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RM 84633192

ルノワール「ヒナギクを持つ少女」

フランスの画家 ジャンル: 印象派 所蔵: メトロポリタン美術館 Renoir, Auguste 1841-1919. A Young Girl with Daisies, Painting, 1889. Oil on canvas, 65.1 × 54 cm. Inv. Nr. 59.21 New York, Metropolitan Museum of Art.

RM 66320889

フェルメール 「信仰の寓意」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Title: Allegory of the Faith, c.1672-74 (oil on canvas) creator: Vermeer, Jan (Johannes) (1632-75) Nationality: Dutch Description: derived from Cesare Ripa's Iconologia; Location: Metropolitan Museum of Art, New York, USA Medium: oil and collage on carboard Date: (C17th) Dimensions: 114.3x88.9 cms Credit: Allegory of the Faith, c.1672-74 (oil on canvas), Vermeer, Jan (Johannes) (1632-75) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords: Ripa allegorical altar apple bible book chair chalice crucifix crucifixion cup curtain dead female glass orb globe interior painting sanke tapestry

RM 84633130

ゴッホ「糸杉のある麦畑」

所蔵: メトロポリタン美術館 Gogh, Vincent van 1853-1890. Wheat Field with Cypresses, Painting, 1889. Oil on canvas, 73.2 × 93.4 cm. Inv. Nr. 1993.132 New York, Metropolitan Museum of Art.

RM 78176869

マルカントニオ・ライモンディ「パリスの審判」

Author: MARCANTONIO RAIMONDI (ca. 1480-before 1534) • AFTER RAPHAEL (RAFFAELLO SANZIO OR SANTI) (1483-1520) Title: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess Description: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback; at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm). Date: ca. 1510-20. A masterpiece of Renaissance printmaking, the Judgment of Paris represents a highpoint in the collaboration between the painter Raphael and the great Italian engraver Raimondi. This scene is one of a group of exceptional compositions Raphael designed specifically for Marcantonio to engrave, which, according to Giorgio Vasari, 'amazed all of Rome.' It demonstrates the meticulously ordered systems of hatching that Marcantonio developed to achieve the richest possible tonal effects, which was to influence generations of engravers. Depicted here is the incident that sparked the Trojan War: Paris being forced to decide which goddess--Juno, Minerva, or Venus--was the most beautiful. He chose Venus, seen receiving the golden apple upon promising to help him woo the most beautiful woman alive, Helen of Troy. Recognized by Vasari as one of Marcantonio's early Roman works of 1510-1511, and this date was supported by Delaborde; Shoemaker dated it between 1517-1520; more recently, Mason and Oberhuber date it between 1515-1516. Technique:engraving Dimensions:Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm) Location: EUROPE • ITALY Museum: Metropolitan Museum of Art, New York, USA Collection: Album Image size: 4192 x 2809 pixels (35.5 x 23.8 cm @ 300 dpi) 33.7 MB

RM 87954683

モネ「睡蓮」

Claude Monet; 1840–1926. "Nymphéas" (water lilies), after 1916. (Water lily pond in the garden of the artist in Giverny). Oil on canvas, 130.2 × 200.7 cm. Donation by Louise Reinhardt Smith New York, Metropolitan Museum of Art.

RM 83823038

モディリアーニ「ジャンヌ・エピュテルヌ」

Modigliani, Amedeo 1884-1920. Jeanne Hebuterne (1898-1920), Painting, 1919. Oil on canvas, 91.4 × 73 cm. Inv. Nr. 56.184.2 New York, Metropolitan Museum of Art.

RM 83835922

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. The Haystack, Photographically illustrated book, ca. 1841-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.2 New York, Metropolitan Museum of Art.

RM 83835923

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. The Bridge of Orleans, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.2 New York, Metropolitan Museum of Art.

RM 66739270

ピーテル・ファン・デル・ヘイデン 「大きな魚は小さな魚を食う」

彫版：ピーテル・ファン・デル・ヘイデン 下絵：ピーテル・ブリューゲル 1世 所蔵：メトロポリタン美術館 Heyden, Pieter van der 1525–1569. Big Fish Eat Little Fish, Print, 1557. Engraving; first state of four, 26.1 × 33.7 cm./Inv. Nr. 28.4 (22)/New York, Metropolitan Museum of Art. Identifier : AKG5092318/Museum/New York, Metropolitan Museum of Art image date : 1.1.1557/Time Period/16. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. Size : 3597px × 2748px (28 MB) / 30.4 cm × 23.2 cm @ 300 dpi

RM 21308173

フェルメール 「水差しを持つ女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist: Vermeer van Delft, Jan,1632-1675 Imagetitle: Young woman with jug of water at the window. About 1663 Dimensions: 45,7 x 40,6 cm Location: New York, Metropolitan Museum

RM 145990944

鈴木春信 『お仙茶屋』

Author:SUZUKI HARUNOBU (1725-1770) Title:Osen Waiting on a Young Samurai Description:Osen Waiting on a Young Samurai. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban). Date: ca. 1770. The family crest of paulownia on her kimono and the partially visible torii gate identify the subject of this print as Osen, graceful waitress of the Kagiya teahouse at the entrance to the Kasamori Inari Shrine. A young samurai, two swords at his waist, sits on a bench in a relaxed pose and turns his face to look up at Osen, who approaches to serve him tea. The beautiful Osen and the handsome gallant are the very picture of stylish Edoites from the mid-eighteenth century. Technique:Polychrome woodblock print; ink and color on paper Dimensions:10 3/4 x 7 7/8 in. (27.3 x 20 cm) medium-size print (chu-ban) Periodo:Edo period (1615-1868) Location:ASIA • JAPAN Museum:Metropolitan Museum of Art, New York, USA Collection:Album Credit:Album / Metropolitan Museum of Art, NY

RM 70433551

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Anger (Ira), from the series The Seven Deadly Sins, Print, 1558. Engraving, 22.5 × 29.7 cm. Inv. Nr. 18.55.24 New York, Metropolitan Museum of Art.

