検索結果

RM 115920865

ウィレム・ファン・デ・ヴェルデ（子）「多くの小型船に囲まれて礼砲を放つオランダの帆船」（部分）

Willem van de VELDE: This is the largest and most elaborate painting by Willem van de Velde in the National Gallery’s Collection. It is signed inside the wreath on the pennant of the boat in the right foreground, and dated 1661 on the stern of the row-barge to the left. The central vessel is a ‘statenjacht’ (a vessel used by the Dutch chamber of provincial representative, the States General, to transport its members and visitors) with the arms of the Province of Holland and, above, those of Amsterdam, which are also present on the stern of the row barge alongside. In the left foreground there is another row-barge with the arms of the admiralty. The painting probably represents the departure of admiralty officials on their way from Amsterdam across the Zuiderzee to visit the fleet. Oil on canvas, 90 × 126 cm, 1661 London, National Gallery.

RM 943582

フェルナン・クノップフ 「愛撫」

Artist: Khnopff, Fernand,1858-1921 Imagetitle: The Sphinx (also: The Arts, or: The Tenderness). 1896 Dimensions: 50 x 150 cm Location: Brussels, Musees des Beaux-Arts

RM 115920859

ジョバンニ・パオロ・パンニーニ「人物のいるローマの廃墟」

Panini, Roman Ruins with Figures / painting. Panini, Giovanni Paolo. Italian painter, 1691 – 1765. “Roman Ruins with Figures”, c. 1730. Oil on canvas, 49.5 × 63.5cm. Inv. No. NG138. London, National Gallery.

RM 101446042

ムリーリョ「窓枠に身を乗り出した農民の少年」

Murillo, Bartholomé Estéban 1618–1682. “Knabe, auf ein Fensterbrett gestützt”, um 1670/80. Oil on canvas, 52 × 38,5 cm. Inv. Nr. 74 London, National Gallery.

RM 77231010

ルノワール 「イレーヌ・カーン・ダンヴェール嬢の肖像」

Pierre Auguste Renoir (1841-1919). Little Irene. Portrait of the 8 year-old daughter of the banker Cahen d'Anvers. Oil on canvas (1880) 65 x 54 cm. Credit: Erich Lessing / Album

RM 127250649

ピーテル・ブリューゲル 1世 「バベルの塔」

作家名： ピーテル・ブリューゲル 1世 ( 1525年頃 - 1569年 ) タイトル： 「バベルの塔」 国籍： フランドル ネーデルランド ジャンル： 初期ネーデルランド絵画 所蔵： 美術史美術館(ウィーン) Tower of Babel, 1563, oil on panel, Bruegel, Pieter the Elder, c.1525-69 / Kunsthistorisches Museum, Vienna, Austria

RM 127250666

ウッチェロ「聖ゲオルギウスと竜」

Title:St. George and the Dragon, c.1470 (oil on canvas) (for detail see 85548) Artists: Uccello, Paolo (1397-1475) Location: National Gallery, London, UK

RM 124876944

ボッティチェリ 「ヴィーナスの誕生」

国籍： イタリア ジャンル　： ルネサンス　初期ルネサンス　フィレンツェ派 Title： The Birth of Venus, c.1485 (tempera on canvas) Artist： Botticelli, Sandro (1444/5-1510) Location： Galleria degli Uffizi, Florence, Italy Dimensions： 172.5x278.5 Date： 1485 Medium： tempera on canvas

RM 115920885

セザンヌ 「ロザリオを持つ老女」

Cézanne, Paul 1839–1906. “La vieille au chapelet" (Alte Frau mit Rosenkranz), um 1895/96. Oil on canvas, 80,6 × 65,5 cm. Inv. Nr. 6195 London, National Gallery.

RM 115920881

ドガ「バレエの踊り子」

E.Degas, Tﾃ､nzerinnen Degas, Edgar 1834–1917. “Danseuses” (Tänzerinnen), um 1890/1900. Oil on canvas, 72,5 × 73 cm. Inv. Nr. 4168 London, National Gallery.

RM 115920871

ルカ・ジョルダーノ「ベラスケス礼賛」

A Homage to Velazquez Luca GIORDANO: The seated man in the centre wearing the Cross of the Order of Santiago, was formerly thought to be intended as a portrait of Velazquez writing, possibly in connection with his court duties. It has recently been proposed more convincingly that this painting is a portrait sketch of the Count of Santisteban with his daughter. The Count was Viceroy of Naples between 1687 and 1695. Giordano probably painted this picture when he was in Spain. The significance of the composition is unclear: Giordano, who depicts himself as the figure in the lower right, seems either to point out the scene in the upper portion of the picture or else to be indicating that it is painted by himself. Oil on canvas, 205.2 × 182.2 cm, about 1692–1700 London, National Gallery.

RM 115920862

クロード・ジョセフ・ヴェルネ 「ローマのテヴェレ川での競技」

C.–J. Vernet, A Sporting Contest on the Tiber at Rome Vernet, Claude-Joseph. French painter, 1714 – 1789. – “A Sporting Contest on the Tiber at Rome”, The Bridge and Castle of Sant’ Angelo in Rome are in the background. The jousting contest has not been identified with any particular occasion. Portraits of Vernet and his wife are said to be included in the picture, presumably the elegantly dressed couple on the right in the foreground. Oil on canvas, 99.1 × 135.9cm. Inv. No. NG236. London, National Gallery.

RM 7809884

カラヴァッジョ 「ナルキッソス」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ ) ( 1571年 - 1610年 ) タイトル：「ナルキッソス」 国籍： イタリアの画家 ジャンル： バロック CARAVAGGIO, Michelangelo Merisi da (1573-1610). Narcissus. 1596-1598. Baroque art. Oil on canvas. ITALY. Rome. Barberini Palace and National Gallery of Ancient Art.

