas, 259.5 × 178.5 cm, 1633–40 London, National Gallery.

RM 120143081

エドガー・ドガ「フェルナンド座のララ嬢」

Degas, Edgar 1834–1917. “Miss La La au cirque Fernando” (Miss La La im Zirkus Fernando), 1879. Öl auf Leinwand, 117,2 × 77,5 cm. Inv. Nr. 4121 London, National Gallery.

RM 118957318

クロード・モネ「サン＝ラザール駅」

Monet, Claude Paris 14.11.1840 – Giverny 6.12.1926, French painter. "The Gare St-Lazare", 1877 Oil on canvas, 54.3 × 73.6 cm. London, National Gallery.

RM 115920881

ドガ「バレエの踊り子」

E.Degas, Tﾃ､nzerinnen Degas, Edgar 1834–1917. “Danseuses” (Tänzerinnen), um 1890/1900. Oil on canvas, 72,5 × 73 cm. Inv. Nr. 4168 London, National Gallery.

RM 115920885

セザンヌ 「ロザリオを持つ老女」

Cézanne, Paul 1839–1906. “La vieille au chapelet" (Alte Frau mit Rosenkranz), um 1895/96. Oil on canvas, 80,6 × 65,5 cm. Inv. Nr. 6195 London, National Gallery.

RM 115920862

クロード・ジョセフ・ヴェルネ 「ローマのテヴェレ川での競技」

C.–J. Vernet, A Sporting Contest on the Tiber at Rome Vernet, Claude-Joseph. French painter, 1714 – 1789. – “A Sporting Contest on the Tiber at Rome”, The Bridge and Castle of Sant’ Angelo in Rome are in the background. The jousting contest has not been identified with any particular occasion. Portraits of Vernet and his wife are said to be included in the picture, presumably the elegantly dressed couple on the right in the foreground. Oil on canvas, 99.1 × 135.9cm. Inv. No. NG236. London, National Gallery.

RM 115920871

ルカ・ジョルダーノ「ベラスケス礼賛」

A Homage to Velazquez Luca GIORDANO: The seated man in the centre wearing the Cross of the Order of Santiago, was formerly thought to be intended as a portrait of Velazquez writing, possibly in connection with his court duties. It has recently been proposed more convincingly that this painting is a portrait sketch of the Count of Santisteban with his daughter. The Count was Viceroy of Naples between 1687 and 1695. Giordano probably painted this picture when he was in Spain. The significance of the composition is unclear: Giordano, who depicts himself as the figure in the lower right, seems either to point out the scene in the upper portion of the picture or else to be indicating that it is painted by himself. Oil on canvas, 205.2 × 182.2 cm, about 1692–1700 London, National Gallery.

RM 149246022

コレッジョ 「キューピッドの教育」

作家名： コレッジョ ( 1489年 - 1534年 ) 本名： アントニオ・アッレグリ （Antonio Allegri） タイトル： 「キューピッドの教育」 国籍： イタリア ジャンル： マニエリスム エミリア派 Venus with Mercury and Cupid, 'The School of Love', c.1525, oil on canvas, Correggio,, Antonio Allegri, c.1489-1534 / National Gallery, London, UK 77611

RM 127250667

ブロンズィーノ 「愛の勝利の寓意（愛のアレゴリー）」

Title:An Allegory with Venus and Cupid, c.1540-50 (oil on panel) Artists: Bronzino, Agnolo (1503-72) Location: National Gallery, London, UK

RM 120853939

ヘリット・ダウ「家禽商の店」

Gerrit DOU: Dou popularised ‘niche’ pictures of this type, showing an interior seen through an aperture. The painting is a late work, probably of about 1670, and signed below the peahen. The relief on the parapet, showing children playing with a goat, is probably based on a marble bas-relief by Francois Duquesnoy (1597 – 1643) (Rome, Galleria Doria Pamphilj), the famous 17th-century Flemish sculptor who worked in Rome. The design is also recorded on an ivory plaquette (London, Victoria and Albert Museum). It appears in other paintings by Dou from 1651 onwards. This painting can be compared with another work by Dou, the ‘Grocer’s Shop’ of 1672 (London, Royal Collection). Oil on oak, 58 × 46 cm, about 1670 London, National Gallery.

RM 120853943

レンブラント・ファン・レイン「ベルシャザルの酒宴（壁の言葉）」

Rembrandt, Harmensz van Rijn 1606 – 1669. “Das Gastmahl des Belsazar”, um 1636/38. (Daniel 5,1–8,13–30; der König erblickt die schreibende Hand an der Wand: Mene tekel upharsin). Öl auf Leinwand, 167,6 × 209,2 cm. Inv. Nr. 6350 London, National Gallery.