RM 60926719

アメデオ・モディリアーニ 「横たわる裸婦」

作家名： アメデオ・モディリアーニ ( 1884年 - 1920年 ) 国籍： イタリア ジャンル： エコール・ド・パリ Title: Reclining Nude, 1917 (oil on canvas) creator: Modigliani, Amedeo (1884-1920) Nationality: Italian Location: Metropolitan Museum of Art, New York, USA Medium: oil on canvas Date: 1917 (C20th) Dimensions: 60.6x92.7 cms Credit: Reclining Nude, 1917 (oil on canvas), Modigliani, Amedeo (1884-1920) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords , expressionism expressionist fauve fauvism female lying naked nude nudes nudity painting reclining woman

RM 32807012

ゴーギャン 「マリア礼拝」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：マリア礼拝 国籍： フランス ジャンル： 印象派　ポスト印象派 Artist： PAUL GAUGUIN Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT) Date： 1891 Description： Gauguin, Paul 1848-1903. "Ia Orana Maria" (Hail Mary), 1891. Oil on canvas, 113,5 × 87,5 cm. Acc. Nr. 51.112.2

RM 25525838

ゴーギャン 「マリア礼拝」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) フランスの画家 ジャンル： 印象派　ポスト印象派 Artist： Paul Gauguin Location: Metropolitan Museum of Art, New York, USA Categories: Post-impressionismus Ia Orana Maria (I greet you, Maria). Landscape with yellow angel, praying women, Maria and Jesus as Tahitians. In foreground bowls with fruit. Oil on canvas, 1891-1892. 113,7 x 87,7 cm - Cat. W 428.

RM 94830524

アデライド・ラビーユ・ギアール「弟子二人と一緒の自画像」

Adelaide Labille-Guiard (1749-1803). Self-portrait with Two Pupils, 1785, Oil on canvas Museum: METROPOLITAN MUSEUM OF ART

RM 83899498

アデライド・ラビーユ・ギアール「弟子二人と一緒の自画像」

Labille-Guiard, Adelaide 1749-1803. Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761-1818) and Marie Marguerite Carreaux de Rosemond (died 1788), Painting, 1785. Oil on canvas, 210.8 × 151.1 cm. Inv. Nr. 53.225.5 New York, Metropolitan Museum of Art.

RM 83823142

モーリス・ドニ「純潔の春」

Denis, Maurice 1870-1943. Springtime, Painting, ca. 1889-1899. Oil on canvas, 80.6 × 97.8 cm. Inv. Nr. 1999.180.2a, b New York, Metropolitan Museum of Art.

RM 83835929

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. The Tower of Lacock Abbey, Photographically illustrated book, ca. 1844-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.5 New York, Metropolitan Museum of Art.

RM 66320891

フェルメール 「眠る女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Title: Girl asleep at a table, 1656-57 (oil on canvas) creator: Vermeer, Jan (Johannes) (1632-75) Nationality: Dutch Location: Metropolitan Museum of Art, New York, USA Medium: oil on canvas Date: (C17th) Dimensions: 87.6x76.5 cms Credit: Girl asleep at a table, 1656-57 (oil on canvas), Vermeer, Jan (Johannes) (1632-75) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords: Dutch domestic exhausted female interior maid open door portrait rest resting seated sitting sleeping tired weary

RM 66320908

フェルメール 「少女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Study of a Young Woman, ca. 1665-1667. Found in the collection of the Metropolitan Museum of Art, New York.

RM 84630154

尾形光琳「波濤図」

所蔵: メトロポリタン美術館 Korin 1658–1716. Rough Waves, Folding screen, ca. 1694–1719. Edo period (1615–1868). Two-panel folding screen; ink, color, and gold leaf on paper, 146.5 × 165.4 cm. Inv. Nr. 26.117 New York, Metropolitan Museum of Art.

RM 83898199

ハブリエル・メツー「新生児の訪問」

Metsu, Gabriel 1629-1667. The Visit to the Nursery, Painting, 1661. Oil on canvas, 77.5 × 81.3 cm. Inv. Nr. 17.190.20 New York, Metropolitan Museum of Art.

RM 83835918

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. View of the Boulevards at Paris, Photographically illustrated book, ca. 1843-1844. Salted paper print from paper negative. Inv. Nr. 1994.197.1 New York, Metropolitan Museum of Art.

RM 83835924

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Entrance Gateway, Queen's College, Oxford, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.3 New York, Metropolitan Museum of Art.

RM 76880783

歌川國利「憲法発布式之図」

Kempo happu shiki no zu|View of the Issuance of the Constitution/Baiju Kunitoshi 1847–1899. View of the Issuance of the Constitution, Print, 1889. Meiji period (1868–1912)./Triptych of polychrome woodblock prints; ink and color on paper, 36.8 × 72.7 cm./Inv. Nr. JP3384/New York, Metropolitan Museum of Art. Identifier : AKG5048426/Museum/New York, Metropolitan Museum of Art image date : 1.1.1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D.

RM 60398527

ゴヤ 「大馬鹿者」(妄-ロス・ディスパラテスより)

作家名： フランシスコ・ホセ・デ・ゴヤ・イ・ルシエンテス ( 1746年 - 1828年 ) 国籍： スペイン ジャンル　： ロマン主義 Plate 4 from the 'Disparates': Simpleton/Goya (Francisco de Goya y Lucientes) 1746–1828. Plate 4 from the ‘Disparates': Simpleton, Print, ca. 1811–1828. Etching, burnished aquatint, burin and drypoint (?), 24.3 × 35.2 cm./Inv. Nr. 36.20 (4)/New York, Metropolitan Museum of Art. Identifier : AKG5089001/Museum/New York, Metropolitan Museum of Art image date : 1.1.1811/Time Period/19TH CENTURY/2ND MILLENNIUM A.D. Size : 3821px × 2665px (29 MB) / 32.3 cm × 22.5 cm @ 300 dpi

RM 84633018

エドガー・ドガ

Degas, Edgar 1834-1917. Young Woman with Ibis, Painting, ca. 1860-1862. Oil on canvas, 100 × 74.9 cm. Inv. Nr. 2008.277 New York, Metropolitan Museum of Art.

RM 83835916

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Part of Queens College, Oxford, Photographically illustrated book, ca. 1843-1844. Salted paper print from paper negative. Inv. Nr. 1994.197.1 New York, Metropolitan Museum of Art.