RM 4980585

ゴーギャン 「説教の後の幻想、天使と戦うヤコブ」

作家名： ポール・ゴーギャン ( 1848年 - 1903年 ) タイトル：「説教の後の幻想、天使と戦うヤコブ」 フランスの画家 ジャンル： 印象派　ポスト印象派 Vision after the Sermon (Jacob Wrestling with the Angel), 1888, Paul Gauguin (1848-1903 French), Oil on canvas, National Gallery of Scotland, Edinburgh, Scotland

RM 115996838

フランス・ハルス「扇を持つ女性」

Frans HALS: Hals pays great attention to detail in the portrayal of this woman’s elegant attire, which is characteristic of the period around 1640, when this picture was probably painted. She wears a large, flat three-tiered collar, silver bow and wide lace-trimmed cuffs. In her left hand she holds a fan made of feathers set in a gold mount, suspended from a golden chain. Although the sitter has not been identified, the elegant dress and jewellery suggest that she may have been the wife of a wealthy citizen of Haarlem. Similiar clothes are worn by the woman depicted in the National Gallery’s ‘Portrait of a Man, a Woman and a Boy in a Room’ by Pieter Codde, which is dated 1640, and in the ‘Portrait of a Woman’ by Johannes Conelisz. Verspronck (Enschede, Rijksmuseum Twenthe) which was painted in the same year. Oil on canvas, 79.8 × 59 cm, about 1640 London, National Gallery.

RM 115920888

ヘリット・ファン・ホントホルスト「ボヘミア王妃エリザベス・ステュアート」

Elizabeth Stuart, Queen of Bohemia, 1596 – 1662, wife of Frederick V, Elector Palatine. "Elizabeth Stuart, Queen of Bohemia. Painting, 1542, by Gerrit van Honthorst (1592–1656). Oil on canvas, 205.1 × 130.8 cm. London, National Gallery.

RM 115920869

ジョヴァンニ・バッティスタ・モローニ「円柱の上に兜を置いた紳士の肖像」

Giovanni Battista MORONI: The man in this portrait has not been identified. The tunic is the kind worn beneath armour and he rests his hand against a helmet and on a broken column. The column shaft may symbolise the sitter’s fortitude or, since it is broken, his misfortunes; but slightly ruinous marble settings were common in Moroni’s portraiture. For much of the 19th century this portrait was attributed to Titian. The style of tunic allows the approximate dating for the work. Oil on canvas, 186.2 × 99.9 cm, about 1555–6 London, National Gallery.

RM 101446048

ベラスケス「マルタとマリアの家のキリスト」

Velázquez, Diego. Spanish painter; 1599–1660. “Kitchen Scene with Christ in the House of Martha and Mary”, probably 1618. Oil on canvas, 60 × 103.5cm. Inv. No. NG1375. London, National Gallery.

RM 83588

アメデオ・モディリアーニ 「ジャンヌ・エビュテルヌの肖像」

作家名： アメデオ・モディリアーニ ( 1884年 - 1920年 ) タイトル：「ジャンヌ・エビュテルヌの肖像」 国籍： イタリア ジャンル　： エコール・ド・パリ Title： Portrait of a Young Girl (oil on canvas) Artist： Modigliani, Amedeo (1884-1920) Location： Private Collection Dimensions： 47.5x38 Medium： oil on canvas

RM 115996837

クロード・ロラン「海港」

Claude, A Seaport / painting Claude (Claude Gellée), painter, born in the Duchy of Lorraine 1604/05, moved to Germany c. 1612, and later to Italy, died 1682. “A Seaport”, 1644. Oil on canvas, 103 × 131cm. Inv. No. NG5. London, National Gallery.

RM 115920889

トーマス・ローレンス「55歳頃のジョン・ジュリアス・アンガースタイン」

Portrait of John Julius Angerstein, Aged about 55 / T. Lawrence / Painting, c.1790 Lawrence, Sir Thomas, 1769 – 1830, English painter. "Portrait of John Julius Angerstein, aged about 55", c.1790. Oil on canvas, 75.8 × 62.5 cm. London, National Gallery.

RM 70762

クロード・モネ 「睡蓮の池」

フランスの画家 所蔵: ポーラ美術館｜日本 ジャンル： 印象派 Title:The Waterlily Pond with the Japanese Bridge, 1899 Artists: Monet, Claude (1840-1926)

RM 127250648

ラファエロ 「アテネの学堂」

作家名： ラファエロ・サンティ ( 1483年 - 1520年 ) タイトル：「アテネの学堂」 国籍： イタリア ジャンル ： ルネサンス 盛期ルネサンス Title： School of Athens, from the Stanza della Segnatura, 1510-11 (fresco) Artist： Raphael (Raffaello Sanzio of Urbino) (1483-1520) Location： Vatican Museums and Galleries, Vatican City Date： 1510 Medium： fresco

RM 119028637

アリ・シェフェール「ロバート・ホロンド夫人」

MPAY36 English: Mrs Mrs Robert Hollond, philanthropist, nee Ellen Julia Teed (1822 - 1884) by Ary Scheffer . English: The sitter, Ellen Julia Teed (1822 - 1884), married Robert Hollond, MP for Hastings, in 1840. She was an authoress and philanthropist, and held a salon in Paris which attracted the leading Liberals of the day. She presented Boucher's 'Pan and Syrinx' to the National Gallery in 1880.; Robert Hollond (1808-1877) funded and then took part in establishing a distance ballooning record with Thomas Monck Mason and Charles Green. He later served as a Whig politician representing the constitu

RM 14159834

ジャック＝ルイ・ダヴィッド 「サン・ベルナール峠を越えるナポレオン」

作家名： ジャック＝ルイ・ダヴィッド ( 1748年 - 1825年 ) タイトル：「アルプスを越えるナポレオン」 フランスの画家 ジャンル： 新古典主義 Artist：David, Jacques Louis (1748-1825) Title：Napoleon Crossing the Alps, c.1800 (oil on canvas) Location：Schloss Charlottenburg, Berlin, Germany Age：1800 Medium：oil on canvas

RM 115920866

ヤーコプ・ファン・ロイスダール「城の廃墟と教会のある風景」

Jacob van RUISDAEL: The painting is one of the most famous of van Ruisdael’s landscapes, and probably dates from the late 1660s. The composition apparently pleased the painter as well as his patrons, and is known in several smaller-scale versions, including ‘An Extensive Landscape with Ruins’, which is also in the Gallery. The scene is a sombre one, though not melancholy in its effect, and centres upon the ray of sunshine that lights up the fields in the middle distance. The clouds are banked towards each side of the composition, and diagonals, interrupted by the vertical thrust of the church spire and the ruined castle turret, lead from the foreground to the centre. The two figures to the left, probably painted by Adriaen van der Velde, give a human scale to the painting. While it is not possible to identify a precise location, the composition may have been loosely based on the landscape around the Dutch town of Haarlem. On loan to the exhibition ‘Master of Landscape: Jacob van Ruisdael’s Paintings, Drawings and Etchings’ at the Los Angeles County Museum of Art, Los Angeles from June to September 2005; Philadelphia Museum of Art, Philadelphia from October 2005 to February 2006; and the Royal Academy of Arts, London from February to June 2006. Oil on canvas, 109 × 146 cm, about 1665–70 London, National Gallery.