RM 115996838

フランス・ハルス「扇を持つ女性」

Frans HALS: Hals pays great attention to detail in the portrayal of this woman’s elegant attire, which is characteristic of the period around 1640, when this picture was probably painted. She wears a large, flat three-tiered collar, silver bow and wide lace-trimmed cuffs. In her left hand she holds a fan made of feathers set in a gold mount, suspended from a golden chain. Although the sitter has not been identified, the elegant dress and jewellery suggest that she may have been the wife of a wealthy citizen of Haarlem. Similiar clothes are worn by the woman depicted in the National Gallery’s ‘Portrait of a Man, a Woman and a Boy in a Room’ by Pieter Codde, which is dated 1640, and in the ‘Portrait of a Woman’ by Johannes Conelisz. Verspronck (Enschede, Rijksmuseum Twenthe) which was painted in the same year. Oil on canvas, 79.8 × 59 cm, about 1640 London, National Gallery.

RM 115920869

ジョヴァンニ・バッティスタ・モローニ「円柱の上に兜を置いた紳士の肖像」

Giovanni Battista MORONI: The man in this portrait has not been identified. The tunic is the kind worn beneath armour and he rests his hand against a helmet and on a broken column. The column shaft may symbolise the sitter’s fortitude or, since it is broken, his misfortunes; but slightly ruinous marble settings were common in Moroni’s portraiture. For much of the 19th century this portrait was attributed to Titian. The style of tunic allows the approximate dating for the work. Oil on canvas, 186.2 × 99.9 cm, about 1555–6 London, National Gallery.

RM 115920888

ヘリット・ファン・ホントホルスト「ボヘミア王妃エリザベス・ステュアート」

Elizabeth Stuart, Queen of Bohemia, 1596 – 1662, wife of Frederick V, Elector Palatine. "Elizabeth Stuart, Queen of Bohemia. Painting, 1542, by Gerrit van Honthorst (1592–1656). Oil on canvas, 205.1 × 130.8 cm. London, National Gallery.

RM 101446048

ベラスケス「マルタとマリアの家のキリスト」

Velázquez, Diego. Spanish painter; 1599–1660. “Kitchen Scene with Christ in the House of Martha and Mary”, probably 1618. Oil on canvas, 60 × 103.5cm. Inv. No. NG1375. London, National Gallery.

RM 87941933

ターナー「ヴァティカンから望むローマ、ラ・フォルナリーナを伴って回廊装飾のための絵を準備するラファエロ」

Turner, William; 1775–1851. "Rome, from the Vatican. Raffaelle accompanied by La Fornarina, preparing his pictures for the decoration of the Loggia", 1820. Oil on canvas, 177.2 × 333.5cm. London, Tate Britain.

RM 20260378

イギリス　ロンドン　大英博物館

England,London,British Museum,Egyptian Room,Display of Egyptian Mummy

RM 149246014

ゴッホ 「ゴッホの椅子」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：ゴッホの椅子 国籍： オランダ ジャンル： 印象派 ポスト印象派 Artist：Gogh, Vincent van (1853-90) Title：Vincent's Chair, 1888 (oil on canvas) Location：National Gallery, London, UK Age：1888 Medium：oil on canvas 76400

RM 149246449

ルノワール「劇場にて（初めてのお出かけ）」

1765518 At the Theatre (La Premiere Sortie), 1876-7 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 65x49.5 cm; National Gallery, London, UK; French, out of copyright. 101446064

RM 120139546

ジョシュア・レノルズ「バナスター・タールトン」

Reynolds, Sir Joshua, 1723 – 1792, English painter. Portrait of Colonel Tarleton, 1782. Oil on canvas, 236 × 145.5 cm. London, National Gallery.

RM 119406692

ラファエロ「カーネーションの聖母」

Raphael (real name: Raffaello Sanzio da Urbino). Italian painter and architect; 1483–1520. “The Madonna of the Pinks” (‘La Madonna dei Garofani’), c. 1506–7. Oil on yew, 27.9 × 22.4cm. Inv. No. NG6596. London, National Gallery.

RM 115996837

クロード・ロラン「海港」

Claude, A Seaport / painting Claude (Claude Gellée), painter, born in the Duchy of Lorraine 1604/05, moved to Germany c. 1612, and later to Italy, died 1682. “A Seaport”, 1644. Oil on canvas, 103 × 131cm. Inv. No. NG5. London, National Gallery.

RM 115920889

トーマス・ローレンス「55歳頃のジョン・ジュリアス・アンガースタイン」

Portrait of John Julius Angerstein, Aged about 55 / T. Lawrence / Painting, c.1790 Lawrence, Sir Thomas, 1769 – 1830, English painter. "Portrait of John Julius Angerstein, aged about 55", c.1790. Oil on canvas, 75.8 × 62.5 cm. London, National Gallery.

