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RM 79736511

横山大観「霊峰四趣・夏」

Taikan, Yokoyama (born Sakai Hidemaro), 1868 – 1958, Japanese painter. "Summer", 1940. (From the series: Four Seasons at Mount Fuji). Pigment on paper, 75 x 110 cm. Yasugi, Adachi Museum of Art.

RM 92478837

橋本関雪「秋圃」

Hashimoto Kansetsu 1883–1945. “Autumn Farm”, 1939. Hängerolle, Farben auf Seide, 51 × 65 cm. Yasugi, Adachi Museum of Art.

RM 140233234

小原 古邨

XOS3704052 Group of Egrets, 1925-36 (colour woodcut) by Koson, Ohara (1877-1945); 36.2x23.6 cm; Rijksmuseum, Amsterdam, The Netherlands; Japanese, it is possible that some works by this artist may be protected by third party rights in some territories.131334858

RM 92478838

橋本関雪「唐犬図」

Hashimoto Kansetsu 1883–1945. “Dogs from Europe” (Europäische Hunde), 1941. (Windhunde). Diptychon, in je zwei Felder unterteilt, Farben auf Seide, 164 × 183 cm. Yasugi, Adachi Museum of Art.

RM 92479597

橋本関雪

Author:HASHIMOTO KANSETSU (1883-1945) Description:Monkey. Date/Period: 1940. Japanese Painting. Color on silk. Height: 512 mm (20.15 in); Width: 571 mm (22.48 in). Technique:Japanese painting Dimensions:Height: 512 mm (20.15 in); Width: 571 mm (22.48 in) Location:Adachi Museum of Art Collection:Album Credit:Album Image size:3062 x 2752 pixels (25.9 x 23.3 cm @ 300 dpi) 24.1 MB

RM 84630154

尾形光琳「波濤図」

所蔵: メトロポリタン美術館 Korin 1658–1716. Rough Waves, Folding screen, ca. 1694–1719. Edo period (1615–1868). Two-panel folding screen; ink, color, and gold leaf on paper, 146.5 × 165.4 cm. Inv. Nr. 26.117 New York, Metropolitan Museum of Art.

RM 76495271

上村松園 「待月」

Uemura Shoen 1875–1949. "Eine Frau wartet auf den Aufgang des Mondes" (Jungverheiratete Frau, auf einem Geländer lehnend und zum Himmel blickend), 1944. Hängerolle, Farben auf Seide, 73 × 86 cm. Yasugi, Adachi Museum of Art.

RM 20145442

大阪府 マリア大聖堂

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RM 84630152

尾形光琳「風神雷神図」

俵屋宗達の作品を尾形光琳が模写した作品 Raijin is a god of lightning, thunder and storms in the Shinto religion and in Japanese mythology. He is typically depicted as a demonic spirit beating drums to create thunder, usually with a tomoe symbol drawn on the drums. Fujin or Futen is the Japanese god of the wind and one of the eldest Shinto gods. He is generally depicted as a terrifying wizard-like demon carrying a large bag of winds on his shoulders. In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms. Ogata Korin (1658 – June 2, 1716) was a Japanese painter of the Rinpa school. He was born in Kyoto, to a wealthy merchant who had a taste for the arts. Korin also studied under Soken Yamamoto, the Kano school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Koetsu and Tawaraya Sotatsu. 'Wind God and Thunder God' by Ogata Korin is a replica of Tawaraya Sotatsu's four panel folding screen of the same title ('Fujin Raijin Zu), Kyoto, early 17th century. Pictures From History

RM 104928959

魚屋北渓「丑の刻参り」

Ushi-no-toki mairi, Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 5 3/8 in. (20.8 x 13.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850)

RM 92478835

橋本関雪「遅日」

Hashimoto Kansetsu 1883–1945. “Spring Days” (Frühlingstage), 1913. Diptychon, in je sechs Felder unterteilt, Farben auf Seide, 171 × 373 cm. Yasugi, Adachi Museum of Art.

RM 83841830

尾形光琳「八橋図」

所蔵: メトロポリタン美術館 Korin 1658-1716. Irises at Yatsuhashi (Eight Bridges), Folding screen, ca. 1710-1716. Edo period (1615-1868). Pair of six-panel folding screens; ink and color on gold leaf on paper, 163.7 × 352.4 cm. Inv. Nr. 53.7.1, New York, Metropolitan Museum of Art.