RM 81769105

ギュスターヴ・モロー「オイディプスとスフィンクス」

Oedipus and the Sphinx, 1864 (oil on canvas) Description Greek hero Oedipus confronting the Sphinx outside Thebes: he must solve her riddle to save his life and those of the besieged Thebans Location Metropolitan Museum of Art, New York, USA Medium oil on canvas Date 1864 (C18th) Dimensions 206.4x104.8 cms Oedipus and the Sphinx, 1864 (oil on canvas), Moreau, Gustave (1826-98) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

RM 70658932

オディロン・ルドン　「パンドラ」

XOS3471270 Pandora, c.1914 (oil on canvas) by Redon, Odilon (1840-1916); 143.5x2.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Pandora was fashioned from clay by the god Vulcan and sent to earth by Jupiter—as a graceful nude amid a profusion of flowers. She holds the box that will unleash all the evils destined to plague mankind. ); French, out of copyright

RM 106797726

渡辺省亭「鰈図」

Jumping fish, Meiji period (1868–1912), ca. 1887, Japan Watanabe Seitei 1851-1918. Album leaf, ca. 1877-1897. Meiji period (1868-1912). Album leaf; ink and color on silk, 35.2 × 26.7 cm. Inv. Nr. 14.76.61.75 New York, Metropolitan Museum of Art.

RM 83824938

歌川広重「木曽路之山川」

Utagawa, Hiroshige 1797-1858. Kiso Gorge in the Snow, Print, ca. 1797-1858. Edo period (1615-1868). Triptych of polychrome woodblock prints; ink and color on paper, 35.6 × 75.2 cm. Inv. Nr. JP3134 New York, Metropolitan Museum of Art.

RM 169996092

ドガ「踊り子たち、ピンクと緑」

Danseuses en rose et vert - Pink and green dancers, around 1890. Canvas,82,2 x 75,6 cm ,Artist: Degas,Edgar (1834-1917), PAINTING