RM 70450125

カラヴァッジオ「洗礼者ヨハネの首を持つサロメ」

国籍： イタリア ジャンル： バロック Artist：Caravaggio, Michelangelo Merisi da (1571-1610) Title：Salome Receives the Head of Saint John the Baptist, 1607-10 (oil & tempera on canvas) Location：National Gallery, London, UK Age：17th Medium：oil and tempera on canvas

RM 50626517

パオロ・ウッチェロ 「サン・ロマーノの戦い」

Author: Paolo di Dono (Paolo Uccello) (1397-1475) Description: The Battle of San Romano in 1432. The Condottiere Niccolo da Tolentino leading the Florentine forces against Siena,1450-1460. Egg tempera on poplar, 181,6 x 320 cm NG 583. Classification: PAINTING ～ RENAISSANCE ～ 15th Personalities: NICCOLO DA TOLENTINO (15th) ～ FLORENTINE Location: National Gallery, London, Great Britain Collection: Lessing Credit: Erich Lessing / Album Image size: 4966 x 2950 pixels (42.0 x 25.0 cm @ 300 dpi) 41.9 MB

RM 23896223

ロンドン　大英博物館

Egyptology in the British Museum by Roy Shakespeare

RM 142022912

レンブラント・ファン・レイン「自画像」

Rembrandt van Rhijn. Self Portrait at the Age of 34. Credit: Album / Fine Art Images

RM 120139047

ウィリアム・ホガース「グラハム家の子供たち」

William HOGARTH: This is Hogarth’s most ambitious portrait of children. He gives the figures in this large painting something of the same frank grandeur found in his portraits of adults, without losing a sense of childish gaiety. The Grahams’ father, Daniel, was Apothecary to the King. The seated boy plays a mechanical organ, as though accompanying the singing of the bird. The youngest child is sitting in a chair with a long handle, beside which is an elaborate basket of fruit. However, the clock on the mantelpiece is decorated with the figure of Cupid holding a scythe and standing beside an hour-glass, symbols of death. Opposite, an animated cat has climbed the back of a chair and gazes at the caged bird. We know that the baby was dead when the portrait was painted, and this must account for the sombre references to mortality, at a time when many children died in infancy. Oil on canvas, 160.5 × 181 cm, 1742 London, National Gallery.

RM 119028637

アリ・シェフェール「ロバート・ホロンド夫人」

MPAY36 English: Mrs Mrs Robert Hollond, philanthropist, nee Ellen Julia Teed (1822 - 1884) by Ary Scheffer . English: The sitter, Ellen Julia Teed (1822 - 1884), married Robert Hollond, MP for Hastings, in 1840. She was an authoress and philanthropist, and held a salon in Paris which attracted the leading Liberals of the day. She presented Boucher's 'Pan and Syrinx' to the National Gallery in 1880.; Robert Hollond (1808-1877) funded and then took part in establishing a distance ballooning record with Thomas Monck Mason and Charles Green. He later served as a Whig politician representing the constitu

RM 118591049

プッサン「パンの勝利」

Poussin, Nicolas 1594–1665. “Der Triumph des Pan”, 1636. Oil on canvas, 135,9 × 146 cm. Inv. Nr. 6477 London, National Gallery.

RM 87941729

ルノワール 「桟敷席」

Renoir, Auguste 1841–1919. "La loge", 1874. Oil on canvas, 80 × 64cm. London, Courtauld Institute Galleries.

RM 81460566

フェルメール 「ヴァージナルの前に立つ女性」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan (Johannes), gen. Vermeer van Delft. 1632–1675. "Stehende Virginalspielerin", um 1670/72. Oil on canvas, 51,7 × 45,2 cm. Inv. Nr. 1383 London, National Gallery.

RM 37068600

ポール・ドラローシュ 「レディ・ジェーン・グレイの処刑」

作家名： ポール・ドラローシュ ( 1797年 - 1856年 ) タイトル：レディ・ジェーン・グレイの処刑 フランスの画家 所蔵： ロンドン・ナショナル・ギャラリー ジャンル： 新古典主義/ロマン主義 Artist:Delaroche, Paul, 1797-1856 Title:The Execution of Lady Jane Grey. 1833 Dimensions:246 x 297 cm Technique:oil on canvas Location:London, National Gallery

RM 34924833

アンリ・ルソー

作家名： アンリ・ルソー ( 1844年 - 1910年 ) フランスの画家 ジャンル　： 印象派　素朴派　ナイーヴ派 "Surprised!, 1891. Found in the collection of the National Gallery, London."