RM 92479598

橋本関雪「木蘭」

Author:KANSETSU HASHIMOTO (1883-1945) Description:Mulan. Date/Period: 1918. Painting. Pair of six-fold screens, color on silk. Width: 379 cm. Height: 189.5 cm (each). Technique:painting Dimensions:Width: 379 cm. Height: 189.5 cm (each) Location:Kawamura Memorial DIC Museum of Art Collection:Album Credit:Album Image size:7137 x 1777 pixels (60.4 x 15.0 cm @ 300 dpi) 36.3 MB

RM 104930797

葛飾北斎「北斎漫画・丑の刻参りの女」

A woman performs a cursing ritual (Hokusai)

RM 31256571

関ヶ原合戦図屏風

Japan: The Battle of Sekigahara, October 21, 1600. The Battle of Sekigahara, popularly known as Tenka Wakeme no Tatakai or 'the Battle for the Sundered Realm', was a decisive battle on October 21, 1600, which cleared the path to the Shogunate for Tokugawa Ieyasu. Though it would take three more years for Ieyasu to consolidate his position of power over the Toyotomi clan and the daimyo, Sekigahara is widely considered to be the unofficial beginning of the Tokugawa bakufu, the last shogunate to control Japan. Pictures From History

RM 31256568

関ヶ原合戦図屏風

Japan: The Battle of Sekigahara, October 21, 1600. The Battle of Sekigahara, popularly known as Tenka Wakeme no Tatakai or 'the Battle for the Sundered Realm', was a decisive battle on October 21, 1600, which cleared the path to the Shogunate for Tokugawa Ieyasu. Though it would take three more years for Ieyasu to consolidate his position of power over the Toyotomi clan and the daimyo, Sekigahara is widely considered to be the unofficial beginning of the Tokugawa bakufu, the last shogunate to control Japan. Pictures From History

RM 31032979

「セキチク」（玄圃瑤華）

作家名：伊藤若冲 ( 1716年 - 1800年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 printmaking, woodblock printing cloves, Ito Jakuchu (1716 - 1800), from the album Gempo Yoka (Jaspisblumen in Wonderland Garden), Japan, in 1768, 27.6 x 17.5 cm, private collection, Asia, Asian art, albums, album Leaf, album leaves, wood panel, Botany, hist., plants, plant, Nadeshiko, dianthus, carnation, flower, flower, 18th century,

RM 30417155

尾形光琳 「秋草図屏風」

Flowering Plants in Autumn by Korin, Ogata (1658-1716) / Suntory Museum of Art / 18th century / Japan / Watercolour and ink on paper / Landscape / 154x173

RM 29445493

「南蛮屏風」

Title:　Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) creator:　Kano Naizen (1570-1616) (attr. to) Nationality:　Japanese Description:　Portuguese traders arriving in Japan; European ship; Location:　Private Collection Medium:　ink, colour, gold and gold leaf on paper Date:　(C16th-C17th) Dimensions:　160x360.4 cms Credit:　Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500), Kano Naizen (1570-1616) (attr. to) / Private Collection / Photo c Christie's Images / Bridgeman Images Keywords ; 16th 17th Europe Portugal aerial view anchored animals asia asian barbarian barbarians baroque climbing coast coastal commerce commercial detailed eastern elizabethan european exchange folding screen foreign foreigners furniture galleon gilt historical history international intricate jacobean japan japanese mercantile mercantilism merchants money ornate panorama panoramic port renaissance rigging sailors screen ship six panel six-panel trade traders wealth western southern

RM 26360112

歌川広重 「東海道五十三次」

Title:　Japan: Yokkaichi. Station 43 from the 'Fifty-three Stations of the Tokaido', Reisho Edition, by Utagawa Hiroshige (1848-1854) Description:　Utagawa Hiroshige (1797 - October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Ando? Hiroshige (an irregular combination of family name and art name) and by the art name of Ichiyusai Hiroshige. Credit:　Japan: Yokkaichi. Station 43 from the 'Fifty-three Stations of the Tokaido', Reisho Edition, by Utagawa Hiroshige (1848-1854) / Pictures From History / Bridgeman Images Keywords:　53 Stations, Ando Hiroshige, Art, Arts, Asia, Asia Pictures, Asian, Asian Image, Asian Images, Asian Pictures, Commerce, Diplomacy, Edo, Fifty Three Stations, Historical, Historical Images, Historical Pictures, History, History Images, History Pictures, Japanese, Kyoto, Painting, Paintings, Reisho, Tokaido, Tokugawa, Tokugawa Shogunate, Tokyo, Trade, Trade Route, Trade Routes, Transport, Ukiyo-e, Utagawa, Utagawa Hiroshige, Wood Block, Woodblock, Japan

RM 26255773

岸岱 「岩上孔雀図」

Title:　Cherry-apple and Peacocks on Rock (ink, colour & gold on silk) creator:　Gantai, Kishi (1782-1865) Nationality:　Japanese Location:　Indianapolis Museum of Art, USA Medium:　ink, colour and gold on silk Date:　(C19th) Dimensions:　215.3x115.8 cms Credit:　Cherry-apple and Peacocks on Rock (ink, colour & gold on silk), Gantai, Kishi (1782-1865) / Indianapolis Museum of Art, USA / Mr and Mrs Richard Crane Fund / Bridgeman Images Keywords ; Asian ; Japanese ; bird ; blossom ; calligraphy ; feathers ; flowers ; tail Categories ; Birds ; Plants and Animals