RM 149700908

ミケランジェロ「リビアのシビュラ（習作）」

Michelangelo (1475-1564). Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso). Artist: Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: Sheet: 11 3/8 x 8 7/16 in. (28.9 x 21.4 cm). Date: ca. 1510-11. This double-sided sheet of closely observed life studies is the most magnificent drawing by Michelangelo in North-America, purchased by the Metropolitan Museum of Art on August 8, 1924 (its acquisition being voted by the museum's acquisitions committee on June 9, 1924), in great part thanks to negotiations by the eminent painter, John Singer Sargent, with the widow of Aureliano de Beruete, its previous owner (file no. D7950, Archive Department of Drawings and Prints, The Metropolitan Museum of Art). The much smaller than life-size studies on the famous recto side of the Metropolitan sheet were clearly done from a young male assistant posing in the artist's studio, being preparatory for the design of the Libyan Sibyl, the monumental enthroned female figure painted in fresco on the north-east end of the Sistine Ceiling. The Libyan Sibyl was the last of the seers to be frescoed on the north part of the vault, executed in a scale that is about three times life-size (the overall area of this part in the fresco measures 4.54 meters by 3.80 meters); she is clothed except for her powerful shoulders and arms, and wears an elaborately braided coiffure. Her complex pose in the fresco, evidently requiring study in numerous drawings, plays on the arrested motion of her stepping down from the throne, while holding an enormous open book of prophecy which she is about to close. Sketched in soft black chalk, the verso of the double-sided Metropolitan sheet was possibly drawn before the better-known recto side with its meditated red chalk studies; many of Michelangelo's drawings for the early parts of the Sistine Ceiling are in a similarly soft black-chalk technique (examples of early Sistine studies in soft black chalk are British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75 F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris; Biblioteca Reale inv. 15627 D.C., Turin.), while a preponderance of sheets done for the later parts of the frescoes are in red chalk. The verso of the Metropolitan sheet portrays at center, in profile the large nude seated figure of the sibyl (here, the softer anatomical forms may be feminine, rather than masculine as they evidently are in the case of the studies on the recto), at upper right a very summary design of a much smaller figure in three-quarter view facing left (its style generally resembles the motifs in the "Oxford Sketchbook": see Ashmolean Museum nos. 1846.45 to 1846.52), and at lower right the detail study of the sibyl's right knee. The main study in red chalk, on what is today considered the recto of the Metropolitan double-sided sheet, portrays the seated youth with head in profile, bent arms and upper body turned in an elegant contrapposto stance, to display the formidable musculature of his back in a rear view. Michelangelo considered the position of the shoulders turning into the depth of space, with especial attention, indicating also with two small circles the prominence of the supraspinatus muscles (the accents with tiny touches of white chalk on the left shoulder are likely a later retouching, but create a most intense highlight). The sequence of execution of the surrounding motifs on the recto, also done in red chalk, is much less clear, and one may venture to guess that, at left, the reprise of the head in profile and the rough sketch of the torso and head were drawn before the main study (given that parts of their outlines seem to lie underneath the main study), while the highly rendered motifs of the left hand at lower center and the three reprises of the left foot and toes at right probably followed the main study on the sheet. The manner of the weight-bearing on the toes of the sibyl's left foot was crucial for the overall design of the figure's contrapposto pose, and explains the multiple studies of this detail on the Metropolitan sheet. The facial features on the large head at lower left in the recto seem closer to those of the Libyan Sibyl in the final fresco, than the face of the youth in the main study. The recto of a sheet in the Ashmolean Museum (no. 1846.43; Fig. 2), Oxford, dedicated to studies for the Sistine Ceiling and sketches for the Tomb of Pope Julius II, represents at center the attendant young boy genius who is seen to the immediate left of the frescoed Libyan Sibyl, as well as at lower left the sibyl's right hand, both motifs executed in red chalk. While the overall dimensions of the Oxford sheet (28.6 x 19.4 cm) are similar to those of the Metropolitan sheet, the hue of the red chalk seems brighter and slightly orange; nevertheless, it is clear that the Oxford and New York sheets are very close companions, probably from the same sketchbook, without their necessarily being (in the present author's opinion) halves of the same sheet, as an earlier generation of scholars suggested (summary of discussion in Joannides 2007, p. 120). The scientific findings which emerged during the cleaning of Michelangelo's Sistine frescoes (1984-1990; published in Mancinelli 1994) provide a precise, though often overlooked context in which to consider the dating and function of the Metropolitan Museum studies. Given that the great artist painted the enormous vault of the chapel from the west to east end -- that is, from above the entrance to above the site of the altar -- in two campaigns demarcated by the erection of scaffolding (or pontate), as is suggested by both documents and a variety of recently emerged physical data (for which see Mancinelli 1994, pp. 16-22), the monumental Libyan Sibyl belongs to the latter phase of work on the project. At this point, Michelangelo's technical virtuosity as a fresco painter was at its height, having made a rough and inexperienced beginning in 1508 when the first scene of the vault he frescoed, The Deluge, grew mold because of incorrectly prepared intonaco (this fine surface plaster was used too watery; see also Condivi 1553). The most difficult technique of painting is possibly that of fresco, as it requires speed of execution onto the wet plaster before it sets and great self-confidence; writers of art treatises from the fourteenth to the eighteenth century judged the medium of fresco to be supreme, precisely because of the technical virtuosity it demanded (Bambach 1999); as Michelangelo would himself later complain to his biographer Giorgio Vasari: "Fresco painting is not an art for old men." (Vasari 1568).Although the chronology of the Sistine Ceiling is debated, the first phase of work, or pontata, was done between late summer - perhaps late July -- of 1508 (the contract for the Sistine frescoes dates to May 10, 1508; see Bardeschi Ciulich and Barocchi 1970) and late August 1510, and ended with the painting of the Creation of Eve; while the second pontata and final phase of work probably began some time after January 1511 (the winter months are not good for fresco-painting), concluding on October 31, 1512 with the unveiling of the Chapel (see Gilbert 1994). The recto of the Metropolitan Museum study can be dated with great probability to the winter of 1511, when Michelangelo could draw rather than paint in fresco (he returned to Rome, from Bologna, by January 11, 1511), and would have been prepared at the beginning of the second pontata, that is, soon after the great artist had moved his scaffolding for the second (and final) time to paint. The gigantic figure of the Libyan Sibyl, together with her throne and attendants, was frescoed onto the large concave surface of the vault in twenty days of work (the fresco is comprised of 20 giornate, or patches of fine surface plaster), and the complex design was transferred by the laborious technique of spolvero (a cartoon or full-scale drawing transferred by means of pricking and pouncing the outlines; see Bambach 1994). The Metropolitan study is done with a red-chalk of slightly purplish hue sharpened to a point for the fine contours of the figure and some of the interior hatching, but it was also at times applied with the side of the stick; the red chalk medium was especially suited for the particularized, highly naturalistic study of anatomical detail. Although Michelangelo had begun to use red chalk in the early 1490s (See C.C. Bambach, "La virtù dei disegni del giovane Michelangelo", in Michelangelo 1564-2014, ed. by C. Acidini, Rome 2014), his greatest accomplishments with this medium are connected with the later parts of the Sistine Ceiling. Yet the group of red chalk studies for the Sistine has also been among the most greatly contested of Michelangelo's drawings in terms of attributions. The closest companions in style and technique to the red-chalk Metropolitan Libyan Sibyl are the studies on the sheet at the Ashmolean Museum (Fig. 2), as well as three others at the Teyler Museum, Haarlem (inv. nos. A16 recto, A20 recto-verso, and A27 recto-verso). Two of these Teyler sheets (A20 and A 27) are drawn, in fact, with a red chalk of closely similar purplish hue as that employed for the Libyan Sibyl on the recto of the Metropolitan Museum sheet. Clearly autograph, the sketches on the better preserved verso of the Metropolitan sheet are not ever mentioned by the scholars rejecting the attribution of the recto studies to Michelangelo(Perrig 1976; Perrig 1991; Zöllner et al. 2008). This verso exhibits a similar type of handling --with loose, impressionistic hatching and contours, rather than finely detailed-- as most of the soft black-chalk studies for the early parts of the Sistine Ceiling (for example, the sheets British Museum inv. 1859,0625.567, London; Teylers Museum inv. A 18 verso, Haarlem; Casa Buonarroti inv. nos. 64 F and 75F, Florence; Musée du Louvre Département des Arts Graphiques inv. 860, Paris). The late sixteenth-century copy in red chalk after the Metropolitan Libyan Sibyl at the Uffizi (inv. no. 2318 F), Florence, is of nearly the same size, but is of remarkably inferior quality of execution, omitting also the two anatomical notations of circles on the shoulders and the tiny white chalk accents. Moreover, the drawn copy rearranges the positioning of the individual motifs, introduces the right foot of the sibyl (which is absent in the recto of the Metropolitan sheet), and records the abrupt terminus of outlines in the study of the toe. As the Uffizi copy emulates defects of condition in the original Metropolitan sheet (especially the outlines of the hole in the original paper support), it can be deduced that it directly derives from the Metropolitan sheet. The verso sketches on the Metropolitan Museum sheet have always rightly been recognized as by Michelangelo, and the "no. 2i ." inscribed at lower center adds further proof, as it fits precisely into a numerical sequence found on many other drawings by the great artist that have an early Buonarroti family provenance (see Bambach 1997). The annotation at lower left on the recto regarding the artist's surname, here spelled in the form of "bona Roti" is also signficant in view of the corpus of drawings by Michelangelo and his school which bear this annotation by the so-called "Bona Roti collector," as Paul Joannides has baptized him. In any case, important groups of drawings inherited by the Buonarroti family appears to have been dispersed between ca. 1684 and 1799, probably by the senatore Filippo Buonarroti (Joannides 2007). The paraph in pen and dark brown ink inscribed at lower center on the recto of the Metropolitan sheet is often mistaken as a mark of ownership by the collector Everhard Jabach (1618-1695), of Cologne and Paris (De Tolnay1975; Logan and Plomp 2005) rather, it closely resembles the paraphs scribbled on sheets of drawings in the Real Academia de San Fernando, Madrid, and which were part of a large group of drawings acquired in 1775 from the widow of the painter Andrea Procaccini (1671-1734), who had died at La Granja de San Ildefonso and who had in turn inherited them from his master, Carlo Maratti (1625-1713; see Mena Marqués 1982). Although the overall condition of this double-sided sheet is very good, it is somewhat different for each face of the paper; the original off-white hue of the paper is still nearly intact on the verso, but is considerably darkened on the recto; this is apparently due to prolonged exposure to light, and, as noted in 1925 by Bryson Burroughs (the curator who bought the drawing for the Met), the red chalk studies on the recto were "fixed" with a solution of shellac in alcohol, which has intensified the differences of light and shade (Bryson Burroughs 1925). The recto also exhibits stains of brown wash at lower right; the triangular loss on the original support toward the center of the right border (if the sheet is regarded from the recto) is the result of very early damage, being made up and toned in restoration after 1951. (Carmen C. Bambach). Credit: Album / Metropolitan Museum of Art, NY

RM 149246255

フェルメール 「水差しを持つ女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist：Vermeer, Jan (1632-75) Title：Young Woman with a Water Jug, c.1662 (oil on canvas) Location：Metropolitan Museum of Art, New York, USA Age：1662 Medium：oil on canvas 76405

RM 87941876

ドガ「踊り子たち、ピンクと緑」

Degas, Edgar 1834–1917. "Danseuses en rose" (Dancers in pink and green), c. 1885/95. Oil on canvas, 82.2 × 75.6cm. H.O.Havemeyer Collection, New York, Metropolitan Museum of Art.