RM 115920891

ポンペオ・ジローラモ・バトーニ「リチャード・ミルズの肖像」

Pompeo Girolamo BATONI: The sitter has been identified as Richard Milles of Nackington, (about 1735 – 1820), Member of Parliament for nearby Canterbury from 1761–80. Milles probably sat for this portrait when he was in Rome during his Grand Tour. He points to a map inscribed with the place name ‘Grisoni’, a Swiss Canton which he probably visited on his way to Italy. The classical bust of the Emperor Marcus Aurelius alludes to the sitter’s interest in classical antiquity. Batoni painted a half-length portrait of Milles and a miniature on ivory (the latter in the Fitzwilliam Museum, Cambridge). The mood of the portrait is one of assurance and ease, created by the artist to dignify the sitter. Oil on canvas, 134.6 × 96.3 cm, probably 1760s London, National Gallery.

RM 115920868

ジョン・コンスタブル「コロートン・ホールのジョシュア・レノルズ記念碑」

Cenotaph to the Memory of Sir Joshua Reynolds / Constable Constable, John English painter. 11.6.1776 – 31.3.1837. Cenotaph to the memmory of Sir Joshua Reynolds. Coleorton, Leicestershire. 1833, Oil on canvas, 132 × 108.5 cm. London, National Gallery.

RM 65984133

マネ 「フォリー・ベルジェールのバー」

Manet, Edouard 1832–1883. "Bar at the Folies-Bergere", 1881/82. Oil on canvas, 90 × 130cm. London, Courtauld Institute Galleries.

RM 115920867

ジョヴァンニ・ジローラモ・サヴォルド「マグダラのマリア」（部分）

Giovanni Girolamo SAVOLDO: On the Sunday morning after the Crucifixion, Mary Magdalene visited the tomb of Jesus, but found it empty. The story is recounted in the New Testament (John 20), and Mary Magdalene is here identified by the pot of ointment with which she anointed Christ’s body, and by the glimpse of her traditional red dress beneath a silver-grey cloak. She was the first person to see Christ after the Resurrection. Several other versions of this composition by Savoldo are known. The landscape background appears to represent Venice and its lagoon. Oil on canvas, 89.1 × 82.4 cm, about 1535–40 London, National Gallery.

RM 79482596

ティントレット 「天の川の起源」

国籍： イタリア ジャンル　： ルネサンス　盛期ルネサンス　ヴェネツィア派 Tintoretto (real name: Jacopo Robusti). Italian painter, 1518–1594. –– "The Origin of the Milky Way", c. 1575. – (Jupiter, holds the infant Hercules to the breasts of the sleeping Juno. The milk which spurted upwards formed the Milky Way.) Oil on canvas, 149.4 × 168cm. Inv. No. NG1313. London, National Gallery.

RM 115920883

ウィレム・クラースゾーン・ヘーダ「ロブスターのある静物」

Willem Claesz. HEDA: To a 17th-century viewer the objects brought together in this still life would have suggested considerable wealth and luxury. Not only the lobster, but also salt, pepper and citrus fruit were costly items at that time. The elaborately crafted gold goblet and the stand supporting the glass on the right, were highly valued for their material and workmanship. Blue and white porcelain was imported into the Netherlands from China. While it remains debatable whether such a display of wealth served as a reminder of the transience of all earthly belongings, the luxury objects clearly point to the elaborate lifestyle of successful Dutch merchants during the ‘Golden Age’. Oil on canvas, 114 × 103 cm, 1650–9 London, National Gallery.

RM 113022285

東洲斎写楽 「三代目大谷鬼次の奴江戸兵衛」

復刻版

RM 115920886

リチャード・ウィルソン「ディー川に架かるホルト橋」

Holt Bridge on the River Dee / R. Wilson / Painting, before 1762 Richard Wilson, 1714 – 1782, British painter. "Holt Bridge on the River Dee", 1762. Oil on canvas, 148.5 × 193 cm. London, National Gallery.

RM 115920892

ピサロ「シデナムの並木道」

Camille PISSARRO: This painting is among the largest that Pissarro is known to have painted in London during the Franco-Prussian War (1870–1). These works mainly represent scenes in the area of Norwood (including ‘Fox Hill, Upper Norwood’), where Pissarro stayed until June 1871. This work depicts a scene that is little changed today. The painting conveys the atmosphere of an early spring day, with oak trees coming into leaf against a soft blue sky. Technical analysis shows that the main outlines of the landscape were painted first and the figures added over the paint that had dried. Oil on canvas, 48 × 73 cm, 1871 London, National Gallery.

RM 101446050

ルノワール「劇場にて（初めてのお出かけ）」

Renoir, Auguste 1841–1919. “Der erste Ausgang”, um 1876/77. Oil on canvas, 65 × 49,5 cm. Inv. Nr. 3859 London, National Gallery.

RM 10704166

レンブラント 「自画像」

作家名： レンブラント・ファン・レイン ( 1606年 - 1669年 ) タイトル：「自画像」 国籍： オランダ ジャンル　： バロック Artist： Rembrandt Harmensz. van Rijn (1606-69) Title： Self Portrait, c.1665 (oil on canvas) Location： The Iveagh Bequest, Kenwood House, London, UK Date： 17th Medium： oil on canvas

RM 115920875

ゴーギャン「花瓶の花」

P.Gauguin, A Vase of Flowers / painting Gauguin, Paul. French painter, 1848 – 1903 – “A Vase of Flowers”, 1896. – (This painting was produced in Tahiti after Gauguin’s final move there from France). Oil on canvas, 64 × 74cm. Inv. No. NG3289. London, National Gallery.