RM 22670404

長谷川 等伯 「松林図屏風（右隻）」

Pine Trees (Right of a pair of six-section folding screens) by Hasegawa, Tohaku (1539-1610)/ Tokyo National Museum/ 16th century/ Japan/ Ink on paper/ The Oriental Arts/ 156,8x356/ Landscape

RM 22670403

狩野永徳 「檜図屏風」

Cypress Tree (Eight folded screen) by Eitoku, Kano (1543-1590)/ Tokyo National Museum/ 1590/ Japan/ Watercolour, ink, gold colour on paper/ The Oriental Arts/ 169,5x461/ Landscape

RM 22209738

尾形光琳 「風神図」

The Wind God. Right part of two-fold screens 'Wind God and Thunder God' by Korin, Ogata (1658-1716)/ Tokyo National Museum/ Early 18th cen./ Japan/ Watercolour and ink on paper/ The Oriental Arts/ 181,8x164/ Mythology, Allegory and Literature.

RM 22209739

尾形光琳 「雷神図」

The Thunder God. Left part of two-fold screens 'Wind God and Thunder God' by Korin, Ogata (1658-1716)/ Tokyo National Museum/ Early 18th cen./ Japan/ Watercolour and ink on paper/ The Oriental Arts/ 181,8x164/ Mythology, Allegory and Literature.

RM 14861677

俵屋宗達 「松島図屏風」

Artist：Sotatsu, Tawaraya (fl.c.1600-40) Title： Waves at Matsushima, Edo period (ink, colour, gold and silver on paper) Nationaly： Japanese Location： Freer Gallery of Art, Smithsonian Institution, USA Medium： ink, colour, gold, and silver on paper 　 Date： 17th (C17th)

RM 96013464

橋口五葉「髪梳ける女」

Artist: Hashiguchi, Goyo,1880-1921 Title: A Young Woman Combing her Hair. Dated March Taiso 9 (1920).,50058 Technique: colour woodblock Dimensions: Location: Christie's Images Ltd

RM 88232945

竹内栖鳳

Takeuchi Seiho 1864–1942. “Autumn Fattens Fish and Ripens Wild Fruits” (Herbst: Fett gewordener Fisch und reife Wildfrüchte), 1925. Hängerolle, Farben auf Seide, 48 × 55 cm. Yasugi, Adachi Museum of Art.

RM 92479599

橋本関雪「琵琶行」

Author:KANSETSU HASHIMOTO (1883-1945) Description:Song of the Lute. Date/Period: 1910. Painting. Pair of six-fold screens, color on silk. Width: 334.9 cm. Height: 147.3 cm (each). Technique:painting Dimensions:Width: 334.9 cm. Height: 147.3 cm (each) Location:Kawamura Memorial DIC Museum of Art Collection:Album Credit:Album Image size:7315 x 1593 pixels (61.9 x 13.5 cm @ 300 dpi) 33.3 MB

RM 38559948

横山大観 「紅葉」

Autumn Leaves / Yokoyama Taikan / 1931/Taikan, Yokoyama (born Sakai Hidemaro),/1868 - 1958,/Japanese painter. "Autumn Leaves", 1931. Diptych, divided into six panels./Pigment on paper, 163 x 361 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938292 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1931 image date : 1931/Time Period/1930S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/AUTUMN/BIRD/BOTANY/DECIDUOUS TREE ; BROAD-LEAVED TREE/DIPTYCH/JAPANESE ART/LANDSCAPE ; SCENERY/LEAF/LEAVES/MAPLE TREE/ROCK ; BOULDER/SEA/SEASONS/TREE geography : JAPAN technique : PAINTING (technique)/Size 4961px × 1107px (15 MB)

RM 38559946

横山大観 「蓬莱山」

Mount Penglai / Yokoyama Taikan / 1948/Taikan, Yokoyama (born Sakai Hidemaro),/1868 - 1958,/Japanese painter. "Mount Penglai", 1948. Scroll painting./Pigment on silk, 60 x 79 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1921276 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1948 image date : 1948/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/CHINESE MYTHOLOGY/CLOUD/FLOCK OF BIRDS/JAPANESE ART/JAPANESE MYTHS ; JAPANESE FOLKLORE/LANDSCAPE ; SCENERY/MOUNTAIN/MOUNTAINS ; MOUNTAIN RANGE/MYTHOLOGY/PINE/SILK PAINTING/TEMPLE geography : FUJIYAMA/JAPAN/PENGLAI technique : PAINTING (technique)/ Size 4128px × 3114px (36 MB)