RM 14152314

葛飾北斎

Artist：Hokusai, Katsushika (1760-1849) Title：Kingfisher, Iris and Pinks, pub. by Nishimura Eijudo, c.1832, one of a set of ten prints, (chuban size, colour woodblock) Location：Victoria & Albert Museum, London, UK Age：1832

RM 5357189

「シェイクスピアの肖像」

Title：William Shakespeare. ca. 1601 Technique： Oil on canvas. Museum Location：UNITED KINGDOM. ENGLAND. London. National Portrait Gallery, London. Anonymous portrait.

RM 5356383

シェークスピアの肖像

Character：SHAKESPEARE, William (1564-1616) Technique： Engraving. Museum Location：FRANCE. ?LE-DE-FRANCE. Paris. National Library. English poet and playwright Title page from an edition of 'Comedies, Histories, and Tragedies' by William Shakespeare, publishe din London in 1632.

RM 118591050

カラヴァッジオ「トカゲにかまれた少年」

Caravaggio (born Michelangelo Merisi da Caravaggio) 1571 – 1610, Italian painter. "Boy bitten by a Lizard", 1595–1600. Oil on canvas, 66 × 49.5 cm. London, National Gallery.

RM 115920866

ヤーコプ・ファン・ロイスダール「城の廃墟と教会のある風景」

Jacob van RUISDAEL: The painting is one of the most famous of van Ruisdael’s landscapes, and probably dates from the late 1660s. The composition apparently pleased the painter as well as his patrons, and is known in several smaller-scale versions, including ‘An Extensive Landscape with Ruins’, which is also in the Gallery. The scene is a sombre one, though not melancholy in its effect, and centres upon the ray of sunshine that lights up the fields in the middle distance. The clouds are banked towards each side of the composition, and diagonals, interrupted by the vertical thrust of the church spire and the ruined castle turret, lead from the foreground to the centre. The two figures to the left, probably painted by Adriaen van der Velde, give a human scale to the painting. While it is not possible to identify a precise location, the composition may have been loosely based on the landscape around the Dutch town of Haarlem. On loan to the exhibition ‘Master of Landscape: Jacob van Ruisdael’s Paintings, Drawings and Etchings’ at the Los Angeles County Museum of Art, Los Angeles from June to September 2005; Philadelphia Museum of Art, Philadelphia from October 2005 to February 2006; and the Royal Academy of Arts, London from February to June 2006. Oil on canvas, 109 × 146 cm, about 1665–70 London, National Gallery.

RM 115920891

ポンペオ・ジローラモ・バトーニ「リチャード・ミルズの肖像」

Pompeo Girolamo BATONI: The sitter has been identified as Richard Milles of Nackington, (about 1735 – 1820), Member of Parliament for nearby Canterbury from 1761–80. Milles probably sat for this portrait when he was in Rome during his Grand Tour. He points to a map inscribed with the place name ‘Grisoni’, a Swiss Canton which he probably visited on his way to Italy. The classical bust of the Emperor Marcus Aurelius alludes to the sitter’s interest in classical antiquity. Batoni painted a half-length portrait of Milles and a miniature on ivory (the latter in the Fitzwilliam Museum, Cambridge). The mood of the portrait is one of assurance and ease, created by the artist to dignify the sitter. Oil on canvas, 134.6 × 96.3 cm, probably 1760s London, National Gallery.

RM 115920868

ジョン・コンスタブル「コロートン・ホールのジョシュア・レノルズ記念碑」

Cenotaph to the Memory of Sir Joshua Reynolds / Constable Constable, John English painter. 11.6.1776 – 31.3.1837. Cenotaph to the memmory of Sir Joshua Reynolds. Coleorton, Leicestershire. 1833, Oil on canvas, 132 × 108.5 cm. London, National Gallery.

RM 109709416

ベラスケス「フェリペ4世の肖像」

Philip IV, King of Spain and Portugal as Philip III (1621–1665), 1605 - 1665. Portrait of Philip IV in bown and silver, wearing the badge of the Order of the Golden Fleece on a gold chain. (It is one of the few signed paintings by the artist and the principal portrait of the King of that period.) Painting. c. 1631-32, by Diego de Silva Velazquez (1599–1660). Oil on canvas, 195 × 110cm. London, National Gallery.

RM 83410495

エル・グレコ 「商人を追い払うキリスト」

El Greco, real name Domenikos Theotokopoulos, 1541-1614. "Cleaning of the Temple" (Expulsion of the traders from the temple), undated (c. 1600). 106 × 129cm. London, National Gallery.