RM 115920863

トマス・ゲインズバラ「シドンズ婦人」

Portrait of Sarah Siddons / Thomas Gainsborough / Painting, 1785 Gainsborough, Thomas, 1727–1788, English painter. Portrait of Sarah Siddons. (Siddons, Sarah, née Kemble, married Siddons. Welsh actress, 1755–1831). Painting, 1785. Oil on canvas, 126 × 99.5 cm. London, National Gallery.

RM 115920860

バルトロメ・エステバン・ムリーリョ「幼い洗礼者聖ヨハネと子羊」

Murillo, The Infant Saint John with the Lamb / painting Murillo, Bartolome Esteban. Spanish painter, 1617 – 1682. “The Infant Saint john with the Lamb”, 1660–65. Oil on canvas, 165 × 106cm. London, National Gallery.

RM 101446044

ターナー「ポリュフェモスを嘲るオデュッセウス」

Joseph Mallord William TURNER: Ulysses is standing aloft on his ship deriding the Cyclops, whom he and his companions have just left blinded, and invoking the vengeance of Neptune. One of the flags is painted with the scene of the Trojan Horse. The horses of the Sun are rising above the horizon (‘Odyssey’, Book 9). Apparently the idea was in Turner’s mind as early as about 1807, if this is the correct date of a sketchbook which contains a rough drawing of the subject. The picture was exhibited at the Royal Academy in 1829. Painting of the Month, May 2004 Oil on canvas, 132.5 × 203 cm, 1829 London, National Gallery.

RM 87940016

カラヴァッジョ「キリストの埋葬」

Caravaggio (real name Michelangelo Merisi), 1573–1610. "The Entombment of Christ", 1602/04. Oil on canvas, 300 × 203cm. Rome, Pinacoteca Vaticana.

RM 81822427

葛飾北斎 「富嶽三十六景　神奈川沖浪裏」

国籍: 日本の浮世絵師 ジャンル: 浮世絵 年代: 19世紀、江戸時代・江戸時代後期

RM 101446053

ゴヤ「ウェリントン公爵」

Wellington, Arthur Wellesley, Herzog v.. brit. Feldmarschall und Minister; Dublin 1.5.1769 – Walmer Castle (Gfsch. Kent) 14.9.1852. Porträt. Gemälde, um 1812/14, von Francisco Goya (1746–1828). Öl auf Mahagoniholz, 64,3 × 52,4 cm. Inv. Nr. 6322 London, National Gallery.

RM 101446059

クリヴェッリ「聖エミディウスを伴う受胎告知」

Author:CARLO CRIVELLI (c. 1435-c. 1495) Description:The Annunciation, with Saint Emidius Technique:tempera on panel School:Italy, Venetian School Museum:National Gallery, London

RM 115920876

アングル「アンジェリカを救うルッジェーロ」

Ingres, Ruggero befreit Angelica / London Ingres, Jean-Auguste-Dominique 1780–1867. “Ruggero befreit Angelica”. (Ariost, Orlando furioso X). Replik, ca. 1819/39, des Gemäldes von 1819 im Louvre. Oil on canvas, 47,6 × 39,4 cm. Inv. Nr. 3292 London, National Gallery.

RM 944014

マネ 「草上の昼食」

作家名： エドゥアール・マネ ( 1832年 - 1883年 ) タイトル：　草上の昼食　 フランスの画家 ジャンル： 印象派 Artist: Manet, Edouard,1832-1883 Imagetitle: Outdoor breakfast , 1863 Dimensions: 208 x 264,5 cm Location: Paris, Musee d'Orsay

RM 115920873

フアン・バウティスタ・マルティネス・デル・マーソ 「喪服姿のスペイン王妃マリアナ」

Maria Anna von Spanien / del Mazo Maria Anna (span. Mariana Teresa de Austria), Königin (Philipp IV.) und Regentin von Spanien, Tochter Kaiser Ferdinands III.; Wiener Neustadt 23.12.1634 – Madrid 16.5.1696. “Königin Maria Anna in Trauerkleidung”. Gemälde, 1666, von Juan Bautista Martinez del Mazo (1612/16 – 1667). Oil on canvas, 196,8 × 146 cm. Inv. Nr. 2926 London, National Gallery.

RM 115920877

ファンタン・ラトゥール 「ばらの籠」

A Basket of Roses Ignace-Henri-Theodore FANTIN-LATOUR: In his later career Fantin-Latour preferred to paint imaginative compositions rather than still lifes. However, his flower pieces remained popular with collectors, especially the British, and this work was acquired by an English collector in the 1890s. Oil on canvas, 48.9 × 60.3 cm, 1890 London, National Gallery.

RM 115920879

ドメニコ・ギルランダイオ「聖母子」

The Virgin and Child Domenico GHIRLANDAIO: The minute details in this painting, most notably of light playing on the golden curls and on the silk scarf, are unusually well-preserved. Christ stands upon a sill and the edge of the painting is treated as a window opening. On loan to the McLellan Galleries, Glasgow from January to April 2005 and The Bowes Museum, County Durham from April to June 2005. Tempera on poplar, 88.9 × 57.8 cm, probably about 1480–90 London, National Gallery.

RM 115920887

ジョヴァンニ・アントニオ・ペレグリーニ「井戸端のリベカ」

Giovanni Antonio PELLEGRINI: Abraham sent his servant to his homeland to find a wife of his own people for his son Isaac. Genesis 24 tells the story of how God led the servant to Rebekah (the usual spelling of this name), when she came to the well to fetch water. Rebekah was of Abraham’s clan, an appropriate wife for Isaac. Probably painted while Pellegrini was in England between 1708 and 1713. Oil on canvas, 127.3 × 104.5 cm, 1708–13 London, National Gallery.