RM 38559947

横山大観 「鶉」

Taikan, Yokoyama (born Sakai Hidemaro),/1868 - 1958,/Japanese painter. "Quail", 1925. Scroll painting./Pigment on silk, 60 x 85 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938291 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1925 image date : 1925/Time Period/1920S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ACORNS/ANIMAL/ART/BAMBOO/BIRD/BRANCH (TREE)/JAPANESE ART/OAK (TREE)/QUAIL/SILK PAINTING/TREE/ZOOLOGY technique : PAINTING (technique)/Size 4036px × 2858px (33 MB)

RM 38559949

横山大観 「浦風」

Yokoyama Taikan 1868窶・958.窶彜ea Breeze窶・(Seebrise), 1935.Hﾃ､ngerolle,Tinte auf Papier, 76 ﾃ・110 cm.Yasugi, Adachi Museum of Art.

RM 38559954

横山大観 「無我」

"Innocence" (Unschuld), 1897. Tinte und helle Farben auf Seide, 75 × 46 cm./Yasugi, Adachi Museum of Art. Identifier : : AKG1938838 Artist : : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : : 1897 image date : : 1897/Time Period/19. JAHRHUNDERT/2. JAHRTAUSEND N.CHR. topic : : ALTE FRAU/FRAU/JAPANISCHE KUNST/KIMONO/KUNST/LAND UND LEUTE/MEIJI-ZEIT/SEIDENMALEREI/TRACHT/UNSCHULD/VOLKERKUNDE geography : : JAPAN technique : : MALEREI/Size 2841px × 4600px (37 MB)

RM 38559950

横山大観 「山海二十題之内　雨霽る」

Taikan, Yokoyama (born Sakai Hidemaro),/1868- 1958,/Japanese painter. "Mountains after a Shower", 1940. Ink on paper, 81 x 114 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938297/Museum/Yasugi, Adachi Museum of Art event date : 1940 image date : 1940/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART/JAPANESE ART/LANDSCAPE ; SCENERY/METEOROLOGY/MOUNTAIN/MOUNTAINS ; MOUNTAIN RANGE/RAIN/WEATHER geography : JAPAN technique : DRAWING/GRAPHIC ART ; GRAPHIC ARTS/PAINTING (technique)/Size 3985px × 2843px (32 MB)

RM 38559951

横山大観「山に因む十題のうち 乾坤輝く」

Taikan, Yokoyama (born Sakai Hidemaro),/1868 -1958,/Japanese painter. "Mount Fuji", 1940. Scroll painting./Pigment on paper, 80 x 115 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938298 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1940 image date : 1940/Time Period/1940S/20TH CENTURY/2ND MILLENNIUM A.D. topic : ART geography : JAPANESE ART/LANDSCAPE ; SCENERY/MOUNTAIN/SUN/TOPOGRAPHY geography : FUJIYAMA/JAPAN technique : PAINTING (technique)/ Size 4961px × 3457px (49 MB)

RM 38559952

横山大観 「山に因む十題 龍踊る」

Yokoyama Taikan, Drache und Fudschijama/Yokoyama Taikan 1868-1958. "Dragon and Mt. Fuji" (Drache und Fudschijama), 1940. Hangerolle,/Tinte und Farben auf Papier, 81 × 119 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938302 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1940 image date : 1940/Time Period/1940ER JAHRE/2. JAHRTAUSEND N.CHR./20. JAHRHUNDERT topic : BERG/DRACHE (FABELWESEN)/FABELWESEN/GEOGRAPHIE/JAPANISCHE KUNST/KUNST/LANDSCHAFT/MYTHOLOGIE/SYMBOLIK/TOPOGRAPHIE/WOLKE geography : FUDSCHIJAMA/JAPAN technique : MALEREI/Size 4147px × 2793px (33 MB)

RM 38559953

横山大観 「海潮四題・秋」

Yokoyama Taikan 1868-1958. "Herbst (Vier Jahreszeiten des Meeres) ", 1940. Hangerolle,/Farben auf Papier, 71 × 95 cm./Yasugi, Adachi Museum of Art. Identifier : AKG1938306 Artist : YOKOYAMA TAIKAN/Museum/Yasugi, Adachi Museum of Art event date : 1940 image date : 1940/Time Period/1940ER JAHRE/2. JAHRTAUSEND N.CHR./20. JAHRHUNDERT topic : BRANDUNG/HERBST/JAHRESZEITEN/JAPANISCHE KUNST/KUNST/LANDSCHAFT/MEER/SONNE/STRAND/VOGEL/WASSERVOGEL/WELLE geography : JAPAN technique : MALEREI/Size 4000px × 2981px (34 MB)