RM 60398526

ポール・ドラローシュ 「レディ・ジェーン・グレイの処刑」

作家名： ポール・ドラローシュ ( 1797年 - 1856年 ) タイトル：レディ・ジェーン・グレイの処刑 フランスの画家 所蔵： ロンドン・ナショナル・ギャラリー ジャンル： 新古典主義/ロマン主義 Paul DELAROCHE:/"The Execution of Lady Jane Grey"./Lady Jane Grey (1537 – 1554) ruled as Queen of England for nine days in 1553 after the death of Edward VI. A Protestant, she was a great-granddaughter of Henry VII, but her supporters were defeated by those of the Catholic Mary I who succeeded to the throne. Lady Jane Grey was executed at Tower Hill on 12 February 1554. In this painting, she is guided towards the execution block by Sir John Brydges, Lieutenant of the Tower. The straw on which the block rests was intended to soak up the victim's blood. The executioner stands impassive to the right and two ladies in attendance are shown grieving to the left. The painting was exhibited at the Salon in 1834, where it caused a sensation./Oil on canvas,/246 × 297 cm, 1833/London, National Gallery. Artist : PAUL DELAROCHE/Museum/London, National Gallery/Collection/The National Gallery, London credit line : The National Gallery, London / akg image date : 1833/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. geography : ENGLAND/TOWER OF LONDON/Person/EDWARD VI OF ENGLAND/HENRY VI OF ENGLAND/JANE GREY/PAUL DELAROCHE Size : 4961px × 4756px (67 MB) / 42.0 cm × 40.2 cm @ 300 dpi Special Formats : 5197px × 4982px (74 MB) JPEG/44.0 cm × 42.2 cm @ 300 dpi

RM 149245947

ボッティチェリ 「若い男の肖像」

作家名： サンドロ・ボッティチェリ ( 1445年 - 1510年 ) タイトル：「若い男の肖像」 国籍： イタリア ジャンル ： ルネサンス 初期ルネサンス フィレンツェ派 Title: Portrait of a Young Man, c.1480-85 (tempera & oil on panel) Creator: Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) Nationality: Italian Location: National Gallery, London, UK Medium: tempera and oil on panel Date: (C15th) Dimensions: 37.5x28.3 cms Credit: Portrait of a Young Man, c.1480-85 (tempera & oil on panel), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / National Gallery, London, UK / Bridgeman Images Keywords: Renaissance fur-lined jacket male 71954

RM 118591051

ジョージ・スタッブス「ホイッスルジャケット」

Stubbs, George, 1724 – 1806, English painter. Whistlejacket, 1762. (His most famous victory was in a race over four miles for 2000 guineas at York in August 1759). Oil on canvas, 292 × 246.4 cm. London, National Gallery.

RM 115920867

ジョヴァンニ・ジローラモ・サヴォルド「マグダラのマリア」（部分）

Giovanni Girolamo SAVOLDO: On the Sunday morning after the Crucifixion, Mary Magdalene visited the tomb of Jesus, but found it empty. The story is recounted in the New Testament (John 20), and Mary Magdalene is here identified by the pot of ointment with which she anointed Christ’s body, and by the glimpse of her traditional red dress beneath a silver-grey cloak. She was the first person to see Christ after the Resurrection. Several other versions of this composition by Savoldo are known. The landscape background appears to represent Venice and its lagoon. Oil on canvas, 89.1 × 82.4 cm, about 1535–40 London, National Gallery.

RM 98602853

レオナルド・ダ・ヴィンチ「岩窟の聖母」

LEONARDO da Vinci: An elaborate sculpted altar was commissioned by the Milanese Confraternity of the Immaculate Conception for their oratory in San Francesco in 1480. A new contract was drawn up in 1483 with Leonardo and the de Predis brothers: a central panel was to be painted by Leonardo alone, and there were to be two side panels showing angels singing and playing musical instruments. Two paintings of angels (‘An Angel in Green with a Vielle’ and ‘An Angel in Red with a Lute’) by artists influenced by Leonardo, are undoubtedly those for the altarpiece. ‘The Virgin of the Rocks’ seems not to refer to the mystery of the Immaculate Conception, but depicts the type of subject that Leonardo might have painted in his native Florence where legends concerning the young Saint John the Baptist were popular. It was twenty five years until a painting of this subject was finally placed in the chapel. In the interim, Leonardo had painted two versions of the composition: the first (in the Louvre) probably sold in the 1490s to a private client after a financial wrangle with the Confraternity; and a replacement, – the painting that now hangs in the National Gallery – that was never finished despite some help from his studio, but was installed in the chapel in 1508. Latest news: New drawing discovered beneath the painting Oil on wood, 189.5 × 120 cm, about 1491 – 1508 London, National Gallery. Restrictions Additional permissions needed for non-editorial use

RM 79482596

ティントレット 「天の川の起源」

国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス　ヴェネツィア派 Tintoretto (real name: Jacopo Robusti). Italian painter, 1518–1594. –– "The Origin of the Milky Way", c. 1575. – (Jupiter, holds the infant Hercules to the breasts of the sleeping Juno. The milk which spurted upwards formed the Milky Way.) Oil on canvas, 149.4 × 168cm. Inv. No. NG1313. London, National Gallery.