RM 83835927

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Bust of Patroclus, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.4 New York, Metropolitan Museum of Art.

RM 76880781

楊洲周延「憲法発布式之図」

Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu)/Yoshu (Hashimoto) Chikanobu 1838–1912. Illustration of the Ceremony Issuing the Constitution (Kenpo happu shiki no zu), Print, 1889. Meiji period (1868–1912)./Polychrome woodblock print; ink and color on paper, 36.8 × 75.2 cm./Inv. Nr. JP3240/New York, Metropolitan Museum of Art. Identifier : AKG5048356/Museum/New York, Metropolitan Museum of Art image date : 1.1.1889/Time Period/19TH CENTURY/2ND MILLENNIUM A.D.

RM 83835933

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Hagar in the Desert, Photographically illustrated book, ca. 1843-1846. Salted paper print from paper negative. Inv. Nr. 1994.197.6 New York, Metropolitan Museum of Art.

RM 81879509

フェルメール 「信仰の寓意」

Allegory of Faith Vermeer, Jan (Johannes), called Vermeer van Delft; 1632–1675. "Allegory of Faith", c. 1671/74. Oil on canvas, 114.3 × 88.9cm. The Friedsam Collection, New York, Metropolitan Museum of Art.

RM 62548844

クリムト 「メーダ・プリマヴェージの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Mäda Primavesi (1903-2000) Klimt, Gustav 1862-1918. Mäda Primavesi (1903-2000), Painting, ca. 1912-1913. Oil on canvas, 149.9 × 110.5 cm. Inv. Nr. 64.148 New York, Metropolitan Museum of Art. Identifier : AKG5060098 credit line : akg-images image date : 1.1.1912 Size 2876px × 3877px (31 MB) 24.3 cm × 32.8 cm @ 300 dpi

RM 53478578

ジョルジュ・ド・ラ・トゥール 「悔い改めるマグダラのマリア」

所蔵: メトロポリタン美術館 Maria Magdalena vor dem Spiegel/La Tour, Georges de 1593–1652. "Maria Magdalena vor dem Spiegel", um 1635/40./Oil on canvas, 134 × 92 cm./Gift or Mr. and Mrs Charles Wrightsman,/1978 (1978.517)/New York, Metropolitan Museum of Art. Identifier : AKG237029 Artist : GEORGES DE LA TOUR/Museum/New York, Metropolitan Museum of Art event date : 1640 image date : 1640/Time Period/17TH CENTURY topic : ART/BAROQUE/BIBLE/CANDLE/CARVAGGISTS/CHRISTIANITY/FLAME/FRENCH ART/LIGHT AND ILLUMINATION/MEDITATION/MIRROR/MIRROR IMAGE/NIGHT/PENANCE ; REPENTANCE ; PENITENCE/RELIGION/SKULL/SKULL AND CROSSBONES/VANITAS/Person/MARIA MAGDALENA (HEILIGE) technique : OIL ON CANVAS/PAINTING (OBJECT)/PAINTING (technique)

RM 32329159

レンブラント 「ベローナ」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：ベローナ 国籍： オランダ ジャンル　： バロック 17th century - Bellona - Rembrandt (1633) - Metropolitan Museum of Art - New York Oil on canvas

RM 131338246

渡辺省亭「雛に双鶏図」

Rooster and Hen with Chicks, Meiji period (1868–1912), ca. 1887, Japan Watanabe Seitei 1851-1918. Album leaf, ca. 1877-1897. Meiji period (1868-1912). Album leaf; ink and color on silk, 35.6 × 26.7 cm. Inv. Nr. 14.76.61.54 New York, Metropolitan Museum of Art.

RM 84632913

カラヴァッジョ「音楽家たち」

所蔵: メトロポリタン美術館 Caravaggio (Michelangelo Merisi) 1571-1610. The Musicians, Painting, ca. 1590-1600. Oil on canvas, 92.1 × 118.4 cm. Inv. Nr. 52.81 New York, Metropolitan Museum of Art.

RM 83841830

尾形光琳「八橋図」

所蔵: メトロポリタン美術館 Korin 1658-1716. Irises at Yatsuhashi (Eight Bridges), Folding screen, ca. 1710-1716. Edo period (1615-1868). Pair of six-panel folding screens; ink and color on gold leaf on paper, 163.7 × 352.4 cm. Inv. Nr. 53.7.1, New York, Metropolitan Museum of Art.

RM 80365237

トマス・エイキンズ「チェスをする人々」

Thomas Eakins, 1844–1916. Die Schachspieler, Malerei, 1876. Öl auf Holz, 29,8 × 42,6 cm. Inv. Nr. 81.14 New York, Metropolitan Museum of Art.

RM 83898075

フランソワ・ブーシェ「ヴィーナスの化粧」

Boucher, Francois 1703-1770. The Toilette of Venus, Painting, overdoor, 1751. Oil on canvas, 108.3 × 85.1 cm. Inv. Nr. 20.155.9 New York, Metropolitan Museum of Art.

RM 83898052

モネ「睡蓮」

Monet, Claude 1840-1926. Water Lilies, Painting, 1919. Oil on canvas, 101 × 200 cm. Inv. Nr. 1998.325.2 New York, Metropolitan Museum of Art.

RM 70433547

ピーテル・ブリューゲル 1世「7つの罪源－激怒」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「激怒」七つの罪源(大罪）シリーズより 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. Anger (Ira) from The Seven Deadly Sins, Print, 1558. Engraving, 22.4 × 29.4 cm. Inv. Nr. 28.4 (31) New York, Metropolitan Museum of Art.

RM 66320826

フェルメール 「水差しを持つ女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Young Woman with a Water Pitcher/Vermeer, Johannes 1632–1675. Young Woman with a Water Pitcher, Painting, ca. 1657–1667. Oil on canvas, 45.7 × 40.6 cm./Inv. Nr. 89.15.21/New York, Metropolitan Museum : of Art. Identifier : AKG5060330 Museum : New York, Metropolitan Museum of Art image date : 1.1.1657 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D./Person/JAN VERMEER technique : OIL ON CANVAS/Size

RM 84633121

所蔵: メトロポリタン美術館 Monet, Claude 1840-1926. Apples and Grapes, Painting, ca. 1879-1880. Oil on canvas, 67.6 × 89.5 cm. Inv. Nr. 57.183 New York, Metropolitan Museum of Art.