RM 22903454

尾形光琳「松島図屏風」

Waves at Matsushima, screen with six panels by Korin Ogata (1658-1716), 17th-18th century, Japan. ENCYCLOPAEDIC CATEGORIES Art and architecture: Decorative arts and crafts: Minor arts and craftsmanship of art Art and architecture: Art: General TOPICS Japanese art PLACENAMES Asia: Japan PERSONAGES AND MARKS Korin Ogata KEY WORDS Folding screen HISTORY AND CULTURE Centuries: Eighteenth century Centuries: Seventeenth century MUSEUMS AND COLLECTIONS Boston, Museum Of Fine Arts

RM 15381100

掛物　豊臣秀吉像

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RM 84630153

尾形光琳「燕子花図」

所蔵: 根津美術館 Ogata Korin (1658 – June 2, 1716) was a Japanese painter of the Rinpa school. He was born in Kyoto, son of a wealthy merchant who had a taste for the arts. Korin also studied under Soken Yamamoto, the Kano school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Koetsu and Tawaraya Sotatsu.

RM 83412720

橋本関雪「夏夕」

Kansetsu, Hashimoto, Japanese artist, active in Kyoto during the Showa and Taisho eras. Summer evening. Hanging scroll, 1941. Pigment on silk, 108 × 127 cm. Yasugi, Adachi Museum of Art.

RM 4139850

鈴木春信 「文掃く美人」

fine arts, Hanurobu, Suzuki, (circa 1724 - 1770), graphics, 'girl with ox carrying baskets with love letters', Tokyo, 1765, colour woodcut, private collection, Washington, historic, historical, Asia, Japan, 18th century, woman, full length, holding, broom, sweeping, animal, animals, basket, letter, JP,

RM 102724910

上原古年「波濤図」

Waves./Konen Uehara, 1878–1940. Print shows ocean waves./Between 1900 and 1940. Woodcut, color; 10.6 × 35.8 cm. Identifier : AKG5323909/Collection/akg-images topic : ART/ETHNOLOGY/JAPANESE ART/SEA geography : ASIA/JAPAN technique : WOODCUT

RM 127252141

円山応挙 「雪松図屏風」

作家名：円山応挙 ( 1733年 - 1795年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 Title: The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216568) creator: Okyo, Maruyama (1733-95) Nationality: Japanese Description: left panels of a six panel folding screen; Location: Mitsui Hachiroermon Collection, Japan Medium: pen and ink, colour, gold paper on panel Date: (C18th) Dimensions: 156x362 cms Credit: The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216568), Okyo, Maruyama (1733-95) / Mitsui Hachiroermon Collection, Japan / Bridgeman Images Keywords:branch,branches,cloud,clouds,cold,covered,decorative,fog,laden,low,mist,pine, tree,trees,winter

RM 33793698

狩野吉信 「紙本着色職人尽絵　糸師」

Japanese,c. 1600.Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama.

RM 33793699

狩野吉信 「紙本着色職人尽絵　蒔絵師」

Japanese,c. 1600.Depiction of handcraft (Paper manufacture).Section from a painted screen with depictions of handcraft.Kita-in, Saitama.

RM 33793700

狩野吉信 「紙本着色職人尽絵　甲冑師」

Japanese,c. 1600.Manufacture of armour.Section from a painted screen with depictions of handcraft.Kita-in, Saitama.

RM 33793701

狩野吉信 「紙本着色職人尽絵　型置師」

Japanese,c. 1600.Dye works.Section from a painted screen with depictions of handcraft.Kita-in, Saitama.

RM 33793702

狩野吉信 「紙本着色職人尽絵　機織師」

Japanese,c. 1600.Weaver at stool.Section from a painted screen with depictions of handcraft.Kita-in, Saitama.

RM 33793703

狩野吉信 「紙本着色職人尽絵　研師」

Japanese,c. 1600.Sword grinding workshop.Section from a painted screen with depictions of handcraft.Kita-in, Saitama.