RM 101446054

ヴァン・ダイク「ティンベビー卿夫人エリザベスとアンドーヴァー子爵夫人ドロシー」

Dyck, Anthony van, 1599 – 1641, Flemish painter. Lady Elizabeth Thimbelby and her Sister, c.1637. Oil on canvas, 132.1 × 149 cm. London, National Gallery.

RM 101446058

モネ「睡蓮の池」

Author:Claude Monet (1840-1926) Description:The Water-Lily Pond Technique:OIL ON CANVAS School:France Museum:National Gallery, London

RM 127250664

クリムト 「接吻」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「接吻」 国籍：オーストリア ジャンル ： 象徴主義 ウィーン分離派 アール・ヌーヴォー Title： The Kiss, 1907-08 (oil on canvas) Artist： Klimt, Gustav (1862-1918) Location： Osterreichische Galerie Belvedere, Vienna, Austria Dimensions： 180x180 Date： 1907 Medium： oil on canvas

RM 101446049

ジョシュア・レノルズ「コーバーン卿夫人と3人の息子」

Sir Joshua REYNOLDS: As with many of Reynolds’s group portraits the design is based on a composition taken from an historical source. In this case the painting is based on a 17th-century work, ‘Charity’ by Van Dyck; also in the Collection. It was brought to England from Antwerp in 1763, but Reynolds was probably inspired by an engraving after it. For the older boy he used the cupid from Velazquez’s ‘Toilet of Venus’, also in the Collection, basing himself on a drawing. Reynolds also had several sittings with the children, all of whom were under three. Oil on canvas, 141.5 × 113 cm, 1773 London, National Gallery.

RM 37765444

シャセリオー 「ヴィーナスの誕生」

作家名： テオドール・シャセリオー ( 1819年 - 1856年 ) タイトル：「ヴィーナスの誕生」 国籍： フランス ジャンル： ロマン主義 所蔵：ルーヴル美術館 Author: Theodore Chasseriau (1819-1856) Description: Venus Anadyomene, 1838, Salon 1839 Canvas 65.5 x 55 cm R.F. 2262. Classification: PAINTING ~ ROMANTIC ~ 19th Personalities: APHRODITE Location: Louvre, Dpt. des Peintures, Paris, France 所蔵：ルーヴル美術館

RM 30385288

ジャン・オノレ・フラゴナール 「ブランコ」

Author: Jean-Honore Fragonard (1732-1806) Description: The Swing, 1767. Oil on canvas, 81 x 64 cm. Classification: PAINTING ~ ROCOCO ~ 18th Location: The Wallace Collection, London, Great Britain Jean-Honorﾃｩ Fragonard (1732-1806) The Swing, 1767. Oil on canvas, 81 x 64 cm. . Credit: Erich Lessing / Album

RM 22979248

ゴッホ 「花咲くアーモンドの枝」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル：「花咲くアーモンドの枝」 国籍： オランダ 所蔵：ゴッホ美術館 ジャンル　印象派　ポスト印象派 Location: Amsterdam, Van Gogh Museum

RM 21607676

クリムト 「水蛇 II」

作家名：グスタフ・クリムト ( 1862年 - 1918年 ) タイトル：「水蛇」 国籍：オーストリア ジャンル： 象徴主義、ウィーン分離派、アール・ヌーヴォー Artist： Klimt, Gustav (1862-1918) Title： Water Serpents II, 1904-07 (tempera & w/c on parchment) Nationaly： Austrian Location： Private Collection Medium： tempera and watercolour on parchment Date： 1904-07 (20th) Size： 80x145 cms

RM 20670074

カンディンスキー 「いくつかの円」

作家名： ワシリー・カンディンスキー ( 1866年 - 1944年 ) タイトル：「いくつかの円」 国籍： ロシア ジャンル　： ドイツ表現主義 Artist：Kandinsky, Wassily (1866-1944) Title： Several Circles, 1926 (oil on paper laid on canvas) Nationaly：Russian Mudium： oil on paper laid on canvas Age： 1926 (C20th)

RM 20670035

カラヴァッジョ 「バッカス」

作家名： ミケランジェロ・メリージ・ダ・カラヴァッジオ ( 通称 カラヴァッジョ ) ( 1571年 - 1610年 ) タイトル : バッカス 国籍： イタリア ジャンル： バロック Artist： Caravaggio, Michelangelo Merisi, known as (1571-1610) Title： Painting by Caravaggio entitled "Bacchus", in the Uffizi Gallery in Florence Location： Florence, The Uffizi Gallery Date： 1597

RM 14843936

セザンヌ 「大きな松のあるサント＝ヴィクトワール山」

作家名： ポール・セザンヌ ( 1839年 - 1906年 ) タイトル：「大きな松のあるサント＝ヴィクトワール山」 フランスの画家 ジャンル： 印象派　ポスト印象派 Artist：Cezanne, Paul (1839-1906) Title：Montagne Sainte-Victoire, c.1887 (oil on canvas) Nationaly：French Location：Samuel Courtauld Trust,The Courtauld Gallery, London, UK Medium：oil on canvas 　 Date：1887 (C19th) Size：66.8x92.3 cms

RM 14584744

フェルメール 「牛乳を注ぐ女」

所蔵: アムステルダム国立美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Artist： Vermeer, Jan (Johannes) (1632-1675) Title： The Milkmaid Nationaly： Holland Location： Rijksmuseum, Amsterdam Medium： Oil on canvas Date： 1660 Size： 45,5x41 Vermeer, Jan (Johannes) (1632-1675)\ Rijksmuseum, Amsterdam\ 1660\ 45,5x41\ Oil on canvas\ Baroque\ Holland\ Genre\

RM 14322812

クロード・モネ 「散歩、日傘をさす女性」

フランスの画家 ジャンル： 印象派 Artist： MONET, Claude (1840-1926) Title： Woman with a Parasol - Madame Monet and Her Son. 1875 Location： UNITED STATES OF AMERICA. DISTRICT OF COLUMBIA. Washington. National Gallery of Art. Medium： Oil on canvas

RM 14277497

ミレイ 「オフィーリア」

作家名： ジョン・エヴァレット・ミレイ ( 1829年 - 1896年 ) タイトル : オフィーリア 国籍： イギリス ジャンル　： ラファエル前派 所蔵：テートギャラリー Ophelia, by John Everett Millais (1829-96). Oil on canvas, 76,2 x111,8 cm, 1851-2. Tate Gallery, London, UK.