RM 84133867

エドヴァルド・ムンク「罪」

Munch, Edvard 1863–1944. The Sin (Woman with Red Hair and Green Eyes), Print, 1902. Lithograph printed in yellow, red and green, 69.5 × 40 cm. Inv. Nr. 1984.1167 New York, Metropolitan Museum of Art.

RM 66926682

クリムト 「セレーナ・レーデラの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Gustav Klimt (1862-1918) Portrait of Serena Lederer. Credit: Album / Fine Art Images

RM 174448150

ルカス・クラーナハ（父）「パリスの審判」

XOS1127609 The Judgement of Paris, c.1528 (oil on beech) by Cranach, Lucas, the Elder (1472-1553); 101.9x71.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Paris was asked by Mercury to choose the most beautiful of the three goddesses, Juno, Minerva or Venus. Here Mercury wakes him to see the naked goddesses who have each promised him a gift if chosen. Juno has promised power and Minerva success as a warrior, while Venus promised him the most beautiful woman on earth - Helen of Troy.); German, out of copyright.

RM 84170948

ウィリアム・パクストン「ティーリーブス」

Paxton, William McGregor 1869-1941. Tea Leaves, Painting, 1909. Oil on canvas, 91.6 × 71.9 cm. Inv. Nr. 10.64.8 New York, Metropolitan Museum of Art.

RM 83399889

エル・グレコ 「トレド眺望」

"View of Toledo", painting by El Greco preserved in the Metropolitan Museum of New York artist: El Greco (Domeniko Theotokopoulos, known as) (1542 - 1614) technique: Painting. Renaissance. 16th Century location: Metropolitan Museum, USA. , New York

RM 70440596

ピーテル・ブリューゲル 　「錬金術師」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル：「錬金術師」 国籍： フランドル　ネーデルラント ジャンル： 初期ネーデルラント絵画　北方ルネサンス Bruegel, Pieter, the Elder 1525–1569. The Alchemist, Print, 1558. Engraving; first state of three, 33.5 × 44.9 cm. Inv. Nr. 26.72.29 New York, Metropolitan Museum of Art.

RM 66320828

フェルメール 「眠る女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 A Maid Asleep/Vermeer, Johannes 1632–1675. A Maid Asleep, Painting, ca. 1656–1657. Oil on canvas, 87.6 × 76.5 cm./Inv. Nr. 14.40.611/New York, Metropolitan Museum : of Art. Identifier : AKG5060336 Museum : New York, Metropolitan Museum of Art image date : 1.1.1656 Time Period : 17TH CENTURY/2ND MILLENNIUM A.D./Person/JAN VERMEER technique : OIL ON CANVAS

RM 84633164

ジャン=レオン・ジェローム 「ピュグマリオンとガラテア」

Gérôme, Jean-Léon 1824-1904. Pygmalion and Galatea, Painting, ca. 1885-1895. Oil on canvas, 88.9 × 68.6 cm. Inv. Nr. 27.200 New York, Metropolitan Museum of Art.

RM 84633209

ルーベンス「ヴィーナスとアドニス」

作家名： ピーテル・パウル・ルーベンス 国籍： フランドル ジャンル　： バロック 所蔵: メトロポリタン美術館 Venus and Adonis Rubens, Peter Paul 1577–1640. Venus and Adonis, Painting, ca. 1634–1636. Oil on canvas, 197.5 × 242.9 cm. Inv. Nr. 37.162 New York, Metropolitan Museum of Art. Identifier：AKG5060850 Credit line：akg-images Image date：1.1.1634 Size：3809px × 3089px (33 MB) 32.2 cm × 26.1 cm @ 300 dpi

RM 83835926

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Lacock Abbey in Wiltshire, Photographically illustrated book, ca. 1840-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.3 New York, Metropolitan Museum of Art.

RM 59870352

ジョルジュ・ド・ラ・トゥール「女占い師」

国籍： フランス　 ジャンル　： 　バロック　古典主義 La Tour, Georges de 1593–1653. The Fortune-Teller, Painting, ca. 1630–1639. Oil on canvas, 101.9 × 123.5 cm./Inv. Nr. 60.30/New York, Metropolitan Museum of Art. image date : 1630 Size : 3805px × 3147px (34 MB) 32.2 cm × 26.6 cm @ 300 dpi

RM 948414

クロード・モネ 「サンタドレスのテラス（海辺のテラス）」

フランスの画家 ジャンル： 印象派 Artist: Monet, Claude,1840-1926 Imagetitle: Garden at Sainte-Adresse 1867. Dimensions: 98,1 x 129,9 cm Medium: Oil/Canvas Location: New York, Metropolitan Museum

RM 172883078

岸竹堂「虎図屏風」

Kishi Chikudo, Tiger, Tigress and Cub, Japan, Meiji period (1868–1912), Kishi Chikudo (Japanese, 1826–1897), 1892, Japan, Pair of six-panel folding screens; ink, color, and gold on silk, Overall (each): 68 1/8 in. × 14 ft. 2 3/4 in. (173 × 433.7 cm), Screens

RM 101119612

ヒエロニムス・ボス「東方三博士の礼拝」

Artist:Bosch, Hieronymus, 1453-1516 Title:The Adoration of the Magi. Ca. 1470–75 Dimensions:71.1 x 56.5 cm Technique:Oil, tempera and gold on panel Location:New York, Metropolitan Museum

RM 83818108

ルノワール「ピアノを弾く少女たち」

Renoir, Auguste 1841-1919. Two Young Girls at the Piano, Painting, 1892. Oil on canvas, 111.8 × 86.4 cm. Inv. Nr. 1975.1.201 New York, Metropolitan Museum of Art.