RM 20260381

イギリス　ロンドン　大英博物館

England,London,British Museum,Egyptian Room,Display of Egyptian Mummified Cat

RM 120142859

エドゥアール・マネ「テュイルリー公園の音楽会」

Manet, Edouard 1832–1883. “Concert aux Tuileries” (Musik im Tuileriengarten), 1862. (Selbstbildnis des Künstlers mit Freunden, u. a. Charles Baudelaire, Theophile Gautier, Ignace Fantin-Latour, Jacques Offenbach u. Eugène Manet). Öl auf Leinwand, 76,2 × 118,1 cm. Inv. Nr. 3260

RM 118591040

スルバラン「瞑想の聖フランチェスコ」

de Zurbarán, Francisco. Spanish painter, 1598 – 1664. “Saint Francis in Meditation”, 1636–39. Oil on canvas, 152 × 99cm. Inv. No. NG230. London, National Gallery.

RM 115920883

ウィレム・クラースゾーン・ヘーダ「ロブスターのある静物」

Willem Claesz. HEDA: To a 17th-century viewer the objects brought together in this still life would have suggested considerable wealth and luxury. Not only the lobster, but also salt, pepper and citrus fruit were costly items at that time. The elaborately crafted gold goblet and the stand supporting the glass on the right, were highly valued for their material and workmanship. Blue and white porcelain was imported into the Netherlands from China. While it remains debatable whether such a display of wealth served as a reminder of the transience of all earthly belongings, the luxury objects clearly point to the elaborate lifestyle of successful Dutch merchants during the ‘Golden Age’. Oil on canvas, 114 × 103 cm, 1650–9 London, National Gallery.

RM 83400073

ゴッホ「ひまわり」

"Sunflowers", oil, 1888 by Vincent Van Gogh artist: Van Gogh, Vincent (1853-1890) technique: Painting. France. Impressionism. 19th century location: National Gallery, Great Britain. England., London

RM 81156694

ウィリアム・ターナー「戦艦テレメール号」

Turner, William 1775–1851. "The Fighting Temeraire" (Die "Fighting Temeraire" wird zu ihrem letzten Ankerplatz geschleppt) ", 1839. Oil on canvas, 90,7 × 121,6 cm Inv. Nr. 524 London, National Gallery.

RM 20260375

イギリス　大英博物館 「ヴィーナス像」

England,London,British Museum,Lely's Venus (Aphrodite)

RM 10583212

ロンドン　大英博物館

UK, United Kingdom, Great Britain, Britain, England, London, British Museum, Egyptian Mummies, Egypt, Egyptian, Egyptology, Mummies, Mummy, Pharaoh, Pharaohe, Death, Ritual, Exhibit, Antiquities, Museum, Museums, Tourism, Holiday, Vacation, Travel

RM 149231083

ジョン・コンスタブル 「干し草車」

国籍： イギリス ジャンル　： ロマン主義 Title： The Hay Wain, 1821 (oil on canvas) Artist： Constable, John (1776-1837) Location： National Gallery, London, UK Dimensions： 130.2x185.4 Date： 1821 Medium： oil on canvas 14116169

RM 131106826

ターナー 「雨、蒸気、スピード」

作家名： ジョゼフ・マロード・ウィリアム・ターナー ( 1775年 - 1851年 ) タイトル：「雨、蒸気、スピード」 国籍： イギリス ジャンル　： ロマン主義 Artist： Turner, Joseph Mallord William (1775-1851) Title： Rain Steam and Speed, The Great Western Railway, painted before 1844 (oil on canvas) (detail of 4053) Location： National Gallery, London, UK Age：19th Medium：oil on canvas 85449

RM 120853236

コレッジョ「キューピッドの教育」

Correggio, Antonio Allegri da. Italian painter, active since 1494; died 1534. “Venus with Mercury and Cupid” (also: 'The School of Love’), about 1525. Painting, oil on canvas, 155.6 × 91.4cm Inv. No. NG10. London, National Gallery.

RM 115920892

ピサロ「シデナムの並木道」

Camille PISSARRO: This painting is among the largest that Pissarro is known to have painted in London during the Franco-Prussian War (1870–1). These works mainly represent scenes in the area of Norwood (including ‘Fox Hill, Upper Norwood’), where Pissarro stayed until June 1871. This work depicts a scene that is little changed today. The painting conveys the atmosphere of an early spring day, with oak trees coming into leaf against a soft blue sky. Technical analysis shows that the main outlines of the landscape were painted first and the figures added over the paint that had dried. Oil on canvas, 48 × 73 cm, 1871 London, National Gallery.