RM 10409761

ゴッホ 「グレーのフェルト帽の自画像」

作家名： フィンセント・ファン・ゴッホ ( 1853年 - 1890年 ) タイトル： グレーのフェルト帽の自画像 国籍： オランダ ジャンル： 印象派　ポスト印象派 Artist：Gogh, Vincent van (1853-90) Title：Self Portrait with Felt Hat, 1887-88 (oil on canvas) Location：Van Gogh Museum, Amsterdam, The Netherlands Age：19th Medium：oil on canvas

RM 10114118

スーラ 「グランド・ジャット島の日曜日の午後」

作家名： ジョルジュ・スーラ ( 1859年 - 1891年 ) タイトル：「グランド・ジャット島の日曜日の午後」 フランスの画家 ジャンル： 印象派　新印象派 Artist: Seurat, Georges,1859-1891 Imagetitle: A Sunday on the Island of La Grande Jatte. 1884-86 Dimensions: 207 x 308 cm Medium: Oil/Canvas Location: Chicago, Art Institute

RM 7731360

シスレー 「アルジャントゥイユ、雪の効果」

作家名： アルフレッド・シスレー ( 1839年 - 1899年 ) タイトル：「アルジャントゥイユ、雪の効果」 ジャンル： 印象派 Artist：Sisley, Alfred (1839-99) Title：Effect of Snow at Argenteuil, 1874 (oil on canvas) Location：Private Collection Age：1874 Medium：oil on canvas

RM 89119

レオナルド・ダ・ヴィンチ 「受胎告知」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： 受胎告知　 製作年： 1472-1475年頃 国籍： イタリア 所蔵： ウフィツィ美術館｜フィレンツェ｜イタリア 技法：油彩・板 ジャンル： ルネサンス Artist：Vinci, Leonardo da (1452-1519) Title：Annunciation, 1472-75 (oil on panel) (post-restoration) Location：Galleria degli Uffizi, Florence, Italy Age：15th Medium：oil on panel

RM 944089

ミレー 「落穂拾い」

作家名： ジャン・フランソワ・ミレー ( 1814年 - 1875年 ) タイトル：「落穂拾い」 フランスの画家 ジャンル： 写実主義、バルビゾン派 Artist: Millet, Jean-Francois,1814-1875 Medium: The Gleaners (Les Glaneuses). 1857 Dimensions: 83,5 x 111 cm Medium: Oil/Canvas Location: Paris, Musee d'Orsay

RM 947771

アルチンボルド 「四季（秋）」

作家名： ジュゼッペ・アルチンボルド ( 1527年 - 1593年 ) タイトル：「四季（秋）」 国籍：イタリアの画家 ジャンル： マニエリスム 所蔵：ルーヴル美術館 Artist: Arcimboldo, Giuseppe,1527-1593 Imagetitle: Autumn. Dimensions: 76 x 63 cm Medium: Oil/Canvas

RM 115920870

ピエトロ・ロンギ「ヴェネツィアの占い師」

Pietro LONGHI: The scene is under the lower outside arcade of the Doges’ Palace, Venice, where showmen and quacks erected booths, chiefly at the carnival. The inscription on the pillar probably relates to the election or coronation in 1752 of Doge Francesco Loredan (1685 – 1762). The other inscription relates to the vacancy for the parish priest at S. Trovaso in 1752. Oil on canvas, 59.1 × 48.6 cm, about 1756 London, National Gallery.

RM 101446046

カルロ・クリヴェッリ「聖エミディウスを伴う受胎告知」

Crivelli, Carlo c. 1430/35 – c. 1495. “Annunciation to Mary with Saint Emygduys”, 1486. Oil on wood, transferred to canvas, 207 × 146.7 cm. Inv. no. 739 London, National Gallery.

RM 115920861

フランチェスコ・グアルディ「ヴェネツィア：サン・マルコ広場」

F.Guardi, Venice: Piazza San Marco / painting Guardi, Francesco. Italian painter, 1712 – 1793. “Venice: Piazza San Marco”, c. 1760. The painting is one of the earliest of Guardi’s works as a view painter. It shows the most famous of Venetian squares, the Piazza San Marco, with the medieval cathedral and its bell tower in the background and the 16th-century public offices, the Procuratie Vecchie, left, and the Procuratie Nuove, right, with shops and cafes to each side. Oil on canvas, 72.4 × 119.1cm. Inv. No. NG210. London, National Gallery.

RM 88969

レオナルド・ダ・ヴィンチ 「白貂を抱く貴婦人」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル：白貂を抱く貴婦人 国籍： イタリア ジャンル： ルネサンス Title： The Lady with the Ermine (Cecilia Gallerani), 1496 (oil on walnut panel) Artist： Vinci, Leonardo da (1452-1519) Location： c Czartoryski Museum, Cracow, Poland Dimensions： 53.4x39.3 Date： 1496 Medium： oil on walnut panel

RM 115920882

トーマス・ローレンス「シャーロット王妃」

Sir Thomas LAWRENCE: Charlotte Sophia of Mecklenburg-Strelitz (1744 – 1818) married George III of England in 1761. She sat to Lawrence in the autumn of 1789, but did so unwillingly, having recently undergone the shock of George III’s first attack of apparent insanity. The pearl bracelets on Queen Charlotte’s wrists were part of the king’s wedding gift to her; one clasp contains his portrait miniature, the other his royal monogram. Although Lawrence’s portrait was considered to be very like Queen Charlotte, it failed to please the king and queen and remained in the artist’s possession. It was exhibited at the Royal Academy in 1790. Oil on canvas, 239.5 × 147 cm, 1789 London, National Gallery.