RM 82033042

アデライド・ラビーユ・ギアール「弟子二人と一緒の自画像」

SELF-PORTRAIT WITH TWO PUPILS, by ADELAIDE LABILLE-GUIARD, 1785, French oil painting. This complex group portrait was exhibited at the Paris Salon in 1785, where it was compared to the work of established court artist Vigée-Le Brun. Unlike Vigée-Le Brun, Labille-Guiard supported the Revolution and remained in France (BSLOC_2017_14_83)

RM 63279151

クリムト 「メーダ・プリマヴェージの肖像」

Gustav Klimt (1862-1918) Portrait of Mäda Primavesi. Credit: Album / Fine Art Images

RM 63279159

クリムト 「メーダ・プリマヴェージの肖像」

Title: Mada Primavesi (1903-2000), 1912-13 (oil on canvas) creator: Klimt, Gustav (1862-1918) Nationality: Austrian Location: Metropolitan Museum of Art, New York, USA Medium: oil on canvas Date: 1912-1913 (C20th) Dimensions: 149.9x110.5 cms Credit: Mada Primavesi (1903-2000), 1912-13 (oil on canvas), Klimt, Gustav (1862-1918) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords , Expressionism Expressionist Mada Maeda Primavesi Viennese bow child colourful confidence female floral flowers full length girl hair hairstyle multi-coloured nine years old pattern portrait pose surreal symbolism symbolist tomboy vibrant young painting

RM 131338242

渡辺省亭「百舌鳥に蜘蛛図」

Bird on Branch Watching Spider, Meiji period (1868–1912), ca. 1887, Japan Watanabe Seitei 1851-1918. Album leaf, ca. 1877-1897. Meiji period (1868-1912). Album leaf; ink and color on silk, 36.2 × 26.4 cm. Inv. Nr. 14.76.61.43 New York, Metropolitan Museum of Art.

RM 84633144

ピサロ「「モンマルトル大通り、冬の朝」」

所蔵: メトロポリタン美術館 Pissarro, Camille 1830-1903. The Boulevard Montmartre on a Winter Morning, Painting, 1897. Oil on canvas, 64.8 × 81.3 cm. Inv. Nr. 60.174 New York, Metropolitan Museum of Art.

RM 83835915

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Copy of a Lithographic Print, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.2 New York, Metropolitan Museum of Art.

RM 83835913

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Leaf of a Plant, Photographically illustrated book, ca. 1843-1845. Salted paper print from paper negative. Inv. Nr. 1994.197.2 New York, Metropolitan Museum of Art.

RM 83835931

ウィリアム・ヘンリー・フォックス・タルボット「自然の鉛筆」

Talbot, William Henry Fox 1800-1800. Lace, Photographically illustrated book, 1845. Salted paper print from paper negative. Inv. Nr. 1994.197.5 New York, Metropolitan Museum of Art.

RM 57366551

ドガ 「女と菊の花（菊のある婦人像）」

作家名： エドガー・ドガ ( 1834年 - 1917年 ) タイトル：「女と菊の花（菊のある婦人像）」 国籍： フランス ジャンル： 印象派 Femme accoudee pres d'un vase de fleurs (Mme.Paul Valpincon), 1865 Canvas.

RM 32806242

クロード・モネ 「ラ・グルヌイエール」

フランスの画家 ジャンル： 印象派 Artist： CLAUDE MONET Title： La Grenouillere Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1869 Description： Monet, Claude; 1840-1926. "La Grenouillere", 1869. 1871/72. (Swimming area and boat rental, La Grenouillere, on the Ile de la Loge on the Seine near Bougival). Oil on canvas, 74.6 × 99.7 cm. H.O.Havemyer Collection, Bequest of Mrs. H.O.Havemyer, 1929 (29.100.112). H

RM 32806243

クロード・モネ 「サン・タドレスのレガッタ」

フランスの画家 ジャンル： 印象派 Artist： CLAUDE MONET Title： Regates a Sainte-Adresse Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1867 Description： Monet, Claude. 1840-1926. "Regates a Sainte-Adresse" (Regatta in Saint-Adresse), 1867. Oil on canvas, 75.2 × 101.6 cm. Bequest of William Church Osborn, 1951 (51.30.4)

RM 32806167

セザンヌ 「エスタックから眺めたマルセイユ湾」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「エスタックから眺めたマルセイユ湾」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist： PAUL CEZANNE Title： Le Golfe de Marseille vu de L'Estaque Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1885 Description： Cezanne, Paul 1839-1906. "Le Golfe de Marseille vu de L'Estaque" (The bay of Marseille, seen from L'Estaque), c. 1885. Oil on canvas, 73 × 100.4cm.

RM 32806173

セザンヌ 「赤い服を着たセザンヌ夫人」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「赤い服を着たセザンヌ夫人」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist： PAUL CEZANNE Title： Mme Cezanne au fauteuil jaune Location： New York, Metropolitan Museum of Art Medium： PAINTING (TECHNIQUE); PAINTING (OBJECT); OIL ON CANVAS Date： 1888 Description： Cezanne, Paul. 1839-1906. "Mme Cezanne au fauteuil jaune" (Hortense Cezanne, nee Fiquet, the artist's wife, in a yellow armchair), 1888/90. Oil on canvas, 116 × 89 cm. Mrs. and Mrs. Henry Ittleson jr. Purchase Fund,

RM 29150491

クリムト 「メーダ・プリマヴェージの肖像」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：メーダ・プリマヴェージの肖像 国籍：オーストリア ジャンル　： 象徴主義　ウィーン分離派　アール・ヌーヴォー Gustav Klimt, Portrait of Mada Primavesi, 1912. Found in the collection of the Metropolitan Museum of Art, New York.

RM 28393700

フェルメール 「少女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Study of a Young Woman, ca. 1665-1667. Artist: Vermeer, Jan (Johannes) (1632-1675)

RM 28393708

フェルメール 「信仰の寓意」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 The Allegory of the Faith by Vermeer, Jan (Johannes) (1632-1675) / Metropolitan Museum of Art, New York / ca 1672 / Holland / Oil on canvas / Genre / 114,3x88,9 / Baroque

RM 26810657

ルーベンス 「女性の肖像」

作家名： ピーテル・パウル・ルーベンス ( 1577年 - 1640年 ) タイトル：「女性の肖像」 国籍： フランドル ジャンル　： バロック DCJA1E 17th century - Portrait of a Woman, Probably Susanna Lunden - Pierre Paul Rubens (1625) Oil on canvas

RM 26629145

マネ 「死せるキリストと天使たち」

作家名： エドゥアール・マネ ( 1832年 - 1883年 ) タイトル：「死せるイエス・キリストと天使たち」 フランスの画家 ジャンル： 印象派 The dead Christ and angels, 1864, by Edouard Manet (1832-1883), oil on canvas, 179x150 cm. Europe: France Manet Edouard Lament over the dead christ MUSEUMS AND COLLECTIONS New York, The Metropolitan Museum Of Art