RM 33696476

高橋由一 「花魁」

Japan: Portrait of an Oiran or courtesan / prostitute, oil painting by Yuichi Takahashi (1828-1894), 1872 Oiran were the courtesans of Edo period Japan. The oiran were considered a type of yujo 'woman of pleasure' or prostitute. However, they were distinguished from the yujo in that they were entertainers, and many became celebrities of their times outside the pleasure districts. Their art and fashions often set trends among the wealthy and, because of this, cultural aspects of oiran traditions continue to be preserved to this day. The oiran arose in the Edo period (1600-1868). At this time, laws were passed restricting brothels to walled districts set some distance from the city center. In the major cities these were the Shimabara in Kyoto, the Shinmachi in Osaka, and the Yoshiwara in Edo (present-day Tokyo). These rapidly grew into large, self-contained 'pleasure quarters' offering all manner of entertainments. Within, a courtesan's birth rank held no distinction, which was fortunate considering many of the courtesans originated as the daughters of impoverished families who were sold into this lifestyle as indentured servants. Instead, they were categorized based on their beauty, character, education, and Artist : ic ability. Among the oiran, the tayu was considered the highest rank of courtesan and were considered suitable for the daimyo or feudal lords. In the mid-1700s courtesan rankings began to disappear and courtesans of all classes were collectively known simply as 'oiran'. The word oiran comes from the Japanese phrase oira no tokoro no nesan which translates as 'my elder sister'. When written in Japanese, it consists of two kanji, - meaning 'flower', and sansmeaning 'leader' or 'first', hence 'Leading Flower' or 'First Flower'. Pictures From History Identifier : AKG3821594 source : Pictures From History credit line : akg-images / Pictures From History image date : 6.7.2015 topic : ART HISTORY KIMONO PROSTITUTE PROSTITUTION WOMAN Film Title WOMEN geography : ASIA JAPAN Size 3501px × 4956px (49 MB) 29.6 cm × 41.9 cm @ 300 dpi

RM 33507036

黒田清輝 「木かげ」

Title: Under the Trees, 1898 (oil on canvas) creator: Kuroda Seiki (1866-1924) Nationality: Japanese Description: Under the Trees; Sous Les Arbres. Kuroda Seiki (1866-1924). Oil on canvas. Signed and dated July 1898. 75 x 94cm. The picture depicts a girl picking the fruit of a silverberry tree. Location: Private Collection Medium: oil on canvas Date: 1898 (C19th) Dimensions: 75x94 cms Credit: Under the Trees, 1898 (oil on canvas), Kuroda Seiki (1866-1924) / Private Collection / Photo c Christie's Images / Bridgeman Images Keywords , asian, impressionist, 072012upload, 1890s, 1898, 19th Century, Apparel, Arm Raised, Arms Raised, Artist Japanese, Artist-Japanese, Artwork, Asian, Attire, Aversion, Bare Feet, Barefoot, Below, Berry, Blue, Clothes, Clothing, Collecting, Color, Colour, Contemplate, Contemplating, Contemplation, Country, Countryside, Dappled Light, Dappled Shade, Day, Daytime, Design, Dress, Feet, Female, Fine Art, Flora, Floral, Flower, Flowering Plant, Flowers, Foliage, Food, Food & Drink, Foot, Freetime, Fruit, Garden, Girl, Girl Alone, Girls, Grass, Grounds, Hair, Hair Style, Hair Up, Hairstyle, Hat, Headwear, Human, Impressionism, Impressionist, Impressionist & Modern Art, Impressionist Art, Impressionistic, Japanese, Japanese Artist, Kimono, Kuroda Seiki, Late 19th Century, Late Nineteenth Century, Lawn, Leisure, Leisure & Pastimes, Leisurely, Light, Lilies, Lily, Longing, Looking, Looking Away, Looking Up, Lying, Lying Down, Lying On Back, Lying On Ground, Memories, Memory, Meteorology, Natural Light, Nature, Nineteenth Century, Nostalgia, Nostalgic, Oil, Oil On Canvas, Oil Painting, One Girl Only, One Person, Oriental, Outdoor, Outdoors, Outside, Painting, Pattern, Patterned, Pensive, People, Person, Picking, Plant, Plant Part, Position, Posture, Raised Arm, Recreation, Recreational, Relaxation, Relaxed, Relaxing, Reminiscence, Rural, Seiki, Shade, Shaded, Shady, Silverberry, Sun, Sunlight, Sunny, Teen, Teenage Girl, Teenager, Think, Thinking, Thought, Thoughtful, Time Of Day, Tree, Under, Underneath, Using Hands, Weather, White, White Color, White Colour, Wistful, Young, Youth, Youthful

RM 20689323

伊藤若冲 「動植綵絵の内群鶏図」

Thirteen roosters, Ito Jakuchu (1716-1800), painting on silk, Japan. Japanese Civilisation, Edo period, mid-18th century.