RM 73107

カイユボット 「床を削る人々」

国籍： フランス ジャンル　： 印象派 Title： The Parquet Planers, 1875 (oil on canvas) Artist： Caillebotte, Gustave (1848-94) Location： Musee d'Orsay, Paris, France Dimensions： 102x146 Date： 1875 Medium： oil on canvas

RM 945006

ロセッティ 「プロセルピナ」

作家名： ダンテ・ゲイブリエル・ロセッティ （ 1828年 - 1882年 ） タイトル：「プロセルピナ」 国籍：　イギリス ジャンル： ラファエル前派 Artist: Rossetti, Dante Gabriel,1828-1882 Medium: Proserpina. 1877. Dimensions: 119,5 x 57,8 cm Medium: Oil Location: Christie's Images Ltd

RM 115920864

フィリップス・ワウウェルマン「鹿狩り」部分

Philips WOUWERMANS: This picture shows an imaginary landscape with a stag hunt. The fashionable attire of the hunters underscores the fact that hunting on horseback was a privilege reserved to the aristocracy in 17th-century Holland. The beautifully drawn horses, the white horse in particular, are a trademark of Wouwermans. On the hill on the right a hermit outside his hut can also be made out. This was perhaps intended as a moralising counterpoint to the leisurely pursuits of the elegant hunters. The fluid style of this picture is characteristic of the artist’s later years. Oil on canvas, 75 × 104.2 cm, about 1665 London, National Gallery.

RM 115920880

セザンヌ 「プロヴァンスの丘」 （部分）

P.Czanne, Aix, felsige Landschaft Cézanne, Paul 1839–1906. “Montagnes en Provence” (Berge in der Provence), um 1890/92. Oil on canvas, 63,5 × 79,4 cm. Inv. Nr. 4136 London, National Gallery.

RM 101446047

カナレット「ヴェネツィア：大運河のレガッタ」

Canaletto, eigentl. Antonio Canal 1697–1768. “Regatta auf dem Canale Grande in Venedig”, um 1735. Oil on canvas, 117,2 × 186,7 cm. Inv. Nr. 4454 London, National Gallery.

RM 116362365

カナレット「イートン・カレッジ」

Canaletto, real name Giovanni Antonio Canal; Venetian painter; 1697–1768. Eton College. c. 1754. Oil on canvas, 61.6 × 107.7 cm. London, National Gallery.

RM 115920858

トマス・ゲインズバラ「水飲み場」

Thomas Gainsborough, The Watering Place / Painting Gainsborough, Thomas. English painter, 1727 – 1788. – “The Watering Place”, before 1777. Oil on canvas, 147.3 × 180.3cm. Inv. No. NG34. London, National Gallery.

RM 115920894

フランシスコ・デ・スルバラン「アンティオキアの聖マルガリータ 」

Saint Margaret of Antioch Oil on canvas, 163 × 105 cm, 1630–4 London, National Gallery. Artist：FRANCISCO DE ZURBARAN Museum：London, National Gallery Collection：The National Gallery, London Credit line：The National Gallery, London / akg Time Period：17TH CENTURY　2ND MILLENNIUM A.D Person JOSEPH MARTIN　MARGARETA Technique：PAINTING (OBJECT)　PAINTING (TECHNIQUE) Size：3201px × 4961px (45 MB) 27.1 cm × 42.0 cm @ 300 dpi

RM 115920872

ヤン・ステーン「農民一家の食事（食前の祈り）」

Jan STEEN: The little girl on the right of the table is saying grace while the mother is preparing the plates for the children. It is one of a number of paintings of this subject by the artist. The earliest version, dated 1660, is in the Walter Morrison Collection, Sudeley Castle, Gloucestershire. The National Gallery’s version was probably painted in the mid–1660s. Oil on canvas, 44.8 × 37.5 cm, about 1665 London, National Gallery.

RM 37607525

ボッティチェリ 「春（プリマヴェーラ）」

国籍： イタリア ジャンル　： ルネサンス　初期ルネサンス　フィレンツェ派 Botticelli, Sandro (original. Alessandro Filipepi) 1445-1510. "La Primavera" (Spring), c. 1477/78. Tempera on wood, 203 × 314cm./Florence, Galleria degli Uffizi. Artist : SANDRO BOTTICELLI/Museum/Florence, Galleria degli Uffizi source : Nimatallah / Nimatallah event date : 1482 image date : 1482/Time Period/15TH CENTURY topic : ALLEGORY/ANCIENT RECEPTION ; ADOPTION OF ANCIENT ART/BAREFOOT/BLINDFOLD ; EYE BANDAGE/BOTANY/CADUCEUS/CLOSENESS TO NATURE/DANCE/EARLY RENAISSANCE/FAMOUS WORKS OF ART ; FAMOUS MASTERPIECES/FLOWER/FLOWER IN THE MOUTH/GARDEN ; YARD/GODDESS/GREEK-ROMAN MYTHOLOGY ; GRECO-ROMAN MYTHOLOGY/GROVE/HARMONY/ITALIAN ART/LAUREL (PLANT) ; LAUREL/LOVE/MYTHOLOGY/NYMPH/ORANGE (FRUIT)/ORANGE TREE/PEACE/RENAISSANCE/ROBE ; GOWN/ROSE/ROUNDEL (DANCE) ; ROUND (DANCE)/SEASONS/SNAKE/SPRING/SWORD/SYMBOLISM/TRANSPARENT ; SEE-THROUGH/WIND GOD/YEAR AND CALENDAR/Person/ANGELO POLIZIANO/CUPID/FLORA (MYTHOLOGY)/GRACES/MERCURY (HERMES)/OVID/PRIMAVERA (PERSONIFICATION)/VENUS (APHRODITE)/ZEPHYR technique : PAINTING (OBJECT)/PAINTING (technique)/Size 4961px × 3260px (46 MB) 42.0 cm × 27.6 cm @ 300 dpi

RM 937177

レオナルド・ダ・ヴィンチ 「モナ・リザ」

作家名： レオナルド・ダ・ヴィンチ ( 1452年 - 1519年 ) タイトル： モナ・リザ　 製作年： 1503-1506年頃 国籍： イタリア 所蔵： ルーヴル美術館｜パリ｜フランス 技法： 油彩・板 ジャンル： ルネサンス Artist: Leonardo da Vinci,1452-1519 Imagetitle: Mona Lisa. About 1503 Dimensions: 77 x 53 cm. Location: Paris, Musee du Louvre