RM 115920886

リチャード・ウィルソン「ディー川に架かるホルト橋」

Holt Bridge on the River Dee / R. Wilson / Painting, before 1762 Richard Wilson, 1714 – 1782, British painter. "Holt Bridge on the River Dee", 1762. Oil on canvas, 148.5 × 193 cm. London, National Gallery.

RM 101446050

ルノワール「劇場にて（初めてのお出かけ）」

Renoir, Auguste 1841–1919. “Der erste Ausgang”, um 1876/77. Oil on canvas, 65 × 49,5 cm. Inv. Nr. 3859 London, National Gallery.

RM 87942614

ターナー「ヴェネツィア、嘆きの橋」

museum: London, Tate Britain artist: William Turner time period: 17TH CENTURY; 19TH CENTURY; 2ND MILLENNIUM A.D. technique: PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS geography: VENETO; ITALY; PALAZZO DUCALE; PRIGIONI (LEAD CHAMBERS); BRIDGE OF SIGHS; VENICE

RM 50627565

パオロ・ウッチェロ 「サン・ロマーノの戦い」

Uccello, Paolo/c.1397 – 1475,/Italian "The Battle of San Romano", c.1438/40. (Niccolo Mauruzi da Tolentino in the battle near San Roman, 1432, between the Florentine and Sienese army)./ Left panel of a threepart series./ Tempera on poplar, 182 × 320 cm./ Inv. no. 583/ London, National Gallery. Artist : PAOLO UCCELLO/Museum/London, National Gallery source : The National Gallery, London topic : BATTLE/EQUESTRIAN BATTLE ; CAVALRY BATTLE/EQUESTRIAN FIGHT ; EQUESTRIAN BATTLE/HISTORY/ITALIAN ART/RENAISSANCE/WAR 42.0 cm × 28.9 cm @ 300 dpi/Special Formats/5197px × 3587px (53 MB) JPEG/44.0 cm × 30.4 cm @ 300 dpi

RM 25526768

ウィリアム・ホガース 「当世風の結婚 第一場」

Location: National Gallery, London, Grossbritannien Categories: Baroque The settlement (1742-44) is one of the six satyrical paintings of the series "Mariage a la mode" by William Hogarth (1697-1764). Allso issued in very popular prints, it describes the boredom and sad end of a fashionable marriage. 90,8 x 69,9 cm, NG 113.

RM 118591048

モネ「ラ・グルヌイエールの水浴」

Monet, Claude-Oscar. French painter; 1840–1926. “Bathers at La Grenouillère”. Oil on canvas, 73 × 92cm. Bequeathed by Mrs M.S. Walzer as part of the Richard and Sophie Walzer Bequest, 1979. NG6456, London, National Gallery.

RM 115920863

トマス・ゲインズバラ「シドンズ婦人」

Portrait of Sarah Siddons / Thomas Gainsborough / Painting, 1785 Gainsborough, Thomas, 1727–1788, English painter. Portrait of Sarah Siddons. (Siddons, Sarah, née Kemble, married Siddons. Welsh actress, 1755–1831). Painting, 1785. Oil on canvas, 126 × 99.5 cm. London, National Gallery.

RM 115920875

ゴーギャン「花瓶の花」

P.Gauguin, A Vase of Flowers / painting Gauguin, Paul. French painter, 1848 – 1903 – “A Vase of Flowers”, 1896. – (This painting was produced in Tahiti after Gauguin’s final move there from France). Oil on canvas, 64 × 74cm. Inv. No. NG3289. London, National Gallery.

RM 115920860

バルトロメ・エステバン・ムリーリョ「幼い洗礼者聖ヨハネと子羊」

Murillo, The Infant Saint John with the Lamb / painting Murillo, Bartolome Esteban. Spanish painter, 1617 – 1682. “The Infant Saint john with the Lamb”, 1660–65. Oil on canvas, 165 × 106cm. London, National Gallery.

RM 101446044

ターナー「ポリュフェモスを嘲るオデュッセウス」

Joseph Mallord William TURNER: Ulysses is standing aloft on his ship deriding the Cyclops, whom he and his companions have just left blinded, and invoking the vengeance of Neptune. One of the flags is painted with the scene of the Trojan Horse. The horses of the Sun are rising above the horizon (‘Odyssey’, Book 9). Apparently the idea was in Turner’s mind as early as about 1807, if this is the correct date of a sketchbook which contains a rough drawing of the subject. The picture was exhibited at the Royal Academy in 1829. Painting of the Month, May 2004 Oil on canvas, 132.5 × 203 cm, 1829 London, National Gallery.