RM 14120096

円山応挙 「雪松図屏風」

作家名：円山応挙 ( 1733年 - 1795年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 Artist： Okyo, Maruyama (1733-95) Title： The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216567) Location： Mitsui Hachiroermon Collection, Japan Age：18th Medium：pen and ink, colour and gold paper on panel XIR216568 The Pines under Snow (pen & ink, colour, gold paper on panel) (see 216567) by Okyo, Maruyama (1733-95); pen and ink, colour and gold paper on panel; 156x362 cm; Mitsui Hachiroermon Collection, Japan; (add. info.: right panels of a six panel folding screen); Giraudon; Japanese, out of copyright

RM 71751

狩野元信 「四季花鳥図」

Title: Pheasants and peonies, from a series of scrolls representing Birds and Flowers of the Four Seasons, Muromachi Period (ink & wash on paper) creator: Kano Motonobu (1476-1559) Nationality: Japanese Description: originally installed in the Hojo (Hall of Danna) of Daisen-in Temple, a sub-temple of the Kyoto Zen Temple, Daitoku-ji; painted in either 1513 or 1535; Location: Kyoto National Museum, Japan Medium: ink and wash on paper Date: (C16th) Dimensions: 174.5x99 cms Credit: Pheasants and peonies, from a series of scrolls representing Birds and Flowers of the Four Seasons, Muromachi Period (ink & wash on paper), Kano Motonobu (1476-1559) / Kyoto National Museum, Japan / Bridgeman Images Keywords , CRT, bird, peony, pheasant Age：16th Medium：ink and wash on paper

RM 14787828

風神雷神図　（レプリカ）

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RM 14120091

狩野永徳 「松鷹図屏風」

Artist： Kano Eitoku (1543-90) Title： The Hawks in the Pines, 6 panel folding screen (pen & ink, colour, gold on panel) (see 216561) Location： Tokyo National University of Fine Arts, Tokyo, Japan Age：16th Medium：pen and ink, colour, gold paper on panel

RM 14120090

狩野永徳 「松鷹図屏風」

Artist： Kano Eitoku (1543-90) Title： The Hawks in the Pines, 6 panel folding screen (pen & ink, colour, gold on panel) (see 216562) Location： Tokyo National University of Fine Arts, Tokyo, Japan Age：16th Medium：pen and ink, colour, gold paper on panel

RM 9751591

二条堀川夜討の図

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RM 9684391

井伊直弼の肖像

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RM 9751188

徳川光国の肖像

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RM 9751657

親鸞の肖像画

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RM 9684456

吉田 兼好の肖像

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RM 9684283

武田信玄の肖像

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RM 9684414

太安萬侶の肖像

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RM 9684504

平賀源内の肖像

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RM 9684363

豊臣秀吉の肖像

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RM 7747989

吉田松陰の肖像画

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RM 7748036

京都府　建仁寺　風神雷神図　（レプリカ）

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RM 7747995

小野妹子の肖像画

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RM 5571623

源実朝

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RM 1969743

月岡芳年・歌川芳幾（落合芳幾）　英名二十八衆句目次

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RM 4140479

「ツルレイシ」（玄圃瑤華）

作家名：伊藤若冲 ( 1716年 - 1800年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 fine arts, Ito Jakuchu (1716 - 1800), curcubita, panel print, 'Gempo Yoka', 1768, 27,6x17,5 cm, private collection, plants, leaves, wood, Japanese Art, Japan, Asian, mid Edo period, 18th century, JP,

RM 4141308

「ナスビ」（玄圃瑤華）

作家名：伊藤若冲 ( 1716年 - 1800年 ) 国籍： 日本の絵師 ジャンル： 日本画 年代： 江戸時代 fine arts, Ito Jakuchu (1716 - 1800), aubergine, panel print, 'Gempo Yoka', 1768, 27,6x17,5 cm, private collection, plants, leaves, fruit, wood, Japanese Art, Japan, Asian, mid Edo period, 18th century, JP,

RM 1062607

楊洲周延(橋本周延) 「武者絵　加藤清正　虎退治の図」

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RM 1062616

宮本武蔵の肖像画(複製)

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RM 1062624

楊洲周延(橋本周延) 「憲法発布式の図」

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RM 4980381

尾形光琳 「群鶴図」

Cranes-Japanese Edo Screen Painting Ogata Korin (1658-1716 Japanese) Christie's Images, New York, USA

RM 1062851

菅原道真の肖像

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RM 1062807

菅原道真

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RM 30426622

橋本関雪「遅日」

Visiting a Hermit, 1930. Artist: Kansetsu, Hashimoto (1883-1945) Location: Adachi Museum of Art.

RM 22321801

俵屋宗達 「雲龍図」

Artist： Sotatsu, Tawaraya (fl.c.1600-40) Title： Dragons and Clouds, Edo Period (ink & pint tint on paper) Location： Freer Gallery of Art, Smithsonian Institution, USA Medium： ink and pink tint on paper Size：171.5x374.3

RM 22321802

俵屋宗達 「雲龍図」

Artist： Sotatsu, Tawaraya (fl.c.1600-40) Title： Dragons and Clouds, Edo Period (ink & pink tint on paper) Location： Freer Gallery of Art, Smithsonian Institution, USA Medium： ink and pink tint on paper Size：171.5x374.6

RM 22321805

尾形光琳 「群鶴図」

Artist： Korin, Ogata (1658-1716) Title： Six-panel screen depicting Cranes, Edo Period (ink, colour, gold & silver on paper) Location： Freer Gallery of Art, Smithsonian Institution, USA Medium： ink, colour, gold and silver on paper Description：Each panel measures 166x371. See 491620 for pair.