RM 115920890

ジョージ・スタッブス「ミルバンク家とメルボーン家の人々」

George STUBBS: This painting was probably commissioned to mark the alliance of the two families through marriage in April 1769. The marriage is between Elizabeth Milbanke (left), the daughter of Sir Ralph Milbanke (beside Elizabeth), 5th Baronet of Halnaby, York, to Peniston Lamb, 1st Lord Melbourne (right). Peniston Lamb (1748 – 1828) took his title, Viscount Melbourne, from Melbourne Hall, near Derby. The rocky setting may represent this area. The central figure is probably Elizabeth’s elder brother, John Milbanke. This kind of group portrait, popular in 18th-century England, is known as a conversation piece. Elizabeth Milbanke became a friend of the poet, Lord Byron, who described her as ‘the best friend I ever had in my life and the cleverest of women’. William, her second son, became Queen Victoria’s first Prime Minister. The elegance of Stubbs’s work reflects his experience as a painter of the outdoors, as well as his profound knowledge of the anatomy of the horse. The figures in his portraits, though small in scale, are observed with equal care. Oil on canvas, 97.2 × 147.3 cm, about 1769 London, National Gallery.

RM 115920856

ニコラ・プッサン 「泉で足を洗う男のいる風景」

Poussin, Landscape with a Man washing his Feet… Poussin, Nicolas. Franch painter, 1594 – 1665. “Landscape with a Man washing his Feet at a Fountain”, c. 1648. Oil on canvas, 74 × 100.3cm. Inv. No. NG40. London, National Gallery.

RM 127250651

ゴッホ「ひまわり」

国籍： オランダ ジャンル 印象派 ポスト印象派 Title： Sunflowers, 1888 (oil on canvas) Artist： Gogh, Vincent van (1853-90) Location： National Gallery, London, UK Dimensions： 92.1x73 Date： 1888 Medium： oil on canvas

RM 118764037

サルヴァトール・ローザ「道を尋ねる旅人のいる風景」

Salvator Rosa (1615-1673). Salvator Rosa, Landscape with Travellers asking the Way. Oil on canvas. Credit: Album

RM 115920884

ヘーラルト・テル・ボルフ「手紙を書きとらせる士官」

Gerard ter BORCH: The weary expressions of the standing trumpeter and even of the dog indicate that the dictating of the letter has become a time-comsuming affair. The playing card (the ace of hearts) next to the dog’s hind leg suggests that the letter is a love letter, rather than official military correspondence. The model for the young man in the centre was Caspar Netscher, who was ter Borch’s pupil in about 1655. The picture dates from around this time. Oil on canvas, 74.5 × 51 cm, about 1655–8 London, National Gallery.

RM 81460606

フェルメール 「ヴァージナルの前に座る女」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Vermeer, Jan (Johannes), gen. Vermeer van Delft; 1632–1675. "Sitzende Virginalspielerin", um 1670/72. Oil on canvas, 51,5 × 45,5 cm. London, National Gallery.

RM 115920857

アルベルト・カイプ「羊飼いに話しかける馬上の男のいる丘陵風景」

A.Cuyp, A Hilly River Landscape with a Figures / painting Cuyp, Aelbert. Dutch painter, 1620 – 1691. “A Hilly River Landscape with a Horseman talking to a Shepherdess”, (A Hilly Landscape with Figures), about 1655–60. Oil on canvas, 135 × 201.5cm, Inv. No. NG53. London, National Gallery.

RM 5672855

フェルメール 「真珠の耳飾りの少女（青いターバンの娘） 」（修復前）

所蔵: マウリッツハウス美術館 オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 Title： Girl with a Pearl Earring, c.1665-6 (oil on canvas) Artist： Vermeer, Jan (Johannes) (1632-75) Location： Mauritshuis, The Hague, The Netherlands Dimensions： 44.5x39 Date： 17th Medium： oil on canvas

RM 115920874

カミーユ・コロー 「西方より望むアヴィニョン」

Avignon from the West Jean-Baptiste-Camille COROT: Corot visited Avignon on a number of occasions, but this study probably belongs to a group made on a visit in the summer of 1836 which recapture the clarity and luminosity of his Italian views of 1825–8. It depicts the town from Villeneuve-les-Avignon on the other side of the Rhone. The buildings dominating the town are the papal palace and (left of centre) the cathedral, Notre-Dame des Doms. Oil on canvas, 34 × 73.2 cm, 1836 London, National Gallery.

RM 66320912

フェルメール「ヴァージナルの前に座る女 」

所蔵: ロンドン・ナショナル・ギャラリー オランダの画家 ジャンル: バロック / 17世紀 / オランダ絵画黄金期 A Young Woman seated at a Virginal, c. 1670. Found in the collection of the National Gallery, London.

RM 101446052

ウッチェロ「聖ゲオルギウスと竜」

Paolo UCCELLO: This picture shows two episodes from the story of Saint George: his defeat of a plague-bearing dragon that had been terrorising a city; and the rescued princess bringing the dragon to heel (with her belt as a leash). In the sky, a storm is gathering. The eye of the storm lines up with Saint George’s lance, suggesting that divine intervention has helped him to victory. Uccello uses the lance to emphasise the angle from which Saint George attacks the dragon, helping to establish a three-dimensional space. The strange patches of grass illustrate Uccello’s obsessive concern with linear perspective and his tendency to create decorative pattern. The story is from a popular collection of saints’s lives written in the 13th century, called ‘The Golden Legend’. An earlier less dramatic version of the same subject by Uccello is in the Musee Jacquemart-Andre, Paris. Oil on canvas, 55.6 × 74.2 cm, about 1470 London, National Gallery.

RM 101446045

レンブラント「34歳の自画像」

Rembrandt (Rembrandt Harmenszoon van Rijn). Dutch painter, Leiden 15.7.1606 – Amsterdam 4.10.1669. – “Self Portrait at the Age of 34”, 1640. Oil on canvas, 102 × 80cm. Inv. No. NG672. London, National Gallery.

RM 101446065

ティツィアーノ「ノリ・メ・タンゲレ」

1765744 Noli me Tangere, c.1514 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 110.5x91.9 cm; National Gallery, London, UK; Italian, out of copyright.