RM 81403426

カレル・ファブリティウス「毛皮の帽子と胴よろいの若者（自画像）」

Carel FABRITIUS: This is one of two known self-portraits of Carel Fabritius. The artist wears a steel breastplate and backplate. Fabritius's teacher Rembrandt painted a number of portraits of sitters with a breastplate or gorget in the late 1620s and 1630s, but there is no indication that Rembrandt had any military connection. They were instead part of a tradition of painting sitters in fanciful costume, of which Fabritius must have been aware. In contrast to most other portraits of the time, with their plain backgrounds, the artist here places himself starkly against a cloudy sky. The picture was painted in 1654, the year Fabritius was killed in the explosion of the municipal powder magazine in his native Delft. On loan to the exhibition ‘Carel Fabritius' at The Mauritshuis, The Hague from September 2004 to January 2005, and the Staatliches Museum, Schwerin from Janury to May 2005. Oil on canvas, 70.5 × 61.5 cm, 1654 London, National Gallery.

RM 50626573

パオロ・ウッチェロ 「サン・ロマーノの戦い」

Title: Battle of San Romano, Nicholas of Tolentino to the head of the Florentine painting, Paolo di Dono, said Paolo Uccello (Florence 1397-1475), National Gallery, London Credit: Raffaello Bencini/ WARNING: Permission must be required for non editorial use. Place of photography: Great Britain, London, National Gallery Image sizes (pixel) 6000 X 3672 Image sizes (cm at 300 dpi) 50 X 31

RM 14198963

葛飾北斎 「北斎漫画」

Manga: studies of gestures and postures of wrestlers, pub. 1849, (colour woodblock print) by Hokusai, Katsushika (1760-1849); Victoria & Albert Museum, London, UK; Japanese

RM 120878872

アンソニー・ヴァン・ダイク「チャールズ1世騎馬像」

Anthony van DYCK: In 1625, King Charles I (1600 – 1649) succeeded his father James I as King of Great Britain and Ireland. Van Dyck became his Court Painter in 1632, and created images of him which expressed the King’s belief in his Divine Right to govern. This portrait probably dates from the later years of Van Dyck’s English period, about 1637, not long before the outbreak of the Civil War which led to the King’s execution in 1649. The Gallery’s picture shows Charles I wearing the medallion of a Garter Sovereign, riding as if at the head of his knights. He is dressed in armour and holding a commander’s baton. The magnificent horse, and the subdued but rich colours of the saddlecloth, landscape and the page holding the helmet complement the elegance of the rider. Painting of the Month, June 2005 Oil on canvas, 367 × 292.1 cm, about 1637–8 London, National Gallery.

RM 120878945

アンソニー・ヴァン・ダイク「チャールズ1世騎馬像」

Anthony van Dyck (1599-1641). Equestrian Portrait of Charles I. Credit: Album / Fine Art Images

RM 14198962

花模様

Title： Wild flowers design for silk material, c.1790 (w/c on paper) Artist： Kilburn, William (1745-1818) Location： Victoria & Albert Museum, London, UK Date： 18th Medium： watercolour on paper

RM 71497

「守護聖人たちによって聖母子に紹介されるリチャード2世（ウィルトン二連祭壇画）」

Title： Richard II Presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund, c.1395-99 (egg tempera on oak) Artist： Master of the Wilton Diptych, (fl.c.1395-99) Location： National Gallery, London, UK D

RM 151560166

ドガ 「フェルナンド座のララ嬢」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「フェルナンド座のララ嬢」 国籍： フランス ジャンル： 印象派 Artist： Degas, Edgar (1834-1917) Title： Miss La la at the Cirque Fernando, 1879 (oil on canvas) Location： National Gallery, London, UK Age：1879 Medium：oil on canvas 87207

RM 126831419

エア・クロウ「ウィガンでの昼食」

MAN62941 The Dinner Hour, Wigan, 1874 (oil on canvas) by Crowe, Eyre (1824-1910); 76.3x107 cm; Manchester Art Gallery, UK; English, out of copyright.

RM 120141662

ウジェーヌ・ドラクロワ「十字架上のキリスト」

Eugene Delacroix: Delacroix painted this subject several times throughout his career. One version showing Christ between the two thieves was exhibited at the Salon of 1835 (Musee Municipal des Beaux-Arts, Vanne). Another version of 1846, closely related to this painting, was shown at the Salon of 1847 and is now in the Walters Art Gallery, Baltimore. Oil on canvas, 73.5 × 59.7 cm, 1853 London, National Gallery.