RM 134542474

狩野正信「周茂叔愛スイレン図」

Title:　Zhou Maoshu contemplating lotus flowers, by Kano Masanobu (1434-1530), ink on paper, Japan, 84.5 x 33 cm, Japanese Civilization, 15th-16th century Description:　Zhou Maoshu contemplating lotus flowers, by Kano Masanobu (1434-1530), ink on paper, Japan, 84.5 x 33 cm. Japanese Civilisation, 15th-16th century. Date:　(16th) Credit:　Zhou Maoshu contemplating lotus flowers, by Kano Masanobu (1434-1530), ink on paper, Japan, 84.5 x 33 cm, Japanese Civilization, 15th-16th century / tokyo kokuritsu hakubutsukan (museo nazionale) art 22433549

RM 131334737

小原古邨

Hawk, A hawk looking to the left stands with a spread wing on a tree stump., Ohara Koson, Japan, 1887 - 1945, schildering, brush, h 71.0 cm × w 50.0 cm l 64 cm × d 5 cm

RM 109127307

曾我蕭白「雲龍図」

MMNR5A Unryu-zu by Soga Shohaku

RM 92479596

橋本関雪

HASHIMOTO KANSETSU. Monkeys. Artist: Hashimoto Kansetsu (Japanese, 1883-1945). Culture: Japan. Dimensions: 19 x 22 in. (48.3 x 55.9 cm). Date: 20th century. Credit: Album / Metropolitan Museum of Art, NY

RM 79578465

藤田嗣治

Three Girls and a Doll, c.1918 (w/c on paper) by Fujita or Foujita, Tsugouharu (1886-1968); 50x61 cm; Private Collection; French, in copyright

RM 79578559

藤田嗣治

CH652450 Mother and Child; Mere et Enfant, 1959 (oil and gold leaf on canvas) by Foujita, Tsugouharu Leonard (1886-1968); 34x22.6 cm; Private Collection; (add.info.: Mother and Child; Mere et Enfant. Tsugouharu Leonard Foujita (1886-1968). Oil and gold leaf on canvas. Painted in October 1959. 34 x 22.6cm)

RM 79578566

藤田嗣治

CH653427 La Toilette, (gouache) by Foujita, Tsugouharu Leonard (1886-1968); 38x36 cm; Private Collection; (add.info.: La Toilette.Tsuguharu Leonard Foujita (1886-1968). Gouache. 38 x 36cm)

RM 79584659

藤田嗣治

Kiki, 1927 (oil on canvas) by Foujita, Tsugouharu Leonard (1886-1968); 61.6x50.5 cm; Private Collection; (add.info.: Kiki. Tsugouharu Leonard Foujita (1886-1968). Oil on canvas. Signed and dated 1927. 61.6 x 50.5cm.)

RM 9684361

豊臣秀吉の肖像

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RM 143507811

蓬莱山図

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RM 131334740

小原古邨

Little egret, standing in shallow water, with reed., Ohara Koson (mentioned on object), 1900 - 1930, paper, calcium oxide, colour woodcut, h 242 mm × w 250 mm

RM 131334854

小原古邨

883375 Two Carps, pre-1912 (colour woodblock print) by Koson, Ohara (1877-1945); Minneapolis Institute of Arts, MN, USA; (add.info.: Published by Kawaguchi Jirō. Dimensions: 23.5 x 25 cm (image) 27 x 28.5 cm (sheet)); Gift of Paul Schweitzer; Japanese, out of copyright.

RM 119414939

神坂雪佳

Basket, Kamisaka, Sekka, (Artist), Date Issued: 1909, Momoyogusa = Flowers of a Hundred Generations.

RM 83839741

Tsubaki Chinzan 1801-1854. Hanging scroll, ca. 1801-1854. Edo period (1615-1868). Hanging scroll; color on paper, 141 × 37.1 cm. Inv. Nr. 1975.268.115 New York, Metropolitan Museum of Art.

RM 54284764

竹内栖鳳

Title: White Radish (Daikon) And Rat (colour woodblock print) creator: Takeuchi Seiho (1864-1942) Nationality: Japanese Location: Freer Gallery of Art, Smithsonian Institution, USA Medium: colour woodblock print Dimensions: 37.8x43.2 cms Credit: White Radish (Daikon) And Rat (colour woodblock print), Takeuchi Seiho (1864-1942) / Freer Gallery of Art, Smithsonian Institution, USA / Robert O. Muller Collection