RM 25945816

エマヌエル・ロイツェ 「デラウェア川を渡るワシントン」

Title:　Washington Crossing the Delaware River, 25th December 1776, 1851 (oil on canvas) (copy of an original painted in 1848) creator:　Leutze, Emanuel Gottlieb (1816-68) Nationality:　German Description:　original damaged by fire in 1850; Washington, George (1732-99): First President; Location:　Metropolitan Museum of Art, New York, USA Medium:　oil on canvas Date:　1851 (C19th) Dimensions:　378.5x647 cms Credit:　Washington Crossing the Delaware River, 25th December 1776, 1851 (oil on canvas) (copy of an original painted in 1848), Leutze, Emanuel Gottlieb (1816-68) / Metropolitan Museum of Art, New York, USA / Bridgeman Images Keywords ; American ; American Revolutionary War ; American War of Independence ; Battle of Trenton ; New Jersey ; Stars and Stripes ; army ; banner ; boat ; boats ; brave ; colonial troops ; flag ; floe ; ice floes ; intrepid ; male ; military uniform ; rowing ; soldiers ; troop ; winter Categories ; American Wars ; Americas ; Ancient and World Cultures ; Historical Events 1700 - 1899 ; History ; Statesmen of America

RM 24751164

ジョルジョ・デ・キリコ

作家名： ジョルジョ・デ・キリコ ( 1888年 - 1978年 ） 国籍： イタリア ジャンル： シュルレアリスム Ariadne, 1913, by Giorgio de Chirico, Italian, born in Greece, 1888-1978, Oil and graphite on canvas, 53 3/8 x 71 in , 135 6 x 180 3 cm, Metropolitan Museum of Art, New York City. Image Code: X9Q-1407913. Photographer: Tomas Abad. Collection: age fotostock. Rights Managed.

RM 24671503

ジュール・バスティアン・ルパージュ 「声」を聞くジャンヌ・ダルク

C293G8 Joan of Arc, 1879, by Jules Bastien-Lepage,

RM 23487241

ルノワール 「浜辺の人物」

作家名： ピエール＝オーギュスト（オギュスト）・ルノワール ( 1841年 - 1919年 ) タイトル：「浜辺の人物」 フランスの画家 ジャンル　： 印象派 BPN1GW Figures on the Beach, 1890, by Pierre-Auguste Renoir

RM 22979242

セザンヌ 「赤い服を着たセザンヌ夫人」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「赤い服を着たセザンヌ夫人」 フランスの画家 所蔵：メトロポリタン美術館 ジャンル： 印象派　ポスト印象派 Artist：Cezanne, Paul (1839-1906) Title：Madame Cezanne in a red dress Nationaly：French Location：Metropolitan Museum. New York. United States Medium：oil on canvas Date：19th

RM 22979278

フェルメール 「眠る女」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist： VERMEER, JAN (1632-1675) Title： DORMIDA -1655- Location： METROPOLITAN MUSEUM OF ART ~ NEW YORK ~ USA Size： 3894 x 4508

RM 22979275

フェルメール 「信仰の寓意」

所蔵: メトロポリタン美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist： VERMEER, JOHANNES (1632-1675) Title： ALEGORIA DE LA FE Location： METROPOLITAN MUSEUM OF ART ~ NEW YORK ~ USA Date： 1671-1674 Size： 114,3 x 88,9 cm

RM 21854943

エル・グレコ 「自画像」

作家名： エル・グレコ ( 1541年 - 1614年 ) タイトル：自画像 国籍： ギリシャ ジャンル： マニエリスム Portrait of a Man, ca. 1590-1600, by El Greco, Domenikos Theotokopoulos, Greek, 1541?1614, Oil on canvas 20 3/4 x 18 3/8 in. , (52. 7 x 46. 7 cm), Metropolitan Museum of Art, New York City

RM 21396839

ゴッホ 「糸杉」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「糸杉」 国籍： オランダ ジャンル　印象派　ポスト印象派 Artist：GOGH, Vincent van (1853-1890) Title：Cypresses Nationaly：Dutch Medium：Oil on canvas Location：Metropolitan Museum of Art, New York City Date：1889

RM 21106452

ドガ「ダンス教室（踊りのレッスン）」

国籍：フランス 所蔵： メトロポリタン美術館｜アメリカ ジャンル：印象派 Artist：Degas, Edgar (1834-1917) Title：The School of Dance Nationaly：French Location：New York, The Metropolitan Museum Of Art Date：1871 Size：19.7 x27 cm

RM 20545758

ロベルト・カンピン 「受胎告知の祭壇画（メローデ祭壇画）」

作家名：ロベルト・カンピン（1375年-1444年） 別名：フレマールの画家 タイトル：メロードの祭壇画 制作年：1425年-1428年頃 所蔵：メトロポリタン美術館別館クロイスターズ│ニューヨーク│アメリカ合衆国 Artist：Robert Campin（1375-1444） Title： Central panel of Annunciation Triptych (Merode Altarpiece) by Master of Flemalle, identified as Robert Campin (1375-1444), oil on panel, 1425 Description:Central panel of the Annunciation Triptych (Merode Altarpiece), 1425, by the Master of Flemalle, identified as Robert Campin (1375-1444), oil on panel. Artwork-location: New York, The Metropolitan Museum Of Art

RM 20485845

ヴェロネーゼ 「キューピッドによって結ばれるマルスとヴィーナス」

作家名： パオロ・ヴェロネーゼ ( 1528年 - 1588年 ) タイトル：「キューピッドによって結ばれるマルスとヴィーナス」 国籍： イタリア ジャンル　： ルネサンス　ヴェネツィア派 Artist：Paolo Veronese（1528-1588） Title：Venus with Mars Nationaly：Italian Medium：Oil on canvas Date：1570s Size：205, 7x161 Venus with Mars by Paolo Veronese, Oil on canvas, 1570s, 1528-1588, USA, New York, Metropolitan Museum of Art, 205, 7x161

RM 20319873

ジャン=レオン・ジェローム「ピュグマリオンとガラテア」

国籍：フランスの画家 所蔵：メトロポリタン美術館 Artist：Jean-Leon Gerome Title：Pygmalion and Galatea Nationaly：France Location：Metropolitan Museum of Art Medium：Oil on canvas Size：88,9x68,6 Jean-Leon Gerome, Oil on canvas, circa1890, Neoclassicism, 1824-1904, Usa, New York, Metropolitan Museum of Art, 88,9x68,6

RM 15892290

レンブラント 「扇を持つ若い女の肖像」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：「扇を持つ若い女の肖像」 国籍： オランダ ジャンル　： バロック BTCTC1 Portrait of a Young Woman with a Fan, 1633, by Rembrandt (Rembrandt van Rijn), Dutch, Metropolitan Museum of Art, New York City